Stories of 2,000 words or fewer about WILD ANIMALS, PETS, or IMAGINARY BEASTS will be welcome (so long as an animal is an important character or element of the story).
The winner will receive $200 and may be offered publication in BWG’s upcoming anthology, FUR, FEATHERS, & SCALES: Sweet, Funny, and Strange Animal Tales.
For more information and instructions for entering see: Bethlehem Writers Roundtable 2019 Short Story Award.
Contest opened January 1, 2019
To help you come up with some killer stories BWG has shared a few writing prompts.
If the rest of this year is anything like the beginning, I’m in trouble! Oh, it’s been fun, but with family things still going on and my working on writing something I still probably shouldn’t talk about much, it’s been so busy that I haven’t kept track of what day or date it is as well as I ought to.
As a result, this post–which is late thanks to my current mind set–will be short and hopefully sweet. I’m already pondering the couple of published novels I should have available this year, and the first will be my last Barkery & Biscuits novel, the fifth in the series, called For a Good Paws, which will be published in May. As with my Harlequin Nocturnes, the publisher, Midnight Ink, is ending.
But there’s always more to come. I’m already working on a couple of things including the one mentioned above, and one will also be out in 2019.
Welcome 2019!
It’s five days into the new year and I still don’t have a production schedule. I hear your screams. It’s not like I’m clueless. In fact, I’ve been thinking about it. Unfortunately, right now I feel a little like the Scarecrow in The Wizard of Oz….”If I only had a brain.” I’ve got a brain, but right now it’s full of the other things I need to get done before I can figure out what I want to write. Okay, that might not be exactly true. I have a completed book I held back for a few reasons.
Last year, I had the privilege of attending an amazing conference, Romance Author Mastermind. When I say incredible, that is an understatement. I spent three days and evenings in total fan girl mode. I couldn’t believe I was sitting next to Lauren Blakely in one session and Carly Phillips in another. CD Reiss is so down to earth and funny. I tried to maintain my cool when I spoke to Skye Warren. And I was so excited to see Brenna Aubrey on a panel and leading roundtables. Wow! There were so many others I can’t even call all of the names. I also got to spend time with Maria Seager and Christine Ashworth.
Once reality set in, it was time to get to work. When I say I’m still buzzing, it’s not an exaggeration. I got a major wake up call. I went into the conference with a sense I was going to need to make a few changes. After the first session, I knew few was an inaccurate word. A lot of changes were going to be required.
Let me clarify. I don’t have to make changes. However, Whitney G…yes, I met her too. Side note, she was so nice and she brought the most delicious cookies for everyone. She asked us a simple question, “What level of writer do you want to be? Three, Four, Five, Six or Seven Figure Writer?” I have to paraphrase the next part. She said if you’re told you need to change your cover or make some other change how you respond will indicate what type of writer you’re on track to be. The three and four figure writer will hesitate and not make the change because they’re attached to the thing that needs to be changed. The five figure writer hesitates, but makes the change. The six and seven figure writer is making the change before they get to their computer.
I want to be a six, seven figure writer. If that means a rebrand is required, then so be it. Someone asked CD Reiss, “What about the readers who already bought the book? Won’t they be upset you changed the book?” I won’t use her exact words [Smile], but she said they already bought the book, you’re trying to market to those who haven’t.
Like I said, I went into this knowing there was a strong possibility I was going to have to make a few changes. However, when I sat down with Brenna and Olivia Rigal and asked their honest opinion about one of my covers, I braced myself for their feedback and got confirmation. CHANGE WAS NEEDED. I went upstairs and got to work. The following morning, I had a new cover. However, it’s not the one I’m going to use, but it got my juices flowing.
But that was just the beginning. We’re still talking covers. I was introduced to “Exclusive Cover Images.” Sweet Baby Jesus…I had no idea this world existed. Side note, I have been using stock and there is nothing wrong with stock. Hey, you have to crawl before you walk, but entree into this world comes at a price. [I’ll do a post about that later.] I didn’t know you couldn’t use stock on certain types of marketing materials [i.e, book marks, postcards, posters, etc.]. Let me clarify, you can if you purchase an extended license. That additional cost is plus for using an exclusive image.
Before attending RAM, I made a few drastic decisions. I shut down all of my ads…Facebook, BookBub and AMS. I wanted a clean slate once I put everything I learned in to play. Only thing is…you know how they say actions have consequences? Well, here’s my consequence to my drastic move…no ads, equal no sales…no money. However, I did have a clean slate.
I thought I knew a few things, after all, I do my own covers and graphics. I have decent book sells. But sitting in a room filled with women who have achieved the level of writing success I want, was contagious. I don’t see how it was possible to leave without wanting to get to the next level.
This all leads back to why I don’t have a production schedule yet. I completed the sequel to my best seller A SOUTHERN GENTLEMAN before RAM. When I got accepted to the conference, I made a decision not to release it until after the conference. I am so glad I did, because if I had, I know the release wouldn’t have produced the results I desired. So here I am with a book on deck, but first book one needs a major facelift.
So this year, my blog will focus on my steps to rebrand and what I learned at RAM.
First step, rebrand Tracy Reed Author. I know who she is, but am I conveying that to my readers? I’ve been reviewing my covers and blurbs…first steps in the re-branding process. I like my covers, but RAM taught me, they could be better. I made a list of all my books and took a hard look…images, fonts, colors. Then I looked at them as thumbnails. Then I looked at the top books in my category. Doing the comparison was difficult. I took the things I liked and figured out how to apply them to my covers and style.
I’ve tried to do artsy covers. Artsy is nice, but in my case it wasn’t selling as many books as I would like. Funny thing, the image I selected for A Southern Gentleman Book Two, is one I had considered originally for book one. Apparently, I was on the right track. I went with another one because I thought it was too steamy. Talk about full circle.
I’m pretty sure I wouldn’t have been as open to change the cover if it hadn’t been for what I learned in the graphic design session with Regina Wamba and CD Reiss’ openness about her covers. I didn’t think I was the abs author until I was on my way to a signing talking to my mother. I have one book with abs on it and thought it was being down loaded daily because it’s free. This book has been out since Summer 2016 and hovers in the top Free 100 on Amazon daily. Occasionally it will spike to the top 15 or slip a little below 100. It didn’t occur to me it was doing well because of the cover. Who knew a shirtless man could sell books?
I selected a book that wasn’t moving to start the rebranding process. THE NIGHT I FELL IN LOVE, has a new cover and blurb. I posted the covers in the RAM FB Group for feedback then tested the options with my reader group and was surprised. Next was test ads on Facebook and BookBub. I made two ads, one with a shirtless man and the other with a blurb and the book. Do I even have to tell you which one worked? Next step is to make it live. Because I’m changing several books, I want to wait until more are ready. Anyone who tells you rebranding is easy, is removed from reality. In addition to the books and marketing graphica, I’m also tweaking my website, another reason I’m waiting before I make the new covers live.
Next month, I’ll share the evolution of my first covers to undergo rebranding and possibly my production schedule.
Happy writing.
Sponsor: Music City Romance Writers
Fees: $22 for MCRW Members, $27 for other RWA Members, $32 for Non-RWA Members
Contest Opens January 1, 2019
Deadline: February 28, 2019
Eligibility: Open to published and unpublished authors over the age of 18. The manuscript entered must be the author’s original work and be unpublished and uncontracted at the time of deadline and unpublished during the contest itself. Manuscript must also meet minimum word count lengths.
Entry: First 25 pages or a maximum of 7,500 words.
Categories: Contemporary, Mainstream/Women’s Fiction, FF&P (Futuristic, Fantasy, & Paranormal), Historical, Young Adult. All heat levels welcome.
Judges: Judging is on a point basis, with all manuscripts judged by three authors from a pool of PAN, PRO, and trained general members. Judges are highly encouraged to comment and critique each entry.
Final Round Judges:
Contemporary Romance: Megan Broderick (Assistant Editor, Harlequin) and Ann Rose (Agent, Prospect Agency)
Futuristic, Fantasy, & Paranormal Romance: Lexi Smail (Associate Editor, Hatchette Book Group, Forever Yours) and Marlo Berliner (Agent, The Jennifer De Chiara Agency)
Historical Romance: Sarah Blumenstock (Assistant Editor, Penguin Random House) and Katelyn Uplinger (Agent, D4EO Literary Agency)
Young Adult Romance: Annette Pollert (Editorial Director, Bloomsbury) and Elizabeth Poteet (Agent, The Seymour Agency)
Mainstream/Women’s Fiction with Romantic Elements: Norma Perez-Hernandez (Editor, Kensington) and Janna Bonikowski (Agent, The Knight Agency)
Three finalists per category. Finalist entries will be judged by one editor and one agent.
Top Prize: Finalists in each category will receive a certificate and announcement in the RWR (RWA’s print and online publication), on the MCRW website, and across MCRW’s social media. The overall winner of each category will be announced at MCRW’s June meeting and will receive: a $50 cash prize, a 50-page critique by a published author or editor, and a commemorative Melody of Love pin.
FMI, check out our full rules at https://musiccityrwa.blogspot.com/p/melody-of-love-2019-rules-in-full.html and the simplified registration page at: https://musiccityrwa.blogspot.com/p/contest-registration.html It is recommended you read the full rules and category descriptions and such before entering.
You can also mail our Contest Coordinators Jody Wallace and Dana Brantley-Sieders at contest@mcrw.com
My husband, Will Zeilinger and I co-write the Skylar Drake Murder Mysteries. A hardboilded detective series that takes the reader to 1950s Los Angeles and other areas of the west. Our next book, GAME TOWN, will be available Spring 2019. Needless to say, at this time we are in the throes of writing and researching!
Someone said, “You can’t write about old Hollywood unless you experience it.” This is so true! Neither my husband nor I are from LA and didn’t experience gang infested 1950s LA. So we take field trips, such as the Raymond Chandler’s L.A. Tour. We research the clubs and hangouts of the time then visit the nightclubs, hotels, and restaurants (Turns out to be loads of fun).
To begin our journey for this series, (even before we started writing), we took a trip to San Diego and the Sheriff’s Museum. We called ahead and scheduled interviews with several retired policemen, including one that worked the L.A. beat in the late 1950s. This gentleman was a wealth of information on police activity in Hollywood and the surrounding area. Our first novel in the series, SLIVERS OF GLASS, takes place in spring, 1955 in Santa Rosa.
Research for STRANGE MARKINGS was mostly gathered on our trip to Molokai, Hawaii. Natives we interviewed told us about the many legends and what it was like living in the area in summer, 1955. As each person talked about their experiences, plots and subplots emerged for us.
We found people living in the areas at the time each book took place and interviewed them. Since DESERT ICE takes place in Las Vegas, Fall, 1955. We interviewed a dancer who worked on the, then new, strip. Will also had a college buddy who lived in Boyle Heights in the 50s, so we interviewed him and his sister for the same book where the first murder takes place.
SLICK DEAL takes place in Winter of 1955, is base on interviews with local people in Signal Hill, and Avalon, on Catalina Island all in southern California. After lengthy interviews my husband and I commented how the spoken word conjures up images and ideas so easily.
GAME TOWN, our fifth book in the series due for release in April 2019, takes place in spring, 1956. We decided to keep it in Hollywood for the first time. We recently took an afternoon and drove around old Hollywood looking for body dumps that would have been in existence in 1956. We stumbled upon a lovely apartment building, El Royale, circa 1929. We weren’t allowed in the building without permission from a resident, so we drove around and looked it up on the internet when we got home. What an amazing place for several scenes!
Whether writing about faraway places, or in a different era, visiting locations or places that imitate the area helps us develop plots. Interviews with those familiar with the time or location add “flavor” to our story. So if you are writing about a famous lodge in Switzerland, take a trip to a Ski Lodge close to you when it snows.
The results of our research? SLIVERS OF GLASS, STRANGE MARKINGS, DESERT ICE, SLICK DEAL and coming soon, GAME TOWN . . . and yes, we’re still married.
Website: www.janetlynnauthor.com
Blog: www.themarriedauthors.blogspot.com
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Celebrate all year long through Romancing the Pages
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