Currently working with a writer on the development of a new series. Book One has to really grip the audience if the series stands a chance. This is a great first draft with solid premise, good action, clever mystery, really likeable secondary characters and a perfectly creepy villain. The problem is the MC. Because the author is writing in 1st PPOV the narrator – that 1st person person – needs to be so compelling that the reader will stick with their voice for 370 pages and come back for more. That’s a tall order. My client just doesn’t know who this guy is…yet. My job is to help him find his perfect MC.
The author is busy working on a character sketch. That’s the best exercise I know to flesh out a character. I’m in awe of those writers whose characters spring full born from the creative ocean in their head. Most of us have to work out the details that make the character irresistible. Client and I are scheduled to talk on Wednesday and in the meantime I’m considering examples: which characters do I find irresistible, and why.
Janet Evanovich’s Ranger. Why do I love Ranger? Well, who doesn’t? Why is that? Handsome? Check. Talented? Check. Decisive man of action? Check. Smart, kind. Check. Attitude? Check. Sexy? Check, check, check. It’s all that and his eloquent monosyllabic dialog. “Babe.” That says it all. Then I realize that Ranger has been crafted to perfectly fit his purpose in the story. He serves as foil, friend and unattainable hero and Evanovich has drawn him with such magnetic traits that we’ll never tire of him.
Then there are the classics: Peroit, Miss Marple. Both have distinctive talents, and an attitude that makes their approach to the problem unique. Each can be kind and caring and each is a bit obsessive. They are very familiar, like comfortable old friends and I like to visit them when I need something predictable and comfortable. The flip side of that are the characters whose make up fits the same bill but we can see them grow and change with time and circumstance. There’s a malleable aspect to Grafton’s Kinsey Millhone that keeps her compelling more than comfortable. At closer look all four of those characters share important qualities.
Flavia de Luce and Lisbeth Salander. Were two more diametrically opposed heroines ever written? Yet both characters share some basic traits. Both have a sassy intellect, are obsessively curious, have a stronger than normal sense of right, are frighteningly brave and more resourceful than a Swiss Army knife. Each of them nurses a psychic wound and each is tough but tender; both Flavia and Lisbeth truly care about the world outside themselves. And they are both sterling hell raisers.
Just considering what makes a character so magnetic to me is enlightening. To see that archetypical qualities, those characteristics that speak to all of us, can come in a million different packages is key. Miss Marple is wrapped in comfortable flannel and her qualities have been shaped to fit her world perfectly. Lisbeth is her sister at heart only she is covered in leather and streaks her motorbike through a very different world. Peroit in his silk and Flavia in her calico are blood relatives and fit their entirely different worlds like a glove.
Now when I conference with my client I have some structure to my thoughts. I can help him see that there are crucial aspects to a main character that those traits should fit his world. If these characteristics are carefully thought out and artfully drawn his MC will win reader’s hearts and keep them coming back for installment after installment. Whew! Thanks for listening.
Good self-care is the new multi-vitamin! Writers should still take a multi-vitamin, and Writer Wellness is a complimentary plan to help you stay on target for writing and life. WW is a lifestyle technique for anyone who loves to create with activities to stimulate creativity and health by encouraging regular journal writing, exercise, relaxation, good nutrition, and creative play. Regardless of style, genre, or writing goals, Writer Wellness is the perfect writer’s companion.
The workshop will offer one to three activities per key area (journaling, fitness, relaxation, nutrition, and creative play) for participants to try then respond to discussion prompts posted in the course. This interactive workshop will present ideas any writer can put into practice, tweak, and maintain throughout a writing career with the goal of better health and expanded creativity for many years. Discover the Writer Wellness Warrior in you and be well, write well!
Joy E. Held, A.A.S., B.A., M.F.A. is an author, freelance editor, educator, Yoga Alliance Registered yoga and meditation teacher, college English professor, certified Journal to the Self facilitator, and workshop presenter with over 500 articles published in trade magazines, newspapers, and literary journals. Her historical romance novel Message to Love was published in 2010 by The Wild Rose Press. Her nonfiction book Writer Wellness: A Writer’s Path to Health and Creativity, third edition is available from Headline Books, Inc. Joy is a member of Romance Writers of America, Hearts Through History Romance Writers, Northeast Ohio RWA. She holds degrees in education, journalism, and an M.F.A. in Writing Popular Fiction from Seton Hill University.
http://www.joyeheld.com
http://facebook.com/joy.e.held
http://twitter.com/Joy_E_Held
http://www.writerwellness.wordpress.com
https://www.linkedin.com/in/joy-held-4703b187/
In this workshop we’ll delve deep into your character’s psyche. We’ll look beyond eye and hair color to dig deep into each character’s motivation, frustration, and fear. We’ll look at how fear and frustration create the motivation that can drives your character toward their goal or away from it. Then with some creative thinking and writing exercises, we’ll explore ways to weave it all together into a story filled with memorable characters your reader will remember long after they close your book. I hope you will join me.
Kathy Otten is the author of multiple historical romance novels, novellas, and short stories. Her most recent short story, Heart of Ash, was released in January 2021. She is currently in the first draft stage of her next historical romance and has a YA novel on the back burner. She teaches fiction writing and is a workshop presenter and developmental editor. Kathy has been married for 38 years and has three grown children and one grandchild. She enjoys taking long walks with her dog and reading e-books while on the treadmill. You can email Kathy at kathy@kathyotten.com
Romantic Comedy, Royal Romance, Romantic Suspense
Date Published: July 9, 2021
What if your boss was a prince?…
The week I got fired, I landed a government job in Paris.
Go, Lucie!
The bad news? My boss, Max Delaroche, looks like a remastered Greek god, as dazzling as the alarm in my head.
Whoop, whoop, whoop! Run while you can!
But the man intrigues me.
Wildly charismatic, he has no office savvy. He skips important staff meetings because they bore him to death. He won’t even say where he’s from!
Instead, he keeps staring at me like he’s on a treasure hunt and I have the map.
Who is this guy, and what exactly does he do here?
Could he be an undercover cop investigating government agencies?
Haha. I’m très hilarious.
If a cop can afford bespoke suits, then I’m a princess. You shall call me Your Royal Highness, Lucie la Magnifique!
Looking for a romantic comedy that’s laugh-out-loud funny, steamy, and full of thrills? Look no further than The Boss Prince, book 1 in Alix Nichols’s new IT’S RAINING ROYALS series!
About the Author
Alix Nichols is a caffeine addict, a fan of Mr. Darcy and an award-winning author. She pens sexy romantic comedies and sci-fi romances that “keep you hanging off the edge of your seat” (RT Book Reviews). At the age of six, she released her first book. It featured highly creative spelling on a dozen pages stitched together and bound in velvet paper. Decades later, she still writes. Her spelling has improved (somewhat). Currently she has one complete romance series “wide” and three in Kindle Unlimited. She lives in France with her family, including an almost-human dog.
**To read a rom-com and a sci-fi novelette FREE, visit: alixnichols.com/freebies (just copy and paste into your browser).**
Contact Links
Purchase Link
She opens her reticule, whips out her smartphone, and pulls up what looks like a still frame from some CCTV footage.
To my quizzical look, she says, “Watch,” and taps Play.
A young woman stalks out of an ugly concrete building, banging the door behind her. About twenty meters down the street, she halts, spins around and barrels back toward the building. Baying, “You, jerk! You, miserable nincompoop!” she kicks the graffitied wall. Way too hard, by the looks of it. With a grimace of pain distorting her reddened face, she grabs the foot that had connected with the wall and spends the next few seconds stroking it through the flimsy sneaker while jumping on her other foot.
“You think you hurt me?” she yells at the closed door, still wincing. “You think you broke my heart? I despise you!”
Whoever is inside doesn’t respond in any audible or visible manner.
“I believed in you!” the woman shouts, letting go of her foot. “I thought you were a good person, a decent man. I thought you could handle criticism. But you’re just another douchebag!”
Balling her hands into fists, she swings as if intending to punch the door, hesitates and glances at her knuckles. It’s a low-res video but good enough to determine that it’s a security door, steel most likely. In her place, I’d be having second thoughts about punching it, too.
“Grrr!” Shaking with frustration, she kicks the door instead.
Perhaps because she’d braced herself for impact, she seems to better control the resulting pain, which emboldens her to kick again, and again until she does it at an angle too awkward to keep her balance. She lands on her bum. Cursing, she gets up and gives the door a few more angry kicks.
The “douchebag” inside makes no perceptible move.
Despite the wild inappropriateness and the involuntarily comical effect of her public display, I find myself sympathizing with this crazy chick. Which is weird, because, having broken up with my fair share of ladies, I should relate more to the man she’s besieging than to her. Yet, instead of cringing, I’m smiling at her spunk.
Also, I’m ogling her slender, perfectly proportioned figure that cancels out her ridiculous actions and dull outfit. Those lovely, firm tits give her worn, badly cut tee a shot at glory. As for that round high-perched ass, it lifts her trashy jeans all the way to the Cannes red carpet.
It’s hard to make out the individual features of her face, but the overall form of her face framed by wavy glossy hair looks exceedingly pleasing.
The video ends.
I just finished reading an older, but wildly popular, novel. This was an Oprah pick. It took the reading world by storm years ago. Sadly, the more I write the less I read for pleasure, so I am late to the game. When my husband surprised me with a birthday trip to Los Cabos this was the book I brought with me.
I was entranced — until I wasn’t. The first half was stunning, brilliant, a classic-in-the-making; the second half was annoying, disheartening, and predictable. The reasons for my assessment are many, but this is not a critique. This is the admission of a personal awakening. While I am a voracious – and I hope – adventurous reader, I am also realize I am a timid reviewer. For days I questioned my reaction to this book simply because my opinion was in the minority. I convinced myself that writing a review would be a waste of time. That I must be wrong about the book. In truth, I simply didn’t want to be the odd man out. What a coward!
I had written many thoughtful, honest reviews, and the only thing keeping me from posting this one was numbers and it’s very best seller status. I would be swimming upstream, going against the grain, raising my hand to reveal myself as the annoying, contrary kid in class. How could I be so arrogant as to not love this book fully? But then I looked at reviews on some of my own books and saw readers who had posted thoughtful, honest reviews both glorious and gloomy. As an author, I took all of them seriously. Sometimes the critical reviews hurt, but only if they didn’t offer reasons for the reader’s dissatisfaction. (My favorite was a one star that simply said, “I haven’t read the book yet.”)
After reading my reviews, reading the reviews on this beloved book, and thinking about my hesitancy a while longer, I came to a conclusion. While the beauty of art is in the eye of the beholder, a book’s beauty is in the brain and the heart of the reader. There are no brightly colored paints or chalks so show us the artist’s intent. There are only words and our interpretation of them. One author’s work may touch us, while another keeps us at bay. One author’s style may enthrall us, while another’s is tedious. It is our job as readers to clearly and fully explain why we react as we do to a book when we write a review. Specifics matter. Qualifying that it is our personal opinion puts the review in context. It is wonderful when we all agree, but it is interesting when we do not. A contrary review can make us stop and think as much as a glowing review can excite us. Our eyes, hearts, and minds are as individual as the author’s who write the books we read. It isn’t about the number or reviews or the plethora of stars. It is about a one-on-one experience: the reader and the author. Whether we share our opinion in writing or not, we have reviewed a book a minute we read the last word and that’s the only number that counts.
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Wide like an elephant and tall like a camel. That would be the perfect Christmas tree.
More info →He needs to get her out of his system. Just once…
More info →Starting anew? But what if he learns the truth?
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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