Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
You can read Kidd’s monthly column, Infused with Meaning, here on the 18th of every month. More information about Kidd is found on her website, make sure you take the time to read her “about me” section.
I’ve heard it said that eyes are the window to the soul, but I’ve always been more of a total face person. I like to see smiles, dimples, scrunched up noses or puffed out cheeks. By getting a look at the total face, I think that it’s a whole heck of lot easier to predict what is going on in a person’s head and how to respond. When I’m creating a character, I never stop at just describing the eyes. I mean… do you?
So, what do you do when the only thing that isn’t covered by a mask is a pair of eyes? Unfortunately, during this pandemic, wearing a mask has become as common as wearing a t-shirt and getting to really “see” the person you are trying to communicate with can be uber challenging.
Lucky for me, I also take a lot of my cues from raised eye brows, crinkled crows feet, squinty eyes and furrowed brows. I’m far more comfortable with smiling eyes, bright eyes and even sleepy eyes than I am with angry or worried eyes. And it can really throw me off when those eyes are covered by thick or fringy bangs, glasses or the bill of a cap pulled taunt over a forehead. But if you practice real hard and pay close attention, I theorize that a pair of eyes, peeking out from behind a mask, can actually give you some clues to maneuver by. It’s sort of like learning a foreign language and I got a crash course while dropping by Costco the other day. Flashing, angry eyes mean – for your own good – get as far away as possible, as soon as possible. Sad eyes need a nod of support and happy eyes, well just enjoy those – they may be few and far between these tough days. One other clue to how a stranger might be feeling could be found in the mask they are wearing. I’ve included pictures of a few that I’ve made. How can you not feel happy when wearing something so whimsical?
So until the day comes when we can all greet each other with an upturned smile or a downturned frown, a hug, a giggle or a hoot—take care, be safe and stay home—then you won’t need to wear a mask!
Beware the company you keep.
Hunkered down, social distancing, getting that restless cabin fever thing. Having made myself nuts listening to 24/7 Corvid19 updates I’ve weaned that to 5 minutes a day. That leaves a lot of free time. I tried cooking. The eggplant parma that came out of my oven looked nothing like the one onscreen at Food & Wine. I won’t comment on the pea soup, though I may try to sell it to a prop house. Enough wasting precious food stuff; back to what I know best.
Books are my ‘go to’ and like millions of us, I’m bingeing. That’s not anything new, of course, but this time I’m really binging—like eat, drink, sleep, dream, 24/7 bingeing.
I decided the Cozy offered what I need most—to be surrounded by friends— friends with far more exciting lives than mine. Cozies are character driven, filled with smart/plucky/idiosyncratic/befuddled/unique MCs. There’s always a supporting cast of peculiar vicars/spinsters/widows/jolly butchers; a bucolic village or a quaint boutique of some sort (I always over-eat when the MC owns a bakery) and an historical local feature—castle, manor, deserted distillery etc. Oh yes, and a dead guy or two. All stuff a socially distanced gal can sink her teeth into.
I started with Agatha Raisin (M.C. Beaton). I love this character—egotistical, insecure, smart, intrepid etc. Agatha gets bored easily and by book 7 a nasty suspicion began to nag me. Was she orchestrating all this mayhem? We know her PR skills, her lust for the limelight, her mastery of manipulation. Could it be that beneath her plucky facade lies a serial killer? What better way to keep one’s fame flame burning than solving the statistically improbable number of Cotswold murders? Do I really want to hang with her?
I turned to Miss Marple (Agatha Christie, of course!). She’s a chameleon. She blends to invisibility in any setting just by sitting demurely with her her knitting. She sees and hears everything and remembers it all. Murder plagues even her slightest acquaintance and she perches like a spider ‘til the culprit shakes her web and he is revealed. Even with six degrees of separation, I don’t want to know her. I could be the unfortunate victim of her butcher’s wife’s cousin-in-law. It’s too bad because the village of St. Mary Mead sounds so lovely—until I recall Miss Marple’s own words, “There is a great deal of wickedness in village life.” Time to move on.
Flavia deLuce (Alan Bradley). Just the ticket! Flavia is a prodigy, a wit, a poverty stricken blueblood and she’s 11 years old. She welds a grand vocabulary, intimidates adults, and has a Phd in cheekiness. Flavia’s hobby is chemistry and really, science in general, and she uses her hobby to solve the who dunnit of every body she stumbles on in “Bishop’s Lacey, a notable hotbed of crime.” See! I’m completely reassured. Flavia is the perfect company to keep. She does nothing to attract all that homicide; that’s just a Bishop’s Lacey issue. Besides, she named her bike Gladys. I’m sticking with her.
I hope all of you have found your binge worthy material. Read on and stay well.
Jenny
Gifts.
How is it that I constantly receive gifts? Gifts from family, every day, all day. “Thought I’d work on your fish table.” Two years ago, at a gathering of friends, I saw a small table—shaped like a fish—of a good height to sit between rocking chairs on my back porch, to set a coke on while I watch the cardinals that have decided to nest in those ugly bushes I’ve been meaning to chain saw down. But not now, because they are roosting there, and I can’t bear to see them go. During this time of pandemic, social distancing and stay at home, my husband is making me a fish table. Of course, it won’t be shaped like a fish, because he hasn’t the tools for that, so he was going to carve a fish into the top. Now it’s three maple leaves. I like maple leaves better.
My son is teaching me to code in html. Okay, he’s laughing with me as I learn to do the simplest of things. I can now create a website that spins a cat picture.
Gifts from friends. A telephone call. Have you recovered? I had a minor infection, cured with good ole antibiotics. My doctor’s gift. Yes, I’m fine. Do you need anything? Yes, I needed you to call, but you’ve done that, you’ve given me the security of a friend’s voice. And I remember what a good friend you are. So incredibly dependable. How do I deserve the wonderful gift of you?
Gifts from strangers. Why? Why do people who don’t know me, give me gifts? Watercolor videos on YouTube. Almost I’ve gotten out my paints. Still scared. Maybe I’ll watch a few more videos. Comedians. I like the guy who sings with famous people in his car. I do that. You know, sans the comedian and sans the famous people. I dance, too. I like to make the people in the car next to me laugh.
Tim Ferriss, gave me a gift, his book: The 4-Hour Chef. More than a cookbook it teaches the reader how to quickly learn anything. Tim recommends the creation of a “One-Pager”. On one page (8.5” x 11”, no cheating with super large sheets of paper) he recommends writing down the most important concepts you must grasp to learn the desired skill. For ten years I have struggled to create meaningful stories, stories that enrich lives. Here is my One-Pager for aspiring writers. It’s good for sticking to your refrigerator, or the wall behind your desk. It’s a gift.
Diagnosing What Ails Your Career
As a writer, working from home during the Coronavirus outbreak is nothing new. What is unusual is that I have not been successful in starting a new novel. Not wanting to waste time stewing about my lack of inspiration, I decided clean house. At stake is my 35 year, 39 book , traditional and indie published career. This includes:
Having retained my rights over the course of my career, I republished all my books when Kindle hit the market. I did not reread those books, I have not re-formatted them since the original uploads, and I have not sold more than a handful. The category romances are so far removed from my thrillers that they don’t seem to be written by the same person. That led me to ask myself this: Is my early work hurting my brand? The answer was yes. Readers made that clear with every review. Now the question became, what should I do about it? The answer to that was a bitter pill.
I have an attachment to these category romances. They are proof that I paid my professional dues, that I worked hard, and that I grew into the author I am now. I thought readers would embrace this journey, but I was wrong. I also thought I loved these books, but I do not. That was hard to admit because these early books represent years of my life, the agony and triumph of traditional publishing, and my point of view not only as an author but as a woman moving through the decades. Admitting these books are amateurish was difficult. Once I did though, it was time for professional triage. This is what I have done.
1. Immediately removed all category romances from every platform.
2. All stand-alone thrillers and series work remain viable and were not touched.
3. Analyzed all 100,000 word Women’s Fiction novels, and determined these books informed by current brand as a thriller writer. They share the elements of intricate the plots, rich characterization, and suspense.
4. I am rebranding the Women’s Fiction into The 90s Collection complete with new covers and a collection banner. I am also editing to create smoother dialogue and expository while removing politically incorrect elements. I have left the flare, fun, and romantic inclinations that were hallmarks of that decade.
I will release these novels as second editions with letters to the reader regarding what they represent in my career arc. I will include my thrillers in the ‘also by’ section of these books, and publish them in Kindle Unlimited since I do not plan to put a lot of advertising money behind them.
It was difficult to admit that I was not ready for primetime all those years ago. A sharp professional scalpel will not leave a lasting creative scar; a prescription for moving forward will make my brand healthier. Bottom line? I know that this triage has been good for my soul, and I have faith that it will be good for my career.
LOOK FOR THE 90S COLLECTION COMING SOON!
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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