Mindset, Motivation & Well-being A to Z for Writers
October 20, 2021 by marianne h donley in category Ages 2 Perfection Online Class, Online Classes tagged as Aged to Perfection Online Class, Joy E. Held, Online Classes, Wellness for Writers
Mindset, Motivation & Well-being A to Z for Writers
Presented by: Joy Held
Date: November 1 – 30, 2021
Pricing: A2P Member fee: $15
Non-A2P Member fee: $30
About the Workshop:
Mindset, Motivation & Well-being A to Z for Writers presents a host of suggestions for overhauling your writing life inside and out. Some of the topics will resonate and some will need to percolate for a while, but everything from coping with anxiety to applying zero-based thinking can potentially recharge your existence until you are unstoppable in every aspect. These premises apply to more than just writers, but the creative juices needed to produce stories is more draining than it looks. These concepts could be the missing ingredient you’ve been searching for.
The course will present the ideas and offer outside readings or internet links to explain each one. Course participants will be encouraged to post experiences and thoughts.
About the Presenter:
Joy E. Held, A.A.S., B.A., M.F.A. is an author, freelance editor, educator, Yoga Alliance Registered yoga and meditation teacher, college English professor, certified Journal to the Self facilitator, and workshop presenter with over 500 articles published in trade magazines, newspapers, and literary journals. Her historical romance novel Message to Love was published in 2010 by The Wild Rose Press. Her nonfiction book Writer Wellness: A Writer’s Path to Health and Creativity, third edition is available from Headline Books, Inc. Joy is a member of Romance Writers of America, Hearts Through History Romance Writers, Northeast Ohio RWA. She holds degrees in education, journalism, and an M.F.A. in Writing Popular Fiction from Seton Hill University.
Laughter Rx by Jenny Jensen
October 19, 2021 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as Auntie Mame, autumn, Flavia de Luce, funny books, Jenny Jensen, Magic and Mayhem
It’s fall. And it’s a beautiful fall. Cottonwoods are going gold, sunflowers are bursting out along the ditch banks and best of all, the Sandhill Cranes are returning. They do this amazing ballet in the sky, circling and calling out their own special symphony – music to rake leaves by.
I love the Fall and though it is marked by so much beauty; it is also tinged with melancholy. I’m not sure if that sadness is from mourning the end of summer and all that season gives us or if it’s just the knowing that dark, cold days are coming. Whatever the cause, fall can make me feel blue. What I need is a good laugh—hopefully a full on belly laugh.
There are plenty of comedy films and shows that are wonderful for a LOL, even a good ROTFL. I get a lot of joy from comedy films. I enjoy visual and physical comedy.
And I have to admit loving the thousands of classic film quips – words in the end after all – but it’s the humorous, witty, often ridiculous written word that uplifts my spirits for the long run. Books are the best place I’ve found for humor that sticks with you like a good diner meal.
Words stay with you – the perfect combination of words that describe a place, or show a feeling or capture the essence of this (often ridiculous) human condition we all share ‑ become a memory. (I guess that’s why Bartlett felt compelled to gather his faves into a big fat book. There are just so many good quotes. So many perfect words.) And unlike a visual motion media, the written word is taken in at your own pace – you have time to absorb the funny and appreciate it.
So I am making a new fall book list designed for the laughter that lightens the spirit. I’ve included some old favorites I haven’t looked at in years. Auntie Mame (Patrick Dennis) came to mind first. I thought I’d follow that with a couple of Flavia de Luce (Alan Bradley) adventures I haven’t read yet (nothing says cutting wit like an eleven-year-old British girl genius). What is needed next is some full on silly and for me nothing can do that better than a funny witch. I love Robyn Peterman’s Magic and Mayhem series and add one or three of those.
That’s as far as I’ve gotten. I’m stumped and so I’m reaching out to other readers for suggestions. Who better to ask than the authors, devotees and avid readers of Slice of Orange? If you’ve chanced to read this post, I’d love to hear your humorous book suggestions. I’d especially like to read a romance that will make me laugh as well as sigh with satisfaction. I have a feeling it’s going to be a long, dark winter. We need to keep the laugh meter spiking. Enjoy the fall and thanks in advance.
OH HORRORS! Storytelling that goes bump in the night
October 15, 2021 by Rebecca Forster in category The Write Life by Rebecca Forster, Writing tagged as #Thriller, #writingtips, #writingvoice #writingtips #thrillers, horror
My job as a thriller writer is to keep the reader on the edge of her seat, but when it comes to jump-out-of-your-skin storytelling horror is the cardio workout for the imagination. The writer in me is in awe of the imaginative details; the reader (movie-goer) is in love with the unpredictability of the genre.Here are three of my favorites.
FINAL DESTINATION – MOVIE FRANCHISE
The premise is basic, the acting just decent, but the writing was so darn inventive. Just when I thought the writers couldn’t surprise me again, scenes became more elaborate, unpredictable, and downright delightfully terrifying. This is a great lesson in taking the time to kick your writing up a notch.
MISERY – STEPHEN KING
We’re all suckers for a good plot, especially when it pumps with plausibility. An obsessed fan, a writer who is her captive, and the life and death struggle between them makes this a great look at how a writer can create a nail biter when the characters are locked into a single location.
NEEDFUL THINGS – STEPHEN KING (again)
The slow burn makes the horrific climax in this book incredibly satisfying. King uses multiple characters and their motivations to keep the reader off base. This technique creates a literary funnel that feeds into the one person the reader should have been paying attention to from the beginning. Psychological horror becomes physical and the swiftness of the climax is chilling, and the reader doesn’t even know they are being led down a path until it’s too late.
So, I’ve got the pumpkin carved, the candy bowl is on the table, I’m waiting for the doorbell to ring and before those trick-or-treaters descend I’ve got just enough time to open my book and scare myself silly. What about you? What’s your favorite Halloween-horror page turner?
Veronica Jorge: October Featured Author
October 14, 2021 by Veronica Jorge in category Apples & Oranges by Marianne H. Donley, Featured Author of the Month tagged as Featured author, Reviewed by Veronica Jorge, Veronica Jorge, Write from the heart
Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York.
Her Work in Progress is a Young Adult Novel based on a search into her ethnic roots that explores identity, belonging, and self-discovery. Her genres of choice are historical fiction, where she always makes new discoveries, literary works because she loves beautiful writing, and children’s picture books because there are so many wonderful worlds yet to be imagined and visited.
She currently resides in Macungie, PA., but she’s still a Brooklyn girl at heart. How sweet it is!
Veronica’s story “Fiona Malone’s Fesh,” is featured in the Fall 2021 Issue of Bethlehem Writers Roundtable.
In addition to her fiction, she has a monthly column, Write from the Heart, here on A Slice of Orange where she writes about writing, life and does book reviews.
Connect with her on Facebook @VeronicaJorgeauthor
Books Reviewed by Veronica
Oh Dear—There Goes Another Member of Our Town!
October 13, 2021 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as A Sarah Blair Mystery, cabot cove cyndrome, Debra H Goldstein, small town mysteries
When one writes a series, no matter what the genre, which repeatedly uses the same community or town as its setting, readers eventually begin to fear for the lives of anyone visiting or living there. Their fear makes them question the reality of the world the writer is creating. This problem is often referred to as Cabot Cove Syndrome. The fictional syndrome, whose name was coined from the television show, Murder She Wrote, is attributed to the finding of bodies repeatedly in the small town of Cabot Cove, Maine. After running for twelve years, not to mention the books and movies the show spawned, the BBC calculated Cabot Cove’s murder rate at 1490 per million, which translated to about two percent of its residents.
Number like that, if the town existed, would definitely make one leery of spending time in Cabot Cove. Readers feel the same way when reading a series. They want a cast of repeated characters who become like family, but they also want the character roster expanded enough that the dead victim(s) and the guilty party aren’t always characters introduced for the first time in that book. Consequently, to keep readers attracted to a series, authors must employ different methods to vary their stories.
Obviously, the town can easily be avoided by having the protagonist take a trip. That may work well in a thriller or suspense novel, but not in a cozy where the small town setting itself becomes a character. Neither Murder She Wrote nor Louise Penney’s books would be the same if they weren’t repeatedly set in Cabot Cove or Three Pines.
Another method is to introduce characters in minor roles and let them evolve in subsequent books in the series. For example, in One Taste Too Many, the first book in my Sarah Blair series, I introduced Grace Winston as a culinary student interning with Sarah’s sister, Chef Emily. Grace has several scenes in One Taste where readers learn about her personality, health, and history. Because Grace is referenced again in Two Bites Too Many, she remains one of many familiar characters in the reader’s mind. Her scenes become important in Three Treats Too Many, where Grace is now the sous chef for Emily’s restaurant. In fact, the title of the book comes from an idea she raises with Emily, Sarah, and Emily’s boyfriend, Marcus, during a menu brainstorming session. Although she still is a secondary character, the reader learns about Grace’s partner and sees Grace caught in a culinary job dilemma between restaurant rivals.
Four Cuts Too Many begins a few days after Three Treats Too Many ends. Grace’s dilemma is the impetus for a meeting between Sarah and Grace. Within pages, the reader sees Grace’s role expand as now, besides being a sous chef for Emily, Grace is teaching a knife skills course at the community college. After she has a run-in with her department head and he is found dead with one of her knives protruding from his neck, Grace becomes the primary suspect.
The importance of Grace taking a major role in Four Cuts Too Many is that her character is known and liked by readers. Consequently, they want Sarah to help vindicate Grace. Although the corpse may be someone new to the community, there is enough familiarity for the story to feel like a continuous extension of a discussion between friends. This developed continuity and affection for the characters is what lets readers suspend the impact Cabot Cove Syndrome might have.
For a chance to win a print or e-book copy of Four Cuts Too Many (U.S. only), tell me, how do you feel about Cabot Cove Syndrome in the books you read?
Four Cuts Too Many
Sarah Blair, who finds kitchens more frightening than murder, gets an education in slicing and dicing when someone in her friend’s culinary school serves up a main corpse. Sarah soon finds that there’s no time to mince words when it comes to finding the real killer.
Includes quick and easy recipes!
Judge Debra H. Goldstein writes Kensington’s Sarah Blair mystery series. Her short stories and novels have been Agatha, Anthony, Derringer, and Silver Falchion finalists. Debra is on the national board of MWA and is president of SEMWA. She previously was on Sisters in Crime’s national board and was the Guppy Chapter president.
Learn more about Debra at https://www.DebraHGoldstein.com .
More Books by Debra H. Goldstein
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