She marketed a world-class spa when it was still called a gym, did business in China before there were western toilettes at the Great Wall and mucked around with the sheep to find out exactly how her client’s fine wool clothing was manufactured. Then Rebecca wrote her first book and found her passion. Now, over twenty-five books later, she is a USA Today and Amazon bestselling author and writes full-time, penning thrillers that explore the emotional impact of the justice system. She earned her B.A. at Loyola, Chicago and her MBA at Loyola, Los Angeles. Rebecca has taught the Business of Creativity at University of California Long Beach Writers Certificate Program, UCLA and UC Irvine extension. Married to a Los Angeles Superior Court judge, she is the mother of two grown sons and spends her free time traveling, sewing, and playing tennis.
December 1st sees the release of Rebecca’s newest novel Lost Witness the eighth in the Josie Bates Witness.
It’s two in the morning and an aging cargo ship lies off the Port of Los Angeles. Deep in the bowels of the vessel, an important man is dead and the woman who killed him is mortally wounded. On shore another man staggers out of the sea determined to save the woman before she dies or the ship sails. Exhausted and terrified, he goes to the only person he trusts to help, Josie Bates. He brings with him a history she can’t ignore, a problem that seems insurmountable, and a plea she can’t refuse. But Josie is up against international law, maritime justice, a Port Authority that doesn’t want anything to get in the way of profit, the U.S. Coast Guard who dances to the tune of politics and a captain who swears the people in question were never on his ship. With the clock ticking, Josie becomes ever more desperate to prove the woman is real and get her safely ashore. What Josie doesn’t know is that the sands of time that are running out may be her own.
Multi-award winning Jerome W. McFadden’s has had forty short stories published over the past ten years in a wide magazines, e-zines, and a dozen anthologies. He efforts have won him several national awards and writing contests, receiving a National Bullet Award for the Best Crime fiction on appear on the web in June 2011. His short stories have been read on stage by the Liar’s League in Hong Kong and the Liar’s League in London.
After receiving his B.A. from the University of Missouri, he spent two years as a Peace Corps volunteer in Casablanca, Morocco. Following his MBA from the Thunderbird Graduate School of Global Management (Arizona State University). He continued his peripatetic ways with corporate assignments in Houston, Istanbul, Paris, San Francisco, and Singapore, spending his spare time writing free-lance articles for American and newspapers and magazines. He morphed from journalism to short fiction in 2009. He now resides in Bethlehem, Pa. and is an active member of the Bethlehem Writers Group. His collection of 26 short stories, Off The Rails, A Collection of Weird, Wicked, & Wacky Stories, appeared in November, 2019.
Every word in a short story matters. Time and space are limited. You cannot afford to waste a page or two describing the weather, building the setting, or giving the genealogy of your hero/heroine. You need to get to the guts of the action quickly, pulling the reader in with the first paragraph. By the end of the first page the reader should be aware of the famous 5 W’s of journalism: Who, where, when, what, with why possibly coming later.
Short stories follow only one trajectory — one arc — concerning one character (or a small group of characters) traveling through one primary crisis or concern. The crisis or concern is in fact one shattering moment in that person’s (or group’s) life that he/she must work through, successfully or unsuccessfully. Note: That shattering moment does not need to be violent. It could be emotional, psychological, mental, or spiritual, or other. But it needs to be challenging. *
Characters must be construct with complexity, credibility, and emotion—in as little as a sentence or two. The writer must show character development while actively moving through the story’s narrative. You do not have time or space for the big old info dump. Instead, the writer needs to use clever dialogue, interactions, short flashbacks, and sharp imagery to develop the story’s characters.
You are limited to a small cast of characters. A full cast might consist of only one or two characters. Any character you decide to introduce must bring something crucial to the story – or be eliminated. Bringing in a characters for “cuteness” or for “color” or just because you like the quirky character in your head, is wasting precious words and precious space in your story. A good rule: Any character that does not bring in two vital elements into the story needs to be eliminated forthwith.
Recognize the descriptions and dialogues that slowing the story down, as well those that are those that are moving the story along. You must identify the best place to start, where to put the opening scene that hooks the reader, then maintain that hook to continue to pull the reader through the rest of the story.
Short stories leave no time for easing into things (long descriptions, banal conversations, interesting but boring backstory, wild personal tangents). Short stories are just that—Short —but they must always pack a punch. This may be the ultimate skill to be learned from short story writing: Trim the fat. My favorite writing “rule” comes from the legendary writer Elmore Lenonard, ‘Leave out the parts that the readers skip.”
The stronger the better. And a great twist at the ending helps make the story memorable
An added note: The tools and skill you pick up from writing short stories are assets that can and probably should be used in your novel writing.
*This “shattering moment” is described lovingly and in full detail in Chapter 3 – The Big Key in James Scott Bell’s wonderful book How to Write Short Stories And Use Them to Further Your Writing Career.
It’s the most wonderful time of the year…
To reflect on our goals and all that we’ve accomplished, so loved ones will hear!
It’s the most wonderful time of the year!
Many times when we are working by ourselves, at our desk, with our words, we find ourselves deep in the minutie and seeing only all the things we have still left to do.
We may not have met any of our aggresive goals each month, or even each week, as life intrudes on a daily basis for us all.
For me, I’m rounding into my eighth year and still haven’t published my book. (I started this journey in 2012). If I focused only on that one thing, I would be frustrated, disappointed, and inclined to throw my hands up and say that I’m done.
But if I count
I’ve actually done a lot.
Not to mention the weekly critique meetings with my two lovely critique partners, where I’ve gotten some fantastic feedback on my manuscript, and the helpful feedback I’ve been able to provide in return.
Then there’s the pitches I’ve submitted for teaching at more conferences for next year and the deadline dates for contests I hope to be ready for.
All of that tells me I’m making progress.
And I wouldn’t be able to track my progress, if I didn’t take the time to write out these things I’ve accomplished throughout the year.
So, I encourage you to take a step back and think about what you have accomplished in 2019.
There’s a lot of things we do to put words on a page and turn them into a great story. Don’t discount any of it. Whether it just fills our soul to inspire, or gives us tools we can apply to our writing, it all helps us continue on our writing journeys.
Have a very Merry Christmas! I’m thankful for you all.
Once upon a Christmastime, I had a fun experience with the Oprah Show that has remained a fond memory… even if it took a different path than the show planned…
==============
‘Ring… ring… ’
I was halfway out the door when the telephone rang. I slammed to a halt, clutching my car keys, my purse slung over my shoulder. Who could be calling me this early in the morning?
It was 8 a.m.
I was running late for a meeting and the last thing I needed was another telemarketer trying to sell me carpet cleaning for Christmas.
Then it hit me. I remembered the Christmas tradition story I wrote about my mom and her old piano and sent to the Oprah Show.
I swallowed hard. It was 10 a.m. in Chicago. Oprah Time.
I grabbed the phone and mumbled a breathless, ‘Hello… ’
‘Hi, this is the Oprah Show calling.’
‘Did you say Oprah?’ I gulped, my heart pounding like a million elves working overtime.
“Do you have time to talk?” the producer asked, hopeful.
I cleared my throat. ‘Yeah, sure… no problem.’
Wait till I tell my boss why I’m late today.
‘Awesome. We received your story about your Christmas tradition… ’
I tossed my purse and car keys onto a chair, my pulse racing out of control. ‘Yes?’
‘We’d like to use it for a segment on our holiday show.’
‘You do?’ I said, my voice squeaking like a little kid seeing Santa Claus.
The producer chuckled. ‘Yes… now here’s what we need from you.’
Knees wobbly, I fumbled in my purse for a pencil while the producer give me instructions on what happened next. Tears misted in my eyes. I couldn’t believe it. My Christmas tradition was going to be on Oprah.
I let out a deep sigh. If only my mom could see this, praying somehow she did know.
My mother loved to play the piano, especially at Christmastime. She knew every holiday carol by heart and every year, she’d sit down at our old studio upright piano and take us on a musical trip to Bethlehem or a journey with the Three Wise Men or rock ‘n roll with Jingle Bell Rock.
We lived in the Pennsylvania woods when I was a kid and one Christmas we were snowed in and couldn’t get into town to buy a tree. So my mom decorated our old piano with shiny, silver tinsel and red and blue and green balls with a gold star on top.
After all, a piano is made out of wood, and that wood was once a tree.
So why not a Christmas Piano Tree?
My mother passed away a few days before Christmas many years ago. I didn’t have the heart to trim a tree that year. Then I remembered her Christmas piano tree. I decorated that same old, wonderful studio upright with Christmas ornaments that year and I do so every Christmas since then as a tribute to my mom.
It was an exciting time after the Oprah Show producer called. They asked for photos of my Christmas piano tree, then we taped the segment for my holiday tradition with me reading what I wrote about my mom. The sound crew added holiday music and I got all ready to watch the show when it aired…
But the show ran overtime, so my segment didn’t make the national broadcast. I was devastated, but the Oprah producer promised she’d do something for me.
She did. The next year the Oprah Show ran my old home Christmas movies and used them as part of their promo for their holiday show.
So here’s my pretty young mom at Christmastime hanging up Christmas stockings.
Awesome…
When I wanted to write a Christmas time travel story, I thought about how much I missed my mom every year and those wonderful holidays when I was a kid in Pennsylvania. If only I could go back in time and see her again and tell her how much I loved her…
I dedicated CHRISTMAS ONCE AGAIN to my mom. It’s the story of the Arden Family during World War 2 on the home front with Kate, the older daughter, as the heroine sending the man she loves off to war in 1943… she never sees him again.
Then years later she has the chance to go back in time and warn him about a secret mission gone wrong in France. Will he believe her?
All she wants for Christmas is to save the man she loves…
Christmas Once Again is available at e-tailers everywhere, print, and audio book, too!
Merry Christmas and Happy Holidays!
Jina
PS – some of my favorite scenes in Christmas Once Again are when Kate reconnects with Ma…and their wonderful moments together.
———–
CHRISTMAS ONCE AGAIN is on sale for 99 cents for a limited time!
US Amazon https://amzn.to/2pcz2eN
UK Amazon https://amzn.to/31rF4pZ
Audio US https://www.amazon.com/dp/B07YL6KG3W
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I’ve been attending the Malmö International Rotary Club for the last few months, and in November I gave an “ego speech.” It sounds a little too self-centered to be comfortable 🙂 but it’s basically a “getting to know you” speech.
I wanted to share the real Kitty, but I still didn’t want it to center on me. Then I realized I could do with the speech what I try to do with my podcast episodes, and even in my fiction: encourage the audience in their own lives. Interestingly, I found myself veering slightly from my notes in the end and telling the club that I was thinking about starting a new project to better use my gifts…but it would be scary and I hadn’t had the courage to take the leap yet.
Here’s the speech. If you’re thinking about starting something new, or even if you’re just planning your work for next year, I hope it encourages you. Let me know what you think.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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