Vintage 1950s Holiday Music

December 3, 2018 by Janet Elizabeth Lynn and Will Zeilinger in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger tagged as Christmas Music, Holiday Music, memory lane, rock-and-roll, Vintage 1950s

Vintage 1950s Holiday Music

by

Janet Elizabeth Lynn

I thought it would be nice to listen to some of the music that we still hear during the Christmas Holidays. I’ve included the links for your “waltz down memory lane”. Here are the top ten Christmas hits in the1950s.

(In chronological order of release)

(There’s No Place Like) Home for the Holidays

Perry Como

Home for the Holidays was written by Al Stillman and Robert Allen. It was a hit in 1955, but has also been recorded by numerous other artists. Listen on YouTube

I Heard the Bells on Christmas Day

Bing Crosby

In 1956, Bing Crosby’s version was released as a single. Longfellow’s poem resulted when his personal peace was shaken. His second wife of 18 years was tragically burned in a fire, leaving him a widower of six children. Soon after, Longfellow’s oldest son, Charles Appleton Longfellow, joined the Union Army, he was severely wounded in the battle. He wrote the poem December,1863. The lyrics were by Johnny Marks and John Baptiste Calkin. Listen on YouTube

Nuttin’ for Christmas

Barry Gordon

Also known as “Nothing for Christmas,” Nuttin’ for Christmas was a novelty Christmas song written by Sid Tepper and Roy C. Bennett. It became a hit during the 1955 Christmas season when it appeared in Billboard’s pop charts by five different artists. The highest-charting of the five recordings was released by Art Mooney and His Orchestra, with six-year-old Barry Gordon as lead vocalist. Listen on YouTube

Mary’s Boy Child

Harry Belafonte

Mary’s Boy Child a 1956 Christmas song, written by Jester Hairston. It is widely performed as a Christmas carol. Harry Belafonte heard the song being performed by a choir and sought permission to record it. It was recorded for his album An Evening with Belafonte. Listen on YouTube

Jingle Bell Rock

Bobby Helms

The song was written and performed by Bobby Helms in 1957 and has received frequent airplay during every Christmas season since. The song has hit the Billboard charts a record six times since its original release. Listen on YouTube

Blue Christmas

Elvis Presley

A Blue Christmas was written by Billy Hayes and Jay W. Johnson and most famously performed by Elvis Presley. Elvis Presley cemented the status of Blue Christmas as a rock-and-roll holiday classic by recording it for his 1957 LP Elvis’ Christmas Album. Listen on YouTube

Run Rudolph Run

Chuck Berry

Run Rudolph Run was written by Johnny Marks and Marvin Brodie. The song was first recorded by Berry in 1958 released as a single. Listen on YouTube

Rockin’ Around the Christmas Tree

Brenda Lee

Written by Johnny Marks and recorded by Brenda Lee in 1958, Rocking Around the Christmas Tree was a rockabilly/rock-and-roll flavored Christmas tune. While it was ignored in its first two seasons, the song hit #16 on the Billboard pop chart during the Christmas season of 1960. Eight million copies were sold the first thirty years. Listen on YouTube

The Chipmunk Song

David Seville

The Chipmunk Song (Christmas Don’t Be Late) is a Christmas song written by Ross Bagdasarian Sr. (a.k.a. David Seville) in 1958. Bagdasarian sang and recorded the song, varying the tape speeds to produce high-pitched “chipmunk” voices for the chipmunks: Alvin, Simon, and Theodore. Listen on YouTube

The Little Drummer Boy

The Harry Simeone Chorale

This song was originally called Carol of the Drums, a Czech folksong which Katherine Davis translated to English in 1941. When the Twentieth-Century Fox Records label contracted Simeone to make a Christmas album in 1958, he assembled a group he called The Harry Simeone Chorale and searched for recording material. Simeone changed the title to The Little Drummer Boy. Listen on YouTube

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DEBRA H. GOLDSTEIN & ONE TASTE TOO MANY

December 2, 2018 by Jann Ryan in category Jann says . . . tagged as cats, cooking, Cozy mystery, Debra Goldstein

Debra H. Goldstein & One Tastes Too Many | Jann Says . . . | A Slice of Orange

Debra H. Goldstein & One Taste Too Many

Debra Goldstein | Jann Says . . . | A Slice of Orange Judge Debra H. Goldstein is the author of Kensington’s new Sarah Blair cozy mystery series, which debutes with One Taste Too Many on December 18, 2018. She also wrote Should Have Played Poker and 2012 IPPY Award winning Maze in Blue. Her short stories, including Anthony and Agatha nominated “The Night They Burned Ms. Dixie’s Place,” have appeared in numerous periodicals and anthologies including Alfred Hitchcock Mystery Magazine, Black Cat Mystery Magazine, and Mystery Weekly. Debra is president of Sisters in Crime’s Guppy Chapter, serves on SinC’s national board, and is president of the Southeast Chapter of Mystery Writers of America. Find out more about Debra at www.DebraHGoldstein.com .

Jann: Today we’re chatting with cozy mystery author and Judge, Debra H. Goldstein. We’re going to spend some time today getting to know her, Sarah, and RahRah.

Jann: Maze in Blue, your debut novel, received a 2012 Independent Book Publisher award. What was that like for you?

Debra: Maze in Blue was published by a small company (which ceased operations shortly after the IPPY Award). The company did very little PR and I was such a newbie that being published, attending conferences and being a panelist, and doing book talks and signings was already a heady experience. When I found Maze won an IPPY award, I was over the moon because it was recognition that my passion had value.

**Jann: Your second book, Should Have Played Porker, released in 2016. What were you doing during the time between these two novels?**

Debra: One thing I was doing was my full-time job as a sitting federal Administrative Law Judge. Somehow that took a lot of my time as did family obligations. In terms of the writing, after my first publisher went out of business in mid-2012, I still had more than six months of scheduled conferences and speaking engagements. I tried to interest agents and editors in doing some with Maze in Blue, but was told to “write something new.” Should have Played Poker was the something new I spent 2013 and the beginning of 2014 writing. When I finished the book, I queried agents and pitched it at conferences with little luck until Killer Nashville. After hearing the first two pages, the editor from Five Star indicated a willingness to read the entire manuscript. A week later, she purchased Poker, but it was so late in the year that the 2015 catalog was full. That’s why it was released in 2016. In the meantime, I wrote short stories and began One Taste Too Many, the first book in what will now be Kensington’s Sarah Blair series.

Jann: Congratulations on the 3 book contract with Kensington Press!! On December 18th, One Taste Too Many, the first book in the Sarah Blair cozy mystery series, will make its debut. Who is Sarah Blair—tell us about this amazing character.

Debra: I love Sarah Blair. She isn’t the perfect protagonist, but could be any of us.

Married at eighteen, divorced at twenty eight, Sarah Blair has nothing much to show for the last decade but her feisty Siamese cat, RahRah, some clumsy domestic skills, and a desire to succeed at her law firm receptionist job. Sarah knew starting over would be messy and a far cry from the life of luxury she led during marriage, but things fall completely apart when her ex drops dead, seemingly poisoned by her twin sister’s award-winning rhubarb crisp.

With RahRah wanted by the woman who broke up her marriage and Emily wanted by the police for murder, Sarah needs to figure out the right recipe to crack the case before time runs out. Unfortunately, Sarah is a cook of convenience who makes things like Jell-O in a Can. That’s why for Sarah, whose idea of good china is floral paper plates, catching the real killer and living to tell about it could mean facing a fate worse than death—being in the kitchen!

**Jann: RahRah looks fabulous on the book cover for One Taste Too Many. Did you plan to have a cat in the story from the beginning or did RahRah do a walk-on as you plotted?**

Debra: Cozy mysteries often include cooking, crafts and cats. When I began plotting One Taste Too Many, I realized there were a few areas I wasn’t very proficient in – cooking, crafts, and cats. Consequently, I researched each of these and decided Sarah would be a cook of convenience who lacked any craft skills and had a cat named RahRah. The more I played with the cat, I knew having RahRah simply be a walk-on character wasn’t fair to him (in other words, he talked to me and told me he needed to be a prominent figure in the series). The more I wrote, the more RahRah developed. He’ll be making an appearance throughout the series.

Jann: What about book 2 and 3? Can you give us any hints about them?

Debra: Book 2, which will come out in October 2019, is called Two Bites Too Many. In that book, Sarah will once again be forced into solving a mystery when it appears the police believe her eccentric mother murdered a prominent member of the community. In book 3, tentatively titled Three Treats Too Many, competing restaurants and dishes are bad enough, but murder complicates everything.

Jann: What kind of writer are you? A page a day or a burst writer?

Debra: I envy people who can write a certain number of words per day. I can’t. I write in spurts or bursts. Often, I go days without writing, but I have come to realize plotlines are percolating in my sub-conscious. When I finally write, it flows, and I lose all track of time.

Jann: What’s the best writing advice you ever received?

Debra: Having been orphaned twice, the best advice I received was “write something new.” If I hadn’t taken this advice and had simply kept trying to find a home for the books that were meant to be the first in a series and are now standalones, I wouldn’t have written the new Sarah Blair series I’m so excited about, my writing wouldn’t have improved, and I would never have had almost forty short stories published since 2012, including “The Night They Burned Ms. Dixie’s Place” (Alfred Hitchcock Mystery Magazine – May-June 2017) which was a 2018 Short Story Agatha and Anthony finalist.

Jann: Do you listen to music when you write?

Debra: Each of my books have been written with show music inoNE the background.

Jann: What sound or noise do you love?

Debra: I love the sound of show music. I can’t carry a tune, but listening to the lyrics is what makes the music work for me.

Jann: What profession other than your own would you love to attempt?

Debra: I was lucky to have a legal career that included time as a litigator and a judge before I decided, a few years ago, to give up my lifetime appointment to follow my passion for writing. The only other career that might be fun, and which I get to do aspects of when I do a book talk, is comedy.

Jann: Debra, it’s been great spending time with you today. Wishing you and yours a fabulous holiday season. Looking forward to reading One Taste Too Many!!

AN ELEMENT OF MYSTERTY: SWEET, FUNNY, AND STRANGE TALES OF INTRIGUE

FIVE BELLES TOO MANY

FOUR CUTS TOO MANY

THREE TREATS TOO MANY

TWO BITES TOO MANY

ONE TASTE TOO MANY

DAY OF THE DARK

DARK OF THE DAY

SHOULD HAVE PLAYED POKER

MAZE IN BLUE

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Featured Authors of the Month: Bethlehem Writers Group

December 1, 2018 by Bethlehem Writers Group in category Featured Author of the Month tagged as Bethlehem Writers Group, BWG, Featured Author of the Month

Featuring Bethlehem Writers Group, LLC

The Bethlehem Writers Group, LLC (BWG), founded in 2006, is a community of mutually supportive, fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories, spanning a range of genres including: children’s, fantasy, humor, inspiration, literary, memoir, mystery, paranormal, romance, science fiction, women’s fiction, and young adult.

BWG has published five anthologies. Each anthology has an overall theme—broadly interpreted—but includes a variety of genres, and all but the first anthology include stories from the winner(s) of The Bethlehem Writers Short Story Award. Their first anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (2009), won two Next Generation Indie Book Awards: Best Anthology and Best Short Fiction.

Besides anthologies and yearly writing contests, the group publishes a quarterly literary journal, The Bethlehem Writers Roundtable, and hosts twice monthly writing workshops and a critique groups for local members. You can see the schedule of BWG meetings and events, including author signings here.

Buy This Book Online

About A Christmas Sampler

Christmas is a time for love, laughter, and wonder. A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales, is an award-winning compilation of twenty-three Christmas stories commissioned by the Bethlehem Writers Group to capture all of Christmas’s myriad possibilities.

Paul Weidknecht’s “Those Things Remembered” is about a long-time mall Santa who realizes he has forgotten a child’s name. Courtney Annicchiarico believes against all evidence that she is pregnant in “Mis-conceptions.” Hilarity reigns in Headley Hauser’s explanation of a bachelor’s Christmas traditions in “A Modern Single Holiday.” In Carol L. Wright’s “You Better Watch Out” a small-town lawyer takes on a mystery when Santa falls from her roof three weeks before Christmas. In “Walter and Stella,” by Ralph Hieb, Walter finds himself dead on Christmas Eve, but refuses to leave his beloved alone for the holiday. And in “The Perfect Gift,” Emily P. W. Murphy explores that moment in a relationship when one partner is ready for marriage, and the other seems not to notice.

This premier anthology also features stories by Jeff Baird, Carol A. Hanzl Birkas, Cindy Kelly, Jerome W. McFadden, Stanley W. McFarland, Sally Wyman Paradysz, Jo Ann Schaffer, and Will Wright.
These heartwarming, hope-filled, and hilarious tales will delight readers of any age.

Next up for BWG

BWG is working on their sixth anthology, Fur, Feathers, & Scales: Sweet, Funny, and Strange Animal Tales.

In connection with this anthology, they are hosting The Bethlehem Writers 2019 Short Story Award. The 2019 Short Story Award will open on January 1, 2019. The theme will be Animal Stories,broadly interpreted. Stories of 2,000 words or fewer about WILD ANIMALS, PETS, or IMAGINARY BEASTS will be welcome (so long as an animal is an important character or element of the story). The winner will receive $200 and may be offered publication in the above mentioned upcoming anthology. The 2019 guest judge will be John Grogan, best-selling author of Marley & Me.

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Dear Extra Squeeze Team: Do I REALLY Need an Agent?

November 30, 2018 by The Extra Squeeze in category The Extra Squeeze by The Extra Squeeze Team tagged as Agents, Extra Squeeze, Newbie Questions

Agent | The Extra Squeeze Team | A Slice of Orange

Dear Extra Squeeze Team, Do I REALLY need an agent? What can they do for me that I can’t do myself? Are they worth the money?

Rebecca Forster

USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.

If you want to play with the big boys then, yes, you need an agent. They will negotiate for you, they will field opportunities you may not have the expertise to deal with (case in point I had a contract with an Italian publisher I did myself and found I needed my agent’s guidance for tax purposes. Wish I had let them handle it). An agent can manage tricky creative questions with your editor. An agent will be the first to hear of new publishing opportunities – new lines coming out, changes being made that might affect yours. Having an agent also gives you street creds. If you are going to publish as an indie you don’t need one, of course.

Robin Blakely

PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.

Anything an agent can do, you can do better—as long as you have enough knowledge, connections, and experience. An agent is worth the money if you need help navigating the industry. An agent is worth the money if you do not already have an indomitable entrepreneurial spirit working to build your career in the face of a highly competitive industry. The choice of working with an agent or going solo is entirely up to you. You certainly do not need an agent if you plan to go indie. You most likely cannot go it alone to the highest levels if you plan to go traditional.

H.O. Charles

Cover designer and author of the fantasy series, The Fireblade Array

I was speaking to a couple of friends in the non-fiction world who wouldn’t have been able to get the lucrative deals they had without an agent. They had nothing but praise for their agents, especially when it came to sorting out problems with the publisher (international rights). That said, there are agents and agents. Some are fabulous and will work their socks off to help you. Others are terrible and will never do anything for you. If you self-publish, you don’t need any of that, but you will have to put in a little more work yourself for the same gains.

Jenny Jensen

Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.

The answer depends on what it is you want.

You’ve written a book so now it’s time to take it to the next level. If having a traditional publisher is the one thing that will satisfy you, then you will need an agent. They say hen’s teeth are rare, but not as rare as a legitimate publishing house taking an unsolicited manuscript. An agent’s job is to champion your work to publishing houses. If she is successful, l then you have a publisher- at a cost. The agent will receive a percentage of any contract she sets up and a publisher will take a further percentage of sales.

I’m not demeaning those percentages; after all both agent and publisher have earned it but chances are, you’ll have to be the Champion of your work anyway. By champion I mean you will have to make the effort to market and publicize your work so that it will stand out to potential readers – stand out from the thousands of books posted daily on Amazon, Smashwords etc., or the hundreds of printed books on the shelf. Unless you’ve created a ground-breaking runaway akin to Hunger Games it’s unlikely that the publisher will do more than simply produce and distribute your physical book. For that service the publishing house takes its percentage of sales.

If you’re willing to take the time required to try to find a good agent – query letters, samples, response time – there is no reason not to at least give it a try. Unless Amazon et al change tactics you always have the option of Indie publishing should no agent work out for you – no agent required. In that case know that you have a marketing road ahead for you to personally strategize and implement in order to generate sales and the – all important – reviews.

Indie publishing is an ever-evolving critter and it’s a full-time job just to keep abreast of new developments nearly every day. (I’m amazed my clients have the time to write.) Amazon’s ever-changing algorithms give me a headache; I don’t pretend to understand them all, but that has created a need. That need has given rise to a new indie publishing niche – the Virtual assistant or VA. These are people who you pay a fee to deal with your social media. There are also agents who specialize in Indie authors and look for review options, seek foreign markets, manage rights, etc. Of course, there is a fee and many of them earn it righteously. The decision to take on an author will be based on sales history by volume and price.

The success of a book has costs – either in the author’s time and effort to market or in a share of sales dollars. Whether you have an agent or not, success ultimately depends on content. Be sure your work is the best you can make it.