The genre of novels that seems to endure are the spy thrillers and stories of behind-the-scenes government scandals. Here are some very interesting and I’d even say, “watershed” novels about the cold war that have colored our vision of the past and the future. After researching some, I’ve made a list of just a few of the more influential titles and included a short synopsis of each:
First published in 1958, Our Man in Havana is an espionage thriller, a penetrating character study, and a political satire that still resonates to this day. Conceived as one of Graham Greene’s ‘entertainments,’ it tells of MI6’s man in Havana, Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Lamb’s Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true. (Goodreads)
A piercing exposé of American incompetence and corruption in Southeast Asia, The Ugly American captivated the nation when it was first published in 1958. The book introduces readers to an unlikely hero in the titular “ugly American”—and to the ignorant politicians and arrogant ambassadors who ignore his empathetic and commonsense advice. In linked stories and vignettes set in the fictional nation of Sarkhan, William J. Lederer and Eugene Burdick draw an incisive portrait of American foreign policy gone dangerously wrong—and how it might be fixed. The Ugly American reminds us that “today, as the battle for hearts and minds has shifted to the Middle East, we still can’t speak Sarkhanese” (New York Times).
In this classic, John le Carre’s third novel and the first to earn him international acclaim, he created a world unlike any previously experienced in suspense fiction. With unsurpassed knowledge culled from his years in British Intelligence, le Carre brings to light the shadowy dealings of international espionage in the tale of a British agent who longs to end his career but undertakes one final, bone-chilling assignment. When the last agent under his command is killed and Alec Leamas is called back to London, he hopes to come in from the cold for good. His spymaster, Control, however, has other plans. Determined to bring down the head of East German Intelligence and topple his organization, Control once more sends Leamas into the fray—this time to play the part of the dishonored spy and lure the enemy to his ultimate defeat. (Goodreads)
It is interesting to note that each of these novels was later made into a motion picture. Our Man in Havana with Alec Guinness (1959), The Ugly American with Marlon Brando (1963), and The Spy Who Came in from the Cold with Richard Burton (1965).
As is the case with most things a writer encounters, great fiction will always be thrilling but many times the reality is scarier and more strange than we could ever write.
My husband, Will Zeilinger and I co-write the Skylar Drake Mysteries, a hard-boiled detective series that takes the reader to 1950s Los Angeles and other areas of the west. Our new book, GAME TOWN, is set in Hollywood and exposes a scandal that rocks the toy industry in Los Angeles. GAME TOWN is the fifth and final book of the series.
Ending the Skylar Drake Mystery series was a heartbreaking decision for us. After all, the series has been in our lives for five years. It was difficult to end the relationship not only with Sky but his partner Casey Dolan, FBI Special Agent Olivia Jahns, and their secretary Lory Carrington. However, the time was right to let them find their own way.
So, the question we had to face was do we do a sequel or spin-off?
Doing a sequel would bring back the characters and more glimpses of 1950s Hollywood. Spin offs, re-orienting the characters we fell in love with and the villains who pushed the twists and turns of each book are still possible. I think it’s important that as writers and creators we assure our readers that everything turned out okay for the characters and they moved on.
For now, we have no plans for a sequel or spin off.
Some series can standalone. Others may be ruined by a sequel because the readers wanted to remember the characters the way they were.
Whatever the future holds for those in the Skylar Drake Mystery series it’s been fun creating great characters, clever plots, fun subplots and making up the twists and turns, and devious red herrings too.
What’s in the future for us? We’ll be writing more books, short stories, and more separately and together.
For now, we are a little depressed. We understand that this is par for the course when ending a series. And the best cure for the depression, they tell me is to move on and keep writing. So, stay tuned…there is more to come.
GAME TOWN is the fifth in the series and yes . . . we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
Our latest book, GAME TOWN, begins with the 1957 Emmy Awards celebration and ends with the Academy Awards ceremony, I had to research the winners of both. Talk about a waltz down memory lane!! The King and I was the most nominated of all the movies released during the year of 1956. Then, of course, I just had to check out the history of the movie. I was so enlightened by its background I thought I would share it with you.
The King and I, a musical film by 20th Century Fox was released in 1956. The screenplay by Ernest Lehman was based on the 1951 Richard Rodgers and Oscar Hammerstein II musical of the same name. This popular musical was based on the 1944 novel by Margaret Landon titled Anna and the King of Siam. Ms. Landon based her novel on Anna Leonowens’ published memoirs, The English Governess at the Siamese Court. The film starred Yul Brynner and Deborah Kerr.
While the musical was written for Gertrude Lawrence, she was diagnosed with cancer while playing the role on Broadway and died before the show ended. After Ms. Lawrence’s death, both Dinah Shore and Maureen O’Hara were considered for the movie role of Anna. Deborah Kerr was ultimately casted as Anna at the recommendation of Yul Brynner. However, her voice was dubbed by Marni Nixon.
The movie was success with both critics and the public. The King and I received 9 Academy Awards Nominations and won 5 of them.
Best Actor in a Leading Role – Yul Brynner
Best Art Direction – Set Decoration, Color – John DeCuir, Lyle R. Wheeler, Walter M. Scott, Paul S. Fox
Best Costume Design, Color – Irene Sharaff
Best Music, Scoring of a Musical Picture – Alfred Newman and Ken Darby
Sound Recording – Carlton W. Faulkner; 20th Century Fox Sound Department
Best Picture of the Year – Charles Brackett
Best Actress in a Leading Role – Deborah Kerr
Best Director – Walter Lang
Best Cinematography, Color – Leon Shamroy
I’ve been a graphic designer/illustrator/cartoonist for most of my adult life, but as I approached fifty years on this earth, I finally began writing. The first things I wrote made no sense because I had no idea what I was doing. My writing experience had involved writing headlines and snippets of ad copy, as well as a stray brochure here and there.
What I learned from this transition was that different forms of writing are like creating artwork in various media.
Take writing a novel, for instance. I compare that to making an oil painting on canvas. First, a sketch and color study is made of the proposed image. The paint is selected and applied according to the artist’s plan. If alterations, changes, or corrections are needed, oil paints can be very forgiving as they take quite a while to dry.
The artist may want to repaint a section or replace parts that don’t work. While the rest of the painting can remain undisturbed, one can use little paint thinner or turpentine in a cloth, and voila, the area can be repainted, over and over until it is just right. Some parts of the painting may be finished, but others may still be in a rough state. Keep in mind; the oil paints take a long time to dry – days sometimes weeks to be totally dry. A novel is much like that in that the writer has many pages to develop the story and create the story arc or arcs, while other parts of the story can develop separately until it is blended, shade, and glazed, and it all comes together.
A short story or flash fiction I compare to making a watercolor painting. While both appear to be somewhat spontaneous—although they aren’t. Much preliminary planning must take place. First, quality watercolor paper must be selected and what colors will be applied first. Watercolor paints dry very quickly. Certain areas must be given a few minutes to dry, so when transparent layers are added, the whole thing does not become a muddy mess. Once it is on the paper, that’s it! No going back and changing it.
Some stunning watercolor art can be created with proper planning and bravery on the artist’s part. Next time you look at a watercolor painting in a museum, look at how the artist makes the images with as few strokes as possible. In writing, plots need to be simplified, and the number of characters reduced because the story has to do its job with fewer words on fewer pages quickly. The story arc is going to be right up front. Next time you read a short story or flash fiction, look to see how quickly the writer has to make their point.
Each type of writing requires a different mindset. The same goes for painting in various media.
Now, how do these approaches apply to co-writing? Have you ever played the “Fold Doodle” game? Someone takes a sheet of paper and folds it horizontally into narrow sections then draws the head of a person or thing on the top section. They fold that section under and another adds to the drawing on the next section then folds it over and passed it on. This process continues until the paper is used up. It is then unfolded to reveal the drawing by many different hands. Sometimes it is hilarious, other times a disaster.
People have asked us many times how we write together, and the answer is communication and planning. Whether we are writing a novel, a short story, or a blog post, the best thing to do is check in with your co-writer along the way to make sure you are both in the right mindset for the story at hand and the results will be beautiful.
Throughout the 1950s, short local television programs popped up all over the airwaves. The majority were only fifteen to thirty minutes in length. Some of the programs were musical, comedy, or children’s radio programs that were ported over to the TV screen.
As in the transition from silent movies to talkies, moving from radio to television wasn’t always easy. The talent sometimes did not possess “screen appeal.” Unless a program was sponsored by a large corporation, the cost to produce a program was prohibitive. Studio time, talent and crew were all expenses that had to be worked into the budget, so most early television programs were limited to fifteen minutes in length.
Who knows? Maybe that was the seed for Andy Warhol’s famous statement, “In the future, everyone will be world-famous for 15 minutes.”
(1948–1950), began as a short cartoon-sketch program, it evolved into a longer interview series. It starred Wendy Barrie, Dave Davis, Morey Amsterdam, Rusty Arden
(1949– ) Television pioneer Cliff Edwards,also known as “Ukelele Ike,” hosted and began with his own radio program in the 1930s. He brought his musical talents to the new tiny screen in 1949. You may have heard his voice in many cartoons. Remember Jiminy Cricket in Walt Disney’s Pinocchio?
(1950–1954) was a western television series that showed clips from old westerns, or told tall tales for a primarily children’s audience. The star and Roy Rogers sidekick, George “Gabby” Hayes hosted the show that ran on NBC at 5:15 p.m. Eastern for fifteen minutes.
(1950– ) Classical pianist turned jazz pianist Hazel Scott hosted the music series. She was the first African-American woman to host her own TV show. It starred Hazel Scott, and featured Gloria Lucas.
(1956– ) Her first big hit song, “Life Is Just a Bowl of Cherries” in 1951. She made her debut as a regular vocalist on Stop the Music (1949). She was a consistent guest performer on all the best variety showcases, including Perry Como and Ed Sullivan‘s shows, and managed to hostess her own variety program, The Jaye P. Morgan Show, accompanied by her singing siblings “The Morgan Brothers” (Duke, Bob, Charlie and Dick.)
(1957– ) Beginning in June 1948, Cooley began hosting a variety show on KTLA-TV in Los Angeles, California. It was broadcast from the Santa Monica Pier Ballroom. The show became a mainstay of television in the area, and won local Emmy awards in 1952 and 1953. Some notable guests included Frank Sinatra and Dinah Shore.
Other well-known stars had their own short television programs as well, including Dinah Shore, Patti Page, Jonathan Winters, Walter Winchell, Jo Stafford. Tony Martin and, Vaughn Monroe.
Gradually, the most popular programs grew in length to thirty-minutes and ultimately, to the sixty-minute format we know today.
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