Award winning author Alina K. Field earned a Bachelor of Arts Degree in English and German literature, but her true passion is the much happier world of romance fiction. Though her roots are in the Midwestern U.S., after six very, very, very cold years in Chicago, she moved to Southern California and hasn’t looked back. She shares a midcentury home with her husband, her spunky, blonde, rescued terrier, and the blue-eyed cat who conned his way in for dinner one day and decided the food was too good to leave.
She is the author of several Regency romances, including the 2014 Book Buyer’s Best winner, Rosalyn’s Ring. She is hard at work on her next series of Regency romances, but loves to hear from readers!
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Quarter Days on A Slice of Orange
Writing conferences rock.
Mostly. Whether you’re a writer or reader or both, I can recommend that you attend one or several each year. You can learn a lot—and have fun doing it.
This year is one of my busy ones for conferences. Since I write both romances and mysteries, I belong to a lot of writing organizations and attend conferences that specialize in both.
This year, I’ll be attending Malice Domestic, featuring mysteries, in May, in Bethesda, Maryland, and the Romance Writers of America annual national conference in New York City in July.
In addition, I’ll be at the California Dreamin’ conference held by local Southern California Romance Writers of America chapters in April, and California Crime Writers, held by local Mystery Writers of America and Sisters in Crime chapters in June. These two conferences are both held every other year locally to me—and they’re always the same year!
So, this is one of those years that I’ll attend four conferences. I enjoy doing that, partly because it’s a wonderful way to network both with other writers in the genres I love and with readers, too, who attend.
Sometimes I participate by giving talks or being on panels. Not so much this year, although I think I’ll be on a panel at Malice.
There are a lot of other conferences, too, that I sometimes attend. Some of the mystery-oriented ones that I’ll miss this year are Left Coast Crime and Bouchercon, both excellent conferences—but I unfortunately can’t attend them all!
And yes, in between all of those conferences I need to get some writing done. Travel now and then with family. Attend local chapter meetings of some of those organizations. And, of course, take care of my dogs.
So it appears that 2019 has started out busy and will only get busier.
And you? Do you attend book-related conferences? Which do you like most?
This is where the rubber meets the road. The Production Schedule can be a scary thing. It’s where you set your money plan for the up coming year. It’s one thing to say you’re going to do something insane like write a title a month. It’s another thing to actually do it. Oh man, I just had a flash back to 2016.
There’s a scripture that says to write the vision and make it plain, for in due time it will come to pass. It might feel like it’s slow, but it will happen. I did a little paraphrasing [Habbkkuk 2:2-3], but it’s true.
When we write things down, we give them life. When you put those words on an 11” x 17” piece of paper and post it on your office wall where you see it every day, it becomes your silent assistant, constantly reminding you of the tasks at hand.
I have been using a production schedule for a few years. The last two years, I sort of ignored it, which meant, I had subconsciously decided not to make that much money. Insert gasp and call me a bad writer. I know why I ignored the schedule on 2017, I was exhausted from 2016. But last year, I haven’t got a clue what happened nor a justifiable reason. I started the year with these grand plans of writing four books, possibly doing a couple of short stories and creating another boxset.
Last year saw me publish one fiction book and one non-fiction book. I did however, write another book which I held until after I attended RAM. I figured I’d use what I learned to release it. That was before I realized I needed to clean up a few things before I could release anything.
So here I am sixty-four days into a new year and I’ve yet to release a book. According to my production schedule, I should have released all of my new covers. There’s been a little hitch in my plan. This rebrand has taken a little longer than I thought. Rebranding is sort of like redecorating. You start out thinking a fresh coat of paint is all you need and then you realize the sofa looks horrible, even though you matched the paint against before you attacked the walls. So now it needs to be recovered. Now the carpet and drapes don’t work. Before you know it, you’re knocking down walls, ditching the carpet for hardwood floors, changing the light fixtures and buying a new sofa.
So when I changed the covers, I had to update the blurbs. When I started loading the covers to the website, they didn’t fit. The wall had to come down . . . a new website . . . a new logo . . . new color scheme. This December I will celebrate five years as a published author and so far, instead of doing special celebrations, I’m in the middle of a major remodel. Oh yeah, and I have a few books I need to write so I can make some money.
In January, Skye Warren published an explosive mini course on RWA which was a game changer for me. If you haven’t read it, I highly recommend it. It was scary, but it was also very enlightening. It forced me to look at my writing career differently as if RAM hadn’t already got my juices flowing. I did the assignments and started a new production schedule. I saw things a little differently. I didn’t realize, I had as many titles sitting around waiting to be shared.
I had decided I was going to put four titles out this year, but it was looking a little bleak while rebranding. But I when I looked at my catalog, I discovered four boxsets. I could easily call it a done deal, but I look at these titles as four unexpected new revenue streams. I attacked my Production Schedule and now it wasn’t as scary. Instead I saw the potential to make money. I haven’t released anything yet, because I’ve been busy redecorating, but the new titles are on my website as coming soon. If I stay focused, before the end of the month, I’ll start releasing titles and sharing the new covers to all the selling platforms. The new website and newsletter design will be live as well.
So here’s a peak at my production schedule.
MARCH
Release New Covers
New Website
New Newsletter Design
APRIL
MAY
JUNE
JULY
AUGUST
SEPTEMBER
I’m going on vacation . . . this isn’t a title.
OCTOBER
NOVEMBER
DECEMBER
I know it looks a little insane and almost as nutty as my book a month project. Keep in mind, most of these things are written or down. This is more less a proposed release schedule. Once I complete the website, all I have to do is load the files to Vellum for the box sets. I’m cleaning up A Southern Gentleman Vol 2. The other three books on my schedule are in my head and waiting to be written. There’s something I want to try with those . . . I’ll let you know if my plan works.
I almost forgot, here’s another set of covers. If you’re counting, you’re correct, I have only shared six. I’m holding the seventh, A Southern Gentleman because it’s part of the launch for A Southern Gentleman Vol 2.
Have a great month and write a lot.
The 2019 Short Story Award will open on January 1, 2019
Our theme will be Animal Stories, broadly interpreted.
Stories of 2,000 words or fewer about WILD ANIMALS,PETS, or IMAGINARY BEASTS will be welcome (so long as an animal is an important character or element of the story).
The winner will receive $200 and may be offered publication in our upcoming anthology.
For more information or to enter follow this link.
by
Will Zeilinger
Janet and I co-write the Skylar Drake Mystery series and we’ve had people say to us, “I guess you proofread each other’s work.”
Both of us are intimately involved in the writing and initial editing, as such, we can get too close to it and sometimes miss big issues. That’s why we would never submit something for publication without the help of critique groups and/or beta readers to assist us.
What exactly, are we talking about? Maybe this will help.
Beta Readers are individuals who evaluate your manuscript by reading it through and telling you about flaws or holes in your story. Beta has come to mean a sort of testing phase and that is what a beta reader does. You have them read your work as a way of testing it for readability, and overall structure.
A Critique Group is made up of several people (usually writers, but sometimes includes readers) who meet together. You as an author, provide a short story or maybe a chapter from a novel for the group to read and critique.
Let me stop here—The very word ‘critique’ is based on the word criticism, and in our culture that word has taken on a negative connotation, since to criticize someone’s writing usually means to tear it apart. However, the dictionary definition of the word ‘critic’ indicates it is “someone who passes judgement on something, usually in reference to art and literature.”
That is a neutral statement…judgement can be either positive or negative, or a combination of both. So, it’s not, necessarily a bad thing.
This may all sound scary, especially to a beginning author. They’re taking your baby away from you and who knows what they will return in its place? Will your prose become something unrecognizable? After all the hours, days, and nights of sweat and deprivation…will they drop a piece of crap in your lap?
Here’s the truth: Having another set of eyes and an impartial opinion of your work-in-progress is an essential step if you are planning to self-publish, but it can also help you in the quest to secure an agent or publisher if your plan is to go the traditional route with your work.
“But it’s gonna hurt!” you say. Don’t look at it that was. This is where you have the power to accept or reject any suggestions or critiques of your work.
As a career graphic designer, I remember vividly, the first critiques in my college classes. We all posted our concepts on the wall of the classroom. The professor would walk back and forth, making “hmmph” and “umm” noises before turning and asking the rest of us in class what we thought of each piece. There were, of course, a variety of reactions to them.
As students, we’d take each into consideration. I didn’t always accept their suggestions, but I needed to hear and see it because I’d been too close to my work to be objective.
One of the things my professor said that I’ve carried over into my writing was when he would hold his hand over a portion of the drawing and ask, “Does this still work without this part?”
I found that eliminating nonessential pieces has helped streamline my work and make it read easier.
I needed to learn to accept constructive, positive critiques in either my designs or my writing, and discount those that were not pertinent or objective.
Letting others check your work-in-progress is a great way to improve your writing and make friends too. Your choice: Beta Readers or Critique groups or both. Find the right one for you.
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Mrs. Jeffries and Inspector Witherspoon should be checking off their Christmas present list but instead they're listing murder suspects . . .
More info →She crosses and ocean to take the holiday of her dreams at an English country estate ... where he works below stairs.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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