For a date night back in graduate school when my life took a sharp right turn, I slipped on a pair of new red high heels, never dreaming I’d break them in by jumping out of a Mercedes and running away from the man who kidnapped me. I was the victim of sexual assault. For years afterward I blamed myself. Relived the night, asking, what did I do wrong to make him take advantage of me? What should I have done… why didn’t I fight back harder? I couldn’t, the man I dated was drinking heavily and bigger and stronger than me.
Questions and more questions, but no answers.
I kept the details of that night to myself, afraid to share my experience with anyone. Afraid I’d be judged. As if it were my fault.
I left the university and went off the grid for a year. I traveled throughout the US in a job that let me get lost… never staying for more than two days to two weeks in one town. I glammed myself up in a blonde wig and fashionable clothes to forget and pushed the old me into hiding. Then something cool happened. I found purpose in my cosmetics work, bringing a smile to ladies’ faces young and old when I did makeovers for them, traveling from the Big Apple to Amarillo. It was the era when the grande dame department stores ruled the downtowns. I was a language major in college, but I also studied art and costume design and I enjoyed creating color palettes and showing ladies how to look their best.
Until the old fear reared its ugly head.
I’d freeze if I saw someone who reminded me of him.
I couldn’t get into a car without checking to make sure the doors were unlocked.
I didn’t feel safe alone with a man.
To gain confidence in myself, I took self-defense classes, but it took me years before I could talk about what happened. The strange thing is, that came about because of my writing.
I’ve written four books about Occupied Paris and Berlin during World War 2. I’ve covered the concentrations camps, the Resistance, dealing with life under the Nazis, saving Jewish children. It wasn’t until I wrote Sisters At War that I attempted to write about the sexual violence women faced from the Nazis and the Gestapo… the horror and humiliation, not to mention the physical pain and degrading of their bodies.
War crimes against women.
I was appalled and shocked by the inhumane and horrific treatment I unearthed in my research against French and Jewish women.
I was even more disheartened when I discovered that rape wasn’t prosecuted as a war crime at the Nuremberg Trials. That haunted me and set me into motion to tell the story about the two Beaufort Sisters in Paris in 1940 when one of them is raped by an SS officer and the effect it has on both sisters.
Sisters At War is the hardest book I’ve ever written, reliving my own experience through the eyes of the Beaufort Sisters… but writing the sequel Sisters of the Resistance is just as hard because I’m dealing with the aftermath of sexual violence and how it affects the rest of their lives.
I went on with my life, but the mental and emotional anguish stayed with me until I started writing about it. Then I couldn’t type fast enough. I find there’s power in sharing, a healing of the soul and mind. And most of all—
I’m not afraid to talk about it anymore.
Who are the Beaufort Sisters?
They’re beautiful
They’re smart
They’re dangerous
They’re at war with the Nazis… and each other.
There are a lot of ways to plan out your year. I’ve spent most of the last two decades doing very detailed planning that got right into what I’d end up doing each week. I decided on the big tasks and goals, and then broke them down into quarters, then months, then weeks. Then each week I would work on those smaller tasks on whatever days seemed to work best in the moment.
But sometimes you need to walk away from the granular so you can stay focused on the big picture. If that’s what you’re looking for, I can help you get your year planned in three easy steps.
I hope this helps you get started on how you’d like to spend 2024. I’m getting more and more excited about the new year the closer it gets! See you on the other side! Happy New Year!
The Bethlehem Writers Group, LLC (BWG), is a community of mutually supportive fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories. BWG also publishes quality fiction through their online literary journal, Bethlehem Writers Roundtable, and their award-winning A Sweet, Funny, and Strange Anthology series.
Each anthology has an overall theme—broadly interpreted—but includes a variety of genres. All but the first anthology include stories from the winner(s) of The Bethlehem Writers Short Story Award.
Their first anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (2009), won two Next Generation Indie Book Awards: Best Anthology and Best Short Fiction.
An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue is the latest in A Sweet, Funny, and Strange Anthology. This anthology was a finalist in both the 2023 Next Generation Indie Book Award and the 2023 Killer Nashville’s Silver Falchion.
The Bethlehem Writers Group is pleased to present this collection of tales of mystery and intrigue—the latest in its award-winning series of Sweet, Funny, and Strange® anthologies. From classic whodunnits to tales of the unexplained, each of the twenty-three stories contained herein have an element of mystery that will keep you guessing and wanting to read just one more story.
We’re thrilled to have old friends, but new members of BWG, join us this year. Award-winning author Debra H. Goldstein favors us with a mystery set among volunteers at a synagogue entitled “Death in the Hand of the Tongue,” while “Sense Memory,” by the multi-talented Paula Gail Benson, brings a delightful mix of mystery and the paranormal that helps a young couple find their way to each other.
In addition, we are happy to bring you the winning stories from two of our annual Bethlehem Writers Roundtable Short Story Award competitions: “Good Cop/Bad Cop” by Trey Dowell (2021 winner) and “The Tabac Man” by Eleanor Ingbretson (2022 winner).
You’ll also find stories from your favorite BWG authors, including Courtney Annicchiarico, Jeff Baird, Peter J Barbour, A. E. Decker, Marianne H. Donley, Ralph Hieb, DT Krippene, Jerry McFadden, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, and Carol L. Wright.
So get ready to be mystified . . . or intrigued!
BWG is working on their eighth anthology, Season’s Readings: More, Sweet, Funny, and Strange Holiday Tales.
In connection with this anthology, they are hosting The Bethlehem Writers 2024 Short Story Award.
The 2024 Short Story Award opened on January 1, 2024. The theme will be Holiday Stories (broadly interpreted).
BWG is seeking never-published short stories of 2,000 words or fewer. First Place will receive $250 and publication in their upcoming anthology: Season’s Readings: More, Sweet, Funny, and Strange Holiday Tales or in Bethlehem Writers Roundtable.
The final judge of the 2024 Short Story Award is Marlo Berliner, the multi-award-winning, bestselling author of The Ghost Chronicles series.
Happy holidays. Let’s finish up this series with the sales.
This was my first mega signing and therefore I had no idea what to expect. It was also the inaugural Steamy Lit Conference and mega signing. No one really knew what to expect. This was a huge event. Think Book Bonanza but slightly smaller and you will have an idea of what this event was like.
On a side note the energy was amazing. If you ever get the opportunity to attend as either a signing author or reader, go. It was fun being amongst like minded people who understand your love of books.
I don’t think any of the authors knew what to expect sales wise from this conference. Prior to the event I asked God for an abundance of sales. Did I sell out? No. Did I earn back all of my expenses? No. Based on the size of the event, I really thought I would sell out. My expectations were wrong, because I’m a relative unknown author. The sales I received were mostly from new to me readers which is very good. I am very grateful for the sales I made because I have new readers I don’t think I would have gotten if it hadn’t been for this conference.
Did I discount my books?
How much to sell your books for at signings is always a tricky question. I did a lot of research from previous authors on this subject. I also stalked every pre-order I could find for event signing pricing. What price to sell your books for is something only you can answer. I chose not to discount my books and I’m glad I didn’t. I write a mix of large and small books. I felt I would be doing myself a disservice by discounting my books.
In speaking with some readers they informed me, they don’t expect to get discounts or freebies. They come to the conference prepared to spend money. I tried to find out how much they had spent, but I was politely told, “you don’t need to know that”. I learned if a reader is interested in your book, they will buy it no matter the price. If you have an exclusive hardcover or boxset and they like it…they will buy it. I saw readers buy VERY pricey exclusives and not blink. The readers I spoke to said, if they like a book or series, they’ll buy it in every iteration available.
This leads to another area for future book signings….Exclusives. Since I’m doing SLC 2024, I’m already thinking about exclusives and hardcovers to take. Now that I know what readers expect, I better able to prepare. I’m also working on building my name recognition to increase my sales.
Was this event a financial failure?
No. This was the most profitable signing event for me. I also gained new subscribers, met some nice readers and sold some books. I got some valuable input from readers. I discovered some new authors to read, made some new friends, industry professionals and gained some publishing knowledge.
Will I do a mega signing again?
Of course. I like meeting with new readers and I like doing signings.
However, when it comes to signings, I am limiting the number of signings I do per year because it’s a lot of work and expensive. Ideally, I would like to do a signing a quarter. Two local and two out of town, but nothing is etched in stone. I could change my mind and sign up for more signings.
I hope this series has been helpful. If I missed something or you have some signing tips, please share them.
See you next year when I recap my quest to increase my mailing list.
Au revoir.
I thought it would be fun to look back at the popular toys given for the holidays during the 1960s. This research brought back a flood of memories as both receiving them for gifts and buying them for the younger ones in my family. Hope you enjoy this walk down memory lane, also.
1. Army Men, or plastic soldiers of unbreakable plastic commonly molded in olive green. In the early 1950s Louis Marx and Company sold bagged or boxed sets of plastic military figures and accessories called play sets. Dressed in modern military uniforms and armed with WWII weapons, these army men were sold at low prices in discount stores and supermarkets.
Note: The makers of the green army men announced that army women would be sold in 2020. Gummy army men candy is now also available.
2. Die-cast metal toys High quality collectible, metal toys were produced using the die casting method, i.e. putting molten lead or zinc alloy in a mold to make a particular shape. Such toys are made of metal, with some parts made of plastic, rubber, or glass.
Dinky Toys was the brand name for a range of diecast, zinc alloy miniature vehicles produced by Meccano Ltd. They were made in England from 1934 to 1979, at a factory in Binns Road in Liverpool.
3. Barbie Doll spin-offs Mattel introduced Skipper Roberts in 1964 as Barbie’s younger sister. It made quite a splash in the Barbie doll world. More “friends” were introduced as the years went on.
4. Hamilton’s Invaders by Remco was a 1964 series of plastic toys modeled after giant insect type monsters, toy soldiers and vehicles. The line was marketed on television during the early 1960s.
4. Hamilton’s Invaders by Remco was a 1964 series of plastic toys modeled after giant insect type monsters, toy soldiers and vehicles. The line was marketed on television during the early 1960s.
6. The Easy-Bake Oven is a working toy oven introduced by Kenner Products in 1963, and later marketed by Hasbro. The original toy used a pair of ordinary incandescent light bulbs as a heat source. Kenner sold 500,000 Easy-Bake Ovens in the first year of production.
7. G.I. Joe is produced by Hasbro in 1963. Initially the figurines represented the four branches of the U.S. armed forces and later on, the Action Nurse. Their marketing focused on the term “action figures” vs “doll” because boys did not play with dolls. Thus, the word “doll” was never used by Hasbro or anyone involved in the development or marketing of G.I. Joe “Action Figures.”
8. By 1964, sales of Batman Merchandise had fallen drastically. Editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, which was a “New Look”. Schwartz introduced changes designed to make Batman more contemporary. The Batmobile was redesigned, and Batman’s costume was modified to incorporate a yellow ellipse behind the bat-insignia. More slight modifications followed when the Batman television show debuted in 1966.
9. Kiddles were small dolls originally produced by Mattel. They were introduced at the1966 New York Toy Fair and put on the market soon after. At only three inches tall, they were tiny by conventional doll standards. The sensation they created in the toy world caused other toy companies to produce their own tiny dolls.
10.Disneyland Plastic figurines of Mickey Mouse, and Donald Duck were only available at Disneyland theme park until the advent of Disney World and the Disney mall stores in 1987.
What toys do you remember from the 1960s?
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Heat up the holiday with ten dreamy regency rogues!
More info →The Pacific breezes blow many things in from the ocean, this time its power, greed, and murder.
More info →A Prominent judge is dead; a sixteen-year-old girl is charged.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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