That’s right, not a fairy tale, a Tale Faery. A genuine hetero, cis Tale Faery. We’re rare.
It started with dragonflies on a magic summer day in Gainesville Florida. One of those 100+ degree, 100+% humidity (seriously, a clear blue sky supersaturated with humidity, a state of dew), my five-year-old daughter and I rode our bikes around a swamp, and I discovered what faeries are.
Heather rode in front. Her little legs pumped the pink pedals, and her scarf trailed behind. Empty roads and sidewalks, weather fit for a Florida hibernation.
A red dragonfly flew along between us.
“Look,” she said, “a blue one and a green one!” The farther we went, the thicker our dragonfly entourage. They ranged from an inch across to wingspans of almost eight inches. Each a single bright primary color.
A big red one perched on her handlebars, its wings brushed her hand. She let her bike coast to a stop and rubbed a finger along the dragonfly’s body. Its wings buzzed for an instant, but it didn’t take off.
“Look another one!” A blue dragonfly landed. She reached over it flew away.
Heather started pedaling again. We passed a pond where two men sat on an ice chest in the shade with fishing poles; the only people we saw that day. Dragonflies darted across the surface.
Down a street into a neighborhood lined with oaks. Trunks as big as the cars in driveways, and branches that met over the street forming a canopy with Spanish moss dangling like tropical icicles. I stopped in the shade, and she turned back toward me.
“If you lean into a turn just right, you can ride without pedaling,” Heather said.
“I guess we could just lean into these turns and go around in circles all day.” I pushed off too. I remember wondering if the energy of the Earth’s rotation could be used to maintain this sort of precession with no effort and how it could be used as a power source. Heather was in a world all her own, too.
She broke the silence. “I guess the dragonflies don’t like the shade.”
“They’ll probably come back when we head home.”
We rode around in circles for a while longer and then Heather stopped in the middle of the street. She leaned back, looked up into the leaves, and said, “I wish the world would stop turning.”
“No, that’d suck,” I said. “If the world stopped turning there’d be brutal earthquakes, tidal waves. No night and day, it’d be like Mercury and the light side would get insanely hot, and the dark–”
“That’s not what I mean, silly,” she turned and looked right at me. “I wish the world would stop turning so that this day could last forever.”
That day didn’t last forever, but from then on, I’ve found great joy in the little creatures who flutter, buzz, and zip around us.
In The Book of Bastards wonderful faeries, beautiful little people whose bodies share wings and shapes of butterflies, dragonflies, bumblebees, lady bugs, and so on, help people deal with the hardships of life. And then some jerk comes along and ruins it for everyone.
I hope you enjoy the ride! And, by the way, if you want me to finish the trilogy, you have to ask, paperbackwriter@ransomstephens.com. I’ve finished a draft of book two, Bastard Knights, and have outlined Bastard Princess, but I might need some influencing to tidy it all up for you. Graft would help.
Date Published: January 14, 2021
Publisher: The Intoxicating Page
Welcome to The Gold Piece Inn, where you can drink, gamble, and play!
Or hide.
Cursed on the day the king is assassinated, Dewey Nawton is compelled to protect the widowed queen, but protection means different things to different people (and different curses).
Kings have dictated every role Queen Dafina has ever played. Now, a halfling innkeeper assigns her the role of serving lass. But is The Gold Piece Inn just another tavern? Could it be an orphanage? … surely, it’s not a brothel.
Oh yes, she’s fallen from grace, but will that stop her from leading a handful of pirates and a dozen bastards to avenge her king and rescue Glandaeff’s faeries, elfs, and mermaids (and merbutlers!) from a brutal tyrant?
Dewey has a secret. Dafina has a secret. The Bastards have two secrets.
Is there even a sip of moral justice in all this bawdiness?
Early Reviews
The Book of Bastards combines a riveting, intense plot of righteous vengeance with tongue-in-cheek banter that will keep you turning the page with eager anticipation. With settings that make you wish they were real, characters you can’t help but cheer for, and twists that keep you guessing, Ransom Stephens has crafted an engaging tale that makes every minute of reading, time well spent. I don’t often reread a book, but I think I’ll make an exception. Loads of fun. Highly recommended. – Brian D Anderson, million-selling author of The Bard and the Blade
“A delightful, detailed tale about morality, being honest with yourself, and self-reflection, even when you don’t like what the glass has to show. A perfect treat for lovers of rich fantasy worldbuilding, gory battles, and the kind of thoughtful, character-driven stories that make your brain whirl, your imagination dance, and your heart surge.” -J.M. Frey, bestselling author of The Accidental Turn Series
About the Author
Ransom Stephens has searched for the Holy Grail in Cornwall and Wales but settled for a cracked coffee mug. He’s won several awards, but they’ve all been named after people he’d never heard of which made for awkward acceptance speeches. The author of four previous novels on simple, non-controversial topics like science vs religion in The God Patent, technology vs environmentalism in The Sensory Deception, oligarchy vs anarchy in The 99% Solution, and love vs money in Too Rich to Die, in his latest, The Book of Bastards, he offers readers what they really want, a story of bawdiness washed down with a sip of moral justice.
I’m a fairly accomplished scientist and technologist, all the details at https://contact.ransomstephens.com
Contact Links
by
Dewey took his seat between the fireplace and the only glazed window in the building. He could see the street, the saloon, the casino, the red-carpeted stairway, and the balconies and rooms on the second and third floors. He listened to the minstrel’s ballad of a heartbroken pirate on a desert isle, ate salmon grilled in rosemary and served on sourdough bread, felt the warmth of the fire on one side and the cool evening fog on the other—and none of it soothed Dewey’s worries.
Then he saw her on the porch. She fell through the door but not the way drunks fall. She reached up as though climbing from an abyss, and wailed, “Oh gods, please help me. Anyone, please!”
Loretta got to her first, dropped to her knees, and took the woman’s hands.
The woman grabbed at Loretta, tears cascading down her face, sobs racking her from head to toe. “Please!”
“It’ll be all right, dear. We’ll care for you.” She looked up at Dewey and added, “We will care for her.”
Dewey stood over them. Children accumulated. Teen-aged Aennie said, “She’s the cleanest beggar I’ve ever seen.”
Another kid plopped down next to the woman and held his worn black feet up to her clean pink soles. “Somefin wrong wit her feet.”
“What the?” Loretta said. “Feet don’t come that clean. I’ve tried.” She held the woman at arm’s length and examined her. “She’s a bag of bones, must be starving—Macae, fetch salted bread.”
“Get her out of sight,” Dewey said.
“You know her?”
“To the barn. Now!”
Loretta lifted her, muttered, “She weighs nothin’,” and guided her back outside.
The screech owl that lived in the barn announced to everyone within a mile that a stranger had arrived.
Dewey looked back at his inn. The minstrel had switched to a light ditty about a horny woman who carried drunk men into a field and took advantage of them—the sort of song that’s mostly chorus so anyone can sing along. Children were underfoot and some of the goats had found their way back inside. Bob was pouring ale and wine, the servers who weren’t delivering food and drink were lounging on the laps of smiling patrons. A serving-lad named Faernando slipped off a sinewy woman, the profiteer sailor and card-cheat named Baertha. She threw the lad over her shoulder and carried him to the stairs just as the chorus returned to “she threw the boy down, he popped up, and she made him a man.” The crowd erupted. Baertha took a bow, the lad waved, and Dewey held out his hand. As she passed, Baertha dug into her belt and tossed a silver ohzee. Dewey said, “You give him two of those when you’re through. If you hurt him, it’ll piss off the wrong kinds of faeries.”
In other words, it was just another night at The Gold Piece Inn, and no one had noticed the beggar at the door.
Dewey rushed through the kitchen and out to the barn. He dodged sheep, rabbits, a sleeping cow, nearly stepped on the tail of an old bloodhound, and climbed the ladder. The loft was covered in straw and cordoned into sections by blankets of differing color and quality. The woman lay on a brown blanket next to an unshuttered window that let in the last light of the day. Loretta appeared to be threatening her with a baguette.
“She’s lovely but there’s nothin’ to her,” Loretta said to Dewey. And then to the woman. “You faer?”
“I require your aid,” the woman said. “Please, my children …”
Loretta took a bite of the baguette dripping with salty olive oil and then offered it to the woman again. “Never seen a beggar who won’t eat. She elfin? Your kind?”
“No, she’s as human as you are.”
Loretta leaned forward and sniffed the woman’s neck. “She don’t smell like a human.”
“She bathes. Some people do that, you should try it.” Dewey helped the woman up.
Loretta examined her hands, no scars or calluses. She ran her fingers through her long, straight black hair and mumbled, “Fine as silk.”
Dewey said, “When have you ever touched silk?”
Loretta said. “I didn’t think skin got that pale.”
The woman’s eyes lost focus, and she fainted.
“Farqin shite!” Dewey said, “Get some water—nay, a blast of brandy.”
Loretta dropped down the ladder in a fluid, practiced motion.
Dewey waited a few more seconds and then whispered, “Queen Dafina, what are you doing here?”
She sat up straight, dabbed her eyes, and said, “I require your help.”
“You have to get out of here.”
“You must assemble the bodies of my husband and children.” Her voice cracked. “They require decent burial.”
“The usurper has them. There’s nothing I can do.”
“I can pay you more than you can imagine.”
“Maybe so but pay means nothing to a dead man.”
“Think of the favors I can grant, I can—” and then she went quiet and looked down, blubbering out the words, “My children, my husband, everyone is dead.”
“I’m not, and don’t plan to be any time soon.”
She looked up at him and then around. She fondled the rough threads of the blanket and pulled a piece of straw through a gap in the weave. A lamb bleated below, and a mouse scurried across a rafter overhead.
“Surely you don’t want to watch more people die.”
The Queen stood and bumped her head on a beam. Dust sprinkled onto her face. “No,” she said. “No, anything but that.”
“I’d like to help,” he said. “Dozens of good people, your subjects and their children, live here—you’re duty bound to protect them, and you know what Lukas will do if you’re found here.”
“Right.” She started down the ladder and Dewey held her steady. “I’ll go.” She stepped toward the barn door and Dewey nudged her, gently at first and then with a bit of authority to the side exit that led to an alley out of view of High Street.
He put two silver ohzees in her hand and said, “Take the morning barge back to Glomaythea or get passage on a ship to Nantesse—isn’t that your home?”
“It was.”
He gripped her shoulders and rotated her to face him. He waited for her to look up and said. “You asked for my help and I have helped you. Right?”
“Yes, thank you good sir.”
He oriented her downhill and gave her a shove. She staggered into the dark alley and down the hill that would take her back to the marketplace if she followed it. She said, “My babies are dead. They’re all dead.”
Dewey shut the gate just as Loretta appeared with a goblet of brandy.
“Just in time,” he said. He took it and drank.
Forgiving Stephen Redmond: A Kurchenko & Gonzalves Mystery, Book 2 of a series
By A.J. Sidransky
Black Opal Books 2021
ISBN 978-195343-4036
Stephen Redmond never understood his late father, Maximo Rothman, or the mysterious ‘other life’ he never spoke about. He considers that maybe, like the changing neighborhood, his dwindling religious community, and the old ways that are disappearing, he should let go of the past and move forward.
But when Detectives Kurchenko and Gonzalves arrive to discuss the dead body found sealed in the wall of a building his father co-owned, Stephen realizes that the past has a will of its own and an iron grip. Shaken by the news of such a gruesome discovery, and knocked off balance by a murky memory he often wondered whether it was real or imagined, Stephen drags himself back through the past forty years in search of the truth. But if and when he finds the truth, what will he do with it?
Sidranky’s first book in this series, Forgiving Maximo Rothman, (reviewed by this writer on December 22, 2020), introduced us to Stephen’s father Maximo: his harrowing escape out of Nazi Europe, life as a refugee in the Dominican Republic, the horrific event that forces him to flee to New York City, and his attempt at creating a better life for his son.
In this second novel, we find Maximo’s son coming to terms with his father’s secret life, and facing the buried ghosts of his own past actions, as he tries to heal the broken pieces of his heart in the hope of finding a peaceful and blessed life.
Forgiving Stephen Redmond is a moving and memorable mystery that touches on themes of the relationship between fathers and sons, confronting a past that won’t let go, guilt, love, learning how to forgive others, and above all, the importance of forgiving ourselves.
Forgiving Stephen Redmond will touch your heart!
~Veronica Jorge
Janet Elizabeth Lynn was born in Queens and raised in Long Island, New York. She is the author of murder mysteries, cozy mysteries and with her husband Will Zeilinger, 1950s hard-boiled detective mysteries.
Will Zeilinger has lived and traveled the world and has been writing for over ten years. His novels range from mystery to romantic comedy and those 1950s hard-boiled detective mysteries with his wife Janet.
Together Janet and Will write the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. They have a free E-book How it Began: The Skylar Drake Mysteries available from Smashwords.
Their world travels have sparked several ideas for murder and crime stories. In 2021, they will team up will a penname E.J. Williams for a new mystery series. The first novel in the International Crime Files, Stone Pub will be published in May.
In addition to writing novels, Janet and Will have a YouTube Channel, Chatting with Authors featuring informal Zoom interviews with authors of various genres. Below is a sample of one of their chats, but we encourage readers to check out all their videos.
This creative couple lives in Southern California . . . and yes, they are still married, and they even blog together at The Married Authors.
Terry Shepherd writes detective stories for elementary audiences and authored The Mystery Bug Collection, teaching youngsters how to protect themselves in the Covid19 era. He’s a thriller writer by trade. The second book in his Jessica Ramirez series is due out in early 2021.
Every author faces this last crucial challenge. You’ve already spent untold hours researching, writing and editing your book. Your title hits just the right poetic note. You’ve gone several tense rounds to find the perfect cover. All that remains is the book blurb, the opening salvo in the promotional war. This is the first (and sometimes only) chance to grab a reader and compel them to buy the book. And so, like click bait, you need to lure your reader with an honest but irresistible snap shot.
It’s an art, this writing of a synopsis that isn’t a synopsis, this sell copy that isn’t an ad. And for something that isn’t a science there are strict rules: you have to be honest – no misleading the reader. No spoilers or why bother to read it – which can be tough since the spoiler is often the most exciting part of the story. Keep it at 200 words or less and don’t make it one run-on paragraph. Use the proper keywords for your genre. Reveal something about the antagonist – readers like to know if they can root for the hero. This isn’t the place to relate the entire plot but you have to provide the zeitgeist, the feel of the tale. No easy task.
A lot of the writers I work with find this daunting and ask for help, which I am happy to provide. I think it’s difficult for the writer to step far enough away from their work to pick out the enticing, salient points and present them with the tension and intrigue that make for a successful blurb. To the author, all story points are important. I get that, but as an avid reader I know what works for me in a blurb. It’s not how much is said, but how compellingly it’s said.
I start with a deconstruction approach. It’s possible to distill any story down to bare bones. In his book Hit Lit – Cracking the Code of the Twentieth Century’s Biggest Bestsellers James W. Hall provided the most distilled example I’ve ever seen. This is a beloved tale that we all know intimately: “A young girl wakes in a surreal landscape and murders the first woman she sees. She teams with three strangers and does it again.” It’s short, accurate and intriguing but would it sell the book?
I wouldn’t distill it down that far but it makes a great beginning. What if we knew something about the young girl – an orphan, a princess, a refugee? And what about the surreal landscape – gaping desert, oozing swamp, forbidding mountains? Then the three strangers – female, male, older, menacing, kindly? Is all this murdering spurred by necessity, thrills, defense, the three strangers or is it unintended manslaughter? And finally, what is the young girl up to – revenge, enlightenment, finding a way out of the surreal landscape? Flesh out those points, add some genre keywords, reference any kudos and you could turn those original 24 spartan words into a 160 – 200 word blurb that would peak curiosity and entice the shopper to buy.
If you can step away from the totality of your story and deconstruct the plot to the primary elements, then present those elements in a provocative way you can create an effective selling tool with your book blurb. BTW, that book Hall described? The Wizard of Oz.
Tips and Tricks for Shining Online
Presented by: Brenda Clotildes
Date: February 6 – 19, 2021 – includes 2 live sessions!
Pricing: A2P Member fee: $10
Non-A2P Member fee: $20
Registration: Aged to Perfection Workshop
We’re all spending more time on screen these days. Whether it’s a Zoom meeting, Instagram interview or Facebook launch party, we all want to look our best. This workshop will provide a checklist of things to do—and NOT to do—to help you be prepared, no matter where you’re virtually appearing. No special equipment necessary!
Brenda Clotildes spent more than thirty years as a television writer/producer. She’s helped everyone from mechanics to politicians look natural yet professional on camera. As Brenda Margriet, she writes savvy, slow burn, contemporary romances with ordinarily amazing characters. Readers have called her stories “poignant,” “explicit and steamy,” “interesting, intriguing and entertaining,” and “unlike any romance you’ve read before” (she assumes the latter was meant in a good way).
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Estranged childhood friends unexpectedly reunite under bizarre circumstances and bicker their way to love in this bonkers romantic comedy.
More info →The hunt is on . . .
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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