Hurry! The 2022 Book Buyers Best (BBB) Contest, sponsored by the Orange County Romance Writers (OCRW), closes on March 31, 2022, but it’s not too late to enter if you act quickly. The BBB Contest is for published writers of traditional or indie romances that are novella- or novel-length and were published in print or e-novel format during 2021.
Non-refundable entry fee: $25 for OCRW members; $35 for entrants who are not OCRW members. We have nine categories. We invite you to submit to our contest (and tell your published writer friends about it, too).
Even if you’re not entering one of your books into the contest, you’re invited to be one of our judges. It’s a fun experience to be introduced to the writing of published authors you don’t know. Follow this link to learn about contest categories and rules, entry form and fee, past winners, and call for judges: http://ocromancewriters.org/contests/book-buyers-best/
Please email us if you have any further questions at bbbcontest@ocromancewriters.org.
Thanks, Nancy Brashear and Cathleen Armstrong, BBB Coordinators
Presented by: Beth Daniels, aka Beth Henderson, J.B. Dane, Nied Darnell
Date: April 1 – 30, 2022 (one month)
Pricing: A2P Member fee: $15
Non-A2P Member fee: $30
About the Workshop:
I have a friend who is a NYT bestselling author. Even after 70 some titles, she still says when she starts writing it is always in the wrong place. She doesn’t get to the point where her story actually begins until Chapter Two. Which means she has to not only kill Chapter One, but make sure anything of importance that did get mentioned in Chapter One shifts to a better location.
The problem is a common one. I have a story that I’ve written the opening scene to three times and it was only that final time out that the story finally started in the right spot.
However, every wrong spot I begin means I’m narrowing in on the right spot.
How do you know the right spot from the wrong spot though? Ahh, that can be tricky. But there are “flags” to look for that help distinguish the right start from the wrong start.
Help you hit the spot that will snag a reader’s attention – and editors are among the first readers you want to snag, aren’t they?
In four weeks, we’ll pin down what is the best spot to start your story and come up with a template to judge future manuscripts by as well. Under the microscope will be characters’ motivation, identifying backstory and too much backstory, action, and more!
About the Presenter:
Beth Daniels lends the expertise she gained as a professional novelist with 30+ years and over 35 published novels, plus novellas and short stories to her list of achievements. Add in a BA in History and a MA in English Composition and Rhetoric with an Emphasis in Creative Writing, over a dozen years as a composition instructor at the college level, numerous online genre fiction writing workshops at various RWA online chapters, and the stats add up. She knows her onions and can maneuver her way through nearly any genre or subgenre birthed. She is one of the founders of the writing group The Bards of Bardstown and a past president of the Louisville, KY, Sisters in Crime chapter. Currently she writes The Raven Tales, an urban fantasy PI mystery comedy series, as J.B. Dane and standalone historical romantic mysteries, contemporary romantic suspense, and cozy paranormal mystery as Beth Henderson. Find her at www.4TaleTellers.com or Facebook.com/Beth Daniels or @BethDaniels1 on Twitter.
I love the word default. It is so definitive. It is authoritative when you’re on the right side of it; terrifying if you’re on the wrong side. Default on your loan. Default the game. You have failed to live up to your promise. Over! Done! Fini— unless you do something to change the situation PDQ and get back on track.
Then came computers and the word default got a makeover. It’s softer. Helpful. Kind. The word became synonymous with a do-over. Default is now your safety net. Screwed up your settings? Default. Go back to the beginning. Get a do-over. It’s okay. We got your back.
Ah…
Well, don’t get too comfy with that default button, especially when you’re writing. I have a new book that I let lie fallow for two Covid-years because I took a creative hike, turning to manual hobbies like sewing and quilting, crafting and cooking. Now I’m back and making a sprint to complete the last 25%. I’m jazzed because it’s almost done. I proudly sent the first three quarters of the manuscript to my editor fully expecting the green light to cross the literary finish-line.
Sadly — and thankfully —her input was the exact opposite. I had dialed in my characters. I had been lazy with my red herrings. I had defaulted in the bad way, and not lived up to my promise to deliver my best work to my readers. On the other hand, she was offering me the chance to default in the kind way: reset, rethink, and rework. It was up to me to decide if I wanted to skate, shrug my shoulders, and publish a book that was ‘just okay’, or go back and make this the best book it can be.
I decided to go with option two. Reset. Rethink. Rework. That’s what author’s do. Thankfully, I have a great editor who is clear that how I define the word default — and how I respond to that definition— is up to me.
Are you ready for the 2022 Short Story Award?
The theme is An Element of Mystery (broadly interpreted).
BWG is seeking never-published short stories of 2,000 words or fewer.
First Place will receive $250 and publication in their upcoming anthology: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue or in Bethlehem Writers Roundtable.
The final judge of the 2022 Short Story Award is New York Times best-selling author Kate Carlisle. You can read Katie’s interview here.
Here is the link for more information on the 2022 Short Story Award.
The Bethlehem Writers Group, LLC (BWG), founded in 2006, is a community of mutually supportive, fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories, spanning a range of genres including: children’s, fantasy, humor, inspiration, literary, memoir, mystery, paranormal, romance, science fiction, women’s fiction, and young adult.
See the schedule of meetings and events here.
Do you find you have a theme trend in your stories that you keep coming back to?
I have heard that we tend to write where we are in life.
If that’s true. Then I’m all about plans and realizing that God’s plan is definitely better than our own. And that no matter how tight we might hold on to our plan, we need to be open to the idea that it just might need to change.
I saw this so clearly in the movie Spiderman Far From home. In the very beginning of the movie Peter Parker slides into his seat next to his best friend and says, “I have a plan!”
And then something happened and he has a choice to make about continuing on, or straying from the plan. And he, like many of us, are not quite ready to give up the plan. So he continues on.
He is so laser focused on his plan, he misses all the cues that something isn’t right. Until it’s almost too late.
How many times have you missed the cues that you need to change your plan?
Should you change it or keep going?
We hang on until we hit a breaking point and can’t control it all. And we feel everything is against us. Of course it happens because what we are doing is not fully working.
Once we let go we see new options.
New doors.
New opportunities.
It’s interesting being a parent of adult children. Things change daily. Doors open and close. And it reminds me of my own plans at their age.
I planned out my major in college and decided that work in non-profit PR, doing special events, would be my thing. But taking a paid internship at a corporate job took me on an entirely different career path.
I also thought I’d be married and have my kids by age 25. But I didn’t get married until I was that age and I was in no way ready to have children right away. In fact I had my first kid at twenty-nine.
And I don’t regret a single change in any of those plans.
Because they turned out better than my original.
I have done it with my writing. The plan was to be published by now. But for many different reasons, the plan has changed, multiple times. And I think my stories, my writing, and my mindset is in a better place because of the extra time.
Is it what I’ve planned? No.
Is it something I’m accepting? Yes
In my novel, “When Plans Go Awry”, Olivia did not want to depend on anyone else. She had a plan. It would be how she would survive. Except everything she thought she needed, she didn’t. And what she thought she didn’t need, she did. But she’s got to go through a lot of strife before she finally realizes it. The little town of Washton has to teach her a thing or two about friendship, depending on God (and not herself), and of course, love.
Not at all what she was looking for but everything she needed.
Being flexible with your plan is necessary.
Knowing when to fight for the plan and when to change it is smart.
Here’s to us writers making plans and knowing when to adapt them.
If you enjoyed this topic, Denise talks about Real Life Turning Points in this past blog post.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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