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PARTY TIME!!!!!!!!!!!

May 20, 2012 by in category Archives

Mona Karel, member at large

Yep, it’s time for the launch party for “Teach Me to Forget,” the second rose I received at the April meeting. Release was actually last Saturday, with Amazon jumping the gun by a couple of days. Since everyone I know was busy doing something else, I had a party by myself. Sort of.

I got a case of Black Opal wine.

My very prettiest wine goblet, and brought up Teach Me To Forget on the computer.

Didn’t actually open the wine, I’ll wait until some friends come over. But I did stage a wicked party, don’t you think???

“Teach Me To Forget” came from the first time we rented a motor home. Lying snuggled up in the top bunk, rain pattering on the roof just a few inches above our heads, was amazingly cozy and romantic. The story grew from that moment. Of course I made Jonathan and Bethany go through a long “getting to know you” span of time before they could really enjoy that bunk.

An abused child-bride of a dissolute jet setter, Bethany Acton has come a long way. Now divorced and single, she writes for a lifestyles magazine, lives out of her motor home, and answers only to her boss—when he can find her. She has overcome her horrendous past and taken control of her own life. But when she meets Jonathan Merritt, a wildlife photographer, she learns that control is a tenuous thing.
Thanks for joining the party, everyone.  And for all the love and support you have given me through the years.

.

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What A Dog!

May 15, 2012 by in category Archives tagged as , , , , , , , ,
My grand dog Tucker

Today a lady wrote to tell me she loved my book Hostile Witness* because I hadn’t killed Max. I’ve been traveling a lot in the last three weeks and it took me a minute to figure out who Max was and why it was so important to her that he was alive. Max, of course, is Josie Bates’ dog; Josie is the heroine of the witness series. I was touched by the reader’s concern for the fictional canine.

As an author and a reader I had to ask myself: Why is a book that includes animals richer, more entertaining, and more engaging than one without? The answer was simple: Animals bring out the best and the worst in a human character. This makes for great drama and provides an emotional touch point that is critical for an exciting read.

Max-the-Dog (his legal name) was originally created as a reflection of Josie, his mistress. Both had been abandoned, both had to fight for their lives, both were protective of others. But Max became so much more than Josie’s mirror as the series unfolded.

Here are four ways Max made a difference in the witness series:

HE ENHANCED HUMAN CHARACTERIZATION: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.

HE WAS AN ANIMATED SOUNDING BOARD: Internal dialogue can be tedious. Allow a character to speculate to an animal and the rhetorical questions or monologues sound natural.

HIS PRESENCE SET A TONE: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.

HE HELPED MOVE THE PLOT FORWARD: An animal’s needs can put a human in a place they might not have been in. For instance, in Privileged Witness, Josie took Max out for his evening constitutional and ran into her fugitive client who was hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also assist a human to warn of danger or alert a human to a change in their surroundings.

From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts because of who they are.

So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love, because Max is as real to me as if he sat at my feet while I wrote my stories.

*Hostile Witness is free for all e-readers and is also available in print.

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Spending Time with Mom

May 9, 2012 by in category Archives tagged as

Hi friends! No writerly news for you this week. I’m spending time with my mom as she approaches perhaps her last days in the hospital. We’ll see what God’s plan is for her. This past week has been more of a blessing to me than I ever expected, and I can see it’s been a blessing for Mom, too. I’ve written a bit more personal note on my Kitty Bucholtz, Author web site if you want to take a look. I’ll write more about this journey over there in the next few weeks. 

Meanwhile, I’ll see how much of the Self-Publishers Online Conference (which started yesterday) that I can attend from the hospital and give you the highlights next month. I can’t say I’m all too worried about my productivity as a writer this week. But I do wonder if the words will start pouring out geyser-style when this is over.
I try to be professional here and not push people’s buttons by talking too much about God and how very much He impacts my life. But I’m breaking that rule now. I’ve never felt so surrounded by love and mercy the way I have this last week. And that’s why I know God isn’t a figment of our imagination, or an all-powerful but distant higher power. How can people love like this on their own? How can perfect strangers be so full of compassion and mercy by themselves without it coming from somewhere? I don’t believe it’s possible. Even if you don’t believe in God, you can still feel Him all around you if you have felt the love and care of other people for you. Pay attention this week and see if you agree.
All I know is that no matter how great an imagination I have as a novelist, I can’t make up the kind of peace I feel, even as I approach saying goodbye to my mother. It’s coming from outside of myself. And I don’t believe “the world” is capable of giving people this kind of deep peace. It’s God, and the only reason I can imagine He would do it is because He must love us. And that is really, really good news.
I hope you have good news this week. I’ll talk to you again soon!
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Non-Fiction to ‘Smut in the City’: Calls for Submissions

May 1, 2012 by in category Archives

Non-Fiction to ‘Smut in the City’: Calls for Submissions
It’s that time of month again: ready for more creative inspiration? I’ve tried to include a selection of options, including two requests for poetry. Already thinking Halloween short? Check out the call for “Grim Vengeance.”
If you submit to one of these calls and sell, please let me know! Also, send any hot calls my way.
Art of Self-Publishing
This call for submissions is open to any self-published author, including traditionally published authors who are also self-publishing.
How did you find success as a self-published author? The goal of this anthology is to give pre-published writers and authors considering self-publishing the inspiration and advice to help them start on their own path to self-publishing success.
There are many different ways to quantify success, and we are looking for all of them. While we are looking for bestselling self-published authors to submit essays, if your sales are modest but you finally realized your dream of having your story told, then that is its own form of success, and we welcome your submission as well.
Some questions to consider while writing your essay include :
1.              Why did you choose to self-publish?
2.              Have you tried publishing traditionally, or are you published traditionally as well? If you are also traditionally published, what are the benefits to self-publishing that drew you to it?
3.              What sort of process did you put your book through before you published it? Editing, critique groups, beta-readers?
4.              How much did it cost you to self-publish your book? What did you pay for cover art, for editing, formatting, etcetera? Did you do it all yourself?
5.              How many books do you sell a day/month/since you started?
6.              Is your book available for print? How did you go about doing that, and are your books selling better in ebook format or print?
7.              How important are reviews for you? How do you get reviews for your book(s)?
8.              What do you think is the future of publishing?
9.              What’s the most important piece of advice you have for a writer looking to self-publish?

Payment:

 Contributors whose essays are chosen for the anthology will receive a $20 payment plus a free Smashwords coupon to download the anthology upon its release.
The essays will be contracted on a non-exclusive basis, meaning the contributor retains the right to re-publish the essay as he or she pleases. Previously published blog posts or interviews on the subject of self-publishing will also be considered but original material is preferred.
Tell your story in 750 to 2000 words and include a 50 word bio with links to your website, blog, Twitter, Facebook, and Amazon/B&N/Smashwords pages.
Submit the essay as a Word doc or rtf and name the file Successful_YourName. Email the attachment to shoshanna.evers @ yahoo. com (no spaces) with Submission in the subject line.
Smut in the City
The Smut in the City Anthology will feature stories from a variety of genres. We want a strong focus on the “City” element, either in location or style.
10.           Length: 4,000 to 6,000 words
11.           Genres: Any
12.           Heat Levels: Any
13.           Ending: Any
14.           Orientation: Any
15.           Submissions Due: August 1, 2012

Royalties will be split 50% of the net profits with contributing authors, exact values will be given once we know how many stories will be in the final anthology.
Submit your story by emailing it as an .doc, .txt or .pdf attachment to victoria[at]victoriablisse.co.uk and please include the story title and your author name in the filename. Please also be sure to include your Pen Name, Author Bio, Website URL, Genre, Wordcount along with your Submission.
Grim Vengeance
CRUSHING HEARTS AND BLACK BUTTERFLY PUBLISHING announces a call for submissions for a NEW anthology to be published by Halloween titled “Grim Vengeance.” This anthology will feature stories and poems pertaining to supernatural and paranormal revenge edited by Nathan Squiers.

The subject of vigilante justice is a primal instinct of man and animal alike, but for this collection the subjects that are taking matters into their own hands are to be MORE than human (vampires, werewolves, zombies, and any other paranormal or mythological beings). Any and all motivations for a character’s drive for vengeance will be considered, but please note that your chances of acceptance are greater if the story is believable (the drive & motivation to put an act of revenge into motion is a set in a complex mindset and the catalyst that ignites the response should be believable).
This collection, due to its violent theme, will be targeted to a more adult audience (think late-teens and older) so the material should reflect this range.
There is no limit for content as far as language and gore, but please note the few THEMES/SUBJECTS that will NOT be tolerated and will elicit an INSTANT REJECTION: Anything that promotes, encourages, or justifies ANY of the following:
• Incest
• Bestiality (human/animal; shape-shifter stories are fine)
• Rape/non-consensual activity
• Pedophilia;
3000-10,000 word short stories as well as poetry will be considered.


FOR MORE INFORMATION GO TO www.crushingheartsandblackbutterfly.comFurther details will be on our website soon. Send submissions to NathanSquiers@CrushingHeartsandBlackButterfly.com
Weekend Getaways


Secret Cravings Publishing is taking submissions of short stories of up to 5k – 10k words for a onetime payment of $50-$100 depending on the length of the manuscript. Any genre;
Steamy to Burn the page erotic stories wanted.
 These stories will be released individually with their own cover. One each Saturday of the week. Submissions will be ongoing—no deadline.
Compiled by Louisa Bacio
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If you haven’t read it yet, you should….

April 24, 2012 by in category Archives

I’ve just finished re-reading Deborah Tannen’s early work (1990), You Just Don’t Understand.  She’s a linguistic professor who has published some bestselling titles (That’s Not What I Meant, Talking 9-5).  I’d read it ages ago, when it first came out & found it both interesting and helpful.  Rereading it offered new insights.


If you’re a romance reader or writer, I expect you’ve heard the comment, “The whole story was just based on a misunderstanding! A five minute conversation would have cleared everything up on page two…!” 


Well, spending five minutes with YJDU will clarify that communication between the sexes is rife with misunderstanding.   That males and females—from the very beginning—bring quite different assumptions to conversations (both speaking and listening) and those assumptions can create significant misinterpretation, misunderstanding, frustration, anger, unhappiness, alienation and disappointment.  A better understanding of the underlying assumptions on both sides can really help realign expectations and diminish misinterpretation.  Additionally, the stories and research offer reassurance that you are not alone in your confusion, hurt, and frustration.


Before I became a romance editor and made my living on the differences between the sexes, I remember having a conversation with the father of a woman who had finally announced her engagement to her long-time partner.  The couple hadn’t gotten married because their respective families didn’t approve of the relationships due to their being from different races or religions (can’t recall the issue). 


The parent was earnestly explaining to me that he wasn’t racist (or whatever) but that building a successful marriage was so hard, and if the two parties came from totally different cultures, different upbringings, different experiences, that it would be that much harder to find the common ground needed to create a strong partnership.


As I listened, I sympathized—all his concerns were valid.  And then I looked him in the eye and said, you know, I have never heard such a compelling treatise on the benefits of homosexual marriage.  I mean with heterosexual relationships, you are asking people of the opposite sex to figure out a way to live together.  Not easy!  There’s a reason it’s called the opposite sex….


Yes, when you think about building a strong partnership between two people who are different sexes, have totally different bodies, bring different assumptions, expectations and world view, have different conversational styles (in some ways a different language), and were raised differently, it’s clear heterosexual marriage is not easy.  That challenge has fueled countless stories, poems, songs and is often one of the central challenges of our lives.


It’s not easy to understand the opposite sex, but YJDU does give some helpful insights.  Tannen opens with a perspective that had a lot of resonance for me: that all conversation has two diametrically opposed goals.


One is to connect, to reach out, to feel a bond with another, to feel part of the greater whole of humankind.


The other is the desire to maintain your sense of self, your autonomy, your uniqueness, your individuality and separateness.


Tannen indicates (my interpretation) that these simultaneous and opposite goals are present in every conversational interaction for both men and women.  But she notes that men often have a slight default to autonomy in that 180 degree spread.  And that women often have a slight default to connection.  And that slight difference can and often does create a significant communication gap between the sexes.


If you think about it, much of “politeness” (which can vary significantly in different cultures) has been created to enable people to communicate and connect in a non-threatening way.  To enable others to feel ‘safe’ in connecting, reassured that they are not being asked to lose their autonomy or sense of self.


Romances are all about the puzzle of how to be both an individual and be part of a team.  And many address the challenge of having the woman need to nurture her sense of self, validate her right to her own individuality and needs in order to balance her natural tendency to compromise for others.  And additionally presenting the flip side: of having the man appreciate that there are appropriate and necessary compromises that he must make to be part of a team, and to learn to appreciate the unique gifts that that connection will bring.


So if you haven’t read it yet, check it out.  And vive la différence!


Isabel Swift

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