We all know about creating nice, complex characters. We all try for an engaging plot line that pulls our reader through a story. But it’s good to understand that those issues come together at the nexus of character motivation.
Motivation is what engages your character with the incidents of the plot and moves your story along. If you are writing a book about the discovery of a cure for vampirism (just as a random example, since that’s what I’m doing right now), how might your various vampire characters feel about that? Does everybody think it’s a good idea? If not, why not? And what would they do about it? Voila! Motivation drives the action. Your characters can change what they want. They can want more than one thing at once, though not all things in the same degree. But you have to make what the characters want very clear to the reader at all times, and not let the motivation “drift.†Drifting just confuses a reader. They lose interest.
So how can you keep your character’s motivation from drifting? When I’m beginning a tale, I start with a statement: “All character X wants is…..†and I try filling in the blank. Dorothy in The Wizard of Oz wants to go home again. Neo wants to know what The Matrix is. When you do this for your hero and heroine, it’s always nice if they want something wildly conflicting. In The Companion, all Beth wants to do is get back to the life she knows in North Africa and avoid England. All Ian wants to do is get back to the life he knows in England and avoid North Africa. That’s what drives the story, and what I had to keep in mind every time they reacted to something that happened, or when they talked together. Their motivations change during the story, but it required showing that change very clearly, and why they change as well.
That’s okay for the big arc of the story, of course, but these connective motivations occur in each scene as well. Every character comes into a scene carrying an invisible suitcase. That baggage includes who they are, what they believe, what they want to happen in this scene and what just happened to them in the last scene. I see many contest entries where the writer seems to lose the thread of what is in the character’s suitcase. What happens in that case is that the scene lacks direction, or the character’s motivation doesn’t seem real. The dialogue feels “off.†We’ve all read stories (published and unpublished!) where this happens. The heroine’s father has just died and she seems to forget that. Or someone goes into an explanatory discourse in the middle of imminent danger. So take a moment to ask yourself before writing a scene, not “What has to happen in this scene?â€, but “What does the character want to happen right now?†“Why?†“How will they feel about what just happened to them in the last scene?†Do this for all the characters, even the minor ones, in your scene. Then write with that in mind. It will help your scene “ring true†both in dialogue and action. By the way, what happened in your scene now gets loaded into the character’s baggage!
When you keep the larger motivational arc in mind, and you pull those characters and their suitcases through each scene, asking what they want and what’s going on in their mind, you are connecting the tissues of your story, and connecting to your reader as well.
By Geralyn Ruane
His name is Bruce, and I didn’t thank him. This past Saturday I received a white rose at OCC because a short story of mine has been accepted for publication. At the podium, I thanked every member of OCC and I thanked my fiancé Ron who sat in the front row and took my picture. But I did not mention Bruce Kluger.
I could not have done it without Bruce, yet I don’t much about him – he has red hair, wrote for Playboy and used to like the Baltimore Colts. But without a doubt, our brief encounter put a spark in my life that wasn’t there before.
Bruce is the editorial assistant for Marlo Thomas, the woman who is publishing my story in her book.
Here’s what happened:
Marlo Thomas is publishing a book of personal short stories called The Right Words at the Right Time, Volume 2. She was accepting submissions for stories about love and romance up until November 15. I sent in my story “Jane Austen Meets the New York Giants†by e-mail on that Tuesday evening just before midnight New York time. Wednesday morning I got a call from a really nice guy who introduced himself as Bruce Kluger, who worked for Marlo Thomas. He said he really liked my story. Then he said “Unfortunately . . .â€
AHHHHH! What, was he just calling to say “Nice try kiddo?†Had I missed the deadline? You mean this wasn’t THE CALL? But I continued listening, as lifeless as a deflated balloon in the gutter.
Unfortunately, he said, my story read too much like a short story, and it needed to read more like a personal essay. Could I re-shape it without losing any of the feeling of the story? I could have until the end of the week. He said he couldn’t even begin to tell me how to go about making such a change, but did I think I could do it? Bruce did offer to help me out by sending me a few of the essays that had already been accepted for publication in the book so I could see what he meant. I hung up the phone with the warm and fuzzy feeling that he wanted me to succeed.
But once I received the essays I was worried. I figured that most of my dialogue had to go – but that was the heartbeat of the story. Yikes! So, I tried to make it more essay-like but I kept a tiny bit of the dialogue. Too much? Too little? Not essay-like enough? I sent off my best effort Thursday afternoon. Bruce e-mailed me Thursday evening. He said he loved what I did, but he’d made some changes – he said he put back in some of his favorite things that I had cut. He put back in the dialogue! I was so happy. He made a few other changes, making it more accessible to those who haven’t memorized Pride and Prejudice. His changes were minimal and beautiful, and he did not step on my toes one little bit. He also wrote that he wanted to make sure Marlo liked it when he sent it to her on Friday. I TOTALLY felt like he was in my corner.
But I did not hear anything Friday morning. Oh, no – Marlo must have hated it! Late Friday afternoon, my fiancé Ron came to pick me up from work. I got in the car and he handed me his cell phone. Bruce had called earlier but hadn’t told Ron the verdict. I dialed. Bruce answered – I was in!!!!!
In fact, when Bruce had called earlier, he and Ron had talked about football for a while then he told Ron the good news but told Ron not to tell me. Ron played his part to perfection and it was indeed Bruce who told me I was published. He said Marlo Thomas’ immediate response to my story had been “Excellent.†I wondered why I hadn’t heard earlier in the day if this response had been so immediate. Then Bruce told me that Marlo Thomas wanted to end the story two paragraphs earlier than I had ended it. Bruce had spent the day fighting for my two paragraphs – he had gone to bat for me. As it turns out, Marlo’s cut made the story even better.
No, Virginia, I don’t think there is a Santa Claus, but there are people out there like Bruce Kluger who are even better. I have been a member of OCC for two and a half years, and I have heard some horror stories about the people in the publishing industry. Were any of you at the Dean Koontz meeting? As a best-selling author, he’s accumulated a bunch of shocking stories about how he’s been treated – AND HE’S DEAN KOONTZ! If a best-selling author can get knocked around, what chance do any of us have? So, sometimes, things can seem pretty dismal, and that maybe things suck over on the published side of the fence. But then there are people are out there like Bruce Kluger and Marlo Thomas. People who respect writing and writers, people who are a joy to work with. Maybe I’m being naïve. Maybe I lucked out. But this much I’m sure of – thanks to Bruce, and the knowledge that people like him exist, I’m not scared anymore.
I believe everyone, whatever your age, should have some life goals.
I don’t mean your ordinary New Year’s resolution. Those are nice to have, of course, but everyone knows the diet you start on January 1st lasts until, um, maybe January 2nd. If you work hard at it.
And I don’t mean your goal of selling a book or making the New York Times best seller list, although that’s what a lot of us would like to do. But those are goals that we can work toward but are truly not within our control.
I mean the kind of goal you’d think about when you’re lying there on your death bed and saying to yourself, “Darn, I wish I had. . .â€
There are just some things in life you want to do. If you don’t think about them and write them down, time will slip by. You’ll be too busy, too old, too infirm, too caught up with job, family and day-to-day obligations until finally you’ll find your chance to experience that particular dream has passed you by.
I learned this from my daughter, who had thyroid cancer. (She’s fine now, thank goodness!) Apparently when the big “C†rears it’s frightening head, it starts you to thinking about your life and what you want to do. Mind you, her life goals are way different than mine. Her first, which she celebrated on her 30th birthday, was to do a bungee jump. (She was thoughtful enough not to tell me ahead of time so I wouldn’t worry.)
Her next goal, accomplished in honor of her 35th birthday, was to climb the back side of Half Dome in Yosemite, no small accomplishment. (You can see a pattern here, right? Unlike her mom, she’s always been a jock.) Her most recent celebration had her jumping (safely, thank God!) out of an airplane!
Needless to say, my goals are somewhat less strenuous, though no less exciting for me.
As I was driving on the freeway to an Orange County RWA chapter meeting about a year ago, my career in the doldrums, when I decided I needed a new life goal. Within about a hundred feet (which can take a long time on the 91 Freeway), I realized I’d always wanted to be a standup comedienne. (It’s something about how I’ve always admired Carol Burnett.)
That afternoon when I returned home, I googled standup comedy classes. To my delight (the fates were clearly on my side), I found one starting the next day no more than five minutes from my house. It turned out learning to write jokes is an amazing art, almost like writing poetry, and it’s harder than it looks. Since that time I’ve had standup gigs for alumnae meetings, senior citizen homes, women’s clubs and writing groups. I’ve even been paid a time or two.
It’s not that I want to make a career of being a standup comic. Heck, I can’t even stay up late enough to watch the Jay Leno show. But, by golly, I’ve achieved a life goal and had fun doing it. (If you’re interested in my jokes, check my Web site at NovelTalk.com. We’ll change the jokes often. I’ll also be teaching an online joke-writing class in September 2006.)
More recently it occurred to me that I’d never ridden on a motorcycle. Clearly, I had a deprived youth. So the husband of my critique partner agreed to help me celebrate my recent birthday (those birthdays that end in “0″ or “5″ are really good occasions to let it all out) by taking me riding on his humongous Harley. What fun! And it wasn’t nearly as scary as I thought it would be. (Maybe I should have given that motorcycle crowd in high school a closer look.)
I’ve been very fortunate in my life, so there is not much I haven’t done that I wanted to do. But I still have a list.
I’ve seen grizzly bears in the wild, but I’d like to see polar bears too. And I want to hear wolves howling in the wilderness.
Chances are good my goals won’t resemble yours. But that’s okay. You might want to learn to knit, play the piano or be a circus aerialist or clown just for the fun of it.
The point is, you need to sit down with yourself and think about what you’d regret missing out on if that bus barreling down the road suddenly hit you.
Some people advocate you come up with 25 goals. But I say start small. You can always add more later.
Let me know what’s on your list.
It’s great to be back in OCC territory!
My name is Chris Green (writing as Crystal Green for Harlequin Silhouette), and I’m now an out-of-town member who misses coming to the meetings very much. If you haven’t met me, you might not know that I write Silhouette Special Editions and Bombshells, Harlequin Blazes, plus single title vampire books for Berkley. Yes, just a few different genres and romance sub-genres—and that’s what I’m blogging about today.
Writing for multiple lines.
There are a lot of authors out there who believe that writing in such an unfocused manner is a negative, and I absolutely understand their reasoning. “Branding†(making your name an easily identifiable product) is important to sales, and spreading out your “brand†(or what the audience expects from the author) only serves to hurt you in the long run. I can tell you firsthand that this is a scary situation for me because, oftentimes, a reader doesn’t know what kind of story I’ll be giving them from one month to another. They can’t depend on a definite “comfort read†from me. It makes Crystal Green, as a product, hard to pin down.
But my creative side loves that.
True, writing different types of stories is a business risk, but in my case, sticking to one thing is a quick road to burn out. First, I have eclectic tastes anyway—for instance, I read three books at a time and they’re all from different genres. This is obviously reflected in my writing: I love challenge and variety (Key words, here!). Second, I know that if I created stories for just one line, I wouldn’t be able to write as much as I do now. This past year, I had six original releases (that number isn’t including two reissues). Next year, I’ll have about four, but that’s because these single-title fantasy Berkley Vampire Underground books take much more time (as do Bombshells). In order to keep up this pace, I need constant challenge and variety. Let me explain further: my “home line†(where I made my first sale) is Special Edition; these books are known for their “home-and-hearth/community†qualities and the stories speak to the innocent side of me that loves a good happy ending. Blaze stories, which are “hot and steamy†romances, give me the chance to get a little wild. Bombshells feature more complex plots and they allow me to get a lot darker (I’ve written a vampire book—THE HUNTRESS—as well as a murder mystery that’ll be released in fall, 2006.). And then there are the Berkley Vampire Underground books…. These combine emotion, steaminess, mystery, adventure, and fantasy, so they’re a stew of everything else I write. So, you see, I’m getting plenty of that challenge and variety.
Third, and this is maybe the most important item for me, when I think of a story idea, it doesn’t always fit into a certain line. I go with what excites me, and that can be just about anything. When I thought of the concept for THE HUNTRESS, I was writing for Special Edition and Blaze. Sure, I was wary about taking on another line, but, daggonit, I really wanted to do this book. Branding was the last thing that would soothe the creative monster in me, so I went for it. And you know what? That decision is redefining my career—it led to my three-book deal with Berkley and is taking me in different directions daily.
Business versus creativity—that’s my biggest struggle right now. But everyone has to deal with it, and you have to come up with your own solutions. What’s the right decision for you? How is each story idea going to affect your career and/or your well-being?
I hope this gives you something to chew on. Happy Holidays and all the best. : )
THE HUNTRESS has been re-released this month as TWICE BITTEN, a vampire story collection that also contains Erica Orloff’s URBAN LEGEND. You’ll find PAST IMPERFECT, Crystal’s next Special Edition, on shelves this month, too. Additionally, stay tuned for a release date for the first Vampire Underground book from Berkley.
To keep current with Chris/Crystal, visit her Web site at www.crystal-green.com, where there’s a great contest going on right now….
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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