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Confessions of a Podcast Goddess

May 17, 2007 by in category Archives tagged as

Part 3: “Girls Just Want to Have Podcasts”

by Jina Bacarr

When podcasting burst onto the scene, they said it was a man’s world. The stats backed it up: “Wired magazine noted that at last week’s [November 2005] Portable Media Expo in Ontario, 15 percent of the 2,000 attendees were female and that users of Yahoo’s new podcasting directory were 85 percent male.” OC Register

Not anymore. Girls rule the airwaves with podcasts featuring women hosts talking about everything from caring for your animals to astronomy.

So what are you going to talk about? Here at OCC, we have published authors as well as pre-published. How about a show with a writing theme? Good start, but to gain a following you must give listeners and viewers a “hook” for your podcast. For example, romancenovel.tv interviews romance authors, including Nora Roberts, Rebecca York, and Christina Dodd, while Grammar Girl’s podcasts consist of five minutes of grammar tips each week.

I write erotic fiction so my podcasts, both audio and video, have a sexy theme. This often leads to my podcasts getting “banned” from video sites because they assume I’m promoting . This recently happened to me on Google Video re: a PSA (Public Service Announcement) podcast I did a few months ago in response to a letter “Dear Abby” received from a mother who was concerned her teen daughter was reading “trashy” romance novels.

In my video podcast, “Dear Jina”– An erotic fiction writer speaks out about what teens are reading, I talk about how romance novels reflect a positive attitude toward sex for teens. My video has received nearly 15,000 hits, but someone took offense and complained, so Google de-activated it, deciding it was “.” After a few anxious emails back and forth to Google, the problem was resolved and my video is once again “live,” but you have to be prepared for anything in podcasting.

For my audio podcasts, I want my podcasts to reflect a certain sophistication. I decided on “In the Zone with Jina Bacarr: Hot topics with a cool point of view” because it doesn’t limit what I can discuss. So far, I’ve talked about the sensual world of the geisha (I get email from listeners who tell me they’ll never look at a geisha in the same way again after hearing they don’t wear panties), strippers and the art of the tease, the history of erotic fiction from the Greeks to Fanny Hill to Spice Books from Harlequin.

I also record audio podcasts for OCC each month. I call it Romancing The O.C. I talk about our upcoming meeting, guests, local authors, book signings, contests, as well as conduct author interviews.

I always end my podcast with my sign-off: “And don’t forget, put a little romance in your life. Read a romance novel.” That’s important. Come up with a slogan that reflects your show and your personality. And don’t worry about the length of your podcast. It can be five minutes or thirty minutes, but the longer the podcast the more megabytes it will take up on your computer hard drive and your website. You can also “park it” on video sharing sites like Google and Daily Motion [we’ll talk about these sites in future blogs].

So, what’s your podcast about? Book reviews, writing tips, interviews? Do you have an interesting hobby that plays into your writing like Debbie Macomber and her love of knitting? Do you love to travel then use your experiences in your books? Are you a techie with weekly tips to help writers? The possibilities are as endless as words in a dictionary. Pick out what interests you and people will be talking about…your podcast!

Tune in next month for Part 4 of Confessions of Podcast Goddess when I’ll be talking about shooting video on location–I’ll be in Venice, Italy speaking at La Biennale arts festival.

Jina Bacarr is the author of The Blonde Geisha and coming in July 2007, Naughty Paris. Jina writes erotic adventure for Spice Books. “Get Caught in the Act!”

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The Write Way (because there is no ‘right’ way)…

May 16, 2007 by in category Archives tagged as

by Maureen Child

Writing a proposal is probably the most important thing you’re going to do in your career. Your proposal is the ‘howdy do’ of publishing. It’s your foot in the door. It’s your ‘Hey, I’m over here, read me’, way of getting an editor’s attention.

I’ve known several writers over the years who had one proposal. They sent this proposal out over and over again any time they’d hear an editor might be looking for something. They’d get feedback on this one proposal, make changes in it and then send it back out again.

Eventually, this wear and tear on a proposal shows.

And it wears on the writer, too. How can you be excited to work on a project you’ve been laboring over for five years? Nope. Once a proposal has made the rounds of everyone you can think of, put it away. I’m not saying you should never take it out for a ride around NYC again. But let it rest then go back to it with fresh eyes later.

When I was trying to sell to Silhouette Desire, I’d already written nearly forty western historicals. Didn’t mean much at Silhouette. Sure, they liked the fact that I was published, but Westerns didn’t mean I could write contemporary Desires! I was determined, though. The editor I was submitting to at the time took three weeks to turn down my first proposal.

But I was ready for her. When I got that first rejection, I had the next proposal in an envelope ready to go out. She was impressed that I’d kept working on other ideas. I asked her how many proposals I could give her at once. She said she didn’t want any more than four proposals on her desk at one time.

Within three weeks, she had three more proposals from me sitting on her desk. By doing that, I told her some very important information about me. She now knew I had lots of ideas. She knew I was determined. And she knew I didn’t give up easily.

So do your proposals. Your first three chapters and a synopsis. Make them sing. Make them shine. Send them out. And while you’re waiting…write something else.

Maureen Child is the author of more than ninety romance novels and novellas. And right now she’s working on…you guessed it. A proposal.

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Pop Culture Review: Heroes

May 9, 2007 by in category Archives tagged as

by Sara Black

I’ve got to be honest, I thought the first episode of Heroes was Boring. Yeah, with a capital B. However, after a few months of hearing it was Really Very Good and I should Give It A Try, I decided that maybe I’d been too quick to judge. I caught up on twenty episodes in two weeks.

Heroes could have stood to lose a majority of it’s first chapter, but things improved from then on. The basic concept is heavily drawn from super hero comic books: As explained in the opening of each episode, a bunch of ordinary seeming people turn out to have extraordinary abilities like stopping time, flying, and turning homicidal. These people may be the only ones who can save the world, unfortunately it seems, from themselves.

From a pop culture standpoint it’s interesting to see such a melding of mediums. The episodes are structured similarly to comic books, each one being a chapter in the story with a shorter arc that eventually adds up into the larger arc. There is even a graphic novel available online which promises to deepen the readers understanding.

What keeps me watching is not the comic book premise (trust me, I gave up on X-men a while ago) but the characters. We get to watch as each hero gets a piece of the puzzle but struggles to see their part in the big picture. The main arc, we learn early on, involves the destruction of a large part of New York and the deaths of thousands. Even the audience isn’t certain what part each hero will play in what may be a domino effect of disaster. The anticipation is killing me.

It could be considered torture to interest you in a series only two episodes away from the season finale, but all the episodes can be downloaded from the iTunes store or viewed online at NBCs website.

Sara Black has a degree in Cinema/Television from USC. She watches far too much television, eats way too much sushi and is always writing a romance novel. For someone who religiously stays out of the mainstream, she knows an awful lot about Pop Culture. This is the third in a series of posts on the subject.

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Go There

May 8, 2007 by in category Archives tagged as

When I was first writing “Till Death Do Us Part”, I didn’t realize that Dori had a past love. But when Pete called her name in that scene in chapter three, my heart jolted just like Dori’s. When I saw where we were going, I jumped out of my chair and paced my office. I finally turned off the computer thinking, there’s no way I can go there.

But many months later after I’d finished the story, approved the galleys and then went on to a new story, Ryan and I were watching Inside the Actor’s Studio with Clint Eastwood. In the role of Harry Calahan, Eastwood once had to jump off a bridge onto the top of a moving school bus. When James Lipton asked if he had been afraid, Eastwood replied, “No. When you’re really in the character, you can do anything.”

I realized that writing is like acting. It only becomes real when we become the character. And man, that can be scary as hell!

Even though I still run away from the computer when the story gets too real, I know that I’ll be back. Just like an actor who spontaneously discovers a new bit of dialogue or action, we writers must jump off the bridge with our characters. What I’ve come to realize is that if we don’t go there, then neither will our readers.

So when the story and the character get under your skin and it feels icky and scary and awfully itchy, just keep yourself there because that’s when the good stuff is about to happen.

Mary Castillo’s new book, Names I Call My Sister hits bookstores today. She is the author of In Between Men and Hot Tamara. Her website is www.marycastillo.com.

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It’s Worth It

May 7, 2007 by in category Archives tagged as

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A Fork in the Road

By Kitty Bucholtz

I turned 39 last month. For the first time. If all goes well, it’ll be for the last time. I heard your 40s are when you finally have the experience and guts to stand up and say, “This is who I am. Like it or leave it.”

I’m not sure if I’m going to do that before I turn 40 though.

I got some notes back from my agent last week and I realized that while I’ve been writing professionally for ten years this year, there are still some words that I misunderstand. Like hot. When she told me the new genre I’m writing in is hot, I was all excited because it just happened that what I want to write is popular right now.

Oh, it is. But that’s not what she meant. She meant that genre has more detailed, uh, love scenes. And from what I’ve skimmed in other books in the genre, love isn’t always a prerequisite for the action.

Oh dear. So now I have to decide how far I’m willing to go. Suddenly I feel 16 again and I’m looking at my cute boyfriend. Will mom find out? What will God think? Just how far is too far? Will I have to wait until everyone whose opinion is important to me dies? (In which case, there’s still God.) And by then, will I even remember how to do it?!

But that’s not really what I’m asking myself. I’m asking myself how far I’m willing to go to be one of the popular girls. One of the thin, blonde, pretty ones with strawberry lip gloss and a bit of mascara that they put on in the girls’ restroom so their mother wouldn’t know. Do I want to do what it takes to have lots of friends (readers)? Or will I prefer to stand off to the side, a wallflower among wallflowers, holding my values to my chest like a badge of honor, secretly wishing I could do what needs to be done to publish my stories?

I’ll tell you the truth, I’m thinking about “doing it” once to see what it’s like, to see what all the hype is about. Maybe I won’t feel I’ve crossed a line. Maybe the money will be worth it. Maybe none of my more conservative friends will think any less of me. Maybe I’ll think I’m cool. But if I decide later it wasn’t worth it, it’ll be too late.

I remember what it was like to want to be more popular, to give away my virginity and later wish I had it back. I’m older and wiser now…and I still don’t know what advice to give myself. Except that there’s nothing better than being able to look yourself in the mirror and say, “I respect myself and what I do,” and “I’m doing all I can to be a successful businesswoman and I’m proud of myself.”

A few days ago, I said to my husband, “You know, now’s the time for me to quit and become a stay-at-home mom if that’s what we want.” It was both a “last chance” moment for us to decide for sure if we wanted to be parents, and – more so – an opportunity for me to quit without answering the question – how far am I willing to go to get published?

It’s a hell of a moment…this moment. It’s “a fork stuck in the road” as the Green Day song goes. Robert Frost said the road less traveled made all the difference. Does that mean he had to have a day job?

I don’t know what I’m going to say to my agent. I don’t want to be pious or popular. I want to be me. And I know that I was created with a unique ability to create. I can’t help but think therein lies the answer. Can I be creative enough to write what the market requires in a way that doesn’t compromise my integrity?

Ask me my age next spring. If I say I’m 39 (again), it means I haven’t quite found the guts yet to stand up and be myself regardless of the cost. But I promise you this: I’ll try with all my heart to work to be that person this year. A person who counts the cost and makes a decision and doesn’t wallow in excuses. A person like that could be a good friend in life, regardless of the level of their financial success.

There will be a price to be paid to become that kind of person, that kind of writer, but I say – it’s worth it.

Kitty Bucholtz writes romantic comedies because, well, she lives one! She wrote her first book in the NBC cafeteria, the second snowed in at a Reno hotel, and the third from a tiny apartment in Sydney. Even though she loves talking about, writing about, and teaching about writing, she’s pretty sure she knows at least three people who aren’t writers.

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