Dianna Sinovic, Featured Author August 2020
August 21, 2020 by marianne h donley in category Featured Author of the Month tagged as Dianna Sinovic, Featured Author of the Month, Quill and Moss, Short Stories
Author of the Month: Dianna Sinovic
Dianna is a contributing author in the recent Bethlehem Writers Group anthology, Untethered, Sweet, Funny & Strange Tales of the Paranormal. A man buys a painting of a jungle scene that is so realistic it seems to change in “Point of View.” She has also contributed stories for the Bethlehem Writers Roundtable ezine, including “In the Delivery.”
Born and raised in the Midwest, Dianna has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
Dianna also has a regular column, Quill and Moss, here on A Slice of Orange.
Other books by Dianna Sinovic
Born and raised in the Midwest, Dianna Sinovic has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
LOST AND FOUND AT JUST THE RIGHT TIME
August 20, 2020 by Meriam Wilhelm in category A Bit of Magic by Meriam Wilhelm
Last night I was what you might call, a frustrated night owl. I flattened the candle, hoping to finish the first draft of my latest book. I worked until my eyes refused to focus and my butt hurt from sitting so long and still I pushed on. Although I was fairly pleased with the results, my story remained sadly incomplete. Oh, I knew the ending I wanted to attain; I just wasn’t sure which road to take to get it there. Somewhere around midnight, I started questioning my sanity, something I do far too often when I’m struggling with my writing. Provocative thoughts like why hadn’t I ever thought of making this book into a series sprang to life. Was it too late? Did I need to start over? Expand my characters? Was this book going to be a thrilling finale, or a brilliant beginning?
And then it happened; I got stuck in my own head and couldn’t get out! I felt like all of my imaginative juices had inexplicably dried up and I started freaking out. I mean like walking the floors, talking to myself freaking out. I have been working on this one story for such a long time as a seed of an idea finally grew into an actual story with characters, a setting and a plot I really like a lot. So getting stuck now made no sense at all and struggling any further seemed pointless, so I did what every unsure writer does – I went to bed.
The next morning found me in a fog, no closer to finding the clarity I needed to continue and with little desire to get to work. My only option was to strap on my headphones and my tennis shoes and head out for a long walk. Trying to pump a dry well of creativity is futile and adding in fatigue from a restless night just made things worse. Listening to the strains of Vivaldi, my mind blank, I wandered up and down the hills in search of who knew what. And then I found what I hadn’t realized I’d even been looking for; a trigger of inspiration.
I saw the faded paper sign hanging off an old tree that was a ways off the walking trail and swimming in a sea of ivy and I almost walked right past it. Fortunately, something fateful drew me back to the tall Eucalyptus tree and the modeled piece of white paper tied around its trunk. The words Lost & Found were barely visible, written in faded black marker pen. Some of the letters were transparent, bleached by the sun or washed away by the heavy ocean dew, proof that the announcement had hung there for a while at least. What made the sign even more unusual was the pair of glasses, reading glasses I’d guess, sticking through two paper punched holes, just waiting for a passerby to notice.
At first, I walked away smiling at the strange sight. But my curiosity soon got the better of me and I found myself returning for a second peek. Looking at the tortoise shelled frames, I wondered, had an older gentleman dropped them? They looked like a man’s pair of glasses to me. How was he coping with the loss? Was his wife nagging him to stop complaining and go to the drugstore to pick up another pair or had he silently battled his inability to read without his plastic framed friends? And what lovely person had discovered the glasses and then gone to all the effort to create a sign, attach the glasses and post it where walkers might see?
Within moments my synapses were on fire, creating a scenario for a story I couldn’t wait to get home and write. I was humming with excitement and ready to go. My creativity was back and I silently thanked the angel who had put that sign in my way. It took me another thirty minutes for me to walk home and without even realizing that I had, I created the conclusion for my other book, the one I had been struggling with before my morning walk. Those glasses clarified my options and offered me the vision I needed to complete my story without ever leaving the tree.
I think I’ll take a walk past the Eucalyptus tree tomorrow to see if anyone has claimed the lenses. Or better yet, I think I’ll start chapter two of my next story, The Sightless Stranger about a man who lost his way.
Stay Healthy and Happy!
Meriam
Masque, Masquerade, Mask
August 19, 2020 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as characterization, editing, writing
No! I’m not going to weigh in on the mask vs no mask debate. Really.
I am an inveterate people watcher. Sometimes I go overboard and get caught staring — awkward. Honestly, it’s not you I’m looking at, it’s the potential character the physical ‘you’ suggests to me. I’m pretty sure all writers do that to one degree or another. It can’t be helped. Some people just like a (too) kindly grandmother, or a shifty con man or a fairy princess or a sharkish accountant.
Faces reveal so much, from hidden agendas to unspoken feelings, spontaneous joy to suppressed fury. It’s fertile ground for the writer. Anne Perry uses the reading of facial expressions to heighten tension and create suspense. In her hands it’s a plot device and she’s brilliant at it. Add body language to that and a character comes fully to life. It’s also a great way to stomp down those unwanted dialog tags; showing the reader who’s speaking is miles better than telling.
Just watching the emotional beats revealed on the faces of two friends having coffee can jumpstart a story and the story can shift and morph if I switch genres in my head. (Yep, I start a lot of imaginary tales. It’s more fun than Sudoku.) Narrowed eyes and rigid lips mean one thing in a spy thriller and quite another in a romance. Add the tilt of the head and a clinching of fists and it could work for either the inciting incident or the denouement.
Now most of us are masked and I have to shift my game. We’re all consciously trying to keep a six-foot distance and it makes for some very stilted body language! A woman turned from the pasta aisle just as I was turning in, our carts nearly colliding. That’s a common enough occurrance at the grocery store and usually each party smiles and laughs and maneuvers on their way. I found myself braying an exaggerated laugh, shrugging my shoulders and my “oh sorry” came out a bit over bright. It was the mirror response of this woman. We couldn’t read each other’s faces. An apologetic smile doesn’t do it any longer.
They say we need to adjust to a new normal. I’m not sure what that’s supposed to mean, but I can imagine all this maskedness and artful distancing will add some very intriguing elements to contemporary fiction. How will strangers meet and grow a romance? Is love at first sight a victim of the pandemic? How will antagonists make use of the fact that with a baseball cap, sunglasses and the compulsory mask one is virtually unidentifiable? Think of the wonderful mix-ups this could lead to. Great fodder for screw-ball comedy. Or great fodder for murder and mayhem.
It will be impossible to ignore Corvid in writing contemporary stories. At the very least it will have to serve as atmosphere, but there are elements of this awful reality that present nearly endless plot possibilities — as nearly endless as this shutdown feels. I can’t wait to read them.
Jenny Jensen
Editor
The Ultimate Betrayal
August 16, 2020 by A Slice of Orange in category Spotlight tagged as Best Selling author, Guest posts, Kat Martin, new release, romantic suspense
Excerpt
by
Kat Martin
“Who hired you and Digger to kill Jessie Kegan?”
Petrov shook his head. “We didn’t have to kill her. We just had to convince her to quit sticking her nose into other people’s business.”
“And if you couldn’t convince her?”
Petrov shrugged his thick shoulders. “Then we’d have to do something that would.” He was built like a bull, and with that pale, scraggly beard, he was ugly.
“What? Like make her dead?” Bran pressed.
Petrov didn’t answer, just gave another shrug as if killing her was no big deal. Jessie shivered. She gasped when Bran drew back his fist and punched Petrov hard in the face, sending a spray of blood into the air and his body flying backward into the dirt.
“Bran, stop!” Jessie grabbed his bicep, which was bunched hard as steel, ready to deliver another brutal blow.
He shook his head, fighting for control. “He’s lucky I don’t kill him.” Instead, he jerked Petrov upright. “I need a name. Who hired you?
”
Petrov spit out a wad of blood. “Weaver. That’s his name. Just Weaver.”
“How do I find him?”
More blood trickled from Petrov’s nose. The way it was swelling, by tomorrow, both eyes would be black.
“I don’t know. He phones us on a burner, tells us what he needs, we call him back after the job’s done. Weaver tells us where to pick up our money. That’s the way it works.”
Bran swore foully. “What’s going to happen when Weaver finds out you didn’t finish the job?”
Petrov grimaced. “He ain’t gonna like it, that’s for sure.”
“Then I’d strongly suggest the first chance you get, you and your buddy leave town. I’ve got friends on the base. I’ll be texting them your photos. You don’t leave, I’ll know and you’ll be dealing with me instead of your buddy, Weaver. You won’t have a second chance to walk away.”
Petrov stared up at him. Jessie knew Bran was talking about soldiers in the 10th Special Forces stationed at Fort Carson, where he had friends.
“You understand what I’m saying?”
Petrov swallowed and nodded.
Bran turned to Jessie. “Time to go.”
“What about them? We can’t just leave them out here. They could die of exposure.”
“We’ll call the sheriff once we’re on the road.”
“I thought you were letting us go,” Petrov complained.
“You’re lucky your still alive.” Bran closed Jessie’s car door, rounded the hood, and slid in behind the wheel.
“Maybe we should call the MPs instead of the sheriff,” she suggested as the engine roared to life. “Since it involves a CID investigation.”
Bran shook his head. “These guys aren’t active duty, plus we don’t know who we can trust on the base.”
Unfortunately, that was true. Her dad had been murdered on the base. The military was somehow involved.
As soon as the SUV reached the highway, Bran called 9-1-1 and anonymously reported that two men had assaulted him and were now tied up in an empty field. He gave the location using GPS coordinates.
“Sheriff will be there in ten,” he said, ending the call. “We need to be long gone by then.” He punched the gas and the Expedition picked up speed, heading back to Colorado Springs, forty miles away, and their motel.
“What will the sheriff do to them?” Jessie asked.
“For starters, they’re probably driving with a stolen license plate. There’s also a good chance there’ll be warrants out for them. Guys like that…could be anything from a speeding ticket to a felony. Might get them locked up for a while.”
There were few cars on the back road Bran was driving toward town. The wind had picked up, blowing dust and dry leaves into the air. The night was dead black, no moon no stars. Jessie shivered, though it was warm in the SUV.
She thought of the men who’d come after them. “Once they’re released, do you think they’ll actually leave town?”
“I’d say chances are better than good. Men like that go after the easy money.” He cast her glance that held a trace of arrogance. “Turned out getting to you wasn’t as easy as they thought.”
She almost smiled. No, not nearly as easy with Bran Garrett acting as her bodyguard.
“I’ll text those photos to a couple of SF guys I know, have them spread the word to their buddies, keep a lookout, give me a heads-up if anyone spots them.”
She nodded. At least they might get some kind of warning if the two men stayed in the area.
Silence began to stretch between them. Neither of them spoke until town drew near and Bran’s gaze slid back to her.
“You okay?”
Was she okay? Men had been hired to stop her–one way or another–from finding out what had happened to the stolen munitions and clearing her father’s name. Since she had no intention of quitting, no, she wasn’t okay. But she didn’t say that.
“I will be. Once we clear my father’s name.”
“Be smarter to quit before things get worse.”
“You think they will?”
“Good chance they will.”
She fixed him with a stare. “You sticking?”
His mouth faintly curved. “If you are.”
As Jessie settled back in the seat, she found herself smiling. “Glad that’s settled.”
Bran just shook his head. “Well, you sure as hell aren’t boring.” He flashed one of his devastating grins. “Can’t remember when I’ve had a better time with a lady.”
Jessie scoffed. “Not counting sex,” she said dryly.
His look turned scorching the instant before he glanced away. “Yeah,” he said. “Not counting sex.”
Jessie’s whole body went warm, and in that moment she made a decision.
She decided she was going to seduce him.
Other Books by Kat Martin
Bestselling author Kat Martin is a graduate of the University of California at Santa Barbara where she majored in Anthropology and also studied History. Currently residing with her Western-author husband, L. J. Martin, in Missoula, Montana, Kat has written sixty eight Historical and Contemporary Romantic Suspense novels. More than sixteen million copies of her books are in print and she has been published in twenty foreign countries. Her last novel, INTO THE FIRESTORM, took the #7 spot on the New York Times Bestseller list. This will be the 15th novel in a row to be included on that prestigious list. Kat is currently at work on her next Romantic Suspense.
Write What You Know? Yes & No
August 15, 2020 by Rebecca Forster in category Writing
Recently someone posed this question: is ‘write what you know’ still the best advice?
My answer is yes and no.
YES! Your life is full of emotions: joy, heartbreak, success, and failure. Just by living you have built a warehouse of emotional resources that you will gift to your characters. Even if you were a Disney princess you would have had to deal with the terror of wicked witches, the joy of true love, the hardship of living with five messy dwarfs or two evil stepsisters. That means you, as a writer, can draw on your emotional experience to give our characters depth and realism that will stay with them long after they close our books.
NO! Don’t limit your stories to what you know. If you’re anything like me daily life is pretty normal —dare I say boring? A writer’s job is to take something we recognize and turn it into something we don’t. A chance meeting becomes an epic romance, walking the dog and seeing a shooting star becomes a Sci Fi novel. Your imaginations should not be limited by the familiar. I write legal and police thrillers. I am not a cop or a lawyer, but I am is curious. I have a sincere fascination with the world of law enforcement. In order to write effectively about something I don’t know I research, I take classes, I talk to people in the profession. I will never be a cop or a lawyer, but I can write about their challenges because I take the time to learn about them. My love of the profession, translates into a love of the genre in which I write.
Marry what you do know with what you don’t, and you will create an exciting, genuine work of fiction that will leave your readers wanting more.
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