Monica Stoner, Member at Large
Several years ago, someone told me if a work was ready for a contest it was ready for an editor. I didn’t agree then and agree even less now. Having judged contests, I’d have to say some of the entries aren’t ready for the contest and should never go to an editor. This is not meant harshly, everything I’ve judged had some good features, but they were often lost behind poor pacing, grammar, or just too many words in the wrong place.
The huge advantage to a contest over an editor is, the contest judge has to read your whole submission. The editor can skim a couple pages and tell you the submission is not right for their line. The contest judge can find the place in your story where you need to start the book; an editor could easily find the same place but generally won’t have the time to do so. Nor should an editor have to tell you where to start your book.
Since so many contests now allow for judge comment, you have the advantage of multiple edits to the same book for one contest fee. You can agree or disagree with any of them, but if every one finds the same problems, you’ll know where to head for your next rewrite.
Once you have some manuscripts and contests under your belt, and have finaled in one of the contests, or at least not received your entry back dripping read with editorial comments, you might think about offering to judge. Don’t make this offer lightly, since as you would well know by then, fragile egos could be behind the creation of the entry, same as when you entered. Who better to understand how a mean word can send you to Camp Hershey or Dove when you should be sitting still and writing?
One or two sessions of reading contest entries can be eye opening for your own writing. I’ve also found this to be a great remedy for the dreaded writer’s block. Many clubs offer contests throughout the year and most are in need of a both entries and judges. Give it a whirl, you never know how much fun it can be until you try.
1 0 Read moreBy Noelle Greene
Ever had that sinking feeling when you’re seated at an event, or God forbid, a play, and you realize it’s an “interactive†experience? The third wall is going down, baby. That’s when I start to squirm. And above all, make no eye contact. The third wall is there for a reason. We like it.
I was eyeing the door within seconds of sitting down at a session at the RWA conference. For some reason, the title “Improv Techniques For Writers†hadn’t clued me in. I realized, too late, we were expected to improvise in front of the group. With a microphone.
You guessed it, the session ended up being a ton of fun. I laughed more in 90 minutes than I did all week. That alone made it worthwhile. The instructor, Denise McInerney, was lovely, relaxed and reassured us that there were no wrong answers. We played games, a la Drew Carey and company in “Whose Line is it Anyway?â€
McInerney shows writers how to use comedy improv techniques to loosen up and let ideas flow without self-censorship and fear. And yes, as we played we created a lot of nonsense, but that wasn’t the point. The point was to banish your inner critic.
Interestingly, McInerney, of the Washington, D.C. chapter, presented ideas other seminars at the conference featured, except she didn’t tell, she showed: by letting you feel—viscerally—how to “be in the moment†and take risks when you’re creating. I certainly felt the adrenalin pumping. And realized how fear of looking like an idiot hampers the process. I’m still working on that one. If you’d like to learn more, contact Denise at dmcwriter@aol.com.
I know I’ve have had more than my share of adolescent crushes when growing up either on actors, teen idols or singers.
By the time I reached my thirties all of those girly crushes were behind me–so I thought, until a young singer came on the scene by the name of Michael Buble. I told myself that I really admired this young man’s singing. The energy he put in his songs reminded me a lot of Bobby Darin. His style was a throw back to the “Rat Pack, let’s be cool â€era. So I know for a fact, if he had been popular when I was in my teens or early twenties, he would have been the devilishly charming, bad boy type that I would have had a crush on.
Because I’m such a fan of big bands, and of the Great American Song book, I always have, either on my computer or my satellite radio, a station that plays the standards. So when Mr. B. first came out, I like to think I discovered him before anyone else did. At least it felt that way, since whenever I asked anyone about him or his music, nobody seemed to know who he was.
By the time his first CD came out, he was doing small concerts, and I made a point to see most of them.. Then one day I got word he was doing a free outdoor concert, right next door to where I work, at The Grove. You know I wasn’t going to miss that. As it turned out, it was one of his best shows…not that I’ve ever seen a bad Michael Buble show.
After his performance, he was escorted a few yards away, over to the third floor of the Barnes & Noble. If you had bought his CD that night, you were given a paper bracelet, which granted permission for you to stand in line to meet him on a one-to-one basis. I figured I was ahead of the game, as I had bought my CD at B&N two weeks earlier, even before I knew there was going to be a concert. Unfortunately, B&N didn’t believe me…they wanted a receipt. One that stated that I had bought the CD that night and at their store. I won’t bore you with all the details, but after much negotiation, Barnes & Noble finally saw things my way and at last I was permitted to stand in line, not only with a different colored paper bracelet than the rest of the people, but with one stipulation. I had to be at the end of the line and every time a new group followed me, with the right colored bracelet, I had to agree to move to the back of the line.
Okay, for anybody who knows me really well…the word patience and Bobbie, just don’t go together. So after being asked to move to the end of the line for the third time…it was now renegotiation time. A settlement was reached, whereas if the manager asked me to move one more time, he wasn’t ever going to see his next birthday.
As I waited in line, I was captured by two things: First, how the buzz of excitement around you can become infectious and secondly, how all the fans in line were so much younger than me.
That‘s when I asked myself, “What the heck was I doing here, acting like a groupie?†But as the line moved, and we snaked around the aisles of books and I got closer to Michael, I saw more and more women my age ahead of me. Some with their daughters, some alone and some even older than me. Which made me realize, that there is no age limit for someone to enjoy good entertainment. Would we have someone in their forties, fifties, or sixties…even seventies, not read one of our books because it was about some twenty or thirty year old hero and heroine? Or think it was silly for a fan to stand in line to have their book signed and tell one of our authors that they loved her/his work? There is no age limit to enjoy someone’s talent–no age limit to receive praise or be given admiration.
Finally my moment with Michael B. was upon me. As I handed over my CD for him to sign and was babbling on about how much I enjoyed him and his work, I suddenly found myself saying, “I feel a little bit like Mrs. Robinson, here.†The next thing I knew, Michael had taken my hand, and began to sing the words of Simon & Garfunkel’s hit song from “The Graduate,†Here’s to you, Mrs. Robinson. Coo coo ca choo, Mrs. Robinson. Then, without any prompting, he leaned into me as a picture was snapped of us together. I heard some oohs and aahs, from the girls standing around us. And I walked away, one happy fan.
To be honest, “Mrs. Robinson†was never one of my favorite songs. But now when I hear it on the radio, I turn up the sound, smile, and inwardly growl like a contented cougar. Grrrrr
OF A MESSAGE
If you were locked in a tower, a prisoner, what would your message to the world be? Would it be a few short sentences? An ? Graffiti on the wall?
Back in June, I had the opportunity to explore the Tower of London. And in the Beauchamp Tower where many of the prisoners were held, intricately hand-carved inscriptions decorate the walls. They truly became works of art. The poetic words, the intellectual defense, and the design all combined into one message, shows us high-ranking political prisoners stayed there. And judging by the amazing details in the graffiti, some obviously stayed in that tower much longer than others while some prisoners didn’t have a chance to finish their message…because the person was freed, escaped, or put to death.
Did they know back during King Henry VIII’s reign (and earlier) that centuries later people would tour those towers and read those messages?
One entire room inside the tower is etched with inscriptions, but I’m only posting a few pictures so you’ll get an idea of what I’m writing about. I believe you can click the photo to enlarge; it might make it easier to view, if you wish. 🙂
This one floors me, and it doesn’t look like it was finished…
Just in case you can’t read this well…It’s a list of all the inscriptions on the walls and who carved them. That’s quite a few!
It makes me wonder what these prisoners would do in this day and age to get their message out. They’d have the media at their disposal now. What do you think?
Michele
Michele Cwiertny writes dark paranormal romance and romantic suspense. To find out more about her, please visit her website, michelecwiertny.com, or her personal blog, Michele’s Writing Corner.
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In the chaos of war, not all heroes shine. Some must rise from shadows to claim the light.
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