Melanie is proud to live and write in Iowa City, IA, the only UNESCO City of Literature in the United States, with her husband and four children. She graduated from the University of Iowa with a B.A. in Latin American Studies and Spanish. She loves languages, history, and goofing around with her kids. She’s been writing stories ever since she could put pen to paper and reading romances since she was old enough to sneak her mother’s books from her. Melanie loves a HEA and isn’t afraid to admit Hallmark Christmas movies play all year round in her house!
She’s a member of Romance Writers of America and a founding member of the Sassy Scribes writers’ group.
Jann: Your debut sweet romance, Healing Her Heart for the Holidays, is part of the Snow In Love: Sweet Romance Holiday Collection available October 14th. How does it feel to have your first story published?
Melanie: It’s so exciting, of course. You put all this work into building characters that you love and to get to share them with other people is awesome. I hope this is just the first of many stories I get to share.
Jann: Which came first when writing this story—character or plot?
Melanie: They really just grew together. I loved the idea of two broken people, one who knows they are and one who doesn’t, finding each other in the midst of a Christmas season neither wants to celebrate. And in that connection finding a reason to celebrate. I also knew I wanted to have a bed and breakfast in an old Victorian because I love those, and I wanted to pay homage to the Czech heritage of my husband’s family. And then everything just flowed from that.
Jann: Would you tell us about your characters Izabela Dobry and Mark Novak?
Melanie: I love these characters, and I was so mean to them making them so broken and needing each other so much but not wanting to need anyone. Izabela is born and bred Iowan. She lives in this big Victorian home that’s been in the family for generations and because of that she’s really rooted in traditions and heritage, all of which she’s avoiding at the start of the book. She’s thinks she’s weak and has nothing to offer anyone, but she’s completely wrong. She’s actually a very strong person and has such a capacity to give.
Mark is a workaholic from Florida, where he just fills his life with his job as a financial advisor. It’s how he sees himself contributing to the world. He doesn’t have much of a personal life, but he’s a really caring and generous person. He’s just never met anyone to make him think about what he’s missing and that his priorities might be wrong. Until, of course, he ends up on Izabela’s doorstep.
Jann: Are you working on something now that you can share with us?
Melanie: I’m working on a romantic suspense where the heroine is a security specialist and the hero is an action-film star. He’s being stalked by a cult who think he’s the reincarnation of their god, which he doesn’t see as a real threat while the studio wants to secure their investment and hires a woman bodyguard. I actually really like writing fight scenes. I was raised on 80s and early 90s action movies and I think it’s influenced me there.
Jann: Who are the Sassy Scribes?
Melanie: The Sassy Scribes is a group of romance authors that connected mainly over Facebook. We did some Nanowrimo challenges together and from there it just organically led to the idea of writing collections together. We’re hoping to publish at least 2 a year. And we have all types of writers, from those who do more romantic suspense to rom-com to paranormal/sci-fi. And those who will write steamier too. They’re awesome and we just have a blast when we get together on Zoom calls.
Jann: In your books, who is your favorite character and why?
Melanie: I love my heroine in the romantic suspense I’m working on named Autumn. She is a take-charge, fierce woman who doesn’t back down from a fight. And she’s super smart. She’s ruled by passion and very intense. I love writing her. The book is tentatively titled Chased Down and I hope to have it out shortly after the New Year.
Jann: What profession other than your own would you love to attempt?
Melanie: I’ve always loved acting and was a theater major at one point. Someday I’d like to have time to get involved in the local community theater but with four kids, working, and writing there just isn’t time right now!
Jann: What’s on your To-Be-Read pile?
Melanie: American Queen by Sierra Simone, Soul of Valor by Ann Malley, and Murder at Mistletoe Manor by Holly Tierny-Bedord.
Thank you so much Melanie for spending time with us on A Slice of Orange. Congratulations and good luck with the debut of Healing Her Heart for the Holidays!
Award winning author Alina K. Field earned a Bachelor of Arts Degree in English and German literature, but her true passion is the much happier world of romance fiction. Though her roots are in the Midwestern U.S., after six very, very, very cold years in Chicago, she moved to Southern California and hasn’t looked back. She shares a midcentury home with her husband, her spunky, blonde, rescued terrier, and the blue-eyed cat who conned his way in for dinner one day and decided the food was too good to leave.
She is the author of several Regency romances, including the 2014 Book Buyer’s Best winner, Rosalyn’s Ring. She is hard at work on her next series of Regency romances, but loves to hear from readers!
In addition to Quarter Days, Alina’s quarterly column’s on A Slice of Orange, you can visit her at:
Probably not, unless the book is an iconic bestseller with the kind of visual recognition status that makes it identifiable by sight to the masses. In most cases, an old book will need a fresh opportunity in the modern marketplace. That fresh opportunity will likely mean that you need to get a new cover and a new author photo. Give the work a fresh new start. That new start will also likely mean brushing up the description of the book with an eye toward why it is important for today’s readers. It could also include some current endorsements from people who resonate with the readers of the current year. That is not to say bury or drop old endorsements but be aware that younger readers may not know who past icons are, especially if those icons are no longer active or no longer living. Leverage everything you have available to make the cover stand out on digital platforms. Look at the product with new eyes and new expectations.
I love makeovers! Not only do I have forty books on my backlist, and all have had cover makeovers, but the author has too. Nope, I didn’t go under the knife, I just changed and grew with the times. Fashions change, the way books are viewed has changed, delivery methods have changed. Today your covers need to pop as thumbnails online in an ever-more crowded field, so give your work every advantage. Embrace marketplace changes. Have fun. Enjoy the process. If there are elements of the original covers you love keep them, but make them fresh (are you even sure you have the rights to the artwork?) I say go for it. I say go for it!
I’m going to assume (yikes! Danger Will Rogers) that by “old” you mean the book was first released at least 3 years ago. Yes, refresh, re-boot, revise, re-work that cover.
We’ve all been told not to judge a book by its cover. I think that is a cosmic fallacy right up there with ‘one size fits all’. An enticing cover draws me in — at least enough to read the blurb. With an Indie release a good cover says something about the author. It speaks of quality and suggests a promising story. In fact, I bought my two most favorite novels on the basis of the cover.
Take a good look at the covers of books in your genre and the ratings each has received. That will give you an idea of what sort of imagery is selling. Is it a literal graphic depiction or more impressionistic? Consider what is selling. Go from there.
If the original release was highly successful and you feel the cover was a part of that, you could simply update the original look. Covers are like fashion — ever changing and then rolling around to a previous era, only with a ‘modern’ sensibility. One has only to look at the original Agatha Christie covers and those on offer today to see that.
Give your cover design the attention it deserves
Cover designer and author of the fantasy series, The Fireblade Array
It depends on the rights and cover quality. If the publisher paid for the cover, then they likely own the rights. Sometimes the artist will withhold the right to re-sell certain designs or use them as they see fit. It really depends on the deal originally made. If the cover is very good, this is worth pursuing. If it’s even half-average, I’d plump for a new cover to be safe. Just so happens I know a designer…
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Read Rebecca Forster!
On September 15th, Rebecca announced she signed with Wolfpack Publishing. (Read about it here.) Good news for Rebecca, and good news for readers. Until September 30, 2020 Rebecca is have a sale on select titles.
Rebecca marketed a world-class spa when it was still called a gym, did business in China before there were western toilettes at the Great Wall and mucked around with the sheep to find out exactly how her client’s fine wool clothing was manufactured. Then she wrote her first book and found her passion.
Now, over twenty-five books later, she is a USA Today and Amazon bestselling author and writes full-time, penning thrillers that explore the emotional impact of the justice system. She earned her B.A. at Loyola, Chicago and her MBA at Loyola, Los Angeles. Rebecca has taught the Business of Creativity at University of California Long Beach Writers Certificate Program, UCLA and UC Irvine extension. Married to a Los Angeles Superior Court judge, she is the mother of two grown sons and spends her free time traveling, sewing, and playing tennis.
Remember the books are only on sale until September 30, 2020
Greetings! I’m back for my quarterly post about various and sundry things related to writing historical fiction.
In my last post I talked about the delights of playing with words and creating Tom Swifties.
Today I’m talking about the difference between English and English, as in American vs. British.
Is it fall? Or is it autumn? More on that later.
Words are the building blocks we writers and speakers use to create story. We start hoarding those blocks early, and the resulting vocabulary says much about our own personal settings—where we grew up, what our social milieu is, what our family is like.
A case in point—my grandkids’ first words. We waited with bated breath for each munchkin’s first spoken vocabulary word. I coached them repeatedly (and unsuccessfully) to say “mama”.
But for both of them the first word was… DOG! (Yes, we do love our dogs.)
are taught “write what you know”. I wonder why? It’s a lot more fun to step outside the known world. But it does lead to challenges.
The biggest challenge: You don’t know what you don’t know.
For a 21st century American like me trying to set a story in Georgian England, there are a million opportunities to err.
First there’s the issue of etymology. Was a word used during this story’s time period?
A couple of examples from a Regency first draft I was beta reading for a friend:
And a couple from my own first drafts:
Which brings up another potential pitfall for the fledgling Regency Romance author.
Americans and Brits may speak the same language, but we use different words.
I’m fortunate to work often with an editor in England, and so I’ve compiled my own list of Americanisms for my own pre-editing purging.
Some more examples:
This very funny post from a British writer complete with illustrations.
And a list of 60 American English words translated into British English.
Once, long ago, while reading one of Georgette Heyer’s books, I wondered why they kept writing “cosy” instead of “cozy”. Why had so many misspellings slipped past the editor?
The British spelling was different enough to make it a jarring read for this ignorant and unaware American who happens to be a good speller. Fortunately, I’m wise to them now.
There are also punctuation differences. Here’s a short post about some of those.
And a long one about spelling differences.
I don’t believe Regency readers will pillory an author over this issue, so I’ve settled on using American spelling and punctuation in my stories.
One might say, in this area at least, I’m writing what I know!
Do you suppose we’ll ever go “one-world” on the spelling and punctuation rules?
Happy fall (and autumn) to everyone, and I’ll be back in December!
Images credits: autumn leaves and dog are from Stencil (I’d happily claim that dog though!); image of words is from Wikimedia Commons.
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A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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