Today’s Guest Author is Kat Martin. We hope you enjoy her post on Setting the Stage and the excerpt from her next romantic suspense novel, THE ULTIMATE BETRAYAL
New York Times bestselling author Kat Martin is a graduate of the University of California at Santa Barbara where she majored in Anthropology and also studied History. Currently residing in Missoula, Montana with her Western-author husband, L. J. Martin, Kat has written sixty-five Historical and Contemporary Romantic Suspense novels. More than sixteen million copies of her books are in print and she has been published in twenty foreign countries. Kat is currently at work on her next Romantic Suspense.
I love to read novels set in interesting places. Currently I’m reading an historical romance that takes place in Nazi-occupied Paris during WWII. I’ve always loved Paris, which makes the book even more fun to read. Being able recognize the settings where the action takes place, as well as the names of restaurants and streets I have visited.
As a writer, going to the place your book is set, or choosing a place you have actually been, is the best way to make your book seem real.
In THE ULTIMATE BETRAYAL, the novel takes place in Colorado, a state I love to visit. After I’d concluded my second Maximum Security novel, THE DECEPTION, which was set in Texas, I was looking for someplace different for book number three. Colorado, with its wide variety of landscapes and extreme climate conditions seemed perfect.
Having been to Denver a number of times, street names were familiar, parks and airports, locations of smaller towns and rural mountain communities.
Since this was a Maximum Security novel, a romantic thriller, I began by researching crime in the state. I had digging and digging and finally stumbled onto an article about the U.S. Army chemical weapons depot near Colorado Springs. As Brandon Garrett, the hero of my story, was a former army officer, I loved the idea of Bran interacting with his military past.
The idea of stealing chemical weapons from a storage depot gave me all sorts of plot ideas. In THE ULTIMATE BETRAYAL, when investigative journalist Jessie Kegan’s father, a colonel in the army, is accused of treason, she’s determined to clear his name. Afraid for her life, Jessie turns to former Special Ops soldier, Brandon Garrett. But time is running out and the game being played is deadly. Working together, Bran and Jessie risk everything to solve the riddle and stop the threat–before it’s too late.
Because of the military setting, this was one of the hardest books I’ve ever written. I think it turned out to be one of my best. I particularly love the interaction between Bran and Jessie and I hope readers will, too.
I hope you’ll watch for THE ULTIMATE BETRAYAL and that you enjoy Bran and Jessie’s story. Till next time, all best wishes and happy reading, Kat
Too much downtime always made him nervous, kind of edgy as he waited for the other shoe to drop. It had been a week since his last client had headed back to Nashville, a week of peace and quiet he should have enjoyed.
Instead, he had this nagging feeling that something bad was coming down the line.
Lounging back in the chair behind his desk at Maximum Security, Brandon Garrett looked up at the sound of the front door swinging open. A gust of cool, late October winds swept in, along with a petite, whirlwind of a woman with the prettiest strawberry blond hair Bran had ever seen.
She had a sweet little body to match her fiery curls, he noticed, outlined by the dark blue stretch jeans curving over her sexy little ass and the peach knit top that hugged her breasts.
It wasn’t tough to read the anxiety in her big green eyes as she surveyed the room, but instead of heading for the receptionist’s desk, those big green eyes landed on Bran and as she started toward him, there was something about her that rang a distant bell. Interest piqued, he rose from his chair. “Can I help you?”
“You’re Brandon Garrett, right? You were a friend of my brother’s. Danny Kegan? I recognize you from the photos Danny sent home.”
The mention of his best friend’s name hit him like a blow, and the muscles across his stomach clenched. Daniel Kegan had been a member of his spec ops team, a brother, not just a friend. Danny had saved Bran’s life at the cost of his own. He was KIA in Afghanistan.
Bran stared down at the girl, who was maybe five-foot-four. “You’re Jessie,” he said, remembering the younger sister Daniel Kegan had talked so much about. “You look like him. Same color hair and eyes.”
She nervously wet her lips, which were plump and pink and fit her delicate features perfectly.
“My brother said if I ever needed help, I should come to you. He said you’d help me no matter what.” She glanced back toward the door and his mind shifted away from the physical jolt he felt as he looked at her to the worry in her eyes.
“I’ll help you. Danny was my closest friend. Whatever you need, I’ll help. Come on. Let’s go into the conference room and you can tell me what’s going on.” When her gaze shot back to the door, his senses went on alert.
“I didn’t mean I needed your help later,” Jessie said nervously. “I meant I need your help right now.”
Gunshots exploded through the windows. “Get down!” Bran shouted to the other guys in the office as he shoved Jessie down behind his desk and covered her with his body. Glass shattered and a stream of bullets sprayed across the room.
Jaxon Ryker popped up, gun drawn, and ran for the door. Hawk Maddox and Lissa Blayne were shuffling through their desks, arming themselves. Jonas Wolfe drew his ankle gun and ran for the rear entrance, ready for any threat that might come from there.
“Black SUV with tinted windows,” Ryker reported. Six feet of solid muscle, dark hair and eyes, Jax was a former Navy SEAL, currently a PI and occasional bounty hunter. “Couldn’t get a plate number.” Jax’s gaze swung to the front of the room. “Mindy, you okay?”
The little receptionist eased up from beneath her desk. “I-I’m okay. Should I call the police?” Around here, it was never good to jump to conclusions.
Bran hauled Jessie to her feet. He could feel her trembling. Her eyes looked even bigger and greener than they had before. “Are they coming back?” he asked.
“I-I don’t know. It could have just been a warning.”
Bran turned to Mindy. “Unless someone’s already phoned it in, let’s wait to call the cops till we know what’s going on.” His attention returned to Jessie. “We need to talk.”
She just nodded. Her face had gone pale, making a fine line of freckles stand out across her forehead and the bridge of her nose.
Bran took her arm and urged her toward the conference room. “Keep a sharp eye,” he said to The Max crew. “Just in case.”
Jessie sank unsteadily down in one of the rolling chairs around the long oak conference table. The man she had come to see, Brandon Garrett, sat down beside her.
“Okay, let’s hear it,” he said. “What’s going on?”
She thought of the men who had just shot up his office and her pulse started thumping again. “Danny said if I ever needed help–”
“Yeah, I get that. Your brother knew he could count on me. Like I said, I’ll help you any way I can, but I need to know what’s going on.”
Bran was taller than Danny, around six-three, with a soldier’s lean, hard body, vee-shaped, with broad shoulders and narrow hips. Powerful biceps bulged beneath the sleeve of his dark blue T-shirt. With his slightly too-long mink brown hair, straight nose and masculine features, he was ridiculously handsome, except for the hard line of his jaw and the darkness in his eyes that contrasted sharply with their beautiful shade of cobalt blue.
“Start at the beginning,” he demanded.
Since she wasn’t sure exactly where to begin, Jessie dragged in a shaky breath and slowly released it.
“I’m here because of my father–Colonel James Kegan, Commander U.S. Army Alamo Chemical Depot. Just before he died a little over two months ago, my father was removed from active duty. He was charged with larceny–specifically the theft of chemical weapons stored at the Depot. Because the Army believed he was selling the weapons to a foreign entity, he was also charged with espionage and treason. I need you to help me prove his innocence.”
THE UNTIMATE BETRAYAL IS AVAILABLE TODAY
FOLLOW THE BUY LINKS BELOW
Fences
now
as then
we draw lines
build and rebuild
fences
with new wire
cut of the same steel
forged in
new factories
still owned and run
by warped minds
© Neetu Malik
When you love someone, you want to know everything about them. That someone, in this case, was my maternal grandmother. We shared a close bond, but there was a wrinkle on the face-map of her life that I could not trace. I wish I had asked her my questions while she was still with me.
Interviewing relatives would, I hoped, complete my connection to this woman I dearly loved, and terribly missed. But to find the remaining pieces, I did what writers do best—research in order to build a world.
So like the hummingbird that can fly backward, I went back in time to Grandma’s world.
Historical records, genealogies, news media archives, the library, and the internet supplied a wealth of factual information. But it was the literature of my grandmother’s generation that proved invaluable. These books transformed into photo albums before my eyes, showing me beginnings, goals accomplished and milestones reached: footprints on the path of life. Preserved intact on the pages of novels and poems were the tears, sorrows, dreams, humiliations, and losses of real people; experiences true to their time and place.
Stories, I realized, are essential to our lives. They preserve the knowledge of who we are. They alone have the power to travel unfettered bridging cultural gaps, producing empathy, and transforming strangers into friends. Stories too serve as mirrors. By them, we view and measure our growth and change, or lack thereof.
I started out seeking missing facts about my grandmother’s life. I found so much more: a living reminder of the hopes and sacrifices of my ancestors that paved the way for me to be born happy, healthy and free. Lives and experiences that I want to always remember and never forget.
May these novels and poems never pass away for my Granny lives enshrined therein forever.
See you next time on August 22nd.
Veronica Jorge
We’re so lucky. The English language is like play dough.
Oh yes, we have strict rules of grammar, tense, POV, all the way to the minutia of intransitive verbs. We can choose from a number of eminent grammar and style guides to ensure conformity. We have stalwart English teachers to drill those rules into our heads so that we are all on the same page. (And bless them all – there is nothing better than order over chaos). But despite those rules a writer has so much freedom to shape our mother tongue into forms wry, brittle, silly, heartbreaking, snarky or just plain mad.
I don’t have much command of any other language; a smatter of German, a soupçon of French, about a third cup of Latin and a healthy plateful of Spanish. But I do know that the rules of those languages are not as forgiving as English — not as much room to roam before you run afoul of the language police. English allows us to mangle all the rules of spelling, meaning, and sentence structure to reflect dialect, or character traits, add color, shift perceptions or mood and anyone with a good command of English can understand — and only pedants ever complain. Of course, you have to use the rules of punctuation. Gotta have those traffic signs.
Anthony Burgess used bits and pieces of Russian mixed with Shakespearian English and other tongues to give us Nadsat, the terrifyingly unique argot of his dark characters in A Clockwork Orange. The reader may have had to work at it a bit, but it was intelligible and colored the story with an unforgettable feel. Fantasy and Sci Fi from J.K. Rowling to Ursula K. Le Guin play with all sorts of mixed up language that become magical words and when you’re reading in those worlds you understand.
Dialect and special vocabulary enrich a tale on many levels and I’m in awe of those writers who do them well, but my favorite form of play dough English is the portmanteau. Anybody can create one of these inventive combinations, and everybody does — usually with something faintly deprecating or ironically funny in mind. And with just one word a portmanteau can ooze with meaning. Frenemy speaks volumes — we’ve all had one and it’s exhilarating to give ‘em a proper name. Craptacular very neatly wraps up the verdict on so much of our over-hyped media. And then there’s pompidity, my own invention from University days when I struggled to describe the quality of politicians.
All writers love words. Words are paint, chisel, fabric, and clay for our creativity. If you can’t find that one word that perfectly reflects your intent, try cobbling a new one together — no one will take points away. Blog is a portmanteau (web log) so if you’re lucky enough to have your portmanteau go viral, you might wind up in the OED.
With a BA in Anthropology and English Jenny pursued a career in advertising and writing and segued into developmental editing. She has worked on nearly 400 books during her career. Her clients include both traditionally published and indie authors. She has worked in every genre from romance to horror and thrillers as well as edited Air Force manuals, commercial communications and memoirs. She offers every service from copyediting to developmental coaching.
*This blog is an oldie but goodie, originally published in March, 2018
You know those signs on doors? One says “In” and one says “Out”? But exactly half of the time, I think those signs are wrong. Stay with me here. Aren’t you always going “In”? If you’re always going thru the door, and you can’t go thru something unless you’re “In” it, you should always be going “In”. I mean, theoretically, you could be going “Out” once you’ve passed the halfway point. But unless we want the signs to electronically change when we pass exactly halfway over the threshold, we should always go “In” the “In” door, regardless of whether we are entering or leaving a building because we are always going “In” the door itself. These subtleties appear to be lost on sign makers. Many times I’ve been inside a building and I’ve tried to exit by the “In” door. Nope, won’t budge. Inevitably, a bunch of well-meaning people will point to the “In” sign over my head. Yeah, like I didn’t see it!
I’ve had a love/hate relationship with signs most of my adult life. Take those diamond signs that classify chemicals. You know, the ones that say things like hazardous or oxidizer. I love those signs. I think we should use those signs to classify people. The friend who whispers about you behind your back—Toxic. The boss that plays video games on his computer all day. Obviously, an inert substance. How about the person that keeps nagging and nagging until you give in? Corrosive. Then there’s my neighbor—Irritant. Know anyone that’s explosive? I think we should abolish the entire field of psychology and just hire those sign guys to observe people and stick colored diamonds on everyone’s forehead.
But more than bad signage I detest bad drivers. That’s why, in addition to changing half of the “In” and “Out” signs, and hiring thousands of chemists to observe and classify the population, I believe every licensed driver should be issued a traffic dart gun. Here’s my idea. When you get your driver’s license, the state would give you a dart gun with three darts. These darts would have super strong suction cups on the end. When you see someone committing an obviously stupid, illegal, driving maneuver, you’d pull out the ole dart gun and stick one to the offender’s car. Three darts; automatic ticket. See a car with fifteen darts on it? Hey, it’s time to pull over, get out of the way, and let that dude drive on by. I’d even be willing to pay for my dart gun. Wow, a new source of revenue for the state. Need more darts? Make your check out to the IRS.
Why am I telling you all these things? Haven’t you guessed? November is coming up. I’m running for office. Yes, you too can have correct signage and dart guns! Vote for Kidd Wadsworth.
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