Last year was awful in many ways, but there were some bright spots. For me, one of those was being invited by the Bluestocking Belles, a group of historical romance authors, to be one of the guest authors in their 2021 story collection. It was a unique experience, and a great deal of fun, interweaving our stories and characters into the collection’s setting. All of the stories take place in the fictional Suffolk town of Fenwick on Sea during a “storm of the century”. It is the first week of April 1815, and Napoleon Bonaparte has just escaped from Elba.
When this opportunity arose, I was in the middle of writing Fated Hearts, my Regency-set retelling of the Macbeth story. Since Fated Hearts was set in March 1815 in the middle of the Corn Riots and in the week that ended with the arrival of news of Bonaparte’s escape, the Storm & Shelter project gave me the perfect opportunity for a secondary character’s romance.
Spring has arrived in the Northern Hemisphere, and this year’s April storms include the 1815 North Sea gale that is the setting for the stories in the Storm & Shelter novella collection :
When a storm blows off the North Sea and slams into the village of Fenwick on Sea, the villagers prepare for the inevitable: shipwreck, flood, land slips, and stranded travelers. The Queen’s Barque Inn quickly fills with the injured, the devious, and the lonely—lords, ladies, and simple folk; spies, pirates, and smugglers all trapped together. Intrigue crackles through the village, and passion lights up the hotel.
One storm, eight authors, eight heartwarming novellas.
The collection includes my novella, The Comtesse of Midnight, a sequel to my full length novel, Fated Hearts. Here’s the blurb:
A Scottish Earl on a quest for the elusive Comtesse de Fontenay rescues a French lady smuggler from the surf during a devastating storm, and takes shelter with her. As the stormy night drags on, he suspects his companion knows the woman he’s seeking, the one who holds the secret to his identity.
Marielle Plessiers may dress like a boy and go out with the local free traders, but she’s really the Comtesse de Fontenay. She trades in spirits, not secrets, but the information she holds will change Malcolm Comyn’s life forever.
The other contributors are members of the Bluestocking Belles: Jude Knight, Caroline Warfield, Sherry Ewing, Rue Allyn, and Cerise DeLand.
As well as two other guest authors, Mary Lancaster and Grace Burrowes.
A runaway heiress, a mysterious stranger.
When Letty’s ship founders in a violent storm, she forges a rare bond with her rescuer.
Simon is a troubled man on a final, deadly mission—until the spirited yet soothing Letty makes him question everything. Hiding in plain sight among the refugees at The Queen’s Barque, Simon is more than capable of protecting them both. But when the floods recede, can either of them say goodbye?
She is so wrong for him.
Miss Josephine Meadows is so young. In love with life. His accountant in his work for Whitehall. Her father’s heir to his trading company—and his espionage network. Lord Stanton cannot resist marrying her. But to ensure Wellington defeats Napoleon, they must save one of Josephine’s agents.
Far from home, amid a horrific storm, Stanton discovers that his new bride loves him dearly. Can he truly be so right for her? And she for him?
Zach Newell knows Patience Abney is far above his touch. But he has been enchanted by her since she raced out of the storm and into the Queen’s Barque with a wagon full of small boys, puppies, and a bag of books. When the two of them make their way across the flooded marsh to her badly damaged school in search of a missing boy, attraction deepens. She risks scandal; he risks his heart.
A quest for a title. An encounter with a stranger. Will she choose love?
Miss Miranda de Courtenay has only one goal in life: to find a rich husband who can change her status from Miss to My Lady. Captain Jasper Rousseau has no plans to become infatuated during a chance encounter at a ball. Their connection is hard to dismiss, despite Miranda’s quest for a title at all cost. What if the cost includes love?
Enemies by nature—Esmeralda Crobbin, aka the pirate Irish Red, and Captain, Lord Brandon Gilroy have met before.
Fate trumps nature—When a fierce storm creates a chance encounter and forced proximity, Brandon learns the pirate is a woman of serious honor and responsibility. Esmeralda discovers the captain is more than a uniform stuffed with rules and regulations. Both love the sea with boundless passion, but can they love each other?
The tempest that batters Barnaby Somerville’s village is the latest but not the least of his challenges. Vicar to a remote parish, he stretches his tiny stipend to adopt his orphaned niece and nephew and his time to offer medical care as well as spiritual. A wife is a dream he cannot afford. But the storm sweeps into his life a surprising temptation—a charming young woman who lavishes her gentle care upon his wards—and him. God knows, he will forever be richer for having known her, even if he must let her go.
He’s not really a blacksmith, and she’s not really an heiress… Can they forge a happily-ever-after anyway?
Thaddeus Pennrith finds a way to recover from multiple griefs when he accepts the blacksmith’s post at Fenwick on Sea. Village life gives him a sense of belonging that Polite Society never could, though he must resume his aristocratic responsibilities soon. Along comes Lady Sarah Weatherby, refugee from an engagement gone badly awry, and Thaddeus is faced with both a compelling reason to reveal his titled antecedents, and a longing to keep them forever hidden….
Peter Barbour has been writing for over thirty years. He published “Loose Ends,” a memoir, in 1987, followed by a series of short stories from 1992 to 1995. “The Fate of Dicky Paponovitch” won Raconteur of the Month, May 1994, Raconteur Magazine, Susan Carrol Publishing. Since 2015, he has published more than twenty-five short stories which have appeared in shortbreadstories.co.uk, storystar.com, and shortstory.me, The Piker Press, Rue Scribe, Star Light Path, and ArtPost Magazine. His short story, “Why Bats Live in Caves,” can be found in Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales, an anthology from the Bethlehem Writers Group. Barbour wrote and illustrated three children’s books, “Gus at Work,” “Oscar and Gus,” and “Tanya and the Baby Elephant.” He is a member of the Bethlehem Writers Group.
Barbour enjoys deconstructing stories to see how they are put together. He grew up loving the Wizard of Oz series, and dutifully read each book in the series to his children. The hero goes on a journey is one of his favorite themes.
He loves the outdoors, and especially the Pacific Northwest, which serves as the setting for many of his stories. He is married, and likes to travel, which affords him the opportunity to absorb new experiences from which to write. Barbour attended the University of Pennsylvania as an undergraduate and Temple University School of Medicine where he earned his M.D. He completed his residency training in Neurology, at Stanford University School of Medicine and practiced medicine in the Lehigh Valley until 2015 when he retired.
He believes that what comes from the heart goes to the heart.
Barbour’s newest book, Tanya and the Baby Elephant was released in February. Tanya and the Baby Elephant is an illustrated children’s book for 3 to 6 year-olds.
Tanya lives in Africa and is confined to home, bored and lonely because she can’t be with friends due to the new virus. She discovers a baby elephant wandering behind her house and brings her into her backyard to play. She names her Ellie. What fun to have a pet baby elephant. Tanya observes that Ellie is sad and realizes that she misses her mother. Tanya decides to help Ellie find her.
Links to his stories and illustrations can be found at www.PeteBarbour.com
Woman
candle’s tireless flame
burns to stub
in melting wax
staying lit
when darkness calls
© Neetu Malik
In honor of women around the world.
“There’s more to fear in the desert than scorpions and rattlesnakes.”
It’s the summer of 1962, middle of the Cold War, and the O’Brien family has moved off-grid to the Mojave Desert in Southern California. After all, the desert has to be a safer place to raise a family than the crime-ridden city, and there they can build a new future. But evil also stalks dusty desert roads, and eight-year-old Nonni finds herself harboring a terrible secret: Only she can identify the predator who has been terrorizing the community.
And he knows where she lives.
I read this morning that Donald Fricker was granted parole after serving twenty years in prison. Once I saw his name in print, the decades disappeared in the flick of a newspaper page. My childhood flooded back to eight-year-old me, too scared to identify him and save my family.
It was May of 1962. My family had recently moved to our new home, our grandparents’ one-room homestead cabin in the California high desert with tarpaper and chicken-wire lining the walls. It never occurred to me to ask my father why we had moved from our three-bedroom suburban home by the beach to “off the grid.”
All I knew was that we used kerosene lanterns, the chemical outhouse under the tall water tank, a wood- burning stove, and an old-fashioned ice-box that our father replenished daily with a big block of ice from Jolly’s Corner.
Tessa, my six-year-old sister, and I walked home alone, every school day, from the bus stop, a mile and a half down an isolated dirt road.
That’s when it happened, the thing that changed our family. I’ll never forget that day. I protected Tessa even though I broke all of my promises to Mama I’d made just the night before. To walk directly home from the bus stop, not to talk to strangers, and to stay away from open wells.
That afternoon, when the bus’s hissing air brakes signaled our stop, we leapt from the bottom step onto the dirt shoulder of the road.
I picked the perfect stone from the side of the road. It had to be small and round, with no sharp edges, and light enough to kick all the way home.
Tessa followed on my heels, talking my ear off, and stepping on the heel of one of my tennies. “Gave you a flat!”
“Back off!” I glared at her. Mama said those shoes were like gold, and we were to protect them. I gave the rock a punt and forged ahead.
Oblivious to things going on out there in the desert, we were lulled into a sense of safety and routine. Like Eve, we didn’t feel the danger around us until it was too late to escape. Instead, I should have been paying attention to the truck following us slowly.
Down the deserted road.
Yes, this is our story.
My story.
“I can’t recall the last time I was so impressed with someone’s writing style. It’s pure genius! Gunnysack Hell, told through the various family members’ point of view, takes the readers down a tunnel filled with mystery, thrills, and excitement. This masterpiece is not to be missed.”
~L. C. Hayden, Award-winning and best-selling author, http://www.lchayden.com/
(The Harry Bronson Thriller Series, When Memory Fails as seen on NBC and ABC, and others)
Nancy Brashear lives in Orange County, California, with her husband, Patrick, and their rescue dog, Goldie, where her grown children and seven grandgirls have supported her writing adventures. A professor emeritus in English, she has published short stories, poems, academic articles, textbook chapters as well as website content and writing projects with educational publishers. Gunnysack Hell is her debut fiction novel and was inspired by a true-crime event. And, yes, she did live off-grid with her family in a homestead cabin in the Mojave Desert when she was a child.
Date Published: March 9, 2021
Publisher: Ink & Magick
As a ward of the Lacklands, Robyn Loxley has lived a privileged life. Even now, in 1942, when another war ravages the world and people on the home front must do without, her adopted family is not affected by the rations and shortages.
That’s not to say she hasn’t been affected by the war personally. As Robyn hits yet another roadblock in her quest to see her best friend Will, trapped in a Japanese-American concentration camp, she stumbles onto the people of Sherwood.
With dark truths revealed about the Lacklands and what really goes on in Midshire, Robyn must answer what justice means to her and what she’s willing to do to exact it.
Robyn and the merry band get an update in this dieselpunk sci-fi adventure.
“The Treason of Robyn Hood has suspense, drama, humor, romance, and action, all jam-packed in a tightly paced novel full of intrigue…I enjoyed it immensely and will highly recommend it to fans of fantasy and adventure. “
—Readers’ Favorite®
“Connoisseurs of urban fantasy and offbeat romance will find this novel both a fun and fulfilling read. The clever characterizations and skillful melding of fantasy, adventure, and romance put a spotlight on sisterly devotion, oddball alliances, social conscience, and the human ability to rise above broken hearts and broken lives. “
—The US Review of Books
D. Lieber has a wanderlust that would make a butterfly envious. When she isn’t planning her next physical adventure, she’s recklessly jumping from one fictional world to another. Her love of reading led her to earn a Bachelor’s in English from Wright State University.
Beyond her skeptic and slightly pessimistic mind, Lieber wants to believe. She has been many places—from Canada to England, France to Italy, Germany to Russia—believing that a better world comes from putting a face on “other.” She is a romantic idealist at heart, always fighting to keep her feet on the ground and her head in the clouds.
Lieber lives in Wisconsin with her husband (John) and cats (Yin and Nox).
Contact Links
Identifying your writing problems is a real struggle. On one hand, you don’t know what you don’t know. And on the other, it’s hard to face our mistakes on the best of days.
But we all want to get better right? We want our manuscripts to be the best they can be.
So, let’s talk about the first problem. Clearing your vision as to what you don’t know is there. There are a few ways, I’ve found that help me.
1. Read. A lot. They always say you shouldn’t compare your work to someone else’s, and I can agree with that to some extent. But you’re going to. It’s just how our brains work. Reading other people’s writing can help you recognize things that work and don’t work in your view. And when you go back to read your own stuff, you’re bound to pick up on some of your shortcomings as well.
2. Give yourself some lead time. This one is hard in today’s publishing industry. Writers are told to produce, produce, produce. Publish, publish, publish. But I’ve found that leaving my finished first draft to sit for a few months does wonders for the end product. When I come back to it, I have fresh eyes. And that makes a world of difference.
3. Get help. This one is also important. Sometimes we are truly blind to our own problems, and we need other people to give us feedback. So, get some betas, hire an editor, read reviews if you have to. But listening to what others have to say can really help me see where I’m falling short.
On to the second: facing your shortcomings. If I’m being honest, this is the most painful. You’ve put a lot of work into this creation. And you’d fight to the death before letting someone tear it to pieces. But if you want to get better, you have to listen. Let’s break it down.
1. Ask someone you can trust. The most important quality in a beta reader or critique partner is that they are trustworthy. You need to be absolutely sure that you believe that they are pulling your work apart because they want it to be better. Because if you can’t trust them on that level, they could just be being a jerk.
2. Make sure they’re honest. It’s also important to find someone who isn’t going to sugar coat things for you. If you want to get better, you need to have a beta who is more worried about making your work better than sparing your feelings.
3. Self-reflect and breathe. It’s going to hurt, a lot, to hear everything you did was “wrong.” You thought it was perfect. And now your work has been torn apart and your heart along with it. Your first instinct is going to be either to give up or push away everything you just heard. Resist that urge. I know it feels overwhelming, but you literally just wrote an entire book. Refining that book is not as difficult as the thing you already did. As to pushing the truth away, well you asked for the help. And these people took time out of their busy lives to offer it. It’s only courteous for you to see if there’s something valuable in what they told you.
And finally, and potentially most importantly, throw out everything I just said. The truth is, there are ways to make your story better. Of course, there are. But the person you need to please most is you. The whole world can tell you you’re wrong. Your betas laughed, your editor cringed, the reviewers railed. But if you know in your heart that you made the right choices, if you did all the above steps and still came out thinking this was the way to go, then do it. It’s your work. It’s your name. You’ll get “better” at your own pace.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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