I am updating my early romances and contemporary women’s fiction novels with the intention of re-releasing them. I am excited because these books were my training ground. In these pages I can hear the first tentative sounds of my distinct ‘author’s voice’. I see that I instinctively had a good grasp of what makes a story work (don’t all voracious readers have that instinct?). There is one more thing I see in these books that is hard to embrace: my major author ‘dork’. I have no other word for my early writing stumbles. Some of them were mistakes of publishing fashion and others were born from an untrained sense of drama.
Since hindsight is a wonderful thing, I thought I’d share my top three ‘author dork’ mistakes.
1) Hysterical dialogue: This is not an industry term so don’t use it with an editor. Sill, I think it perfectly describes my use of long sentences, harsh words, and huge banks of exclamation points to get across a character’s anger, distress, fear and passion.
Solution: In my later work, I learned that proper scene set-up, thoughtful exposition, and spare and realistic dialogue give me a lot more dramatic punch.
2) Fad over fashion: Within the first few pages of Seasons (a book I really love) my heroine appears in Laura Ashley dress. If you’re old enough to know who Laura Ashley is, you’re cringing at the image. If you’re not old enough to know then I have made you stumble as you try to figure it out. I have no doubt I will also run across references to big shoulder pads and power suits.
Solution: I now describe clothing generally – jeans, slacks, blazer, leather jacket – to allow the reader to fill in the detail blanks. I use color to underscore character. I never use a designer name or a fad because this dates a book. The only exception is when I need the fad to assist in a plot point. For instance, a label in a corpse’s clothing might call out a specific designer.
3) Overwriting: When I first started writing there seemed to be an accepted rule of thumb that a chapter was twenty pages, that women’s fiction and romance were not worthy unless the author lingered over love scenes and dialogue was drawn out. If there is purpose to long stretches of prose or dialogue then go for it, but if during the edit the author can’t remember what happened in the last three pages of a book then the reader won’t remember either.
Solution: Tell the story. Do not write to word length. Either the story is solid and will move along at a good clip or it won’t, either it will be 100,000 words or it won’t. The readers won’t stick with you.
The good news is that I am happy with these early books and will not fundamentally change them. I will, however, make them better by applying what I know now to what I wrote then. If only we could do the same thing with our high school yearbook pictures the world would be perfect!
Happy writing.
Don’t forget to check out my latest release, Secret Relations, book 3 in the Finn O’Brien Thriller Series.
Here’s where you can find me!
Website: http://rebeccaforster.com
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It has been piled high with cold, flu conferences, a last minute, out of country speaking engagement and now a medical screening that needs a follow-up. Of course, there are also everyday things that pile on to the plate: bills, calls from my sons, the tennis league I belong to, dinner to cook and bathrooms to clean. I’m not complaining. This is all just life and good stuff if you take the cold and medical appointments out of the equation. Still, filling out my calendar and trying to figure out how I’m going to fit quality writing time in the schedule made me think about the craft of writing a novel. The question on my mind was how much is too much before a reader throws up her hands and pushes the literary plate away?
As a thriller writer, I love to go over the top. Unfortunately, I can get a bit too energetic and take the technique to crazy extremes. It’s a fault. No, it’s worse than a fault. It’s a sin to be so involved with own words that I forget my job is to entertain not challenge someone to wade through my excesses. When I do go overboard, I am giving my readers a reason to push away the literary plate I have served them.
Luckily, there are remedies for ‘too much’ writers like me. In real life we say no to many things, so let’s start saying it in our fiction. Here are three ways to figure out if you just served your reader a plate that is too full.
[tweetshare tweet=”Three ways to figure out if you just served your reader a ‘plate’ too full by @Rebecca_Forster” username=”A_SliceofOrange”]
Echo: A particularly inspired turn of phrase, description or character quirk is a thing of beauty. Constant use of the same phrase or description or a continual reminder of the quirk is an annoyance. Readers are smart and imaginative. They will get it.
Blow-by-Blow : No pun intended, but sex scenes are more effective and dramatic if they are evocative rather than clinical. The same rule of thumb applies to shootouts, character travel or any scene that stops the reader and forces them to linger without a point. Move the story forward using varied sentence structure and only critical physical descriptions.
Cast of Thousands: Have you ever tried to find a friend in a crowd? It’s impossible because all you can see is a blur of humanity. The same thing happens to a reader if there are too many characters populating your book. Think of your book as a play. Characters may come and go but the ones we care about should always be center stage.
While you edit look for the echo, the blow-by-blow and the cast of characters and adjust the emphasis, streamline the structure and your literary plate will go from too full to too fabulous.
Rebecca
That’s right! To celebrate 60 years of bringing romance to the world, Harlequin/Silhouette is giving away 16 books, FREE.
Just go to this site,http://www.harlequincelebrates.com/ and download them!
I’m pleased and honored to say that one of my books, BABY BONANZA is one of the books offered.
But why is this good for writers? That’s easy. Harlequin/Silhouette publishes 72 books a MONTH. That means even when the economy is rough and other publishing houses are being cautious, Harlequin/Silhouette is always looking for writers!
Why shouldn’t that be YOU??
So go to the site, get some free books and study them. Figure out which line your heart leans toward and then sit down and write. Polish. Perfect. And then submit.
Who knows?? Maybe the next time Harlequin/Silhouette gives away books, yours might be one of them!
Maureen Child is the author of more than 100 romance novels and novellas. At the moment, she’s hard at work on her next Silhouette Desire.
Visit Maureen at http://www.maureenchild.com/ or http://www.maureenchild.blogspot.com/
Her most recent titles are:
BEDEVILED, NAL, January 09
AN OFFICER AND A MILLIONAIRE, Silhouette Desire, Jan 09
VANISHED, Silhouette Nocturne, February 09
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A recipe for disaster: take one total solar eclipse, add two dozen spine-chilling mysteries, and shake the reader until the world ends in Day of the Dark!
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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