As a young girl, Linda was often found lying on her bed reading about fascinating characters having exciting adventures in places far away and in other time periods. In later years, she read and then started writing romances and achieved her first publication–a confession story. Married with 4 adult children and 2 granddaughters, award-winning author Linda writes heartwarming contemporary and historical stories with a touch of humor and a bit of sass from her home in the southern California mountains.
To start the new year, we’re spending time with author Linda Carroll-Bradd, who will talk with us about her latest story and more.
Linda: I absolutely love doing the research for a historical story because I always include ethnic elements for at least one of the protagonists. The time period in which I write is the second half of the 19th century, which was such a melting pot time in America. I also rely heavily on my own ethnic makeup of Scandinavian/Irish as a way of exploring my ancestry and those customs.
Linda: Before I became an author, I always spent the month of December reading only Harlequin Christmas stories. When I had less time for reading, I watched Hallmark holiday movies. An opportunity arose to write a contemporary in a multi-author series. Almost from the moment I agreed to write the novella, an idea started building, and it came together so fast because I had a smaller amount of research to accumulate.
Linda: Jada received an infertility diagnosis and just wanted to get through the holidays avoiding children. She rents a cottage in a Colorado resort town and believes she’ll find joy again by working through assignments from a self-help book. Fulfilling her first exercise, she encounters the hero who turns out to be a single parent. Graham has already had one bad experience by getting involved with a tourist in his hometown and doesn’t want to repeat that mistake. But being in a small town meant they kept running into one another. In a way, both characters had to work past their prejudices to give the other one a chance. As I wrote, I kept in mind all those Hallmark movies, as well as my favorite book Pride and Prejudice, and I balanced high moments with low ones. I actually teared up a couple times as I created scenes, which hasn’t happened often as an author.
Linda: I felt honored to be invited to contribute a story to Debra Holland’s Sweetwater Springs Christmas anthology in 2013. I’d been editing Debra’s stories for a couple years before being invited to participate in the Montana Sky Kindle World. Writing in a story world that I was familiar with encouraged me to create my eight-book series, “Entertainers of the West.” That first invitation is what sent me on the path of writing thirty-three historical novellas (plus five contemporary ones) since 2015.
Linda: Each is special in its own way, but the first one, Laced by Love, set up the backgrounds for three vaudeville troupe members who ended up being the heroines of the first three titles. The Laced by Love heroine, Cinnia, makes a decision that ends up affecting the lives of her sister, Nola, and friend, Dorrie. Also, that first book establishes the hero, his two brothers, and introduces the hero of the second story. I hoped the initial story would spark others but never thought the total would be eight with another story plotted.
Linda: My next novella to be released in February 2021 is a historical and part of the “Cupids and Cowboys” series. Amata, who was an infant in Grayson, from the “Bachelors and Babies” series, is all grown up, and her romance is initiated by a child who brings together the hero and heroine. The setting is Cheyenne, WY, and Amata helped run her lawyer father, Grayson’s, campaign for state senator then went to teacher’s college to learn how to help her brother who suffers from a learning disability. The rancher hero’s son has a similar problem and the boy’s the one who contrives to get the two adults together.
Linda: Throughout my writing years, I’ve kept on track by the need to submit to a critique group. For several years, my daughter, Shenoa, my husband, and Sheila Hansberger met two Tuesdays a month at a Panera Bread restaurant. With COVID, we switched to Zoom, went to weekly sessions, and usually averaged three per month. I might have only created five pages but the group created a deadline. I also participate in an online group where I submit new pages on Friday night or revised and enlarged versions of the Tuesday critique pages. But when I’m in crunch writing time, the groups might see only the first two chapters of a story before I finish and release it.
Linda: During the first five months of this year, I wrote 4 novellas and then just stopped. The COVID restrictions kept me from being with family and prevented any vacation to look forward to–both just blocked my creative energy. I did a whole lot of crocheting as an outlet. I usually start plotting the next project when I’m halfway done writing the current story, but I just couldn’t. So over the summer, I read–mysteries, romances, thrillers, non-fiction writing craft books. The next story on my schedule was to be a love triangle plot, and I’d never written one, which I think was part of the block. Then practicality set in. I checked my preorder deadline, divided the word count by the remaining days, and sat at the computer to start with those daily word requirements in mind. Sheer determination pounded out that first chapter, and the block broke.
Linda: I took a career evaluation test in the eighth grade that scored Librarian as the job most suited to my abilities. At the time, I didn’t connect with that profession and focused on business classes in high school then earned a Bachelor of Science degree in Business Administration. I went on to work in administrative support positions for many years in the educational field and then in a land survey business. When we moved back to California after a dozen years in Texas, I organized the books on our shelves by the Dewey Decimal system…just because I could. I’m happy with being a freelance editor and not looking for a new profession, but the shelves in my office burst with non-fiction books I’ve read as background for stories I’ve written.
Jann: Thank you Linda for being with us today on A Slice of Orange. Snowflake Cottage is a wonderful holiday story. You also had two historical releases in 2020–Between Two Beaus and A Promise for Christmas, which are also great. We’ll be looking forward to your historical release in February. Have a wonderful 2021!!
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Janet Elizabeth Lynn was born in Queens and raised in Long Island, New York. She is the author of murder mysteries, cozy mysteries and with her husband Will Zeilinger, 1950s hard-boiled detective mysteries.
Will Zeilinger has lived and traveled the world and has been writing for over ten years. His novels range from mystery to romantic comedy and those 1950s hard-boiled detective mysteries with his wife Janet.
Together Janet and Will write the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. They have a free E-book How it Began: The Skylar Drake Mysteries available from Smashwords.
Their world travels have sparked several ideas for murder and crime stories. In 2021, they will team up will a penname E.J. Williams for a new mystery series. The first novel in the International Crime Files, Stone Pub will be published in May.
In addition to writing novels, Janet and Will have a YouTube Channel, Chatting with Authors featuring informal Zoom interviews with authors of various genres. Below is a sample of one of their chats, but we encourage readers to check out all their videos.
This creative couple lives in Southern California . . . and yes, they are still married, and they even blog together at The Married Authors.
Lida worked as an entertainment attorney for a film studio, much like her heroine, Corrie Locke. Unlike Corrie, Lida has never been blackmailed, never investigated a suspicious death, an alien encounter, a catnapping, a missing corpse, or been involved in a low-speed car chase. Lida was one of two national winners of the Helen McCloy/Mystery Writers of America scholarship award for her first book.
If you think you are telling too much, you probably are. Likely, you are caught up in the literal play-by-play of the work, rather than the essence of the story that makes the reader want to read. One way to make the description shorter and more interesting is to step away from the task completely for a bit. Ask readers of the manuscript to send you their descriptions. Acquire three or four descriptions and blend those descriptions. Try not to get too emotionally caught up in the story of the story. Remember: this is about coaxing readers to read, not writing a book report to prove you know what happened.
Cover designer and author of the fantasy series, The Fireblade Array
Start with the pieces you want to keep, so that it makes sense, and strip out everything else. Too much description? Too many adjectives? Look at bestseller summaries and take some inspiration from their structure. They will have had whole teams to work on theirs, so don’t worry if it takes you a while to get it right.
A good book description works more like a lure than a synopsis. Intricate descriptions of ‘what happens’ is too much tell, so don’t give away the story. Try dangling the promise of a great read by hitting the plot highlights as they happen on your dramatic arc — and then leave it dangling before you hit the denouement.
If you pare it down to just those points that support and move the plot — this could be characters, the problem, the compelling idea — and make the tone fit the story — eerie for horror, soft for romance, brittle for a thriller, punchy for humor — it makes the task more manageable.
A book description is not the condensed version; it’s an opportunity to tantalize and intrigue a reader with what makes your story irresistible.
My gut is my favorite writing tool, too. Kudos on recognizing something is wrong. Regarding blurbs, I have taken a lesson from my friends who write scripts and I start with a logline. This is one sentence that lays out the hero, the goal, and the challenge the hero faces.
This is a story about a woman determined to save her family from the ravages of the Civil War no matter what the personal cost.
That is Gone with The Wind in one sentence. Once you have your log line, build on it. Use active words, dramatic words, and draw the reader into the story and stop before you give it away. This is the one piece of writing you should edit, and edit, and edit, and then edit one more time. Blurb writing is a craft to be honed.
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My favorite books as a tween were solidly in the science fiction and adventure realms. My father introduced me to his favorite authors: Bradbury, Asimov, and Heinlein, and the public library helped me find others. I was astonished by the breadth of Asimov’s Foundation trilogy, a series of stories about a Galactic Empire that predated by several decades the evil empire created by George Lucas. (A TV series version of Foundation is due out in 2021.)
As an adult I moved down a different reading path, in part because of the various book clubs I joined. Most were interested in either literary classics or women’s fiction, neither of which almost never included science fiction.
But lately, I’ve returned to reading the genre—loving The Sparrow and its sequel, Children of God, for example. And I discovered something new about Isaac Asimov: He also wrote mysteries. At a virtual writers conference I attended this year, a presenter mentioned Tales of the Black Widowers, a collection of short stories by Asimov that Ellery Queen’s Mystery Magazine published in the 1970s. I found a used copy online and dug in.
The set-up seemed somewhat dated: This is a men’s-only club that meets monthly, and women are forbidden to attend. But the stories themselves are fun little mysteries, with one character (not giving anything away) who is particularly astute at solving the puzzling situations presented. I was delighted to find out that the Black Widowers has several sequels, the first of which not surprisingly is called More Tales of the Black Widowers.
This is the centennial year of Asimov’s birth, with only a few days until that ends (on Jan. 2). He was a prolific writer, author of hundreds of books and stories, as well as being a biochemist and professor.
Speaking of mysteries, it’s nearly time for the Bethlehem Writers Group’s annual short story contest, which opens Jan. 1, 2021. The contest theme is An Element of Mystery. So, sharpen your pencils and get busy crafting your version of the mystery story.
The Bethlehem Writers Group, LLC (BWG), is a community of mutually supportive fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories. BWG also publishes quality fiction through their online literary journal, Bethlehem Writers Roundtable, and their award-winning A Sweet, Funny, and Strange Anthology series.
Each anthology has an overall theme—broadly interpreted—but includes a variety of genres. All but the first anthology include stories from the winner(s) of The Bethlehem Writers Short Story Award.
Their first anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (2009), won two Next Generation Indie Book Awards: Best Anthology and Best Short Fiction.
Released December 1, 2020, the latest title in A Sweet, Funny and Strange Anthology series is Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales.
The award-winning “Sweet, Funny, and Strange” series of anthologies from the Bethlehem Writers Group, continues with this collection of twenty-five tales about real, legendary, or imaginary animals. From snakes to ducks to unicorns, there are tales here to match any mood, provide a chuckle, or warm a heart.
Among our tales, Peter Barbour recounts a legend in “Why Bats Live in Caves,” Jerome W. McFadden asks the question of what animal to choose to be in “Recycled,” A. E. Decker shares an appreciation of cephalopods in “Tipping Point,” Ralph Hieb imagines an unconventional pet in “Buttons,” and Diane Sismour, in “Critter,” reveals that mules are not the only equines that can have a stubborn streak.
In addition, we are happy to present the winning stories from the 20 I 9 and 2020 Bethlehem Writers Roundtable Short Story Awards. Angela Albertson, our 20I9 winner, shares her heartfelt “Oranges and Roses,” and our 2020 winner, Brett Wolff, gives us a good laugh in “Hubbard Has a Fancy Bra.”
This eclectic assemblage of stories includes terrific tales from beloved BWG authors including Courtney Annicchiarico, Jeff Baird, Jodi Bogert, Marianne H. Donley, DT Krippene, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, Carol L. Wright, and Will Wright.
So cuddle up with your favorite pet-real or imaginary. No matter. You’ll find just the right story to share.
BWG is working on their Seventh anthology, An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue.
In connection with this anthology, they are hosting The Bethlehem Writers 2021 Short Story Award.
The 2021 Short Story Award will open on January 1, 2021. The theme will be An Element of Mystery (broadly interpreted).
BWG is seeking never-published short stories of 2,000 words or fewer. First Place will receive $250 and publication in their upcoming anthology: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue or in Bethlehem Writers Roundtable.
The final judge of the 2021 Short Story Award is New York Times best-selling author Charlaine Harris.
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Heartfelt stories with a mix of joy and sadness, love and loss, celebrations of all seasons, and a bit of mystery and magic
More info →Will they have a normal Christmas? Probably not.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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