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Smart Alec (Syndrome)

October 15, 2013 by in category Archives tagged as , , ,

Ingrid Bergman/Gaslight

“Are you trying to gaslight me?”
I asked a friend that when she swore I had never delivered the book I promised to loan her.  Instead of laughing, she looked at me like I was speaking another language and in a way I was. My friend had never seen the movie Gaslight in which the dashing Charles Boyer attempts to drive the vulnerable Ingrid Bergman mad by lowering the gaslights and insisting the change in lighting is all in her imagination. The plot is a bit more intricate than that, but the point is that my frame of reference was completely foreign to my friend’s and the joke fell flat.
As authors we often write with abandon when we’re in the zone. We research all sorts of things that we believe will give our work legitimacy. To us this information is perfectly sound and critical to the integrity of our novel; to the reader that same information can be confusing or, worse, interpreted as arrogant.  The last thing an author wants to do is take her reader out of the story. The other last thing an author wants is to have the story suffer because she doesn’t include critical information.
How do you walk the fine line between being a smart author or a smart Alec? Take a deep breath, recognize the pitfalls, and apply your talent to finding new ways to communicate even the most intricate information.
Genres that are most susceptible to the Smart Alec Syndrome include :
  • ·      Procedural (police, medical, legal, etc.)
  • ·      Historical
  • ·      Literary

Symptoms of the Smart Alec Syndrome are the use of:
  • ·      Foreign words and phrases
  • ·      Insider references
  • ·      Acronyms
  • ·      Historical, legal, medical references
  • ·      Rare, anachronistic, and/or exotic words

Cures for SAS (Smart Alec Syndrome) can include but are not limited to:
  • ·      Use opposing dialogue for explanation and definition. This may be accomplished  through agreement, amusement, derision, etc.
  • ·      Use the omniscient voice to explain and explore a concept
  • ·      Find another way to explain the word or references that retains the integrity of your work
  • ·      Choose the vernacular but craft a sentence that reflects the tonal uniqueness of the original choice
     Analyze and adjust your work and you will be a Smart Author not a Smart Alec.

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Why I wrote Naked Sushi by Jina Bacarr

October 11, 2013 by in category Archives tagged as , , , , , , , , , , , , , , ,

I’ve always been a geek.

I got my first computer when the screen was black and the print orange. I was a member of an infamous BBS (bulletin board system) back in the day when I wrote a column for a computer magazine called “Sweet Savage Byte.”

I did podcasts on a video camera with a floppy disk that only allowed you to record a minute of time. I remember setting this up in a Borders bookstore in Hollywood. Yes, those were the days…

I’m also a huge James Bond fan.

And I love Covert Affairs with the fab heroine Annie Walker.

You put all that together and you get…Naked Sushi.

It’s also a story about facing the fear of rejection. We’ve all been there. Often that’s the reason we don’t finish a manuscript because we’re afraid of rejection. In Naked Sushi, Pepper O’Malley realizes with the help of the hero that’s what is keeping her from achieving her dream of becoming a spy. She poses as a naked sushi model to get the goods on her sleazy ex-boss with the hero FBI hottie getting in on the action in this excerpt from Naked Sushi.

Six days days until Naked Sushi, my Cosmo Red-Hot Read from Harlequin, is released! So here are two videos with an excerpt from my story. What’s wild is that we’ve gone from 60 seconds max in the early days of video to 6 seconds on Vine and 16 seconds on Instagram

 

What’s fun is that the Vine video loops forever and you can take your time reading the sexy snippet. I found some hot music that adds to the fun atmos. 

The Instagram video is longer, but it doesn’t loop.

 I enjoy experimenting with new ways to present excerpts and since Pepper is a video programmer at a computer game company, this is a fun way to showcase her story.

I had a blast writing this story and I’m thrilled that here is an opportunity for all girls who consider themselves tech-heads to show they’re fun, fearless females!

Pepper hits the digital stores on October 15th.

 

PS — the silky border that I used as a frame around my videos is a remnant from ornate kimono designed by a designer I met when I was taking kimono lessons from a Japanese sensei


Coming on October 15, 2013 from Cosmo Red-Hot Reads from Harlequin:

NAKED SUSHI is available for pre-order on Amazon!
 
Text Copyright © 2013 by Jina Bacarr

Cover Art Copyright © 2013 by Harlequin Enterprises Limited
Permission to reproduce text granted by Harlequin Books S.A. Cover art used by arrangement with Harlequin Enterprises Limited. All rights reserved.
® and â„¢ are trademarks owned by Harlequin Enterprises Limited or its affiliated companies,  used under license. by Harlequin Enterprises Limited or its affiliated companies, used under license.”
Music:

He’s So Sexy
Dream Valley Music
Composer: Michael Stephen Decker Publisher: Shockwave-Sound.Com
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Continuity Counts – Updating a Short Story to Match a Novel by Kitty Bucholtz

October 9, 2013 by in category Archives tagged as , , , , , ,

When I worked in the film industry, I once had the happy job of assisting the script supervisor for a few days. As a writer, I found it fun and interesting to see what went into making sure we ended up with hundreds of little pieces of film that could be edited into a continuous story that made sense. Especially fascinating when you consider that you shoot scenes completely out of order.

With that in mind, I tried to make sure that my novel Unexpected Superhero (published in May) didn’t contradict anything I wrote in the short story “Hero in Disguise” (published last September in our Romancing the Pages anthology). Even with all of my notes and highlights, it seemed to me that there were still a few things that wouldn’t make quite as much sense as I intended (grin!) if you read the two stories back to back.

I’m publishing the short story myself next Tuesday (Oct 15) as an ebook. When I read it over again, I knew I wanted to make some changes. For one thing, I’d decided that all of the titles for the stories in the Adventures of Lewis and Clarke series would have the word “superhero” in them. So the new title is “Superhero in Disguise.”

But more than that, I wanted the tone to match better. We put together Romancing the Pages as a romance anthology, and my short story matched that tone when I wrote it. But the overarching series story in my head is definitely more humorous urban fantasy. So I went through the short and made changes with that in mind.

As I did so, I was pretty sure I was finding some inconsistencies in how Tori, the main character, perceived her unusual abilities. The short is going to be permanently free as a promotion for the series, so I was hypersensitive to the fact that someone could conceivably read the short and immediately buy and read the novel.

It took a few days and a lot of sticky notes, but I think I managed to smooth it all out. (I hope so! LOL!)  I’m trying out a new cover style to see how readers react. It may take some time to find the best way to present this series in terms of book covers, but I’m finally beginning to relax about that.

One of the things I’m beginning to appreciate about self-publishing is not only how I can learn to be flexible and make changes when things don’t seem to be working as well as I’d expect, but also how that mindset is influencing the rest of my life. While I’m in an incredibly stressful situation in life right now, I’m noticing that I’m calmer and looking for alternative solutions every time something doesn’t work out.

It’s nice when you can find that growing in one area of your life can provoke growth in other areas, too!

Kitty Bucholtz decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. Her first novel, Little Miss Lovesick, came out in 2011. Her new novel, Unexpected Superhero, book one in The Adventures of Lewis & Clarke humorous urban fantasy series, is now available in print and ebook format. Love at the Fluff and Fold, book one in The Strays of Loon Lake romantic comedy series, will be released later this year. Her short stories can be found in the anthologies Romancing the Pages and Moonlit Encounters, available in both print and ebook formats.

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Greatest Asset=Greatest Liability

September 24, 2013 by in category Archives

Well, I have a theory that every one’s greatest asset is also, conversely, their greatest liability.  Think about it—it’s just the flip side of the same coin.  The dark side.  Too much of a good thing.

It’s one of the reasons we can’t get rid of our weakness—because they are part of what is best about us.

You are thinking, no, actually, that’s not true.  But that’s just because you haven’t really thought about it.  So pause for a minute and work with me here.

What do you think is one of your best qualities?  Something that you are simply better at than most people around.  It isn’t necessarily anything specific (your great tennis backhand, for example) but something more broad.  An ability, a power.  I think that like a Pokémon character, we all have both specific abilities and also hidden abilities.  And that as we mature, we go through many steps to accomplish cycles and become (hopefully) better defended, more powerful, with greater capacity to succeed.

So in terms of your abilities, or hidden abilities, (for example) perhaps you are remarkably bright and have an analytical and mathematical mind and are gifted with the ability to assess numerous data points and crunch remarkable amounts of information?

Maybe you have an intense desire to find the best answer, to be great—not just good, to succeed at the highest level, never settle?

Or you are a “doer,” action-oriented, goal-focused, get it done and plow through all obstacles?

Possibly your strength is in the ability to intuit others’ perspectives and you can access ways to interpret and inspire others, creating paths of communication and understanding between different personalities, businesses, perspectives, cultures.

But for each of those remarkable gift, there is a challenge, a weakness, a dark side.

For the analytically gifted who offer a deep understanding of issues in all their complexity, sifting all the information in the universe can be very time consuming.  It is sometimes hard to stop analyzing, make a determination and move forward.  There is always more to assess.  There are always downsides and risks to be considered. Finding why you can’t do something can sometimes overwhelm the goal of figuring out how you can.

The aspirational vision of the perfectionist demands a higher level of performance, often inspiring step-out accomplishments, demonstrating we can successfully stretch beyond our assumed limits.  But it too can be time consuming, demanding, never satisfied, and that can burn people out and create a sense of ongoing failure in always reaching for the next step, crushing excitement and delight.

A “doer” (often 180 degrees from an analyzer) creates powerful energy with their goal focus and ‘can-do’ attitude.  But doers can forget to listen, can overwhelm sometimes valid concerns and objections, and can lose the support and buy-in of the team, becoming a dictator rather than a leader.

Intuition can cause those with the gift of that special knowledge to intermediate themselves overmuch between conflicted parties, and be overwhelmed in working to find a common ground.  In trying to please all, they may please none—and be resented for their efforts.

So your greatest asset can also be your greatest liability.

But remember, too, that your greatest weakness also can also be a powerful strength!

Oblivious and inconsiderate?  You may cheerfully march to your own drum and break new ground for those limited by their fear of what others will think.

Outspoken and obnoxious?  You could be a lighting rod, articulating issues others are afraid to voice—and you will have the strength to brush off the criticism and the challenging headwinds you may face.

Quiet and withdrawn?  You may see more than others, gain insights, see patterns, and find better pathways to a solution than the loud speakers.

Finding the balance—which is constantly shifting in response to the context—it the challenge and the key.

I don’t know how to surf, but that is my visual and my metaphor.

Isabel Swift

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LISTEN UP: The Making of an Audio Book

September 15, 2013 by in category Archives tagged as , ,

I have written over 25 novels. Each one starts with voices in my head. By the time a book is done, I know every inflection, tonal change and speech pattern of every character. So, when I had the opportunity to create the audio versions of Hostile Witness and Silent Witness, I was excited. This, I thought, was going to be a breeze.
I thought that just before I became terrified.
I was excited because next to having your book made into a movie, audio is about as cool as you can get. I was terrified because suddenly there were decisions to make that I had never considered when writing these books. How had I really imagined my characters’ voices? Did I want an actor or an actress to read my books? How did I produce and publish an audio product? Did I want separate voices for each character or not? Did I want to read my books myself?
The only question I could answer was the last one. No fiction author should ever read their work if I am an example. My one attempt to do so left me ROFL. Thankfully, I was alone in the house when I tried it. Some people are actors; I am not.
Once that decision was made there were still others to tackle. This is my list of the five things I did   to bring my books from print to awesome audio.
1)   Listen to popular audio books in your genre. I listened to both male and female thriller authors. I found it disconcerting to hear a man read primary female parts but had no trouble accepting a female reader tackling male characters. It is a personal decision but I was lead by what seems to be accepted wisdom of the best selling authors and that is use the voice of the predominant character. I chose Tara Platt, an award winning voice over artist (www.taraplatt.com). I also chose to have each character voice distinctive and that meant the voiceover had to seamlessly move between character and gender, expository and dialogue.
2)    Choose a neutral voice unless your book has a cultural basis for a different choice. I listened to audio versions of books written by English authors and read by English actors. As much as I love an English accent, I realized choosing a voiceover with a discernible accent was distracting for an American thriller.
3)   If possible, seek professional assistance. I was lucky to know a producer who understood what goes into a successful voiceover. He coached me in what I should be listening for when I received my file for approval, not the least of which was breathing patterns. Like a singer, a voiceover artist should be able to read seamlessly without gasps or gaps in the production as well as communicate the appropriate cadence and genre of your novel.
4)   Provide your talent a ‘cheat sheet’ that includes a short description of the plot, descriptions of all recurring characters, unique setting points, and where the major plot points are. Also provide the talent with a copy of the book.
5)   Speak up and ask questions. There is someone to listen at established, professional sites. I worked with ACX for Audible.com, the most recognizable of all audio sites. They were responsive to all my questions and offered production options from talent buyout to royalty sharing and independent production.
It didn’t take me long to realize that as much time goes into reading a book for audio distribution as writing it for print or digital consumption. I also realized after I heard the first few chapters of my book that I was as lost in listening to the story in the same way I had been lost in writing it. I may have known the ending, but I didn’t know the sound of it would leave me breathless when I heard it.

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