Words are a writer’s ingredients. We love words – obscure words, descriptive or emotional words, those sets that make up the language of a specialty. Creating a passage of the perfect words hits the poetic, emotional and dramatic sweet spot — it’s more satisfying than a perfectly risen soufflé. Those words are not always based on literal meaning; otherwise Oscar Wilde would never have written: “The curves of your lips rewrite history.”
I have always been taken with the vocabulary of cooking. This is probably because I can’t cook. Maybe I think if I learn that vocabulary I can wield it like an incantation and my split pea soup will magically look less frightening, smell inviting and even taste good. It hasn’t worked but culinary terms, as a set of words, continue to surprise me — they’re just so aggressive.
Macerate, whip, beat, truss, pulverize, grind, batter, beat, scald. Whoa! All this to get something beautiful, delicious and nutritious? It works for most cooks. No matter how I slice or dice, shred, mince or mash, it seldom works for me. Must be in how you understand the terms and in nuance of use. Culinary terms work just as well to describe a cage fight as they do with a recipe for Angel Food cake.
Jared didn’t blanch facing the mountain that was Killdeer Kilze. He’d whip this fight up – he had to – the kids hadn’t eaten in two days. Time to mince this guy and reduce his essence. Zest infused Jared’s system, juicing his blood as he minced the mountain’s nose with one lethal chop, shred his kneecap with another. Scalded by the roar of the drunken crowd he beat at the massive chest, macerating the ribs. Sliced, diced and filleted to perfection, Killdeer Kilze lay trussed like the appetizer he was. The kids would dine well tonight.
Cooking is a gentle, homey pursuit – though some of those chef shows can be down right bloody so maybe it’s the competitive aspect that accounts for the aggressive feel. These words aren’t really homonyms. They sound alike and are spelled alike but they don’t have different meanings. The difference is in the sense of the meaning.
Linguists and other learned folk call this fine distinction, Polysemy. It’s the distinction that good writers always make. It’s part of why poetry can rock your world. Seeking just the right words with just the right nuance can make a love scene monumental rather than simply sweet, or enfold the reader in the sight, smell and sound of a setting. It’s the choice and use of the right words that makes a story linger in the reader’s heart — something every writer wants.
I do wonder how our language developed to make this particular set of words work for such opposing concepts. Is there a conflicted warrior inside every woman? I don’t know but if I dig far enough I’m sure theories abound. And while I ponder this conundrum I do it…again. I fritter my time away on obscure concepts and my carefully mixed cornbread hits the cooling rack and bounces. It sounds like a hollow rock. Clearly, it takes more than knowing the right language to make a great cook. But it is knowing the right nuanced words that makes a great book.
Jenny
Writers have always given us more than just great entertainment. Throughout the ages storytellers have had a major impact on society.
A long-term client has an eight-year-old granddaughter who wants to be a writer “just like Grandma”. My client asked me to give this young aspirant some advice about writing.
I’d love to hear your humorous book suggestions. I’d especially like to read a romance that will make me laugh and sigh with satisfaction.
We’re so lucky. The English language is like play dough.
Oh yes, we have strict rules of grammar, tense, POV, all the way to the minutia of intransitive verbs.
This character, Tall T Reynolds, is growing in my mind. I can see him tanned and raw and a bit dusty. I know his world is the 1940’s rural west and I know he’s going to briefly meet Lottie, a beautiful girl in a gleaming open topped coupe. Their brief exchange will never leave his mind. Soon after, Tall T will go off to war in Europe. He and Lottie will meet again in a most unexpected way.
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Forgive me if I failed you. Remember that I always loved you.
More info →Miguel de Cervantes Saavedra finds refuge from his difficult childhood by imagining the adventures of a brave but clumsy knight.
More info →Stories about winter, spring, summer and fall, and seasons of life, seasons of love, and even seasons of discovery.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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Loved your post, Jenny! Seems like we both have ‘cooking’ on our minds these days. I especially liked, “It’s the choice and use of the right words that makes a story linger in the reader’s heart — something every writer wants.” And, “But it is knowing the right nuanced words that makes a great book.” Thanks for this continued reminder of how to improve our writing.
Clearly, great minds think alike!
Thank you Veronica and Marianne. I like to think that Veronica and I are on the same wave, but I know she’s the better cook!