The Resistance Girl Red Roses, Fires… and Kelly and me by Jina Bacarr
November 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as historical fiction, World War II
Me dressed as my heroine, Sylvie Martone, for a holiday party
The day before publication day for The Resistance Girl, I jolted awoke at 7:30 a.m. to the acute smell of smoke.
Burning in my eyes, throat. My chest heavy.
Tree branches scrapping against my windowpane and strong winds blowing and howling like a wild banshee had escaped from the netherworld. I swear the creature was hell-bent on dragging the hot flames closer and closer on the hem of her petticoats.
A cold fear rattled my bones. A sense of ‘This can’t be happening‘ turned my blood to ice.
I had gone to bed two hours earlier since I was up all night tweeting and posting on social media about my Paris WW 2 historical, The Resistance Girl, set during the Occupation and scheduled to pub the next day. I was exhausted but…
The acrid smell was so powerful, it dragged me out of a deep sleep.
I ran to my window on the second floor overlooking the front lawn, my heart in my throat. What I saw shook me to the bone.
A bright, rusty-orange sky…
Fire… but where?
I soon discovered the fire was less than six miles away… zero percent contained with capricious winds powered by a powerful Santa Ana with flames popping up in random places. Who knew where the burning embers would land… then ignite?
A nightmare in the making.
I turned on the air purifier, closed all the windows, and flipped on the local TV news.
And drank a ton of hot mocha coffee.
Then boom! Just when I was starting to get a grip on the situation, the powerful winds blew down my backyard fence in a big huff and puff worthy of Mr Wolf himself. What next?
I kept telling myself my heroine Sylvie Martone, French cinema star, had survived horrific events during the war… grilling by the Gestapo, dangerous treks across France to save downed pilots, attacked by SS. Whatever happened, I could handle it.
Fueled by her courage, I kept working on promoting my book while tossing important stuff into a go-to bag just in case I had to leave (note to self: keep that bag up-to-date). The next two days were a mad blur of Emergency Alerts on my phone, texts, phone calls, stand-by evacuation orders… and checking on family and friends.
Dear friends of mine did have to evacuate, but their home was undamaged, thank God. And my beautiful and vivacious daughter-in-law Kelly got caught on the toll road with smoke rolling across the highway as the fire advanced — I insisted she come and stay with me rather than go back to her place. My son agreed and rushed over to help us.
Kelly ended up spending a few days with me and I was so grateful for her support… and happy I could help her. It was then I realized how Sylvie felt when she was working for the Resistance and had no one to confide in…. except a young woman who becomes very important in her life when Sylvie saves her from the hands of the Gestapo.
Which brings me to my Boldwood red roses…
My lovely editor, Nia Beynon, and Team Boldwood sent me a dozen red roses on pub day. The gorgeous scent of roses lifted my mood and filled my soul.
The moment was made more special because I waited to open the box of flowers until Kelly arrived after work so she could share it with me. We gushed over them like teenagers getting corsages for the prom. Even my usually quiet, surfer-dude son was impressed with the lovely roses — and grateful we were both okay.
Which brings me to an important theme in The Resistance Girl.
Family.
My story is a dual timeline with Sylvie’s granddaughter Juliana intent on solving the mystery of her grandmother’s mysterious and notorious past in present day.
While Sylvie risks her life to save those she loves in Paris during World War II — her family. France. And her home.
Over the next few days, the fires were slowly contained and evacuation orders lifted, but I’ll never forget the fear and trepidation they brought, the mad dash to pack, and the instinct to keep my loved ones close and safe. Like my heroine, Sylvie Martone, I believe there’s nothing more important than family.
Because in the end…
There’s no place like home.
————-
Two women. One heartbreaking secret.
Paris, 1943.
Sylvie Martone is the star of French cinema, and adored by fans. But as Nazi officers swarm the streets of Paris, she is spotted arm in arm with an SS Officer and her fellow Parisians begin to turn against her.
However Sylvie has a secret – one she must protect with her life.
Paris, 2020.
Juliana Chastain doesn’t know anything about her family history. While her mother was alive she remained very secretive about her past.
So when Juliana discovers a photograph of a glamorous French actress from World War Two amongst her mother’s possessions, she is in shock to find herself looking at her grandmother – especially as she is arm in arm with a Nazi Officer…
Desperate for answers, Juliana is determined to trace the journey of her grandmother. Surely there is more to the photograph than meets the eye?
But as she delves into Sylvie’s past, nothing can prepare Juliana for the tales of secrets, betrayal and sacrifice which she will uncover.
————-
Amazon Buy Links:
And read the story behind the story about how my love affair with Paris shaped The Resistance Girl. https://www.boldwoodbooks.com/the-resistance-girl-jina-bacarr/
Listen to ‘chapters’ read by my favorite narrator, Laurel Lefkow, and relive the story of cinema star Sylvie Martone out to defeat the Occupiers
———————————
Other Books by Jina Bacarr
Write More, Write Now! by Kitty Bucholtz
November 10, 2020 by Kitty Bucholtz in category It's Worth It by Kitty Bucholtz, Writing tagged as Kitty Bucholtz
I’ve been doing more book coaching this year, and what a blast it’s been to see people accomplish their writing goals — and generally exceed them. I have a small group program called Finish Your Book Intensive Coaching Program, and in the first group one woman finished a book she’d been working on for 22 years! Another man set a goal to write a chapter a month on his new nonfiction book, but during the 8-week program he wrote five chapters.
I was trying to think of how I could help more people, especially people who mostly need encouragement more than coaching, and I came up with Finish Your Book Membership Program. In this group, we have at least two writing sprints a week — three during NaNo — where we get on a Zoom call, write for 30 minutes, then share our word counts. We also encourage each other in our private Facebook group.
In addition to the eight writing sprints, we have a guest speaker join us each month to talk about their own experiences in starting and finishing books, and tips and tricks they’ve used to keep themselves on track. These authors are always multi-published with a lot of helpful information. We also have a monthly Ask Me Anything call with me so I can answer questions and help people stay on track toward their goals.
If this sounds like a great way to get more writing done, join us! It’s $105 for 3 months, $210 for 7 months, or $300 for a full year. During the time you’re a member, you’ll have access to the recordings of our prior guests as well. You can email me at kitty@kittybucholtz.com or find more information on my website at https://www.writenowworkshop.com/writingcoach/.
0 0 Read moreThe Book Review that touched my heart by Jina Bacarr
October 10, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writingSometimes, you get it right….
When I saw this review of my Titanic love story THE RUNAWAY GIRL, it tugged at my heart.
Yes, it’s a wonderful 5 star review, but more importantly, my story has captured the interest of a young girl who wasn’t much of a reader beforehand.
Amazon Review:
Reviewed in the United States on September 23, 2020
————–
Two women hold the keys to his heart. Only one will survive that fateful night…
When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.
Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.
As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…
A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).
Praise for Jina Bacarr:
‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’
‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’
‘A fabulous book you won’t want to miss’ https://youtu.be/S-33oEM4DlI
THE RUNAWAY GIRL e-book, print and audio book:
This book is incredible a truly remarkable story, Sylvie diary, notes photo's and recordings are inspiring. the real story of glamourous Sylvie Martone has to be solved and told. She will never be forgotten. I loved it
Happy Fall… Or is it autumn?!
September 28, 2020 by Alina K. Field in category Quarter Days by Alina K. Field, Writing tagged as American English, British English, historical fiction, Spelling and Punctuation, writing craftA Quarter Days’ Post
Greetings! I’m back for my quarterly post about various and sundry things related to writing historical fiction.
In my last post I talked about the delights of playing with words and creating Tom Swifties.
Today I’m talking about the difference between English and English, as in American vs. British.
Is it fall? Or is it autumn? More on that later.
What’s in your tool kit?
Words are the building blocks we writers and speakers use to create story. We start hoarding those blocks early, and the resulting vocabulary says much about our own personal settings—where we grew up, what our social milieu is, what our family is like.
A case in point—my grandkids’ first words. We waited with bated breath for each munchkin’s first spoken vocabulary word. I coached them repeatedly (and unsuccessfully) to say “mama”.
But for both of them the first word was… DOG! (Yes, we do love our dogs.)
Fledgling writers
are taught “write what you know”. I wonder why? It’s a lot more fun to step outside the known world. But it does lead to challenges.
The biggest challenge: You don’t know what you don’t know.
For a 21st century American like me trying to set a story in Georgian England, there are a million opportunities to err.
First there’s the issue of etymology. Was a word used during this story’s time period?
A couple of examples from a Regency first draft I was beta reading for a friend:
- Hooligan: a great word, right? Unfortunately it dates to the 1890s.
- Foyer: Sadly, this dates to 1859.
And a couple from my own first drafts:
- Merry Widow: as my editor pointed out, this phrase references Franz Lehar’s operetta’s English title from 1907. Just a tad later than the Regency!!!
- Shack: Not only is this a later word (1878) but it’s of American or Canadian origin.
Which brings up another potential pitfall for the fledgling Regency Romance author.
American vs. British
Americans and Brits may speak the same language, but we use different words.
I’m fortunate to work often with an editor in England, and so I’ve compiled my own list of Americanisms for my own pre-editing purging.
Some more examples:
This very funny post from a British writer complete with illustrations.
And a list of 60 American English words translated into British English.
Spelling and punctuation are different too.
Once, long ago, while reading one of Georgette Heyer’s books, I wondered why they kept writing “cosy” instead of “cozy”. Why had so many misspellings slipped past the editor?
The British spelling was different enough to make it a jarring read for this ignorant and unaware American who happens to be a good speller. Fortunately, I’m wise to them now.
There are also punctuation differences. Here’s a short post about some of those.
And a long one about spelling differences.
I don’t believe Regency readers will pillory an author over this issue, so I’ve settled on using American spelling and punctuation in my stories.
One might say, in this area at least, I’m writing what I know!
Do you suppose we’ll ever go “one-world” on the spelling and punctuation rules?
Happy fall (and autumn) to everyone, and I’ll be back in December!
Images credits: autumn leaves and dog are from Stencil (I’d happily claim that dog though!); image of words is from Wikimedia Commons.
2 0 Read more
Rules of the Road by Jenny Jensen
September 19, 2020 by Jenny Jensen in category On writing . . . by Jenny Jensen, Writing
Rules of the Road
I enjoy driving, except for those time when some numptie ignores traffic rules. Whizzing through red lights, flying through stop signs, speeding, texting, ignoring yield signs all certainly disrupt the smooth flow of traffic, often catastrophically. We good drivers know that those who chose to ignore the rules are the bad drivers—or failed ones. While I have the choice to take defensive action in traffic and avoid most collisions I find I can’t defend against, avoid or ignore writers who chose to ignore the rules of grammar and punctuation. I’d rather just close the book or delete it.
I’m not a grisly grammarian or a pedantic pedagogue (redundant?) – really! It’s that I love our beautiful language and I love to read, to immerse myself in the lyrical flow of words well written and a story well told. I admit there have been times I wished I carried a big read marker so I could correct an egregious misuse. “Hunters please use caution when hunting pedestrians using walk trails” being one example that gave me really itchy fingers. I was laughing too hard to be incensed, though I did worry a bit about getting shot.
The rules of the written word are like the rules of the road, a map to smooth sailing. Correct punctuation guides the reader, unconsciously and effortlessly, to get where she wants to be; lost in the story. Commas tell the reader to take a breath, or make instant sense of a string of adjectives or a list. Commas are what show the meaning, cadence and flow of a character’s voice. A semi colon or an em-dash tells the reader to yield just a touch then get onto a related point. Quotation marks show who is speaking and for how long. An ellipses indicates a pause or shows that a thought has trailed off. A period brings our reader eye to a full stop.
The rules of grammar set the reader free of confusing nests of conflicting definitions. Does “Their on the way to the concert” mean ‘The goose/uncle/cockatoo belonging to the characters is headed to the concert and the object of the sentence just got left out? Or is the dialog meant to suggest there is the way to the concert, or did the writer intend a sensible contraction, they’re? Sneaky homophones.
I’m disappointed when an intriguing story is riddled with errors of grammar and punctuation. I really want to hear the tale but I’m forced to puzzle out meaning and narrative flow – even if it only takes an instant to understand, that instant is too long. It just isn’t necessary. The only time the rules of grammar and punctuation are unimportant is during the process of creating. Who cares if draft #1 is a grammarian’s nightmare? Or drafts #2 – 4 for that matter. What’s important at that stage is getting the story down, then making it work, then making it sing—no matter how many drafts it takes.
Once the story pleases the author there is no excuse to launch it into the world without a proper proofing. If a writer feels a full edit isn’t needed, that’s their choice but believe me when I say every published work should first be proofed. There are hundreds of editors—including myself—who offer that professional service at a reasonable price. A thorough proofing is worthy of the energy put into creating the book and respectful of the language and the reader.
Whew! A rant. Thanks for listening.
1 1 Read moreFeatured Books
COME MIDNIGHT
A routine flight turns into a suspenseful race through the remote jungles of Honduras
More info →
