Don’t settle…
Is the Gothic Romantic Novel Dead?
Gothic literature has some element of horror in it, something terrifying, spooky, or horrific. It also often has mysterious elements, sometimes supernatural or dream-like qualities. These stories often take place in a spooky, dark, confined space like an ancient castle or empty manor house, a crypt, or a damp cellar. The themes of guilt and sin repeatedly appear in gothic literature, usually in reference to some crime committed or secrets kept.
Popular gothic authors include Edgar Allan Poe, Charles Brockden Brown, Mary Shelley, Ann Radcliffe, and William Beckford.
Other famous examples of Gothic literature include The Strange Case of Dr. Jekyll and Mr. Hyde and Dracula. Since the Gothic novel has branched off into numerous sub-genres, I am speaking of the Gothic in English literature ( classic texts) that created the building blocks for what we know as Gothic today.
My personal favorite (as well as Dracula) is Jane Eyre, In this example, we discover the Gothic can also refer to stories involving strange and troubling events that, while they have logical, natural explanations, seem to originate from unexpected forces. Charlotte Bronte employs this element of the Gothic in Jane Eyre, published in 1847. While living in Thornfield Hall as a governess, Jane frequently hears strange noises and laughter coming from the third story of the mansion that no one will explain, and odd things keep happening in the dead of night, such as her master Mr. Rochester’s bed catching fire, and the attack on a guest. We later discover the force behind these events is his insane wife.
Today, however, there are also a ‘new’ brand of Gothic Novels. Southern Gothic is a subgenre of the gothic novel, unique to American literature.
Southern Gothic is like its parent genre in that it relies on supernatural, ironic, or unusual events to guide the plot. It is unlike its parent genre in that it uses these tools not solely for the sake of suspense, but also to explore social issues and reveal the cultural character of the American South.
The Wilderness Gothic, Suburban Gothic, Space Gothic, and Fantasy Gothic sub genres are also finding a place under the umbrella of 21st century Gothic stories, novels and novellas .
As a long time member of OCC/RWA, I am published in contemporary romance, romantic suspense, and YA historical sweet romance. However, I am also the president of RWA Gothic Chapter (GothRom) of Romance Writers.
If you’d like to learn more about this romantic genre please visit one or more of these links:
http://www.bbc.co.uk/timelines/zyp72hv A time line and more information about Gothic Literature via BBC.
https://en.wikipedia.org/wiki/Gothic_fiction
Thank you for stopping by to visit my blog post here At “A Slice of Orange“.
Connie Vines
To learn more about writing a Gothic Romance (the perfect October blog topic), please visit the GothRom Chapter of RWA.
http://gothrom.net |
Spread out over gorgeous pages of…
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Over the last several months, I’ve been sharing my Amazon sales numbers with you as I compare changes during and right after my KDP Select promotions.
I wrote about the results from my May 5-days-free promotion here, and I just updated the earnings this week to “actual” rather than a guesstimate, showing I overestimated revenue. I also tallied the results from my August 5-days-free promotion here. (I’m still showing revenue guesstimates until I get the final numbers for September, but I’ll update that post soon). Both of these promotions have been for Little Miss Lovesick, which has been in KDP Select since February 26, 2015.
Now I want to discuss my “borrows” – which I’ll refer to as KENP (Kindle Edition Normalized Pages) for periods beginning July 1, 2015. I’ve been studying the “tail” of sales and borrows after my promotions to see how long it lasts. (The length of the period after a sales spike is commonly referred to as the tail.)
I don’t want to leave my book in KDP Select forever, but at what point has the positive impact of the 5-days-free promo in each 90-day period stopped influencing borrows/KENP? It’s not cut-and-dried, particularly because you can’t truly compare “borrows” of full books to KENP, “pages read” of full books. But for me, for this book, it looks like there are 4-6 good weeks of borrows, with the first three weeks the very best.
For example, for the first 2 1/2 months of the first KDP Select 90-day period (February 26 – May 25, 2015), I had 1 borrow. In the two weeks during and after the free period (May 19-31), I had 71 borrows! Then another 88 in the month following (June 1-30).
But the second month after the free period showed a sharp drop – 2381 KENP pages read. Little Miss Lovesick has 402 KENP pages, so that’s the equivalent of about 6 books borrowed and read July 1-31.
[NOTE: Little Miss Lovesick was earning about $1.35 per “borrow” through June 30, 2015. Since Amazon changed borrows to KENP pages read on July 1, the book – at 402 KENP pages – now earns about $2.32 if a reader reads every page.]
During the second 90-day period (May 26 – August 23), I tried to recreate the circumstances as exactly I could. During the two weeks during and after the free period (August 18-31), there were 24,899 KENP pages read! Because I don’t expect that every reader reads every page (copyright page, author bio, excerpt, etc.), I’d guess that’s between 62 and 66 books borrowed and read (compared to 71 borrows in May).
The following month, September 1-30, there were 15,567 KENP pages read. That’s probably about 38-42 books borrowed and read (as compared to 88 in June).
If you’d like to see exact numbers, here are the KENP pages read by week for the last seven weeks. Day 1 of Week 1 is the first day of the 5-days-free promo.
Week 1: 7246 KENP pages read
Week 2: 17,653
Week 3: 7831
Week 4: 3780
Week 5: 1692
Week 6: 1811
Week 7: 1274
It’s too early to guess what October’s numbers might be, but based on one period of history above (not a good way to show statistical integrity), and understanding that the previous way Amazon counted borrows (1 book, regardless of how much of it was read after the 20% mark) is significantly different from the new method (by page, exactly), my guess is that October’s numbers will be bleak.
The reason why I started looking at these numbers this week is because Little Miss Lovesick is in the middle of another 90-day KDP Select period, and I need to decide which five days will be free. Knowing that the sales/borrows tail will be good for at least three weeks, I want to do the free promo at least three to four weeks before the end of the period so I can get all the revenue I can from borrows before the book leaves the program.
Unless I change my mind and leave this book in KDP Select for another term (through February 19, 2016), I’ll set the five free days to start sometime during the week of October 18. That will leave me a four-to-five-week tail to get paid for as many KENP pages read as possible before the book leaves KDP Select on November 22.
ACK!! That doesn’t give me much time to figure out where and how to promote it to best advantage!
And that is why I wrote this post for you. 🙂 If you put a book in KDP Select, you need to think through all the potential good that can come your way and figure out how to harness it. If you leave your 5-day-free promo to the end of the period, and don’t renew the book in KDP Select in the following period, you stand to lose hundreds of dollars or more in KENP lost revenue.
If your book isn’t selling anywhere else, as was the case with this book, it probably doesn’t hurt to keep trying different ways to gain readers using KDP Select. For instance, if you don’t want to make your book free for five days (and they can be any five days, but everyone I know, myself included, has found the best results when the five days are in a row), you can try KDP Select’s Kindle Countdown Deal.
The key is – whatever you decide to do, think it through and make a plan. Good luck!
But that doesn’t mean I’ll fail to wish OCC a Happy Birthday. In fact, consider this blog my birthday wish!
I gather, from the OCC website, that this will be the chapter’s 34th birthday. That’s really exciting, especially considering that it has been, and remains, an especially dynamic chapter. We’ve got lots of published authors as well as many romance writers who are heading that direction. The chapter, and its members, have helped every one of us at whatever writing level we are. We’ve all watched and participated in how much the industry has changed over time. It’s wonderful!
I’ve been a member for over twenty years and have always loved it. I intend to remain a member for years to come, and to continue to attend as many meetings as possible. Unfortunately, it won’t include this one.
So, again, Happy Birthday, OCC. Have a wonderful celebration… without me.
Linda
O?
Linda O! Johnston
www.LindaOJohnston.com
BITE THE BISCUIT, A Barkery & Biscuits Mystery
KNOCK ON WOOD, a Superstition Mystery, October 2015
CANADIAN WOLF, an Alpha Force Harlequin Nocturne
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