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Romancing the Holidays: OCC/RWA Online Class with Rebekah Ganiere

March 16, 2018 by in category Online Classes tagged as , , , , ,

Have you thought of writing a holiday romance?

If so, consider our April class with instructor Rebekah Ganiere.

 

Romancing the Holidays graphic

 

About the Class:

What is the hype with Holiday Romances? Have you ever wondered why so many people do Holiday Romances? Or why there are so many people that read them? Ever wondered what it takes to write a Holiday Romance? Or when to publish it? Or when Publishers even send out calls for them?

Well now you can. Join the thousands of writers who are publishing Holiday Romance short stories, novellas and novels and helping them to move their careers forward. Learn what you need to incorporate into your story. How to write a sci-fi, fantasy or paranormal holiday story and more and why this genre is year after year one of the best sellers and biggest money makers for authors!

About the Instructor:

Rebekah GaniereRebekah Ganiere is an Award Winning Bestselling Author and Screenwriter. Her debut novel Dead Awakenings, hit the bestseller list on release day. She has won several awards in both writing and screenwriting. Books in her popular fairytale retelling series Fairelle as well as her Wolf River Series have won several awards. Rebekah is a prolific author releasing upwards of five books a year and is currently working on six different series including in the Paranormal Dating Agency Kindle World. Rebekah’s screenplay No More Goodbyes was awarded Best Screenplay by the New Hope Film Festival as well as the Family in Film Festival and is currently in pre-production.

Rebekah was the 2017 President of the Fantasy, Futuristic & Paranormal Chapter of RWA and is a member of several local and online chapters. In her spare time when she isn’t writing you can find her teaching on SavvyAuthors.com or at RWA. Rebekah is also known for her elaborate cosplays with her family and has been a guest speaker and panelist at San Diego Comic Con, Wondercon, Salt Lake Comic Con, Long Beach Comic Con, Comikaze, Fyrecon and several other Comic Cons on the west coast as well as LTUE, Romantic Times Convention, RWA, InD’Scribe, Genre LA and Authors After Dark.

Enrollment Information

This is a 4-week online course that uses email and Yahoo Groups. If you do not have a Yahoo ID you will be prompted to create one when you join the class, but the process is not difficult. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.

Enrollment is a two-step process. In Step 1, you ask to Join the Yahoo Group. Step 2 is your payment via PayPal.

Class Fees are $20.00 for OCC/RWA members: $30.00 for non-members. Sign up at http://occrwa.org/classes/april-online-class/.

For further information regarding this class, refunds or problems enrolling/paying for the class, please send an email to the OCCRWA Online Class Coordinator at onlineclass@occrwa.org.

Happy St. Pateick’s Day!

Linda McLaughlin
OCC/RWA Online Class Coordinator

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Now & Then: An Author Looks Back

March 15, 2018 by in category The Write Way by Maureen Child, Writing tagged as , , , ,

I am updating my early romances and contemporary women’s fiction novels with the intention of re-releasing them. I am excited because these books were my training ground. In these pages I can hear the first tentative sounds of my distinct ‘author’s voice’. I see that I instinctively had a good grasp of what makes a story work (don’t all voracious readers have that instinct?). There is one more thing I see in these books that is hard to embrace: my major author ‘dork’. I have no other word for my early writing stumbles. Some of them were mistakes of publishing fashion and others were born from an untrained sense of drama.

Since hindsight is a wonderful thing, I thought I’d share my top three ‘author dork’ mistakes.

1) Hysterical dialogue: This is not an industry term so don’t use it with an editor. Sill, I think it perfectly describes my use of long sentences, harsh words, and huge banks of exclamation points to get across a character’s anger, distress, fear and passion.

Solution: In my later work, I learned that proper scene set-up, thoughtful exposition, and spare and realistic dialogue give me a lot more dramatic punch.

2) Fad over fashion: Within the first few pages of Seasons (a book I really love) my heroine appears in Laura Ashley dress. If you’re old enough to know who Laura Ashley is, you’re cringing at the image. If you’re not old enough to know then I have made you stumble as you try to figure it out. I have no doubt I will also run across references to big shoulder pads and power suits.

Solution: I now describe clothing generally – jeans, slacks, blazer, leather jacket – to allow the reader to fill in the detail blanks. I use color to underscore character. I never use a designer name or a fad because this dates a book. The only exception is when I need the fad to assist in a plot point. For instance, a label in a corpse’s clothing might call out a specific designer.

3) Overwriting: When I first started writing there seemed to be an accepted rule of thumb that a chapter was twenty pages, that women’s fiction and romance were not worthy unless the author lingered over love scenes and dialogue was drawn out. If there is purpose to long stretches of prose or dialogue then go for it, but if during the edit the author can’t remember what happened in the last three pages of a book then the reader won’t remember either.

Solution: Tell the story. Do not write to word length. Either the story is solid and will move along at a good clip or it won’t, either it will be 100,000 words or it won’t.  The readers won’t stick with you.

The good news is that I am happy with these early books and will not fundamentally change them. I will, however, make them better by applying what I know now to what I wrote then. If only we could do the same thing with our high school yearbook pictures the world would be perfect!

Happy writing.

Don’t forget to check out my latest release, Secret Relations, book 3 in the Finn O’Brien Thriller Series.

Here’s where you can find me!

Website: http://rebeccaforster.com

Facebook:

Personal: https://www.facebook.com/rebeccaforster

Author page: https://www.facebook.com/RebeccaForster4/

Twitter: @Rebecca_Forster

Instagram: https://www.instagram.com/rebeccaforster1211/

Subscribe to my newsletter and get my 2-book starter library:

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Janet Elizabeth Lynn & Will Zeilinger: Featured Authors of the Month

March 14, 2018 by in category Apples & Oranges by Marianne H. Donley, Featured Author of the Month tagged as , ,

 

 

Janet Lynn and Will Zeilinger

Published authors Will Zeilinger and Janet Lynn had been writing individually until they got together and wrote the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. Janet has published seven mystery novels, and Will has three plus a couple of short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and lives in Southern California.

SLICK DEAL

Buy now!
SLICK DEAL

GAME TOWN

Buy now!
GAME TOWN

STRANGE MARKINGS

Buy now!
STRANGE MARKINGS

SLIVERS OF GLASS

Buy now!
SLIVERS OF GLASS

DESERT ICE

Buy now!
DESERT ICE
STONE PUB: An Exercise in Deception
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Bethlehem Writers Roundtable 2018 Short Story Contest

March 13, 2018 by in category Apples & Oranges by Marianne H. Donley, Contests, Writing Contest tagged as , ,

 

 

Bethlehem Writers Roundtable
2018 Short Story Award

DEADLINE
APRIL 30, 2018
 
We are looking for unpublished stories 
of 2000 words or fewer
on the theme of
 
Tales of the Paranormal
 
Send us your stories about
wizards, clairvoyants, other-worldly creatures,
vampires, werewolves, telekenetics,
ghosts, goblins, witches, mediums,
poltergeists, the supernatural,
and other unexplainable experiences.

For more information or to enter please see Bethlehem Writers Roundtable

 

Winning stories from past contests appear in the following BWG anthologies

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Different Forms of Storytelling by Denise M. Colby

March 12, 2018 by in category The Writing Journey by Denise Colby tagged as ,

Different Forms of Storytelling by Denise M. Colby | A Slice of Orange

 

…Are Not All That Different

 

I started writing this post with a simple topic given how busy I am, yet it quickly turned into a deep-thought, look inside my heart observation.

Since December, I’ve been choreographing and assistant directing Beauty & the Beast, Jr at my son’s school.  All fifty-five (55) 5th-8th graders and one-hundred twenty-six K-4th graders.  Yep, you read that correctly —181 kids.

This is my sixth show. I love to create an overall vision in my head, work with each piece one by one, then put them all together at the end to entertain and tell a beautiful story.  Sharing the experience of live theater with these kids is so much fun. And it’s been a blessing to do this over these years with all three of my sons when they have been at school here (my youngest is cast as Cogsworth this year).

I work with three other wonderful women and a whole slew of volunteers to be able to pull this off.  Lots of layers.  Lots of details.  Staging, sets, costumes, make-up, shoes, and so much more.  All parts of the whole in the musical theater form of storytelling.  Much like writing a book.

My very first blog post on A Slice of Orange, was on this three years ago.  About how each piece matches setting, POV, dialogue and more.  I talked about my confidence growing year over year each time I do one of these shows and that it’s the same with my writing.

 

In my mind, both forms tell a story to an audience. And thus I should approach both the same.

 

But as I was writing these words, another thought intruded.

 

I’m not alone in creating this wonderful masterpiece of a show.  I have help. 

 

As I’ve taught the kids their steps and where they stand or move, the drama director talks with them about their acting and the music director works on their singing.  I am one of many to pull this off and I have no problem showing what I’ve created to the team, asking for feedback and together figuring out what should change.

 

Why then, is it so difficult for me to ask for help with my writing? 

 

It should be the same thing.  I do not need to work alone to create my manuscript.  There are people who are willing and able to help me.  I can learn and grow from working with others, especially if I’m sharing my words with people who are stronger in the areas I am not.

 

As I sit and ponder this a while, I realize words are very personal to me.  I’m a journal writer and I love to write what I’m thinking or feeling.  Thoughts and feelings are not wrong – they are real.  Before I write something, I listen to my heart, what I feel, what I believe and then put words on a page.

 

However there are patterns and formulas and specific skills to writing a novel and all those elements need to be in there as well.  The longer I’ve been working on this, the more my brain understands the rules, patterns, and formulas for fiction writing.  To put in the specific elements in order for it to become a viable readable story.  That it’s not about my thoughts and feelings.

 

My brain seems to understand it, but my heart still takes what I write very personal.

 

Deep down, my stubborn pride wants to do all of this by myself. To try to put it in perfect order before I share it with someone.

 

Why do I do this?

 

I don’t have an answer to that yet.  But maybe I can try to understand a little better.

 

I have been choreographing and dancing longer than I’ve been writing fiction.  And I believe I’m more of a natural with it, than I am with the writing.

 

But, I want to be a natural writer.  Just sit down and write it all out.  But when I think about it, I’ve been studying dance all my life.

 

And I understand the nitty, gritty details that makes a good dance number.

 

I’m still learning the nitty, gritty details that go into writing a fictional story.

 

Also, I have put hours into dissecting the music and characters and how they move and the timing before I taught the kids anything. And when something didn’t work I have gone back and reworked it.

 

Am I putting that same type of focus and time into my writing? 

 

Do I study my manuscript word for word to make sure it is the best it can be?

 

See, I told you I was doing some deep soul-searching.  I love to write like this. It actually comes easier to me than writing a made-up story.  So, maybe if I accept this about myself, I’ll have an easier time being open to learning and sharing my writing—all to make the stories in my head and heart be able to come to fruition.  Which is ultimately the goal.  Not for my writing to be perfect, but for my stories to be published, presented, performed…I think you get the picture.

 

Do you have something you struggle with in your writing?

 

Is it difficult for you to share your words with others?

 

I would love to hear from you. (And If I don’t respond right away, it’s because I’m backstage working a show this week.)

 

Denise

 

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