Have you ever wandered down a dark street late at night, your high heels clicking loudly on the cobblestones, when you hear a second pair of footsteps behind you?
Is someone following you?
Heart thudding in your chest, you stop.
He stops.
Your pulse races…the hair on the back of your neck stands up.
He’s right behind you.
What do you do?
Run or fight?
If you haven’t experienced this scenario, I bet your heroine has.
“From my experience in the field, I know each fight is different and this enemy has his own agenda. Rape? Robbery? Could be, but I doubt it. They don’t operate this way when they want a woman. They act friendly, use pretty talk to pick up a girl, then knock her off her feet before she knows what’s happening to her.
I pull back, walk toward the rue de la Huchette, one step at a time, like all this is happening in slo-mo. As if the whole scene is a video game and someone else is at the controls, pressing the attack buttons and toggling my polygonal form to do what they want and I have no choice. Enemy contact. Kill’em. Kill’em. These words zap through my brain like a subliminal message from command center.
Keep going back. Left foot, right. My eyes scope out the environment. Stone buildings, windows shuttered. No escape. No one to hear the ruckus, the screams. The punks know that. They talk, egging each other on to see who’ll make the first move. Closer, closer they come, like maggots ready to feast on a warm corpse.
Not mine, you punks.”
I wrote from my first-hand experience when I constructed that scene. A similar incident had happened to me on that same street in Paris and I was lucky enough to get away. But I never forgot that fear pulsating through my veins. The icy chill that goes through you when you make that split decision that can determine whether or not you’re going to survive. Pulling up the emotions I felt that night helped me write the emotions of my heroine.
This scene went through my mind when I attended Dr. Debra Holland’s Workshop: Creating Fighting or Self-Defense Scenes at the RWA Anaheim 2012 Conference. Dr. Debra presented an outstanding workshop showing how to protect yourself as a woman and also how to put your heroine through her paces. She gave members from the audience the opportunity to experience what it feels like firsthand to be attacked by a stranger.
Here’s a video I put together from the workshop:
Dr. Debra Holland — www.drdebraholland.com — teaches a karate class at the American Martial Arts Academy located at1027 N. Harbor Blvd, Fullerton, CA 714 871-3898.
Check out their website for more information: www.KarateOC.com
AMAA has been teaching Women’s Self-Defense Classes for more than thirty years.
Correction:
The gentlemen from the Academy who assisted Dr. Debra are: Steve Hopple and Adam Rigsby.
A special thank you to fellow OCC/RWA member Rob Preece for his assistance in presenting the workshop.
And thank you to Sarah Andre — www.sarahandre.com — who volunteered to experience her heroine’s fight scene up close and personal.
I highly recommend Dr. Debra Holland’s workshop.
Thank you, Dr. Debra!
“Deep Story Structure & Techniques” with Carol Hughes
COST: $20 for OCCRWA members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
What does Nora Roberts, Stephen King, George Lucas (STAR WARS), Stephen Spielberg (E.T.) and all of those other blockbuster creators know about writing that makes them the mega stars that they are?
Learn about the 18 scenes that every story contains, no matter its length or genre. Find out how to identify your character’s mental gender and what impact that has upon readers. Discover how your character’s arc drives your story and how your story drives your character’s arc. Learn the four throughlines of every story and how to weave them together.
Writer/director/producer Carol Hughes has been a driving force behind some of Hollywood’s most financially successful media franchises. Carol was the studios’ “go to person†when it came to helping her fellow writers turn their uncut diamonds of rough stories into some of Hollywood’s most memorable and financially successful projects. Over the years, her projects generated in excess of $1 billion in profits for both the studios and the leading Networks.
Monica Stoner
Member at Large
Feel like you’ve had enough Olympics to last at least four years? Had your fill of water cooler discussions about quarter point deductions or spiking the ball? Really tired of references to Olympic goals and ideals, relating to writing? Yeah, me too.
But bear with me, because this one has stuck better than any landing. Actually, it’s not about the Olympics specifically. It’s a commercial.
Surely you saw this commercial, seems like it played at every break. A variety of athletes worked out, and the voice over listed everything they had not done in preparation for the Olympics: no dessert for two years, hadn’t seen the latest movie, and what I really remember was “haven’t read that book everyone’s talking about.” I don’t know about you, but not being able to read seems like cruel and unusual punishment to me.
Obviously not to someone who has a goal in sight and a deadline to meet. Their goal is to be bigger, stronger, faster, better than anyone else in their sport, and to be at their peak at the Olympic Games. To achieve that goal, they’re willing to forego what most of us think of as our inalienable rights: Life, Liberty, and the pursuit of the ultimate fried food.
Aren’t we fortunate we only have to give up some of our time to write more? Granted those who don’t work out regularly add inches to their body as well as words to the page. But the analogy is still valid.
Sacrifices need to be made in pursuit of any goal worth achieving. We can’t go to every midnight movie or every holiday sale and sometimes we’re going to miss that neat town event, because we’re chasing dreams and building characters. We try to maintain a good social life but the fact is time we might be spending with our real friends needs to be spent with the friends we create.
Is it worth the effort and sacrifice? After all, only a very small percentage of those who qualify for the Olympics stand on the medal podium. And those people represent a minuscule number of those who tried out and failed, or who didn’t even make the trials. Of the many writers hunched over their keyboards instead of spending a lazy afternoon in the malls, how many will see their names attached to a published book, whether digital or in print?
Well, a lot more than those who gave up their dreams to do something else. And that is the real lesson of the Olympics.
Having gotten back on track with those dreams, Monica Stoner, writing as Mona Karel, has two books published and more on the way.
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