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Spotlight on Peter Barbour

March 27, 2021 by marianne h donley in category Apples & Oranges by Marianne H. Donley, Spotlight tagged as Children's stories, Peter Barbour, Picture books, Tayna and the Baby Elephant

Peter Barbour has been writing for over thirty years. He published “Loose Ends,” a memoir, in 1987, followed by a series of short stories from 1992 to 1995. “The Fate of Dicky Paponovitch” won Raconteur of the Month, May 1994, Raconteur Magazine, Susan Carrol Publishing. Since 2015, he has published more than twenty-five short stories which have appeared in shortbreadstories.co.uk, storystar.com, and shortstory.me, The Piker Press, Rue Scribe, Star Light Path, and ArtPost Magazine. His short story, “Why Bats Live in Caves,” can be found in Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales, an anthology from the Bethlehem Writers Group. Barbour wrote and illustrated three children’s books, “Gus at Work,” “Oscar and Gus,” and “Tanya and the Baby Elephant.” He is a member of the Bethlehem Writers Group.

Barbour enjoys deconstructing stories to see how they are put together. He grew up loving the Wizard of Oz series, and dutifully read each book in the series to his children. The hero goes on a journey is one of his favorite themes.

He loves the outdoors, and especially the Pacific Northwest, which serves as the setting for many of his stories. He is married, and likes to travel, which affords him the opportunity to absorb new experiences from which to write. Barbour attended the University of Pennsylvania as an undergraduate and Temple University School of Medicine where he earned his M.D. He completed his residency training in Neurology, at Stanford University School of Medicine and practiced medicine in the Lehigh Valley until 2015 when he retired.

He believes that what comes from the heart goes to the heart.

Barbour’s newest book, Tanya and the Baby Elephant was released in February. Tanya and the Baby Elephant is an illustrated children’s book for 3 to 6 year-olds.

Tanya lives in Africa and is confined to home, bored and lonely because she can’t be with friends due to the new virus. She discovers a baby elephant wandering behind her house and brings her into her backyard to play. She names her Ellie. What fun to have a pet baby elephant. Tanya observes that Ellie is sad and realizes that she misses her mother. Tanya decides to help Ellie find her.

Buy Link:

Links to his stories and illustrations can be found at www.PeteBarbour.com

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Woman by Neetu

March 26, 2021 by Neetu Malik in category Poet's Day by Neetu Malik tagged as lighting the world, Neetu, woman, women, working

Woman

candle’s tireless flame
burns to stub
in melting wax
staying lit
when darkness calls

In honor of women around the world.

Some of Neetu’s Books

Pennsylvania Bards’ Eastern PA Poetry Review 2023

THE POETIC BOND X

THE OCOTILLO REVIEW SUMMER 2018 VOL 2.2

THE POETIC BOND V

THE POETIC BOND VI

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Spotlight on Gunnysack Hell by Nancy Brashear

March 25, 2021 by marianne h donley in category Apples & Oranges by Marianne H. Donley, Spotlight tagged as debut novel, Gunnysack Hell, Nancy Brashear, Psychological Thrillers, Suspense

Spotlight on Gunnysack Hell

“There’s more to fear in the desert than scorpions and rattlesnakes.”

It’s the summer of 1962, middle of the Cold War, and the O’Brien family has moved off-grid to the Mojave Desert in Southern California. After all, the desert has to be a safer place to raise a family than the crime-ridden city, and there they can build a new future. But evil also stalks dusty desert roads, and eight-year-old Nonni finds herself harboring a terrible secret: Only she can identify the predator who has been terrorizing the community.

And he knows where she lives.

Excerpt

Gunnysack Hell

Nancy Brashear

I read this morning that Donald Fricker was granted parole after serving twenty years in prison. Once I saw his name in print, the decades disappeared in the flick of a newspaper page. My childhood flooded back to eight-year-old me, too scared to identify him and save my family.

It was May of 1962. My family had recently moved to our new home, our grandparents’ one-room homestead cabin in the California high desert with tarpaper and chicken-wire lining the walls. It never occurred to me to ask my father why we had moved from our three-bedroom suburban home by the beach to “off the grid.”

All I knew was that we used kerosene lanterns, the chemical outhouse under the tall water tank, a wood- burning stove, and an old-fashioned ice-box that our father replenished daily with a big block of ice from Jolly’s Corner.

Tessa, my six-year-old sister, and I walked home alone, every school day, from the bus stop, a mile and a half down an isolated dirt road.

That’s when it happened, the thing that changed our family. I’ll never forget that day. I protected Tessa even though I broke all of my promises to Mama I’d made just the night before. To walk directly home from the bus stop, not to talk to strangers, and to stay away from open wells.

That afternoon, when the bus’s hissing air brakes signaled our stop, we leapt from the bottom step onto the dirt shoulder of the road.

I picked the perfect stone from the side of the road. It had to be small and round, with no sharp edges, and light enough to kick all the way home.

Tessa followed on my heels, talking my ear off, and stepping on the heel of one of my tennies. “Gave you a flat!”

“Back off!” I glared at her. Mama said those shoes were like gold, and we were to protect them. I gave the rock a punt and forged ahead.

Oblivious to things going on out there in the desert, we were lulled into a sense of safety and routine. Like Eve, we didn’t feel the danger around us until it was too late to escape. Instead, I should have been paying attention to the truck following us slowly.

Down the deserted road.

Yes, this is our story.

My story.

Endorsement:

“I can’t recall the last time I was so impressed with someone’s writing style. It’s pure genius! Gunnysack Hell, told through the various family members’ point of view, takes the readers down a tunnel filled with mystery, thrills, and excitement. This masterpiece is not to be missed.”
~L. C. Hayden, Award-winning and best-selling author, http://www.lchayden.com/
(The Harry Bronson Thriller Series, When Memory Fails as seen on NBC and ABC, and others)

Nancy Brashear lives in Orange County, California, with her husband, Patrick, and their rescue dog, Goldie, where her grown children and seven grandgirls have supported her writing adventures. A professor emeritus in English, she has published short stories, poems, academic articles, textbook chapters as well as website content and writing projects with educational publishers. Gunnysack Hell is her debut fiction novel and was inspired by a true-crime event. And, yes, she did live off-grid with her family in a homestead cabin in the Mojave Desert when she was a child.

Read Jann Ryan’s interview of Nancy.

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The Treason of Robyn Hood Book Tour, Giveaway and Guest Post

March 24, 2021 by marianne h donley in category Apples & Oranges by Marianne H. Donley, Guest Posts, Rabt Book Tours tagged as adventure, D. Lieber, dieselpunk, Ink & Magic, RABTBookTours, Sci-fi, The Treason of Robyn Hood

The Treason of Robyn Hood

Dieselpunk Adventure

Date Published: March 9, 2021

Publisher: Ink & Magick

Purchase Links

BookBub

Books2Read

What is the price of justice?

As a ward of the Lacklands, Robyn Loxley has lived a privileged life. Even now, in 1942, when another war ravages the world and people on the home front must do without, her adopted family is not affected by the rations and shortages.

That’s not to say she hasn’t been affected by the war personally. As Robyn hits yet another roadblock in her quest to see her best friend Will, trapped in a Japanese-American concentration camp, she stumbles onto the people of Sherwood.

With dark truths revealed about the Lacklands and what really goes on in Midshire, Robyn must answer what justice means to her and what she’s willing to do to exact it.

Robyn and the merry band get an update in this dieselpunk sci-fi adventure.

“The Treason of Robyn Hood has suspense, drama, humor, romance, and action, all jam-packed in a tightly paced novel full of intrigue…I enjoyed it immensely and will highly recommend it to fans of fantasy and adventure. “

—Readers’ Favorite®

“Connoisseurs of urban fantasy and offbeat romance will find this novel both a fun and fulfilling read. The clever characterizations and skillful melding of fantasy, adventure, and romance put a spotlight on sisterly devotion, oddball alliances, social conscience, and the human ability to rise above broken hearts and broken lives. “

—The US Review of Books

About the Author

D. Lieber has a wanderlust that would make a butterfly envious. When she isn’t planning her next physical adventure, she’s recklessly jumping from one fictional world to another. Her love of reading led her to earn a Bachelor’s in English from Wright State University.

Beyond her skeptic and slightly pessimistic mind, Lieber wants to believe. She has been many places—from Canada to England, France to Italy, Germany to Russia—believing that a better world comes from putting a face on “other.” She is a romantic idealist at heart, always fighting to keep her feet on the ground and her head in the clouds.

Lieber lives in Wisconsin with her husband (John) and cats (Yin and Nox).

Contact Links

Guest Post

D. Lieber

How to identify your writing problems

Identifying your writing problems is a real struggle. On one hand, you don’t know what you don’t know. And on the other, it’s hard to face our mistakes on the best of days.

But we all want to get better right? We want our manuscripts to be the best they can be.

So, let’s talk about the first problem. Clearing your vision as to what you don’t know is there. There are a few ways, I’ve found that help me.

1. Read. A lot. They always say you shouldn’t compare your work to someone else’s, and I can agree with that to some extent. But you’re going to. It’s just how our brains work. Reading other people’s writing can help you recognize things that work and don’t work in your view. And when you go back to read your own stuff, you’re bound to pick up on some of your shortcomings as well.

2. Give yourself some lead time. This one is hard in today’s publishing industry. Writers are told to produce, produce, produce. Publish, publish, publish. But I’ve found that leaving my finished first draft to sit for a few months does wonders for the end product. When I come back to it, I have fresh eyes. And that makes a world of difference.

3. Get help. This one is also important. Sometimes we are truly blind to our own problems, and we need other people to give us feedback. So, get some betas, hire an editor, read reviews if you have to. But listening to what others have to say can really help me see where I’m falling short.

On to the second: facing your shortcomings. If I’m being honest, this is the most painful. You’ve put a lot of work into this creation. And you’d fight to the death before letting someone tear it to pieces. But if you want to get better, you have to listen. Let’s break it down.

1. Ask someone you can trust. The most important quality in a beta reader or critique partner is that they are trustworthy. You need to be absolutely sure that you believe that they are pulling your work apart because they want it to be better. Because if you can’t trust them on that level, they could just be being a jerk.

2. Make sure they’re honest. It’s also important to find someone who isn’t going to sugar coat things for you. If you want to get better, you need to have a beta who is more worried about making your work better than sparing your feelings.

3. Self-reflect and breathe. It’s going to hurt, a lot, to hear everything you did was “wrong.” You thought it was perfect. And now your work has been torn apart and your heart along with it. Your first instinct is going to be either to give up or push away everything you just heard. Resist that urge. I know it feels overwhelming, but you literally just wrote an entire book. Refining that book is not as difficult as the thing you already did. As to pushing the truth away, well you asked for the help. And these people took time out of their busy lives to offer it. It’s only courteous for you to see if there’s something valuable in what they told you.

And finally, and potentially most importantly, throw out everything I just said. The truth is, there are ways to make your story better. Of course, there are. But the person you need to please most is you. The whole world can tell you you’re wrong. Your betas laughed, your editor cringed, the reviewers railed. But if you know in your heart that you made the right choices, if you did all the above steps and still came out thinking this was the way to go, then do it. It’s your work. It’s your name. You’ll get “better” at your own pace.

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Author! Author! An Interview by Veronica Jorge with A.J. Sidransky

March 22, 2021 by Veronica Jorge in category Write From the Heart by Veronica Jorge tagged as A.J. Sidransky, Author Interviews, Forgiving Mariela Camacho, Forgiving Maximo Rothman, Forgiving Stephen Redmond, Veronica Jorge

Veronica Jorge: Greetings, A Slice of Orange readers. We have the pleasure of speaking today with A.J. Sidransky whose works have received much critical praise. His novel, Forgiving Maximo Rothman, reviewed on this site December 22, 2020, was a finalist in Outstanding Debut Fiction by The National Jewish Book Awards in 2013. Forgiving Mariela Camacho was awarded the David Award for Best Mystery of 2015. The third book in the trilogy, Forgiving Stephen Redmond was released Jan 16, 2021. A.J.’s works are a combination of mystery and historical fiction. A topic in which he excels is the Dominican Republic and the lives of the refugees who arrived there when they fled Nazi Europe. So let’s find out more about this prolific author and his unique stories.

Veronica Jorge: Welcome, A.J. You describe yourself as a dyed in the wool New Yorker, born in the Bronx, and life-long Yankees fan. So how did you develop such a deep interest in the Dominican Republic?

A.J. Sidransky: My interest in the Dominican Republic began when I was a boy. My grandfather’s brother, my uncle Max, had lived there during World War 2. He and my aunt had escaped there when there were no other clear options to leave Europe. My uncle and aunt didn’t have children of their own. My mother was very close to him, and I followed suit.

As a child I studied Spanish starting in the fourth grade. My uncle spoke Spanish, which was a special treat for me. I was able to communicate with him in a language my English and Hungarian speaking family didn’t know. Many years later, as an adult with a wife and child, we moved to Washington Heights in upper Manhattan. Washington Heights is home to the largest Dominican community outside of the island republic.

I joined a gym in the neighborhood that was popular with Dominican weight lifters. I also lift weights. I established friendships with several of the guys there. One in particular, became my best friend. He has a home in the capital, Santo Domingo, where he spends the winters. I spend 3-4 weeks each winter with him at his home, deep in the barrio. I have come to love the people and the country. I often wonder why my uncle left. My love for the country and the culture is best demonstrated in Forgiving Mariela Camacho.

A.J. Sidransky: My emotional attachment to both my aunt and uncle, and to how their experiences touch my emotions and influenced my writing are very much on display in Forgiving Maximo Rothman and Forgiving Stephen Redmond. My uncle Max was my maternal grandfather’s younger brother. They were 2 of 9 children. My grandfather came to the United States in 1923. My uncle escaped from a Hungarian speaking region of Slovakia in 1940. The rest of the family, their mother, brothers, sisters, nieces and nephews as well as over 50 other family members died in the Holocaust in death camps. I am named for two of their brothers.

As I grew older I began to ask questions about the people in the photos on the walls of my grandparents’ home. As I learned about their stories, and about my uncle Max’s escape I became determined to tell their stories. That led first to Forgiving Maximo Rothman. The Interpreter, published in March 2020 also is based on the experiences of another relative who escaped. I believe every story that comes out of the Holocaust needs to be told. I’ve made it my purpose to try to bring some of those to life.

Veronica Jorge: You travel on a regular basis to the Dominican Republic. So I take it you really love the island. Do you also identify with Maximo because of the friendships you’ve made with Dominicans?

A.J. Sidransky: The short answer is yes. The truth is that while the historical aspects of the stories are based on Max’s experiences, the friendships between Maximo and Jose in Forgiving Maximo Rothman, and the friendship between the detectives Tolya Kurchenko and Pete Gonzalvez in all three novels are based on my friendship with my best friend William Cruz. He is, truthfully, the best friend I have ever had. We are like brothers. We look very different. I am very fair-haired and light-skinned. He is dark in both skin and hair coloring. I’m a good six inches taller than him, and he is much more athletic than me. We work out together five days a week; at least we did before COVID-19 arrived. The people at the gym refer to us as los mellizos, the twins.

Veronica Jorge: Two recurring themes in your novels are forgiveness and the relationship between fathers and sons. Why are these of such importance for you?

A.J. Sidransky: Let’s start with fathers and sons. First of all, I’m both a father and a son, and I can say with some certainty that my most rewarding experience in life has been parenting. Being a father also made me view my own father and my relationship with him in a very different way than I did before I became a father. Much has been written about the relationships of women; mothers and daughters, sisters, etc. Not much has been written about the relationships between men. Perhaps because men aren’t supposed to show their emotions.

As a man, I wanted to explore those relationships. And not to limit them to fathers and sons, and what we do to each other and why, but also to male friendship, and how difficult it is to establish genuine friendship for adult men. I wanted to demonstrate the fragility of men and how much trust is required for men to let other men see that fragility.

As to forgiveness, well, who hasn’t had conflict in their life? And the key is to resolve it, not to carry it around, because it will destroy you. We all do things that we might wish we hadn’t. We all experience the reverse as well, a betrayal or severe disappointment from someone we love deeply. The only way out is to forgive. But, as another dear friend of mine, a pastor of a church in Harlem has told me, forgiveness isn’t free. We must forgive, but hopefully those we forgive will own their mistakes as well.

Veronica Jorge: What do you want the reader to come away with after reading your novels?

A.J. Sidransky: LOL, first of all, a good cry! And I hope a laugh as well. I write about ordinary people faced with extraordinary circumstances. How do they stand up and confront the unimaginable? I want my readers to be in their minds, to experience their emotions, to feel what they are feeling.

Most of all, I want my readers to come away with an understanding of what brought about the extraordinary circumstances to begin with, and to be vigilant not to let history repeat itself, to learn from our collective mistakes, to create a better world going forward. If you read my books and you feel what my characters feel you’re more likely to feel compassion for those today who are faced with similar circumstances. I often tell people to really understand my work they need to read the short story The Lottery, by Shirley Jackson. It’s the most important short story ever written. It used to be required reading in high schools. It should be again. Jackson’s message was very clear. Don’t be so certain of your ideas until you’re the one facing the extraordinary circumstance. That’s what I hope for my readers. Soften your heart, don’t harden it.

A.J. Sidransky: Sure, I’d love too. I have a novella and a collection of short stories that I plan on publishing late in 2021 or early in 2022. The title of the novella is The King of Arroyo Hondo. It’s set in the Dominican Republic today and is based on my observations traveling there over the past 10+ years. It’s a departure for me. No dead bodies, no dead Jews. I hope my readers will enjoy it.

I’m currently working on the second book in my ‘Justice’ series, which began with The Interpreter. The Intern is set in 1953. It’s a thriller and plays out against the execution of Julius and Ethel Rosenberg. I hope to publish that in late spring 2022. I have two projects planned after that.

The first is called Cuba no Falta Nada, which means in English, Cuba is missing nothing. While the title is Spanish, the book is in English. Based on a real story, it’s the story of two brothers born in Cuba in the 1930s to Jewish immigrants from Poland. One is a communist and the other is not. One stays in Cuba and is an official in the Castro government; the other immigrates to the United States. It tells their story from 1958 through 2001.

After that I’m planning on working on something that’s been on my mind for a long time, a novel about baseball. The tentative title is Fielder’s Choice. Fielder’s Choice is a term in baseball for a certain type of play on a line drive. It’s also the name of the title character, a ‘never-a-star’ baseball player who manages a mediocre major league team. He’s taken a young Dominican player under his wing. The Dominican player is a generational talent. They develop a very close relationship, there’s the father/son thing again. Fielder has to decide whether to push the young player forward to further his career or keep him close. Even men will cry at this one. It’s kind of my Field of Dreams, the same way Forgiving Maximo Rothman was my Dr. Zhivago.

Veronica Jorge: Tell us one or two things you’d like your readers to know about you.

A.J. Sidransky: That’s kind of difficult. I don’t like to talk about myself; I’d rather talk about my work. But here’s a go. I’d like readers to know that I feel that if I can touch one person with my work, change one point of view, make one reader look at life a little differently, I feel I’ve done a good job, I’ve done what I set out to do.

When The Interpreter was in pre-publication, my publisher’s son-in-law saw an advanced reader copy on her coffee table. He liked the cover. He asked if he could take one, and she said yes without telling him about the subject matter. That was on purpose.

For those of you who haven’t read The Interpreter, it’s a novel set during and just after the Holocaust in Europe. And there aren’t any concentration camp scenes because I don’t write them. Anyway, she told me that while he’s a decent man, her son-in-law is something of a redneck, her words not mine. Two weeks later he returned the copy and told her that my book had changed his outlook on a number of things. He’d learned about what happened during the war in a new way. He connected with it. It changed his opinions about things. I didn’t ask what those things were, but I can imagine what they are. If I had not sold one copy of The Interpreter, I would have been satisfied with those results, then and there. My work broke through.

Veronica Jorge: Thank you A.J. for spending some time with us and allowing us a glimpse into your world and your writing.

We hope all of our readers have enjoyed meeting A.J. Sidransky. To learn more about him, and his latest works and news, connect with him at: www.ajsidransky.com. You can also write to him at aj@ajsidransky.com. He welcomes email from readers. He can also be found on Facebook, Instagram and Twitter.

Visit his site. Say hello. And above all, read his books. They will touch your heart!

Veronica Jorge

See you next time on April 22nd

P.S. For those of you who missed it, or want a refresher, here are the links to A.J. Sidransky’s books reviewed on this site.