Don’t Tell Them
It was in April they met
when rain washed away
their loneliness
hand in hand they walk
in meadows sprouting
soft blades of grass,
young and lush
their love, tender as buds germinating
from dormant seed, throbbing
with promises they swear to keep
unaware yet of summer’s heat
or autumn’s last blaze,
no icicles to freeze
the flow in their veins
so it should be, better not tell them
what awaits.
© Neetu Malik
As summer winds down to a hazy memory and schools re-open to welcome children, I am transported back to one of my own September days and that dreaded first assignment: the essay, My Summer Vacation.
Why was I asked to splatter my most precious moments on a sheet of plain old loose leaf paper only to have them defaced with red ink across the top? It just didn’t feel right.
Moreover, how could I even begin to describe a Brooklyn city summer, or explain how it felt to walk shoulder to shoulder with your best friend sharing secrets, giggles, and a Good Humor or Mr. Softy ice-cream?
Every perfect vacation includes fun, exercise, adventure, education, music and art. We had it all!
We played handball (there was always a building with a smooth wall), punch-ball and two-hand touch: our city versions of baseball and football, the latter usually played in the middle of the street, and basketball (the third rung on the fire escape ladder was the hoop).
For fifty-cents, Al’s deli made a mean ham and cheese hero that he’d cut in half for you and your best buddy to share. Allowance money went a long way at kid-friendly Cheapie Charlies where you could splurge on a water gun, a slinky, jacks, or a one-flight paper airplane, two if you were lucky. Clustered on a stoop we sang and clapped in time.
The main library on Grand Army Plaza provided an air-conditioned respite from the heat. Seated in a cozy arm chair with an illustrated hard-cover our wings spread and our imaginations soared. Next door was the Brooklyn Museum, home to the largest Egyptian collection in the nation. Tombs and mummies, that was the place for mystery and adventure.
If we wanted to hit the high C’s, we’d hop the subway to Coney Island and scream our heads off on the cyclone rollercoaster as it clattered down the wooden rails.
At night, I sat out on the fire-escape staring up at the starry sky while my big brother pointed out the constellations and told me stories of Orion’s belt and the Wings of Icarus.
My summer vacation was about friendships. It was about growing and going back to school just a little older, not about going someplace. In a different way, we did go someplace, but it was within ourselves, our neighborhood, and our special little worlds. Your family and your friends were your summer. What you did, what you talked about and the experiences you shared made up your summer vacation: some things too private and personal to tell anyone except your closest friend, some moments too happy or too sad to actually put into words, but mostly those giddy, silly days filled with laughter that would be impossible to write about in an essay.
I don’t know what stories or memories children will share when they return to school, but I hope the joys of youth and friendship will outshine and outlast whatever troubles or sorrows may have touched their lives this summer.
See you next time on September 22nd.
Veronica Jorge
Dianna is a contributing author in the recent Bethlehem Writers Group anthology, Untethered, Sweet, Funny & Strange Tales of the Paranormal. A man buys a painting of a jungle scene that is so realistic it seems to change in “Point of View.” She has also contributed stories for the Bethlehem Writers Roundtable ezine, including “In the Delivery.”
Born and raised in the Midwest, Dianna has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
Dianna also has a regular column, Quill and Moss, here on A Slice of Orange.
Born and raised in the Midwest, Dianna Sinovic has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
Last night I was what you might call, a frustrated night owl. I flattened the candle, hoping to finish the first draft of my latest book. I worked until my eyes refused to focus and my butt hurt from sitting so long and still I pushed on. Although I was fairly pleased with the results, my story remained sadly incomplete. Oh, I knew the ending I wanted to attain; I just wasn’t sure which road to take to get it there. Somewhere around midnight, I started questioning my sanity, something I do far too often when I’m struggling with my writing. Provocative thoughts like why hadn’t I ever thought of making this book into a series sprang to life. Was it too late? Did I need to start over? Expand my characters? Was this book going to be a thrilling finale, or a brilliant beginning?
And then it happened; I got stuck in my own head and couldn’t get out! I felt like all of my imaginative juices had inexplicably dried up and I started freaking out. I mean like walking the floors, talking to myself freaking out. I have been working on this one story for such a long time as a seed of an idea finally grew into an actual story with characters, a setting and a plot I really like a lot. So getting stuck now made no sense at all and struggling any further seemed pointless, so I did what every unsure writer does – I went to bed.
The next morning found me in a fog, no closer to finding the clarity I needed to continue and with little desire to get to work. My only option was to strap on my headphones and my tennis shoes and head out for a long walk. Trying to pump a dry well of creativity is futile and adding in fatigue from a restless night just made things worse. Listening to the strains of Vivaldi, my mind blank, I wandered up and down the hills in search of who knew what. And then I found what I hadn’t realized I’d even been looking for; a trigger of inspiration.
I saw the faded paper sign hanging off an old tree that was a ways off the walking trail and swimming in a sea of ivy and I almost walked right past it. Fortunately, something fateful drew me back to the tall Eucalyptus tree and the modeled piece of white paper tied around its trunk. The words Lost & Found were barely visible, written in faded black marker pen. Some of the letters were transparent, bleached by the sun or washed away by the heavy ocean dew, proof that the announcement had hung there for a while at least. What made the sign even more unusual was the pair of glasses, reading glasses I’d guess, sticking through two paper punched holes, just waiting for a passerby to notice.
At first, I walked away smiling at the strange sight. But my curiosity soon got the better of me and I found myself returning for a second peek. Looking at the tortoise shelled frames, I wondered, had an older gentleman dropped them? They looked like a man’s pair of glasses to me. How was he coping with the loss? Was his wife nagging him to stop complaining and go to the drugstore to pick up another pair or had he silently battled his inability to read without his plastic framed friends? And what lovely person had discovered the glasses and then gone to all the effort to create a sign, attach the glasses and post it where walkers might see?
Within moments my synapses were on fire, creating a scenario for a story I couldn’t wait to get home and write. I was humming with excitement and ready to go. My creativity was back and I silently thanked the angel who had put that sign in my way. It took me another thirty minutes for me to walk home and without even realizing that I had, I created the conclusion for my other book, the one I had been struggling with before my morning walk. Those glasses clarified my options and offered me the vision I needed to complete my story without ever leaving the tree.
I think I’ll take a walk past the Eucalyptus tree tomorrow to see if anyone has claimed the lenses. Or better yet, I think I’ll start chapter two of my next story, The Sightless Stranger about a man who lost his way.
Stay Healthy and Happy!
Meriam
No! I’m not going to weigh in on the mask vs no mask debate. Really.
I am an inveterate people watcher. Sometimes I go overboard and get caught staring — awkward. Honestly, it’s not you I’m looking at, it’s the potential character the physical ‘you’ suggests to me. I’m pretty sure all writers do that to one degree or another. It can’t be helped. Some people just like a (too) kindly grandmother, or a shifty con man or a fairy princess or a sharkish accountant.
Faces reveal so much, from hidden agendas to unspoken feelings, spontaneous joy to suppressed fury. It’s fertile ground for the writer. Anne Perry uses the reading of facial expressions to heighten tension and create suspense. In her hands it’s a plot device and she’s brilliant at it. Add body language to that and a character comes fully to life. It’s also a great way to stomp down those unwanted dialog tags; showing the reader who’s speaking is miles better than telling.
Just watching the emotional beats revealed on the faces of two friends having coffee can jumpstart a story and the story can shift and morph if I switch genres in my head. (Yep, I start a lot of imaginary tales. It’s more fun than Sudoku.) Narrowed eyes and rigid lips mean one thing in a spy thriller and quite another in a romance. Add the tilt of the head and a clinching of fists and it could work for either the inciting incident or the denouement.
Now most of us are masked and I have to shift my game. We’re all consciously trying to keep a six-foot distance and it makes for some very stilted body language! A woman turned from the pasta aisle just as I was turning in, our carts nearly colliding. That’s a common enough occurrance at the grocery store and usually each party smiles and laughs and maneuvers on their way. I found myself braying an exaggerated laugh, shrugging my shoulders and my “oh sorry” came out a bit over bright. It was the mirror response of this woman. We couldn’t read each other’s faces. An apologetic smile doesn’t do it any longer.
They say we need to adjust to a new normal. I’m not sure what that’s supposed to mean, but I can imagine all this maskedness and artful distancing will add some very intriguing elements to contemporary fiction. How will strangers meet and grow a romance? Is love at first sight a victim of the pandemic? How will antagonists make use of the fact that with a baseball cap, sunglasses and the compulsory mask one is virtually unidentifiable? Think of the wonderful mix-ups this could lead to. Great fodder for screw-ball comedy. Or great fodder for murder and mayhem.
It will be impossible to ignore Corvid in writing contemporary stories. At the very least it will have to serve as atmosphere, but there are elements of this awful reality that present nearly endless plot possibilities — as nearly endless as this shutdown feels. I can’t wait to read them.
Jenny Jensen
Editor
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