Words are a writer’s ingredients. We love words – obscure words, descriptive or emotional words, those sets that make up the language of a specialty. Creating a passage of the perfect words hits the poetic, emotional and dramatic sweet spot — it’s more satisfying than a perfectly risen soufflé. Those words are not always based on literal meaning; otherwise Oscar Wilde would never have written: “The curves of your lips rewrite history.”
I have always been taken with the vocabulary of cooking. This is probably because I can’t cook. Maybe I think if I learn that vocabulary I can wield it like an incantation and my split pea soup will magically look less frightening, smell inviting and even taste good. It hasn’t worked but culinary terms, as a set of words, continue to surprise me — they’re just so aggressive.
Macerate, whip, beat, truss, pulverize, grind, batter, beat, scald. Whoa! All this to get something beautiful, delicious and nutritious? It works for most cooks. No matter how I slice or dice, shred, mince or mash, it seldom works for me. Must be in how you understand the terms and in nuance of use. Culinary terms work just as well to describe a cage fight as they do with a recipe for Angel Food cake.
Jared didn’t blanch facing the mountain that was Killdeer Kilze. He’d whip this fight up – he had to – the kids hadn’t eaten in two days. Time to mince this guy and reduce his essence. Zest infused Jared’s system, juicing his blood as he minced the mountain’s nose with one lethal chop, shred his kneecap with another. Scalded by the roar of the drunken crowd he beat at the massive chest, macerating the ribs. Sliced, diced and filleted to perfection, Killdeer Kilze lay trussed like the appetizer he was. The kids would dine well tonight.
Cooking is a gentle, homey pursuit – though some of those chef shows can be down right bloody so maybe it’s the competitive aspect that accounts for the aggressive feel. These words aren’t really homonyms. They sound alike and are spelled alike but they don’t have different meanings. The difference is in the sense of the meaning.
Linguists and other learned folk call this fine distinction, Polysemy. It’s the distinction that good writers always make. It’s part of why poetry can rock your world. Seeking just the right words with just the right nuance can make a love scene monumental rather than simply sweet, or enfold the reader in the sight, smell and sound of a setting. It’s the choice and use of the right words that makes a story linger in the reader’s heart — something every writer wants.
I do wonder how our language developed to make this particular set of words work for such opposing concepts. Is there a conflicted warrior inside every woman? I don’t know but if I dig far enough I’m sure theories abound. And while I ponder this conundrum I do it…again. I fritter my time away on obscure concepts and my carefully mixed cornbread hits the cooling rack and bounces. It sounds like a hollow rock. Clearly, it takes more than knowing the right language to make a great cook. But it is knowing the right nuanced words that makes a great book.
Jenny
I find it difficult to write – or speak – in short form. To communicate, I must take not just the road less traveled but also all roads in between. My children say a conversation with me is like trying to keep your head above water in the ocean while being knocked about by swells and the occasional rogue wave. I’m not sure if my husband share’s this opinion. Then again, I’m not sure my husband’s hearing is up to snuff.
When my boys were small they begged me to write a children’s book. I ended with fifty thousand words and killed off most of the characters, so my one effort really wasn’t suitable for children (it was, however, the basis for a later novel).
I had a similar problem with lullabies. As a young mother I realized I didn’t know any. Still, I was determined to be maternal and sing my boys to sleep. In those days Cops was all the rage and the theme song was catchy, so I softly sang “bad boys, bad boys, whatcha going to do when Sheriff Brown comes for you?” Years later, my sons told me that they would stare wide-eyed into the night waiting for the police to come get them because they were pretty sure they were bad boys. Luckily, they have stopped asking me to write a children’s book and these days no one wants to hear me sing.
All this brings me to the point. It can be unbearably difficult for a cover designer to work with someone like me. Up front I am apologizing to Hadleigh O.Charles (cover designer) for my inability to be decisive, my tendency to forward six thousand royalty free photos for her consideration, and my failure to understand that the blue stripes at the top of an email mean there is something for me to download. Since I have learned nothing from my children’s assessment of my communication style, my emails to Hadleigh are like the verbal pinging of a steel ball inside a bell.
E-mail #1: Hadleigh, are you there? Hadleigh? I need a cover.
Hadleigh’s response: I’m here
E-mail #2: Well, it’s for the (fill in the blank) series and the story is about (fill in the character) and (fill in three thousand plot points) and I’m attaching a few images – but then again you probably have some ideas – so shoot me what you think and – oh, wait – how’s the dog? Hope it’s not too hot where you are. But then again the story really is about people buried in the desert – then again maybe a half naked woman on the front would be better. . . in silhouette, of course. . .”
Hadleigh’s response: Silence
E-mail #3 (usually a minute later so to be fair she hasn’t had time to respond): Hadleigh, really, you do what you want, but I don’t think we should have blood. Do you think we should have blood? Have you seen other thriller authors use a lot of blood? I’m going to visit my mom so don’t worry if you don’t hear from me for a day. . . Still, here are a couple of links – okay ten links – maybe more – so you can take a look at the top ten (maybe more) bestsellers in my genre – when you have time. But I would like to be a little different. Like them but not the same. Better. You know? Like bestseller better. No hurry. I’m seriously going to visit my mom overnight.
Hadleigh’s response: Silence (perhaps she knows that I am writing email #4 within five minutes of email #3)
E-mail #4: Five pages peppered with ideas, apologies for bothering her, explanations, useless terms that I think describe typeface, color and composition.
I hit DELETE.
Hadleigh’s response (a day or so later): Three beautiful covers that somehow incorporate tiny specks of rational thought mined from my manic ramblings. She also sends an update on her dog.
Unlike my children, Hadleigh does not lay wide-eyed and paralyzed by my avalanche of input, yet like my children she manages to figure out what’s important. Hadleigh, love you and every other cover designer out there. So happy you have all us authors covered.
REBECCA FORSTER started writing on a crazy dare. Now she is a USA Today and Amazon best selling author with over 30 books to her name. These include the acclaimed Witness Series, Josie Bates Thrillers and her latest, The Finn O’Brien Thrillers. She is married to a superior court judge and is the mother of two grown children. When not writing, Rebecca is traveling the world looking for inspiration, sewing, playing tennis and reading.
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Rebecca’s
For thirty-five years, Meriam Wilhelm worked in education. From high school teacher to college dean to her favorite job of elementary school principal, she took an excitingly non-traditional pathway, always passionate about shaping young minds.
When she retired, something magical happened. Wilhelm was bitten by the writing bug and her chosen genre was paranormal romance – specifically of the witchy persuasion. Now, six books into The Witches of New Moon Beach series, she is bringing her passion for learning to her new profession.
A world traveler, Wilhelm has researched the history and culture of witchcraft and found inspiration as far away as Bergen, Norway and as close as her home town. A Redondo Beach resident, she decided there was no better location for her family of witches to reside than the beaches outside her own front door. “I think there is magic in everyone you meet,” Wilhelm says. “You just have to look for it.”
In her case, you also must write about that magic. Currently, Wilhelm is working on book seven, The Witch of Bergen. She is the recipient of the Paranormal Romance Guild Reviewers Choice Award. She is married and the mother of three grown children and a brand-new grandma. When not writing or traveling, Meriam Wilhelm can be found at her sewing machine, at yoga class or, of course, reading.
Find romance in a romance novel and this hunky guy, too!
August is romance awareness month.
Not sure why someone picked this month when half the world is on holiday with the family or wishing they were. Not enough time for romance when you’re watching the kids in the pool or trying to wave down a taxi in London with a toddler in your arms.
To me, romance should be about cool breezes and fruity drinks on a sexy, tropical island with lots of down time, sarongs, and him shirtless. Ah, yes… (see below)
We all need romance.
The subtle flirting of a cocked eyebrow raised in your direction, a low growl from the back of his throat when he sees you in your bikini, cuddling together under a blanket and playing footsies. Mood changers, for sure. That certain connection that doesn’t come in a bottle. The “feel good” hormone. I talked to a woman in Starbucks recently waiting for her Internet date. When I asked her why she’d meet up with a guy she didn’t know, she said, “I wanted a little romance in my life.”
Wow.
I so understand. However, the good thing is, if you’re between boyfriends or dates, you can pick your romantic destination as easily as picking up a romance novel. As writers, we get to experience both creating and writing about our heroes.
Works for me….
=============
Here’s the shirtless guy I promised you…oh, yeah.
This is the third installment on using website images to increase and maximize the SEO potential for website pages and posts. In the first part I discussed ALT text, which is text added to the image file background before being placed in a post. The second installment covered specifics on Image File Names and how naming the file BEFORE it’s uploaded to a website will get better results in SEO ranking. In this post, I will discuss Image Caption, why Image Captions are important and how to use them best.
It is a known fact that readers will scan and read the image caption more than the article itself. Thus, image caption helps to highlight what the article is about and draw readers in. When writing captions, it’s important to not just state what the picture is, but to tell readers something they don’t know from just looking at the photo. Captions can be a few short words or several sentences long. The decision is personal preference, but whatever is decided, keep consistent for an overall look and feel.
An image surrounded by text that is related will rank better in a search, so choosing an image pertinent to the post is crucial.
Save the obvious description for the ALT Text. See this post for details on writing strong ALT text.
There’s a small space to communicate the idea so choose words wisely.
Make sure to share something the reader wouldn’t know just by looking at the photo.
If a reader isn’t going to read the entire article, what information should they walk away with? If they find the captions helpful, they may read more or reference the information later.
We want to find readers for our books, right? Ask—how would someone search (type in words in the search bar) to find a book that has a topic like mine?
Example #1
My working manuscript titled A Man Was Not The Plan is set in 1869. My heroine moves west to become a schoolteacher in a small town. One of the main settings is a one-room schoolhouse. Schoolhouses are a niche, so I might choose to write a post about schoolhouses. So for that post I would choose an image with a schoolhouse and add an image caption such as:
This One-room Schoolhouse in Sacramento, CA was used for inspiration in my latest novel A Man Was Not The Plan.
Example #2
If my book is released or I have the cover done, somewhere in the post I would include a picture of my book cover which I hope to include a schoolhouse—even if it’s in the background. The title itself doesn’t say anything about schoolhouses and I don’t need to mention where to purchase because I can provide a link with the image, so I would want the caption to be more descriptive.
This one-room schoolhouse seems to wreak havoc on Olivia’s plans in A Man Was Not the Plan by Denise M. Colby
Animals, clothing, any setting—whether a specific building, ranch or room (a picture of the kitchen table where many discussions in the book take place for example), a map or even a quote from your book. If you did a quote, one idea for an Image Caption would be to state a behind the scenes thought to support that quote, such as:
Olivia Carmichael had no idea how much she would eat her words.
Luke’s heart had other ideas.
Note: You can bold, italicize the words, and alter the phrasing after they are placed in the post. The number of lines for the caption can vary by increasing or decreasing the size of the photo. The one thing I haven’t figure out yet was how to center the text under the photo. Of course once I hit preview it did center the text. So make sure to look at your preview-it will look different than where you input your post.
As you can see, there are several ways to be creative with the words used in the caption. I hope that this post gets those creative juices flowing. You don’t have to always use captions for every photo, but a few strategic ones here and there can help readers find exactly what they are looking for.
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Coming face-to-face with her past…
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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