Over the last many months I have been helping my mother prepare to relocate. We have spent hours choosing the furniture she will take and trying to determine how many dishes, glasses, and cookie sheets she’ll really need.
Dusty and dirty after spending the day cleaning the garage, we found ourselves in the dining room at the end of the day. I looked at the huge breakfront overflowing with crystal, silver, and china. I opened the glass door and took out a piece of bisque colored china.
“Do you want to take it with you?” I asked.
“That’s Limoges,” she said. “One of dad’s patients gave it to him after he delivered her baby.”
“And these?” I held up two tall crystal vases. Certainly one would do in a smaller place.
“Keep them both,” she said.
“Why?”
“Because I like them,” she answered.
On we went sorting through soup tureens, more vases, statues of ballerinas, and teacups. It was the teacups that enthralled me and the work slowed as I set them on the dining room table, one after another. Some had fluted edges and others were like little pot-bellied stoves. My favorite cup was sleek and modern with a shallow bowl. It was made of porcelain so white and delicate that I could see through it. The sweep of the golden handle made the cup look like a swan. The cups were miss-matched because that was the style in another elegant era.
My mother and I touched the teacups, nudged their saucers, and ran our fingers over tiny raised paintings of roses and lilies. We looked for the china markings and grouped them: Wedgewood, Meissen, Limoges. There were stories about my grandparents, and of my mother growing up in Germany, and of guests coming for lunch.
When we were done, when she had chosen the teacups to take with her, we went to bed to rest up for the next day’s work. As I drifted off, I realized that in the course of getting ready to close the door on a house we had opened the door to memories that could inspire a hundred novels. I had heard tales of hardship, of gratitude, of uncertainty – even danger – but mostly I had heard tales of graciousness, hard work and above all love.
Someday I will write one of these stories. Until then, I will drink my tea from one of her cups and remind myself that the best stories are those that are rich in flavor and best served with style.
1 0 Read moreMagazine articles may not be a full novel but I have found the process in writing smaller articles to stretch me in ways I didn’t expect.
As a writer, it’s one thing to write down your thoughts, ideas and inspirations. It’s another to hand it over to someone who is going to take it and print it. Doesn’t matter if it’s a full-length novel or smaller articles.
I’ve always loved writing, and had many experiences in the corporate world creating pieces for our customers to use with their customers. But these were always product related and the specifics were crafted by a team of people.
You never know where opportunities are going to come from. Because I need to find a way to generate an income if I want to write full-time, I thought to look into other areas. Last spring I happened upon a booth for a regional magazine and inquired about writing articles for them. She gave me the contact for the editor, I reached out and submitted some writing samples. She offered me a choice of some articles and in the July/August 2018 issue, my first two magazine articles were printed. Little did I realize they would be cover stories!
They even used a few of the pictures I submitted, which made it all very exciting!
See, in our Orange County Chapter of RWA, roses are awarded for publishing. Different color roses represent different types of works. Novels are Red, and so on. For articles they are white. I have been watching for YEARS, waiting for the day I would receive a rose, so it was so meaningful to receive roses for these two articles plus one more for the next issue.
Each time a new issue publishes, I’ve been asked to write for the next issue (picking from a list already decided upon by the editor). It’s been great writing experience writing different types of topics. I feel my writing is growing stronger. I’m gaining experience in working with an editor, meeting deadlines, submitting and the concept of letting go (which we all know is difficult to do).
July/August 2018 – Adventure Awaits on Route 66 and Homeward Bound
Jan/Feb 2019 – Safety Tips for Your Family – Kids and Tech
September/October 2018 – Celebrating Milestone Events
March/April 2019 – Finding New Ways, to Thrive Follow Your Passion Now which is the Current issue online.
And printing in the May/June 2019 issue: Women Learn to Brag…you can’t be modest in business.
So today I’m celebrating a few publishing milestones. It’s been a blessing to write these articles and gain this experience. It’s fun to look back and see how far I’ve come. I’d love for you to join in the celebrating with me.
Thanks for reading,
Denise
2 0 Read moreMy husband Will Zeilinger and I co-write the Skylar Drake Murder Mysteries. A hardboiled detective series that takes the reader to 1950s Los Angeles and other areas of the west. Our next book, GAME TOWN, the fifth of the Skylar Drake Murder Mystery series, is available now!
Cocktail Parties were all the rage in the 1950s and into the 60s. It was a chance to get dressed up, relax with friends, socialize, impress others and gossip. What would the 1950 have been without Cocktail Parties?
Private cocktail parties were held at people’s homes. They would invite the neighbors, friends, business associates, their boss, or co-workers. There were all kinds of reasons for a get together. We call it networking today, but on a much smaller scale.
For the host, the food and drinks served were very important. The beverages and the canapés complimented each other. The rule of thumb was tart and salty blended best with gin, while heartier foods went with whiskey and beer.
Champagne: caviar, chicken l’orange, hearts of palm salad
Highballs: liver paté, stuffed eggs, cheese balls,
Whiskey Cocktail: cheese tarts, curried peanut butter rolls
Gin Cocktail: marinated vegetables, asparagus tips in ham rolls
Beer: stuffed olives, cheese balls, turnovers
Sherry: Apple, raisin and cream cheese balls, bacon balls, chipped beef rolls with mushrooms, stuffed mushrooms, peanut rolls, peanut butter rolls, peanut butter tarts, nut and stem ginger tarts, ham tidbits, chicken, lobster or liver paste puffs, turnovers, cheese straws, sausage tidbits and smoked hickory cheese balls.
Whiskey cocktails: guacamole, anchovy fillet tidbits, bacon and curried peanut butter rolls, East Indian beef balls, clam spread tidbit, pizzas–miniature, smoked oysters in blankets, Camembert cheese and ham tarts, chicken livers and bacon, roast beef snacks, kippered herring and bacon rolls and meat balls (beef in blankets).
Gin cocktails: guacamole, anchovy ham rolls, artichoke hearts, asparagus tips in ham rolls, onion and cheese snacks, onion egg snacks, stuffed olives, codfish balls with cheese, sardine onion snacks, sausage in blankets, sardine macaroni snacks, stuffed dill pickles and marinated vegetables.
Beer: Anchovy fillet tidbits, stuffed olives, cheese straws, turnovers, cocktail frankfurters and sauerkraut, garlic popcorn, cheese balls, chipped beef and sardine rolls, kippered herring and bacon rolls, and tongue rolls or pinwheels.”
A full-size bar would offer all cocktails. But smaller bars in individual homes usually had only a sampling to offer. Thus, making tidbits easier to manage.
Of course, a fruit and cheese plate was a good finish for all cocktail parties
Normally I’d devote this Quarter Days column to a topic I’ve uncovered in historical research, but preparations for the California Dreamin’ Conference have consumed my life lately, and I have to share. This is going to be a great conference!
From April 5-7, 2019, authors and aspiring authors will gather at the Embassy Suites in Brea, California for workshops on the craft and the business of writing fiction. Plus, we’ll connect up with agents, editors, and industry professionals to help grow our businesses, whether pursuing traditional or indie publishing.
And we’re not just covering Romance! Kate Carlisle will teach us how to write a Cozy Mystery, Rebecca Forster will cover Police Procedurals, and Orange County Deputy Coroner Paul Hoag will talk about dissecting a death scene (sorry–couldn’t resist that image). We’ll have workshops on Women’s Fiction, and YA, and Historical Fiction.
Authors pursuing traditional publishing will have a chance to pitch to seven editors and two agents. Those following an Indie track can meet one-on-one with representatives from Ingram Spark, Draft 2 Digital, ACX/Audible and WonderPR. And since everyone, both trad and published, has to market, we’ll find workshops on selling our stories to editors, Hollywood, and most importantly, the readers!
Conference add-ons include a fabulous all day Book Camp on April 5th presented by author and writing teacher, Janice Hardy, offered for $99. Learn how to write that story from start to finish!
Short on cash? You don’t have to attend the full conference to sign up for Book Camp!
For those who do attend the conference, our Editor/Agent critique sessions are full and closed, but we still have spots for a new conference add-on: Special Author Critique Sessions. Spend $10 for an hour of expert advice!
What’s a conference without keynote speakers, and we have two! Beloved and bestselling author of Regency romance, Tessa Dare, will speak at Saturday night’s dinner. Bestselling Contemporary Romance author Theodora Taylor, known for writing alternative heroes and smart feisty heroines, will speak at Sunday’s luncheon.
And speaking of food–the conference features an opening night reception, soup-and-salad bar lunch on Saturday, and sit-down dinners on Saturday night and Sunday afternoon. For those staying on site, Embassy Suites offers a full made-to-order hot breakfast.
After noshing on appetizers at the Friday night reception, attendees can pull out their laptops and tablets and take part in the great Friday Night Write-In. Get those words flowing onto the page in the company of your fellow writing enthusiasts!
Check out all the great things in store for you at the California Dreamin’ Conference and register today!
2 0 Read moreDo I need a pseudonym to write fiction?
No, you don’t need a pseudonym to write fiction unless you write hard core erotica and you don’t want your mom to know. I used a pseudonym twice in my 30 year career. The first time I was writing for Harlequin and they contractually owned an author’s name. That meant if I wanted to write for anyone else I would have to leave the name–and any consumer base that had accrued to that name–behind. The second time was when I wrote my first legal thriller. The men were big back then–Grisham, Turow–and the publisher wanted readers to assume I was a man. I went by my last name but initials for my first. There was no ‘about the author’ in those books and the whole thing felt very odd. In this day and age when building a brand is your sole responsibility, own your name and build a loyal readership around it.
Traditionally, publishing under an assumed name was a useful tactic when a writer crossed genres. A non-fiction author whose brand is based on expertise in hunting edible fungi would want to use a pseudonym to publish a steamy romance. A fresh identity to woo a new readership avoids any confusion, possibly even irritation from those readers whose expectations would not be met. A reader who gets a lusty countess when they’re expecting a description of the spotted Nigerian toadstool will not be a repeat reader.
Fiction writers often use pseudonyms to switch between fiction genres. Robert Galbraith jumps (beautifully, I might add) between wizards and detective fiction. Harry Potter fans are diehards so it was wise for J.K. Rowling to present her new detective fiction under a pseudonym. Otherwise fans might have cast a withering spell when their expectations were squashed. Cormoran Strike solving crime was a big step off brand from Harry Potter.
It wasn’t long before the public learned that Galbraith was J.K. Rowling—with a brand that strong anything she writes would be impossible to hide, and why hide it. With her pseudonym public knowledge readers knew what to expect. Rowling’s brand remains intact and Galbraith’s work took off with a new readership. Impossible to say how many of those new readers were enticed simply by the author’s name, but the work stands solidly on it’s own merits now.
Your brand may not be as mighty as Rowling’s but it is as important to your success. No reason not to use a pseudonym to publish your fiction and no reason not to be completely open about it. Supplement the marketing of the fiction by using your existing fan base and marketing tools to launch this new facet of your career. Share the pseudonym on your twitter feed, tout the cover on your pinterest posts, introduce the new personae and the new fiction on your blog. If both your established name and your nom de plume are connected to your brand then fans can seek out whichever genre fits their reading expectations. And your brand is strengthened.
From a branding perspective, maybe you do need a pen name to write fiction. Here are some questions you might ask yourself…if any of your answers are yes, lean toward a pen name.
Ask: Is my own name too difficult to say, spell, or remember? Does my own name confuse readers with other authors or commercial brands? Does the subject matter or the chosen genre of my fiction conflict with the character of the other brands that I am building? Do I have a plan to manage the transparency required to promote a pen name?
If you answered yes to any of the above questions, explore the pen name option with enthusiasm and care. Remember: You are the brand. The books you write are products of the brand. No matter what you do, you must be able to represent your brand and your products with authenticity and with transparency.
I once advised a mystery-writing dentist to use a pen name because his novel was filled with graphic violence and hot sex scenes. His novel directly conflicted with the business brand for his successful dental practice which was built upon his real name. The novel he had written revealed a side of the mild- mannered doctor that the public did not know and frankly might have been shocked to meet. In that instance, using a pen name separated the dentist from the writer so that both could be promoted to proper audiences. A pen name provided some distance between his dental business and his writing business. A plan for transparency was built from the start so that he could be honest and open if patients realized that their beloved doctor was also that wild novelist.
Similarly, you might want to consider a pen name if you are writing fiction in genres that conflict with each other. The motivating idea would be to help the reader know and trust the brand name when they search for your work. The bridge between who you really are and your pen name better be built from the start or it could become problematic unexpectedly with one Did you know social media post.
H.O. is missing again this month. We suspect a long long holiday is to blame.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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