If you think you are telling too much, you probably are. Likely, you are caught up in the literal play-by-play of the work, rather than the essence of the story that makes the reader want to read. One way to make the description shorter and more interesting is to step away from the task completely for a bit. Ask readers of the manuscript to send you their descriptions. Acquire three or four descriptions and blend those descriptions. Try not to get too emotionally caught up in the story of the story. Remember: this is about coaxing readers to read, not writing a book report to prove you know what happened.
Cover designer and author of the fantasy series, The Fireblade Array
Start with the pieces you want to keep, so that it makes sense, and strip out everything else. Too much description? Too many adjectives? Look at bestseller summaries and take some inspiration from their structure. They will have had whole teams to work on theirs, so don’t worry if it takes you a while to get it right.
A good book description works more like a lure than a synopsis. Intricate descriptions of ‘what happens’ is too much tell, so don’t give away the story. Try dangling the promise of a great read by hitting the plot highlights as they happen on your dramatic arc — and then leave it dangling before you hit the denouement.
If you pare it down to just those points that support and move the plot — this could be characters, the problem, the compelling idea — and make the tone fit the story — eerie for horror, soft for romance, brittle for a thriller, punchy for humor — it makes the task more manageable.
A book description is not the condensed version; it’s an opportunity to tantalize and intrigue a reader with what makes your story irresistible.
My gut is my favorite writing tool, too. Kudos on recognizing something is wrong. Regarding blurbs, I have taken a lesson from my friends who write scripts and I start with a logline. This is one sentence that lays out the hero, the goal, and the challenge the hero faces.
This is a story about a woman determined to save her family from the ravages of the Civil War no matter what the personal cost.
That is Gone with The Wind in one sentence. Once you have your log line, build on it. Use active words, dramatic words, and draw the reader into the story and stop before you give it away. This is the one piece of writing you should edit, and edit, and edit, and then edit one more time. Blurb writing is a craft to be honed.
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My favorite books as a tween were solidly in the science fiction and adventure realms. My father introduced me to his favorite authors: Bradbury, Asimov, and Heinlein, and the public library helped me find others. I was astonished by the breadth of Asimov’s Foundation trilogy, a series of stories about a Galactic Empire that predated by several decades the evil empire created by George Lucas. (A TV series version of Foundation is due out in 2021.)
As an adult I moved down a different reading path, in part because of the various book clubs I joined. Most were interested in either literary classics or women’s fiction, neither of which almost never included science fiction.
But lately, I’ve returned to reading the genre—loving The Sparrow and its sequel, Children of God, for example. And I discovered something new about Isaac Asimov: He also wrote mysteries. At a virtual writers conference I attended this year, a presenter mentioned Tales of the Black Widowers, a collection of short stories by Asimov that Ellery Queen’s Mystery Magazine published in the 1970s. I found a used copy online and dug in.
The set-up seemed somewhat dated: This is a men’s-only club that meets monthly, and women are forbidden to attend. But the stories themselves are fun little mysteries, with one character (not giving anything away) who is particularly astute at solving the puzzling situations presented. I was delighted to find out that the Black Widowers has several sequels, the first of which not surprisingly is called More Tales of the Black Widowers.
This is the centennial year of Asimov’s birth, with only a few days until that ends (on Jan. 2). He was a prolific writer, author of hundreds of books and stories, as well as being a biochemist and professor.
Speaking of mysteries, it’s nearly time for the Bethlehem Writers Group’s annual short story contest, which opens Jan. 1, 2021. The contest theme is An Element of Mystery. So, sharpen your pencils and get busy crafting your version of the mystery story.
The Bethlehem Writers Group, LLC (BWG), is a community of mutually supportive fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories. BWG also publishes quality fiction through their online literary journal, Bethlehem Writers Roundtable, and their award-winning A Sweet, Funny, and Strange Anthology series.
Each anthology has an overall theme—broadly interpreted—but includes a variety of genres. All but the first anthology include stories from the winner(s) of The Bethlehem Writers Short Story Award.
Their first anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (2009), won two Next Generation Indie Book Awards: Best Anthology and Best Short Fiction.
Released December 1, 2020, the latest title in A Sweet, Funny and Strange Anthology series is Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales.
The award-winning “Sweet, Funny, and Strange” series of anthologies from the Bethlehem Writers Group, continues with this collection of twenty-five tales about real, legendary, or imaginary animals. From snakes to ducks to unicorns, there are tales here to match any mood, provide a chuckle, or warm a heart.
Among our tales, Peter Barbour recounts a legend in “Why Bats Live in Caves,” Jerome W. McFadden asks the question of what animal to choose to be in “Recycled,” A. E. Decker shares an appreciation of cephalopods in “Tipping Point,” Ralph Hieb imagines an unconventional pet in “Buttons,” and Diane Sismour, in “Critter,” reveals that mules are not the only equines that can have a stubborn streak.
In addition, we are happy to present the winning stories from the 20 I 9 and 2020 Bethlehem Writers Roundtable Short Story Awards. Angela Albertson, our 20I9 winner, shares her heartfelt “Oranges and Roses,” and our 2020 winner, Brett Wolff, gives us a good laugh in “Hubbard Has a Fancy Bra.”
This eclectic assemblage of stories includes terrific tales from beloved BWG authors including Courtney Annicchiarico, Jeff Baird, Jodi Bogert, Marianne H. Donley, DT Krippene, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, Carol L. Wright, and Will Wright.
So cuddle up with your favorite pet-real or imaginary. No matter. You’ll find just the right story to share.
BWG is working on their Seventh anthology, An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue.
In connection with this anthology, they are hosting The Bethlehem Writers 2021 Short Story Award.
The 2021 Short Story Award will open on January 1, 2021. The theme will be An Element of Mystery (broadly interpreted).
BWG is seeking never-published short stories of 2,000 words or fewer. First Place will receive $250 and publication in their upcoming anthology: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue or in Bethlehem Writers Roundtable.
The final judge of the 2021 Short Story Award is New York Times best-selling author Charlaine Harris.
The Bethlehem Writers Group, LLC (BWG), founded in 2006, is a community of mutually supportive, fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories, spanning a range of genres including: children’s, fantasy, humor, inspiration, literary, memoir, mystery, paranormal, romance, science fiction, women’s fiction, and young adult.
See the schedule of meetings and events here.
Greetings for the holiday season! This is the time for gift-giving, and I’m devoting this Quarter Days’ post to a unique gift-giving project I’m taking part in with a group of Regency Romance authors.
We’re taking some of those dark, down-on-their luck characters from literary fiction and giving them the Regency Romance treatment!
With complete artistic license, and an abundance of hubris, a group of Regency romance authors are retelling some of the great stories of literature, setting them in Georgian England, and giving these tragic heroes and heroines a happily-ever-after.
I am not super well-read in tragic fiction, so I settled on a story I do know: Macbeth. The real Macbeth was a relatively successful (though bloody) ruler of Scotland for about ten years in the eleventh century. Shakespeare’s Macbeth and his lady–well, you probably know their story. They die!
What’s a Romance Author to do? I decided to follow Shakespeare’s example of adding and discarding facts and characters as required. As I plunged into planning, I quickly decided that the action would begin twenty years after Macbeth and his lady’s quest for title and power and their “demises”.
In my version, a failed lawsuit, allegations of unfaithfulness and a disastrous divorce sent Macbeth off to a bloody twenty-year war with France and his lady into a tailspin of depression. Older and wiser, they meet again in London in March 1815 during the worst of the Corn Riots, in a week that ends with the arrival of news that Bonaparte has escaped from Elba.
I’ve taken the liberty of reversing characterizations (after all, Foul is Fair, and Fair is Foul) and adding others to lighten the mood for our aging lovers. Writing this, I often had to wrest my hero back from the darkness of his story. Or, as my editor gently suggested, I had to “moderate his fatalism”.
Hah! It is 2020, isn’t it?
All-in-all, it was a fun story, requiring a deep dive into the Peninsular campaign, the Corn Riots, and best of all, Highland soldiers in kilts.
Release day for Fated Hearts is December 29, 2020, and it’s available for 99 cent preorder. It won’t be at that price for long, so if you’re interested, pick up your copy ASAP.
Here’s a bit about the story and the other books in the Tragic Characters in Classic Lit series.
Plagued by hellish memories and rattling visions of battle to come, a Scottish Baron returning from two decades at war meets the daughter he denied was his, and the wife he divorced, and learns that everything he’d believed to be true was a lie. What he can’t deny is that she’s the only woman he’s ever loved. They’re not the young lovers they once were, but when passion flares, it burns more hotly than ever it did in their youth.
They soon discover, it wasn’t fate that drove them apart, but a jealous enemy, who played on his youthful arrogance and her vulnerability. Now that old enemy has resurfaced, more treacherous than ever. When his lady falls into a trap, can he reach her in time to rescue this love that never died?
by Lindsay Downs (Frankenstein)
When bodies start turning up in Whitechapel, Miss Steen returns to London with Lord Cartwright and the Countess of Harlow as her chaperone to solve the murders. Little does she realize she will be introduced to the last person she wants to meet — and hunting down the murderers proves a lot more difficult than they had anticipated.
by Regina Jeffers (Robin Hood)
William de Wendenal, the notorious Sheriff of Nottingham, has come to London, finally having wormed his way back into the good graces of the Royal family. Yet, not all of Society is prepared to forgive his former “supposed” transgressions, especially the Earl of Sherwood.
However, when de Wendenal is wounded in an attempt to protect Prince George from an assassin, he becomes caught up in a plot involving stolen artwork, kidnapping, murder, and seduction that brings him to Cheshire where he must willingly face a gun pointed directly at his chest and held by the one woman who stirs his soul, Miss Patience Busnick, the daughter of a man de Wendenal once escorted to prison.
by Audrey Harrison (Pride and Prejudice)
Colonel Fitzwilliam is a second son, often overshadowed by his titled, older brother and his cousin, Mr Darcy. Returning from Waterloo he knows it is time to find a wife with a healthy dowry, but he longs for a love match. Unfortunately for Fitzwilliam, love doesn’t put food on the table.
Miss Prudence Bamber has never known her mother’s family. A woman with her own mind and full life, she indulges her father’s wish to visit her long-lost relations. It turns out to be a trip she won’t forget in a hurry.
Two people looking for love, but challenged by pride, secrets and prejudice. Will they be able to overcome the odds to find their own happy ever after? Or, are they destined to remain separated by the constraints of society?
by Alanna Lucas (Wuthering Heights)
Her wild ways tamed, Catherine Earnshaw has launched into London society. Only none of her marriage-mart suitors excite her because her heart still lies with another; whatever happened to Heathcliff, her childhood soulmate?
Markus Bell left Yorkshire to find his true identity and turn a fortune. Now the talk of the ton, he has Catherine in his sights, not to woo her but to seek revenge; he can’t forgive how she spurned him.
Catherine is puzzled where the gossip dogging her through the season comes from. Until she meets Markus, who’s as dark and devilishly handsome as her Heathcliff, and her world is turned upside down.
The Company She Keeps, by Nancy Lawrence (Madame Bovary)
Captain Stanwick’s Bride, by Regina Jeffers (The Courtship of Miles Standish)
Glorious Obsession, by Louisa Cornell (Orpheus and Eurydice)
I’ll be back in March for the next installment of my Quarter Days’ blog!
Snow Angel
I shaped you in the snow
the last time it descended
from the misty sky above
gentle flakes fluttered
settled thickly upon barren earth—
forming soft cloud comfort
I carved a dream
with my happy soul, smiling,
my eyes searched the universe
there were no stars that night–
just a crystalline radiance, in which
I molded the dream.
© Neetu Malik
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