I wanted to update you and share information about the launch of Harlequin Teen. You can click on the Harlequin Teen link & see the information about the line, with text and pictures. I’ve also have included the text and links below.
MY SOUL TO TAKE
by Rachel Vincent
On sale Aug. ’09
Learn more
INTERTWINED
by Gena Showalter
On sale Sept. ’09
Learn more
On Saturday August 22, Charlotte Lobb and I taught a full day workshop sponsored by OCCRWA. It was a special workshop arranged by the OCC Board to offer more resources for writers, and it was the second such workshop offered this year. The first one was a Plotting workshop by Diane Pershing back in January.
I discussed Character and Conflict, and Charlotte talked about Point of View and Dialogue. Every writer can always learn something new, even after many books (I picked up some great tips on dialogue from Char.) It was a small group, only about 17 people or so, which made for an intimate class that encouraged discussion. This made me think about the great resources available to aspiring writers from groups like OCC, which sounded like a good topic for a blog.
Ten Steps to Publication:
1. Write. If you don’t write it, you can’t submit it and no one can publish it! Find your own schedule, your own rhythm. Every writer’s life is different, and every writer’s process is different. Find what works for you and do it, no matter what. Make the time.
2. Join a writer’s group. OCCRWA is a great example of a valuable writer’s group. There are monthly meetings with two speakers every month! There is the contest, which gets your work in front of published author and editor judges. There’s the newsletter and the email loop. There’s cool special workshops like the one Char and I just did. The most important thing a writer’s group can offer, however, is support. No one understands the angst of a writer better than another writer.
3. Get a critique partner or group. Writers tend to be introverted individuals who hang out alone in front of their computers. Some of them are even too afraid to show their work to anyone. In my seventeen years as a serious writer, I have found critique partners/groups to be an invaluable objective eye. Every writer has a blind spot. Is there a phrase or word that you overuse? Is there a grammatical error you always make? Your critque partners will find it and alert you to it before you send off the manuscript.
4. Enter contests. Entering contests is a good way to get objective feedback, but you should have reasons for choosing the contests you enter. The Orange Rose from OCCRWA is one geared to get your manuscript ready for the Golden Heart or submission to an editor or agent. Or maybe you want to enter a contest because a certain author or editor is judging. Perhaps you’re worried about your synopsis so you enter a synopsis contest. Always have a reason, even if that reason is just to support your local chapter. 🙂
5. Know when to stop editing the first three chapters. Many aspiring authors write a dynamite three chapters, then edit them until they squeak. There is such a thing as editing the life out of pages, and you want to avoid that. Walk away from chapter three and move on to chapter four. An editor can’t buy only three chapters of a book.
6. Finish your book. As stated in number 5 above, an editor can’t buy only a few chapters. They need to see the whole book. Just do it. You will be astounded at the sense of accomplishment you get from writing The End.
7. Read new authors. The new authors are the writers who sold their work within the last year. This tells you what editors are buying. Plus you get some great reading material!
8. Learn about the market. Writing is a joy, an outlet, a balm to the soul. Publishing is a business. If you want to get paid for your work, you need to learn about the market. Read the RWR. Subscribe to Publisher’s Marketplace (http://www.publishersmarketplace.com/) so you can get Publisher’s Lunch, a daily email that tells you the news in the marketplace. There is also a daily email listing the deals made that day by editors and agents for all genres of books–and the subscription is only about $20 a month.
9. Set goals. No one gets anywhere without setting goals. If the idea of writing a whole book overwhelms you, then concentrate on writing the next page, or the next paragraph, or the next chapter. Keep your goals realistic according to what you can reasonably accomplish. Setting impossible goals guarantees failure. Remember: how do you eat an elephant? One bite at a time!
10. Let go of the fear. We all have a fear about getting published. I’ve published 11 books (#12 currently in the works), and I still get nervous around release time. Every writer is worried someone will tell her that her baby is ugly. Don’t project, just deal with the here and now. And don’t be afraid to finish that book and send it out. We’re all dying to hear what you have to say!
See you on the shelves!
8 0 Read more“Plot That Novel YOUR Way” with Sue Viders and Becky Martinez
September 14, 2009 – October 10, 2009
Enrollment Information at http://www.occrwa.org/onlineclassSep09.html
COST: $20 for OCC members, $30 for non-members
Enrollment deadline: September 13, 2009
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
Plotting is never easy, even for the seasoned writer. How do you keep everything straight and go in the right direction? While this class is aimed at the beginning writer, any level writer can benefit from this overview of various plotting systems. It provides explanations of ways to plot and goes into detail on how authors who write by the seat of their pants can use those ways to make their own plotting—or lack of it—easier.
To give you some idea of how the class will be conducted, here is a brief outline of the subjects we will be discussing in depth during the coming weeks. We’ll be including assignments to go with the various lectures, and discussing the assignments with the class members. We’ll also leave plenty of time for students to ask questions at any time.
Plot that Novel YOUR Way Outline
Week 1
1. Introduction & Greetings
2. Lesson One – A Quick look at Plotting using the 5 W’s
3. Lesson Two – The 3-act structure & Building an Outline
Week 2
1. Lesson Three – Plot Points & Turning Points
2. Lesson Four – Using the Story Board for Pacing
Week 3
1. Lesson Five – Introduction to the Plotting Wheel
2. Lesson Six – Plotting Wheel pt. 2
Week 4
1. Lesson Seven – Putting it all Together
2. Lesson Eight – Plotting backwards & No Plotting
3. Wrap Up – Discovering the Method that works best for you
ABOUT THE INSTRUCTORS:
Sue Viders is the author of more than 20 books, numerous articles and columns for both artists and writers. An international art marketing consultant, she was the director of the Art Education Division of Color Q, Inc. for over 30 years. Her first writing book Heroes and Heroines, Sixteen Master Archetypes, is used in many colleges and universities from creative writing master programs to screen writing courses. Her latest book, 10 Steps to Creating Memorable Characters is gaining use as a practical workbook for writers who want to further develop their characters. She is a practicing artist, seminar leader, and educator with on-line classes both for writers and artists.
Sue lives in Lone Tree, CO with her husband. Her five grown children and six grandkids live nearby. She is currently working on a coffee table book about the art of money with one of her daughters and a children’s book with her 15 year-old grandson.
Her latest product for writers is Deal a Story; an interactive card game consisting of 101 cards and six sections and is based on her Heroes and Heroines book. Check it out at www.dealastory.com or at her blog http://dealastory.blogspot.com
Becky Martinez is an award-winning former broadcast journalist and published author who teaches classes to writing groups and conducts online writing workshops. Her latest book, a romantic suspense, will soon be published by The Wild Rose Press. Her first published romance novel was an Aspen Gold finalist. She has had several short stories published, including “The Problem†in July 2008 by The Wild Rose Press and she contributed a short story to an anthology that was a 2007 New Mexico Book Award finalist.
With Sue Viders, Lucynda Storey and Cher Gorman, she co-authored the writing book, Ten Steps to Creating Memorable Characters, a workbook for writers.She is currently working with Sue Viders on a new book on plotting.
In addition, she has worked as a publicist, public information officer and public relations consultant in the Denver metro area and has taught classes and workshops on marketing, public relations and broadcast journalism.
Enrollment Information at http://www.occrwa.org/onlineclassSep09.html
COST: $20 for OCC members, $30 for non-members
Enrollment deadline: September 13, 2009
Coming in October – Muse Therapy – D. D. Scott style – is all about injecting life into tired and/or stressed out muses. I’ll give writers fun and fabulous tools to analyze their muses’ funks, reign in their creative divas and up their page counts.
http://www.occrwa.org/onlineclasses.html Check out our full 2009 list of workshops.
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
********** permission to forward this blog**********
0 0 Read moreYes, it’s me again sharing information on the Google Settlement!
Much has been written about the Google Book Search Settlement. For those who want a better understanding of the Settlement but are a bit print-weary, audio-visual resources have become available in recent weeks that can clarify and expand that understanding.
For a general overview of Google Books and the Settlement on YouTube click here .
For a better understanding of the role of the Settlement in leveling the educational playing field for minority students and students with disabilities click here
For a discussion of what the Settlement means for publishers click here. There’s information on a webinar below as well.
I have to note that I do get irritated at those that trumpet “all content should be free.” Hey, I’m sure we’d all like everything to be free! But if someone started announcing that all lawyers should work for free, or all milk should be free, we’d see the absurdity of that statement! Why can’t they acknowledge the same value for Intellectual Property (IP) or the written material many sweat blood to create.
But there’s also a recent Webinar hosted by Publisher’s Weekly you can access. Go to www.PublishersWeekly.com, click on “Tools” to the far right of the top navibar, then Webcasts and register for the webcast:
Google Library Project Settlement: What It Means for Publishers (or just click on the link!).
You will be able to access the webcast archive for one year following the initial webcast.
Description of the Webinar:
In a webinar first, the leaders involved with the crafting of the Google Library Project Settlement will share with the publishing industry the benefits of the agreement for publishers and authors. If approved by the Court in October, the agreement will create one of the most far-reaching intellectual, cultural, and commercial platforms for access to digital books for the reading public, while granting publishers unprecedented opportunities and protections. Presented in collaboration with Google, The Association of American Publishers, and Publishers Weekly, the web session is a must-attend event.
PANELISTS
Richard Sarnoff, Co-Chair, Bertelsmann, Inc., AAP Board of Directors
John Sargent, Chief Executive Officer, Macmillan, AAP Board of Directors
Jan Constantine, General Counsel, Author’s Guild
James Gleick, Author
Michael Healy, Executive Director Designate, Book Rights Registry
MODERATOR
Jim Milliot, News Director, Publishers Weekly
Monica Stoner, member at large
The time is NOW to make space in your schedule for the LERA conference. Afterwards we can introduce you to green chilis, the most perfect food in the world.
2009 LERA Write From The Heart Conference
Come join LERA, Dianna Love, and Mary Buckham (with special guest Sherrilyn Kenyon) as they present their innovative, day long workshop:
From Thought To Plot
This interactive workshop will be held on Saturday, November 14th, from 8:30 to 5:00 at the Indian Pueblo Cultural Center,2401 12th St. NW Albuquerque, NM, just five minutes from Old Town Albuquerque.
Book signing after the conference: location TBA. Authors will include Sherrilyn Kenyon, Dianna Love, and Mary Buckham!
Monica K Stoner
tsent@ix.netcom.com
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Estranged childhood friends unexpectedly reunite under bizarre circumstances and bicker their way to love in this bonkers romantic comedy.
More info →How do you heal a broken heart?
More info →Winner of the 2010 Next Generation Indie Book Awards for Best Short Fiction and Best Anthology
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Copyright ©2017 A Slice of Orange. All Rights Reserved. ~PROUDLY POWERED BY WORDPRESS ~ CREATED BY ISHYOBOY.COM