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Let’s Get Physical!

April 7, 2011 by in category Archives tagged as , ,

Non-writers have no idea how physically demanding being a full-time writer can be.

What? Do I hear you laughing? Not so fast.

Give some thought to what happens to a body when it spends eight or ten or more hours per day in a sitting position. (Granted, I have writer friends who sit curled up in a big easy chair with a laptop all day, but that can’t be too swift on a body either.)

Wrist and elbow problems, and carpal tunnel, are as frequent as typos for writers.

The spine — all those discs and vertebra — can turn on their owner, resulting in serious orthopaedic problems.

Knees and hips are joints that are meant to move, not remain immobile for hours on end. (I assume you’ve heard of the condition called ‘piano player’s spread.’ Same problem for writers.)

And then there’s the foggy brain syndrome which is a result of hours of being sedentary and no blood reaching the brain.

Writers have to get up and MOVE! Deadline or not. MOVE!

Some folks have home gym equipment like a treadmill. (Please note: Treadmills are only effective if used regularly, not left sitting in a corner.)

Some writers take walks. That’s a great way to let your brain toy with your latest plot idea or characters.

I’m a member of Curves, the 30-minute women’s exercise program. I haven’t lost a lot of weight, and I’m a long way from being buff, but it does give me a chance to talk to ‘real’ people, in contrast to those talkative characters who inhabit my brain.

So, writers, let’s get moving!

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April Submissions

April 1, 2011 by in category Archives tagged as , ,

This month brings a diverse set of calls, and information on a few new publishers, including Entangled Publishing. Hopefully, you’ll find some inspiration …


Entangled Publishing, a new exclusive boutique publisher, is seeking novels and novellas in the following subgenres of romantic fiction for publication in August 2011 and beyond: Paranormal and Urban Fantasy, Contemporary, Romantic Thrillers, Science Fiction, Fantasy, Upper “YA” (17 to 22-year-old protagonists) that will appeal to crossover audiences.

Guidelines: All submissions must have strong romantic elements. Novels should be 70k to 120k words in length, novellas should be 20k to 40k words in length. We consider all heat levels, however erotic elements should not be the focus of the story. Revised backlist titles will be considered on a case by case basis. For more information, visit http://entangledpublishing.com/.

Call for Submissions – DANGEROUS CURVES Erotic Romance Anthology. Editor Mira Paul is looking for original, unpublished erotic romance stories featuring curvy, voluptuous, full-figured women.  Think Cameyn Manheim, America Ferrera, Sara Ramirez, Christina Hendricks, Jennifer Hudson or Wynona Judd. All the stories must have enthralling characters, a strong plot, steaming sex and a happy ever after or happy for now ending.  This is not the anthology for your story centering on a woman who loathes the way that she looks.  All stories must feature a strong, sexy full-figured heroine who loves they way she looks and feels and who revels in her ample awesomeness.  I’d like to see stories about princesses, models, etc., all the glamour occupations that we would see in a “regular” romance anthology. All sexual orientations welcome.  Feel free to include kink, roleplay, paranormal and fantasy elements.  No historical romance or ménage-a-trois. 

Submission Guidelines: Story length is 2,500 to 5,000 words. Email submissions to mirapaul.editor at gmail dot com as a double-spaced Word or RTF attachment with “Dangerous Curves Submission” in the subject line.  Please include your name (and pseudonym if applicable), bio, mailing address, email, title of the piece and word count as part of your document.  The footer of each page should include your name and page number. Deadline: May 15, 2010.

Compensation
: Ravenous Romance short story advance of $10, a copy of the anthology, plus a pro rata share of any revenue/subsidiary rights. 
New Dawning Bookfair is seeking clever, imaginative versions of all fairy tales. Do you have a favorite Fairy Tale? Have any ideas how to put a new slant on it? We’d like to see it. Pen your favorite fairy tale as an erotic, Frolicking Fairy Tale, a romantic, Fanciful
Fairy Tale or young adult, Frisky Fairy Tale in 6,000 to 25,000 words and submit it
by April 20. If we like it, New Dawning Bookfair will include it in their grand opening, May 20 or shortly thereafter.
Please send an email with the name of the fairy tale you plan to submit to avoid duplicates.  For more information, visit http://www.newdawningbookfair.com.
  
Rebel Ink Press is a small, independent publisher of romance related novels that run the gamut from young adult all the way to sizzling erotica. Since their official opening in September 2010, Rebel has signed both new and seasoned cutting edge authors from several genres. Rebel Ink Press has released information that they are now open for submissions in all genres of romance. If you are a writer looking for a quality press with a personal touch, Rebel Ink Press may be for you. Their submissions guidelines can be found at: http://www.rebelink press.com/submission-info.html.
Submissions call for Voluted Tales Magazine at www.volutedtales.com. Paying market. Six editions: General, Themes, Serials, Young Adult, Paranormal Romance and Noir Thriller. Speculative fiction of all genres and sub-genres, shorts from flash fiction and poetry up to novelettes at 40,000 words serialized. Artwork for covers and internal.
______________________________________________

Compiled by Louisa Bacio
Coming Soon: The Vampire, The Witch & The Werewolf: A New Orleans Threesome

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10 Commandments of Grammar for Fiction Writers” with Grammar Divas – Annie Oortman & Darlene Buchholz

March 26, 2011 by in category Archives tagged as

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Hi everyone! Check out the exciting online classes offered by the
Orange County Chapter of RWA!

10 Commandments of Grammar for Fiction Writers”
with Grammar Divas – Annie Oortman & Darlene Buchholz
April 11 – May 7, 2011

Love grammar? Hate grammar? Love to hate grammar?

Contrary to popular belief, grammar is not a sinister conspiracy plot designed by evil English teachers (the Grammar Gods) to ruin every writer in the free world’s fun by screwing with personal style. (Seriously, it’s not.)

However, good writing requires good grammar. Without it, you can’t really be sure your reader will understand the information you’re trying to convey, the story you’re trying to tell, and the mental picture you’re trying to paint. Which kind of defeats the purpose of fiction writing, right?

So what rules are the most important ones for a fiction writer to follow and which ones are kinda-follows? From subject-verb agreement to passive voice, faulty construction to misplaced modifiers, word choice and usage to quotation marks and commas, the Grammar Divas (an English teacher and a professional copywriter) sort through the all the rules and share in a fun yet informative way the ten most important grammar issues every fiction writer should understand and practice.

About the Instructors:

Grammar wasn’t Annie Oortman’s first love (actually, it was a cute boy in her second-grade class named Henry Talley) or even her second (avoiding barn work). However, after getting an A for content but an F for readability on a third-grade book report, she learned having great ideas was one thing, communicating them well on paper another. Annie became a disciple of the church of Proper Grammar. Nowadays, she aspires to become a romantic suspense author, diagrams sentences for fun (yes, for fun), and argues with Darlene on the acceptability of ending a sentence with a preposition. Don’t do it!

Darlene Buchholz fell in love in the first grade with a boy named Neil. He shared his crackers and milk at recess after someone took her snack and never got caught. By the third grade, she discovered Nancy Drew mysteries and developed a great passion for perky heroines who drove convertibles (proof they were in charge of their own lives). She’s written about romance and intrigue ever since. Darlene never thought of grammar as a challenge. It was, instead, a tool to help her express the ideas she felt passionate about, especially on the acceptability of ending a sentence with a preposition. Yes, you can!

Enrollment Information at http://www.occrwa.org/onlineclassApr11.html
COST: $20 for OCC members, $30 for non-members

Coming in May, 2011

“Some Like It Hot”
with Louisa Bacio
May 16 – June 11, 2011

Let’s talk about sex. Whether you’re writing a short story, novella or a full-length novel, an erotic thriller, paranormal or historical romance, the basics of the Erotic Romance remain the same: it’s all about plot and keeping it hot.

This workshop will cover the basics of characterization and motivation, and then delve into the heart: The sex scene(s). When writing about the physical aspects of love, it takes more than the cliché of “putting tab A into slot B.” The love scenes need to come organically from the work that’s being created, and the reader needs to believe in the connection.

Adult Content: Note that with the subject matter of this workshop, the language may become explicit. Come with an open mind, and be prepared to learn.

Erotic romance writer Louisa Bacio released her full-length novel PHYSICAL EDUCATION through Ravenous Romance and to quote Happily Ever After Reviews: “Ms. Bacio cleverly crafts a world of wicked pleasure and mystery that pulls the reader into this erotic thriller.” She’s currently working on an erotic paranormal set in New Orleans, and a sequel to Physical Education.

COST: $20 for OCC members, $30 for non-members

http://www.occrwa.org/onlineclasses.html Check out our full list of workshops.

Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group!
Sign up at the bottom of http://www.occrwa.org/onlineclasses.html
or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com

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Contest Deadlines

March 21, 2011 by in category Archives tagged as ,

Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
….

  • EA = Electronic Format Available
  • EA/Non US = Electronic for Foreign Entries
  • EO = Electronic Only
  • MO = Members Only
  • U = Unpublished
  • P = Published
  • P/3 = Not published in three years
  • Pnr = Published, but not by RWA standards
  • PC = Not published in category selected

APRIL CONTEST DEADLINES

..

Fool for Love Contest (EO – U – P)
Virginia Romance Writers
Received no later than Midnight April 1, 2011
First fifty pages plus optional synopsis, five page max.
http://www.virginiaromancewriters.com/Contests/ffl.html

..

Magic Moment (U – P/5)
Heart and Scroll RWA
Postmarked by April 1, 2011
First ten pages.
http://www.heartandscroll.com/contest_MagicMoment_rules.htm

..

Romancing the Script
Scriptscene Chapter
Deadline: April 1, 2011
First act not to exceed thirty pages.
http://www.scriptscene.org/

..

Royal Ascot Contest (EO – U – P/5)
The Beau Monde Chapter
Received no later than Midnight April 1, 2011
First 7K words and optional synopsis limit 500 words.
http://thebeaumonde.com/royalascot/

..

Touched by Love Contest (U – P/3 – EO)
Faith, Hope & Love Chapter
Received no later than Midnight April 1, 2011
First thirty pages and unjudged synopsis up to two pages double-spaced.
http://www.faithhopelove-rwa.org/tbl.html

..

Orange Rose Contest (U – EO – P/5)
Orange County Chapter RWA
Received by April 9, 2011
Beginning and synopsis not to exceed 55 pages.
http://www.occrwa.org/orangerosecontest/

…..

Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997

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What it’s all about – and yes, it can happen to all of us.

March 19, 2011 by in category Archives tagged as , ,

by Monica Stoner, Member at Large

We sit in front of our screens, our typewriters, our yellow pads, pouring thoughts and emotions out for the world to see with the hopes some day the world will see. Other than our critique partners, our supportive friends and a few anonymous contests judges, our words’ world is very small. We dream of the day we get the call, and as we keep typing, keep plotting, keep running scenes through our heads while going through grocery checkout, deep down inside we start to wonder. What’s it all about? Is it really worth the time investment?

Sure we need to give a home to our characters. One day. In the meantime there are so many demands on our energy, and to say “I can’t, I have to write” becomes weaker and weaker as the weeks, months, and years slide past. Until “I have to write” segues into “I’ll write later” and the span between writing times grows. We pull ourselves out of the pit from time to time, take a class or two, jot down some plot ideas, maybe enter a contest. Or maybe judge a contest, telling ourselves we’re “giving back” or “keeping our hand in.” We keep up our memberships, though sometimes we wonder if that money couldn’t be spent better elsewhere. Giving up our memberships and meetings might mean we are giving up on ourselves as writers.

Because we retain our memberships, nurturing that tiny spark of hope we hope will rise into a flame; because we still plot, still polish, still review, one day we participate in a pitch contest, and we’re asked to submit. Or we learn of a publisher “actively seeking manuscripts.” And we have just that – a manuscript ready to submit to a publisher for consideration. Maybe we’ve done this before with less than stellar results, until “we find your ideas interesting but your writing is not up to our standards” becomes worse than “it’s not you, it’s me, I need live more before I settle down.”

This time, though, this time it just might be different. And we send our polished, pressed, primped child off to the prom with an introduction but without us to stand behind them when they fall. We get the automatic acknowledgment of receipt with a promise to get back to us, and an advisory to ask if we haven’t heard within a span of from one to three months. One to three months, can we hold our breath that long?

Conditioned by past disappointments, we put thoughts of the submission out of our minds and go about our every day lives. Houses still need to be cleaned, snow shoveled or sidewalks swept and the laundry never ends. We tell ourselves not to hope, not to think about it, and wait for the rejection so we can at least apply for our PRO status. When the e-mail comes back in a long weekend, we sit with fingers poised on the keys, hand dropped over the mouse, take a deep breath, and click. Such a fast response can’t be anything good, can it? The message opens on the screen, and you read:

“I am pleased to tell you that I enjoyed your Into the Woods very much. I found only minor editing problems as I read, mainly punctuation errors, as well as your tendency to shift POV in mid scene, sometimes in mid paragraph. But these are easy fixes. For the most part, Into the Woods is very well written.”

She said WHAT??

“If you are interested in publishing Into the Woods with us, please let me know, and I will have our attorney prepare a contract for you.”

Does that REALLY say what we think we’re reading? Better print it out, just in case. Yep, the words are the same on the page as they are on the screen. Gulp. A Sally Field moment, for sure. “For the most part Into the Woods is very well written.” Yep, that’s what she said.

Oh. My. God. It really happened. Someone who doesn’t know you likes your writing and wants to introduce your people to the world. You are a writer. For years you’ve been telling yourself and others the sheer act of putting words on the page makes you a writer. And it does. But now you are a Writer.

Yes, it happened to me. I sent off “Into the Woods” to Black Opal Books on February 17, and had an answer on February 22. I just finished the first round of edits, they want to change the name, and I’m looking at cover art. While doing this for “Into the Woods,” I’m grooming another book to send, this time with fewer dashes and ellipses and without a ping ponging Point of View.

All the years of wishing and hoping and helping out the chapters and taking notes at workshops has paid off. Could I have done it without the fantastic support system set up by and for Romance writers? Maybe, but I doubt it. This one’s for you, OCC. Thank you to everyone who has supported, critiqued, pushed, nagged and given out tough love.

This one’s for Michelle, who gave me OCC’s address. Love ya babe.

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