Were you composing songs or poems in kindergarten or grade school? Scribing short stories in middle school? Outlining your first novel by high school? Me neither. Well, except for the songs, poems and short stories part. Writing and reading were the soul of my youth. At that time, there was a voice in me that was unique, with a narrow but colorful perspective, rich in my limited history and micro view of the world. I wrote ghost stories. Composed poems then set them to music on my ukulele. Entertained my adoring fans (family) and received pretty decent grades in my elementary English classes. (Okay, maybe not for the grammar part, but for the creative part!)
Wouldn’t it be great if we could travel back to that time, when our minds were uncluttered with the many issues and experiences that mark our existence today? When most things were simple black and white? Somehow my writing seemed more …pure… at that time. Certainly it wasn’t challenged by the need for someone else to read and like it!
Although today I can create much more complex characters, layered with the hues of the life of my past, I miss the sheer joy of writing for the fun of it. Maybe some of you still feel that. Fantastic! But for many of us who are struggling, perhaps it’s time to get back in touch with that inner child who wanted to write in the first place.
How do we tap that voice (Short of seeing a therapist?J) Perhaps we can through quiet meditation or by taking a walk on the beach? Maybe through rediscovering something you had done as a child and truly enjoyed, like riding a horse, playing badminton or ping pong, or going ice skating? (Personally, I skate on my hind end) Maybe another way is to go to the children’s section at the library and pick up a book that you loved when you were 10. Why was it special to you? Was it one of the tales that called you to write?
I know that I need to work on that side of me. I’ve lost some joy in recent years and some of the writing fun has gone with it. I want it back. I want to drag out those novels from under the bed and shape up those which should be returned to circulation (and quietly re-file those that shouldn’t!) My own voice is special and unique, but I’m sure it could use a jolt of positive memory of where it was when I was 10. I’ll bet yours could too!
Let’s drop $2 in the Write for the Money jar at the meeting and set a goal to do something childlike and fun. And a second one to write a paragraph or two soon afterwards! For those of you who can’t attend the meetings, perhaps create your own Write for the Money jar, and reward yourself for having a little fun and the quality work that follows!
Randi
This Memorial Day weekend should have been very relaxing for me. I was off from my day job, and I could spend the day writing if I wanted to. So that’s what I tried to do. However, instead of popping out ten or twenty pages today, I found myself practicing Writing Avoidance.
It wasn’t a severe case of Writing Avoidance. No, the symptoms of that are the sudden need to clean out the refrigerator, basement or attic. I was only suffering from stationary Writing Avoidance, where I remained in my desk chair but found myself doing things other than writing.
For example, I would write a sentence or two, then check my email. Then come back and write a couple more sentences, then check my Twitter. Write a couple more sentences and start surfing the web for American Idol interviews. Change a couple of sentences, then realize there is a Bones marathon on, so maybe I should check out a couple of episodes (even though I own all of them on DVD).
This, dear readers, is Writing Avoidance.
I knew something was bugging me today, but I couldn’t put my finger on it. And because I couldn’t put my finger on it, the doubts crept in. I am on deadline with a book. Will I finish it in time? The editor recently read my first few chapters to better design the cover copy, and it was a nail-biter while she was reading it. But she gave me the okay to keep going. I should be over the moon, right? But the doubts had already sunk their claws deep into my psyche.
The market is tight. What if they don’t like the book?
What if they want me to rewrite the book?
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This book seems harder to write than all the others. Maybe I’m losing my touch.
Does any of this sound familiar?
Writing Avoidance or not, I needed to get pages written today. My deadline looms before me, and I pride myself on turning in my manuscripts on time. But how to get past this funk? How to convince my muse to stop sulking and get to work?
The best cure for this is to call another writer.
So I did just that, called my friend Susan Meier, who talked me off the ledge and reminded me of all the important answers to those questions.
The market is tight. What if they don’t like the book?
The editor already read it. She likes what you’re doing. Next question.
What if they want me to rewrite the book?
See #1. Also remind yourself that this is your twelfth book for them, and your last book required minimum revisions.
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This is your process. You do this with every book. You hammer at those first chapters, looking for the story, and then when you find it…ZOOM! The book spills onto the page at warp speed.
This book seems harder to write than all the others. Maybe I’m losing my touch.
Every book is harder than the last because you grow as an author with each one. If it were easy, everyone would do it. You’re not losing your touch; you’re just experiencing growing pains.
Only another writer could understand the frustration of Writing Avoidance, especially one who is familiar with your patricular process. It’s not just that the work is not getting done; it’s also that there is something interfering with your creativity. However, once you understand what is bugging you (such as, say, tension from feeling overwhelmed), you can work through it and get on with business.
This is why writers need other writers. Sometimes there is no one else in the world who could possibly understand. And it’s amazing how ten minutes on the phone with another writer can do more to cure your Writing Avoidance than an hour talking to anyone else.
3 0 Read moreThe Bracketology book: The Final Four of Everything is out now with my contribution on Best American Romances. Since I’m not the author and not gaining anything from book sales, I figure it’s OK to share the news. I had solicited your opinions and am indebted to many for their thoughtful, challenging and helpful responses (I post on other blogs and asked my Facebook friends to help!).
The Bracketology concept is simply taking what we see every year with the NCAA Basketball playoffs: selecting the top 32 teams & pairing them against each other to get to Sweet Sixteen, the Elite Eight, the Final Four and then the two top players’ final match to declare a winner–and applying it to things other than basketball. Bracketology is a great decision-making tool, a fund of entertaining argument (you may recall in Diner, the pitting of Sinatra Vs Mathis for who offered the best “music to make-out to,” clearly a Bracketology moment) and it’s a great way to clarify your own thinking.
Check out p.114 to see where the world of American Romance Novel’s square off. I tried to capture samples from what I saw as significant sub-genres (romantic comedies, futuristic, inspirational, time-travel, multi-cultural, etc.) If you don’t like the choices and didn’t help out, then you have only yourself to blame!
This book takes the Bracketology concept further, to 150 different segments. Check out categories like Movie Gunfights, Lousy Husbands, Celebrity Mugshots, First Ladies, Untimely Deaths. It’s a great compilation from some impressive experts: Roz Chast, Manohla Dargis, Mary Matalin, Henry Beard and Christopher Cerf, A.O. Scott, and of course me! It’s guaranteed to make you think, disagree, and want to use the method to build your own version. There’s a blank sample to fill in in the book. But also, the publisher, Simon & Schuster, has created a fabulous site. You can amend the existing brackets or make you own–which are posted and can be send to friends and foes alike.
Check it out–you’ll never think about your preferences in the same way again!
Enjoy!
Isabel Swift
my blog
by
Monica Stoner, Member at Large
We throw around titles of the most romantic books, plays, movies, stories. Gone with the Wind is a major favorite, along with the tales of King Arthur’s round knights. Mustn’t forget some of the musicals – My Fair Lady, Camelot (Arthur again) and of course Phantom of the Opera. I find Weber’s music helps words come through my fingers and often ignore the words for the tunes.
Recently I listened to Phantom when I wasn’t writing and could pay attention to the words. This is romantic? We have a lovely young woman terrorized by a mysterious man yet when she tries to tell her story, she’s told he doesn’t exist. Even the man who will become the love of her life insists she doesn’t know what she’s talking about. According to him she needs to forget her fantasies and let him make all her decisions. Supposedly they live happily ever after but one wonders how often Christine is encouraged to ignore her own thoughts and blindly follow the man’s.
Camelot, that classic tale of love is actually about an inconvenient marriage and a woman who can’t keep her word. Yes, Lancelot betrays his king but Guinevere is the woman who made an advantageous marriage then got restless when someone cuter came along. This is romance?
Gone With the Wind doesn’t do much for me as romance, though as a tale of living through a social upheaval it’s marvelous. I’ve never found Scarlet to be a sympathetic character.
How much of what was once thought extremely romantic can stand up to current thinking? For years the pattern of popular romance was a domineering male and the pure, honest, but plucky virgin. Of course the male was a prince or knight or lord of the manor, later a captain of industry. Quick – how many of those books can you remember as individual stories instead of one in a group of many? Right, same here. But how many of the books that stay with us are about the domineering male who gets taken down a peg or ten by the plucky heroine?
My most romantic book? Probably Mary Stewart’s “My Brother Michael.” Without deep soulful kisses or heavy breathing clinches, at the end of the book there is no doubt these people have made a commitment to each other. But Sharon and Tom Curtis’ “Lightning that Lingers” is right up there. Anyone else? I could use a good classic romantic read right about now.
Monica K Stoner
tsent@ix.netcom.com
By Kate
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Mrs. Jeffries and Inspector Witherspoon should be checking off their Christmas present list but instead they're listing murder suspects . . .
More info →How do we say more with less? Can short, simple words make what we write so clear that the reader gets it? Or will it remind them of reading a child’s board book?
More info →A chance encounter with a wealthy congressman leads to an unusual proposition…
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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