Fences
now
as then
we draw lines
build and rebuild
fences
with new wire
cut of the same steel
forged in
new factories
still owned and run
by warped minds
© Neetu Malik
When you love someone, you want to know everything about them. That someone, in this case, was my maternal grandmother. We shared a close bond, but there was a wrinkle on the face-map of her life that I could not trace. I wish I had asked her my questions while she was still with me.
Interviewing relatives would, I hoped, complete my connection to this woman I dearly loved, and terribly missed. But to find the remaining pieces, I did what writers do best—research in order to build a world.
So like the hummingbird that can fly backward, I went back in time to Grandma’s world.
Historical records, genealogies, news media archives, the library, and the internet supplied a wealth of factual information. But it was the literature of my grandmother’s generation that proved invaluable. These books transformed into photo albums before my eyes, showing me beginnings, goals accomplished and milestones reached: footprints on the path of life. Preserved intact on the pages of novels and poems were the tears, sorrows, dreams, humiliations, and losses of real people; experiences true to their time and place.
Stories, I realized, are essential to our lives. They preserve the knowledge of who we are. They alone have the power to travel unfettered bridging cultural gaps, producing empathy, and transforming strangers into friends. Stories too serve as mirrors. By them, we view and measure our growth and change, or lack thereof.
I started out seeking missing facts about my grandmother’s life. I found so much more: a living reminder of the hopes and sacrifices of my ancestors that paved the way for me to be born happy, healthy and free. Lives and experiences that I want to always remember and never forget.
May these novels and poems never pass away for my Granny lives enshrined therein forever.
See you next time on August 22nd.
Veronica Jorge
We’re so lucky. The English language is like play dough.
Oh yes, we have strict rules of grammar, tense, POV, all the way to the minutia of intransitive verbs. We can choose from a number of eminent grammar and style guides to ensure conformity. We have stalwart English teachers to drill those rules into our heads so that we are all on the same page. (And bless them all – there is nothing better than order over chaos). But despite those rules a writer has so much freedom to shape our mother tongue into forms wry, brittle, silly, heartbreaking, snarky or just plain mad.
I don’t have much command of any other language; a smatter of German, a soupçon of French, about a third cup of Latin and a healthy plateful of Spanish. But I do know that the rules of those languages are not as forgiving as English — not as much room to roam before you run afoul of the language police. English allows us to mangle all the rules of spelling, meaning, and sentence structure to reflect dialect, or character traits, add color, shift perceptions or mood and anyone with a good command of English can understand — and only pedants ever complain. Of course, you have to use the rules of punctuation. Gotta have those traffic signs.
Anthony Burgess used bits and pieces of Russian mixed with Shakespearian English and other tongues to give us Nadsat, the terrifyingly unique argot of his dark characters in A Clockwork Orange. The reader may have had to work at it a bit, but it was intelligible and colored the story with an unforgettable feel. Fantasy and Sci Fi from J.K. Rowling to Ursula K. Le Guin play with all sorts of mixed up language that become magical words and when you’re reading in those worlds you understand.
Dialect and special vocabulary enrich a tale on many levels and I’m in awe of those writers who do them well, but my favorite form of play dough English is the portmanteau. Anybody can create one of these inventive combinations, and everybody does — usually with something faintly deprecating or ironically funny in mind. And with just one word a portmanteau can ooze with meaning. Frenemy speaks volumes — we’ve all had one and it’s exhilarating to give ‘em a proper name. Craptacular very neatly wraps up the verdict on so much of our over-hyped media. And then there’s pompidity, my own invention from University days when I struggled to describe the quality of politicians.
All writers love words. Words are paint, chisel, fabric, and clay for our creativity. If you can’t find that one word that perfectly reflects your intent, try cobbling a new one together — no one will take points away. Blog is a portmanteau (web log) so if you’re lucky enough to have your portmanteau go viral, you might wind up in the OED.
With a BA in Anthropology and English Jenny pursued a career in advertising and writing and segued into developmental editing. She has worked on nearly 400 books during her career. Her clients include both traditionally published and indie authors. She has worked in every genre from romance to horror and thrillers as well as edited Air Force manuals, commercial communications and memoirs. She offers every service from copyediting to developmental coaching.
*This blog is an oldie but goodie, originally published in March, 2018
You know those signs on doors? One says “In” and one says “Out”? But exactly half of the time, I think those signs are wrong. Stay with me here. Aren’t you always going “In”? If you’re always going thru the door, and you can’t go thru something unless you’re “In” it, you should always be going “In”. I mean, theoretically, you could be going “Out” once you’ve passed the halfway point. But unless we want the signs to electronically change when we pass exactly halfway over the threshold, we should always go “In” the “In” door, regardless of whether we are entering or leaving a building because we are always going “In” the door itself. These subtleties appear to be lost on sign makers. Many times I’ve been inside a building and I’ve tried to exit by the “In” door. Nope, won’t budge. Inevitably, a bunch of well-meaning people will point to the “In” sign over my head. Yeah, like I didn’t see it!
I’ve had a love/hate relationship with signs most of my adult life. Take those diamond signs that classify chemicals. You know, the ones that say things like hazardous or oxidizer. I love those signs. I think we should use those signs to classify people. The friend who whispers about you behind your back—Toxic. The boss that plays video games on his computer all day. Obviously, an inert substance. How about the person that keeps nagging and nagging until you give in? Corrosive. Then there’s my neighbor—Irritant. Know anyone that’s explosive? I think we should abolish the entire field of psychology and just hire those sign guys to observe people and stick colored diamonds on everyone’s forehead.
But more than bad signage I detest bad drivers. That’s why, in addition to changing half of the “In” and “Out” signs, and hiring thousands of chemists to observe and classify the population, I believe every licensed driver should be issued a traffic dart gun. Here’s my idea. When you get your driver’s license, the state would give you a dart gun with three darts. These darts would have super strong suction cups on the end. When you see someone committing an obviously stupid, illegal, driving maneuver, you’d pull out the ole dart gun and stick one to the offender’s car. Three darts; automatic ticket. See a car with fifteen darts on it? Hey, it’s time to pull over, get out of the way, and let that dude drive on by. I’d even be willing to pay for my dart gun. Wow, a new source of revenue for the state. Need more darts? Make your check out to the IRS.
Why am I telling you all these things? Haven’t you guessed? November is coming up. I’m running for office. Yes, you too can have correct signage and dart guns! Vote for Kidd Wadsworth.
Happy July.
It’s hard to believe we are in the middle of July. This really isn’t the summer I planned. What’s that saying, “If you want to know if God has a sense of humor, make plans.”
This has been a year unlike any other and that is pretty much how it will be described. We will tell future generations how we survived 2020.
I sympathize with all who have suffered any type of loss during this time.
I have elected not to dwell on the negatives. Instead, I’m focusing on what I can do to update my writer life. I made a list of things I wanted to get done. I was surprised at the length of the list. Here’s a sampling of my tasks…some are still WIP:
I have yet to master a regular social media schedule. I got close earlier this year, but fell off the wagon. I heard about two planning apps: Planoly and Plann. I’m trying them out on my lingerie site. Once I complete a month of use, I’ll share the results. I will share this. On my lingerie Instagram page, I did the pre-planning and it yielded sales and a couple of new followers. Again, If I’d placed a little more energy into it, I believe the results would have been better.
What new or different thing have you done for your writing career?
Stay safe.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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