This time of year, wherever we turn, we encounter something that helps fill us with the holiday spirit. Whether it be decorations, music, TV movies, or maybe just a friendlier, lighter spirit among those we meet, there’s no escaping that we’re in the midst of the many popular holidays jammed into the last weeks of the year: Thanksgiving, Hannukah, Winter Solstice, Christmas, Kwanzaa, and New Year’s Eve/Day, just to name a few. No wonder we’re exhausted by January!
Still, this is perhaps the easiest time of year to think about writing a holiday story. But what is it that makes a story a holiday story?
When I saw the movie Die Hard listed as one of the top Christmas stories, I was curious. I had never seen it, but with that kind of recommendation, I gave it a try. I was, frankly, disappointed. It’s a Bruce Willis action movie, exciting, and set at Christmas, but for me, it missed the mark for a true “Christmas story.” I’ve since learned that this is a long-standing debate among viewers.
That got me thinking about what elements would have made it seem more like a holiday story instead of just a story set at a holiday.
After some thought—and a lot of holiday story reading—I think there are four criteria that, working together, make a story a holiday story.
- The holiday that is anticipated, celebrated, and/or remembered during the story must be integral to the story. (Note that a “remembered” holiday often occurs during a subsequent celebration of that holiday and the memory has an impact on the current celebration.) Alas, Die Hard fails this test.
- It must include familiar events or traditions of the holiday celebrated or anticipated (even if those events or traditions are botched!) Hmm—the brief Christmas party scenes in Die Hard might be said to meet this requirement—or might not.
- More than one major character must be involved in the anticipation or celebration of the holiday, e.g. a family or community involved in the celebration. (Sometimes the other characters can be fantasy or non-human characters.) I don’t think you can count the Christmas Eve partygoers as “more than one major character” in Die Hard. Even Bruce Willis’s movie wife doesn’t fit that description.
- It leaves the reader with a sense unique to the holiday anticipated, celebrated, or remembered. Nope! I don’t think Die Hard can claim that. You leave that movie thinking about the action, not the warm fuzzies of the Christmas spirit.
This epiphany (another holiday!) comes at a good time. The Bethlehem Writers Roundtable is about to open its annual SHORT STORY AWARD competition on January 1. The theme for 2024 is . . . drumroll . . . HOLIDAY STORIES!
They are looking for short stories of 2000 words or fewer on any holiday between U.S. Thanksgiving and New Year’s Day to compete for:
- First prize—$250 and publication in the upcoming anthology, SEASON’S READINGS: MORE SWEET, FUNNY, AND STRANGE HOLIDAY TALES to be published in the Fall of 2024 or in Bethlehem Writers Roundtable, the literary journal of the Bethlehem Writers Group, LLC.
- Second prize—$100 and publication in Bethlehem Writers Roundtable.
- Third prize—$50 and publication in Bethlehem Writers Roundtable.
- Honorable Mentions (if any) may also be offered publication in Bethlehem Writers Roundtable.
For more information, see the Bethlehem Writers Roundtable site at: https://bwgwritersroundtable.com/short-story-award-2/
Best of luck to all who enter, and . . .
Happy Holidays!
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Sally Paradysz wrote from a book-lined cabin in the woods beside the home she built from scratch. She was an ordained minister of the Assembly of the Word, founded in 1975. For two decades, she provided spiritual counseling and ministerial assistance. Sal completed undergraduate and graduate courses in business and journalism. She took courses at NOVA, and served as a hotline, hospital, and police interview volunteer in Bucks County, PA. She was definitely owned by her two Maine Coon cats, Kiva and Kodi.
Sal is missed by all who knew her.
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