A week before Thanksgiving, a sudden virulent pneumonia sent my husband, Ron, into heart failure. Fifteen days later, his life ended in an ICU when I asked the staff to turn off life support. Knowing this was what he would have wanted was the only comfort my sons and I felt.
In the quiet hush of the nursing unit, our youngest son and I waited for the end, touching and talking to Ron, knowing he could hear us even though he couldn’t open his eyes or respond. Seven hours later, we watched the monitor blip red for the last time as his valiant athlete’s heart gave out. Only a straight red line remained, releasing us from our sad vigil.
My shattered heart said goodbye to the man who had been my college sweetheart and best friend. We had celebrated our 58th wedding anniversary months earlier, and his passing stunned me. My family went into shock. He’d played golf with a friend just ten days before illness struck, and now he was gone?
I was plunged into the post traumatic stress reaction we call grief, but life went on, demanding I take on everything Ron had done for us as well as my responsibilities. The daily rhythm to our marriage vanished and my brain fragmented. Forgetting came easy, focusing was almost impossible. By early afternoon my tears and the emotional drain of losing him had exhausted me. I slept a lot.
People urged me to take time for myself, do something fun. You’ve got to be kidding! I’m drowning under everything that must be done.
Because his mother died at 99, Ron wasn’t prepared to pass at 85. He hadn’t told me how to get into the online stock or bank accounts, what to do with his life insurance or how to prepare our taxes. I didn’t know even little things—like how to set the controller for our lawn sprinklers when to pay the gardener or get the car serviced. My husband had not only taken care of all the usual “man” things around the house—fixing a running toilet or taking out the trash—he’d managed our finances because he had an accounting background. I was a retired RN.
I could have sworn I was the object of some witch’s spell when things began to fall apart—printers and TVs, the electric garage door opener, the cords connecting the wooden blinds in the family room shredded due to age, and the vertical blinds in the living room windows that faced the street stopped closing tightly, and people could see in—see a woman alone—at night.
Chaos. There was no other word for it. How was I going to survive?
My WIP, a novella, had lacked only a thousand words to completion when my old life ended so abruptly. Even had I been able to get my mind in gear, I had no time to write. So I didn’t.
After a couple months, the one pleasure I allowed myself was to let friends drive me to a meeting of our RWA chapter in Orange County, California. I let chatting about writing on the drive in and back, the warm chapter friendships, and discussions about craft and marketing flow around and nurture me.
After one meeting, I came home inspired, opened my computer and reread my novella. Oh, I had no time for this but, when I realized this was a world I could control, I wrote for fifteen minutes.
Deepening my characters as they moved toward their goals in the world I’d created brought surcease from the real one I struggled with every day. Little by little, I finished that thousand words, then it struck home that I’d written myself into a hole: I was rushing the ending.
And so I wrote on. Then, as smooth as silk, I had over 40,000 words and the work was done. Without even thinking about it, I had finished a Book in a Year.
I will never forget Ron or the life we shared. He had a gift for numbers, mine was wrangling words onto paper. I loved him because he encouraged that part of me, love him more deeply now because through the chaos words on paper were what centered me, gave me the courage to figure out my “new life”—as my artist/writer friend, Sheila Hansberger, describes widowhood.
Artists paint, sketch and sculpt, composers compose, and writers write because that is what we do.
It is who we are.
Dee Ann Palmer is a multi-published, award-winning author who writes sensual romance under this name. As Carolina Valdez, she writes explicit gay and m/f romances in several subgenres. She lives in southern California, is a PAN member of RWA, and belongs to Sisters in Crime.
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Jilted by love in 1834, Cara Lindsay sails from Boston to Mexico’s rugged California to begin a new life with a favorite aunt.
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Wonderfully written, Dee Ann. So much of what you said is what I have lived since my husband passed away in December.
So glad you read this post, Gillian.