“Picture it. Sicily….” Most of us will recognize that memorable line with which the outspoken Sophia Petrillo, portrayed by Estelle Getty in the television sitcom, The Golden Girls prefaced her words of wisdom and advice.
And what movie goer can ever forget Marlon Brando’s husky voice in the Godfather as the Italian patriarch Don Vito Corleone? “I’ll make him an offer he can’t refuse.”
Charlton Heston will forever be etched in the mind as Moses parting the red sea in Cecil B. DeMille’s, The Ten Commandments.
And in my estimation, Omar Sharif’s interpretation of the apostle Peter in the movie of the same name was superb.
All of these portrayed ethnicities and faiths other than their own. And we loved it.
So, I don’t understand the current trend that considers telling a story other than your own taboo because it means you are appropriating another’s culture.
The world of literature has made important contributions to our knowledge of and understanding of other peoples and cultures. For example: Japanese born Kazuo Ishiguro’s novel, The Remains of the Day, allowed us a glimpse into a stately English home through the eyes of a British butler. Arthur Golden took us into the world and emotions of Japanese geisha women in his novel, Memoirs of a Geisha. The white journalist and novelist, John Howard Griffin medically colored his skin to pen, Black Like Me, a novel that made us feel the terror of being black in the deep South. Pearl S. Buck, an advocate of cross-cultural understanding and racial harmony, left a legacy of philanthropy and literature that includes her portraits of China in the novels, The Good Earth and Peony. And, I Claudius, by the British novelist Robert Graves, written as an autobiography, revealed the mind and nature of a Roman emperor.
Let’s be honest, whether it’s a hairstylist, auto mechanic, doctor, technician, or politician, we want the person who can best do the job. We evaluate them according to their experience, competence, and track record, not by their race, color or creed.
Why should the arts be any different? For the price of theatre tickets today, I want to get my money’s worth with the best performance. When I purchase a book, I want captivating writing that merits it a place of honor on my shelf.
Actors and writers research the world and times of the individuals they portray and write about. They enlighten us on issues we may be unaware of. They speak for the voiceless and reveal the invisible people we often pass on the street every day and ignore. The characters they bring to life illuminate events and sometimes horrific stories that need to be told. We begin to understand the challenges that motivate people’s actions and choices. We feel their anguish, hopes and dreams that are often our own as well. Via the actor’s and writer’s skillful character studies and world building, we meet believable individuals that we will never forget, and that we enjoy seeing and reading about over and over again. Their work is often the catalyst that spurs us to act and make changes which result in a better life for all of us.
Whether you read Gone With the Wind by Margaret Mitchell or, The Wind Done Gone by Alice Randall, both offer valuable insights and perspectives for understanding the people and the times.
Based on today’s standards, many of the wonderful novels that we consider literary classics would have never been written, and some of the movies we make a tradition of watching each year would have never been made.
The following quote from the 1895 poem, ‘Judge Softly or Walk a Mile in His Moccasins’ by Mary T. Lathrap (1838-1895) summarizes the importance of artistic expression.
“ Just for a moment, slip into his mind and traditions and see the world through his spirit and eyes…”
One might say that the empathy in acting and writing, its ability to help us understand and share the feelings of another, is essential for creating and participating in a just and safe society.
The only requirement that makes such magic possible is unfettered and uncensored artistic expression.
I hope that actors, writers, and all artists will continue unhindered to depict significant works of art that capture moments in time, help us understand the world around us, show us who we are, and inspire us to be kinder and more compassionate towards one another.
Veronica Jorge
See you next time on November 22nd!
2 2 Read moreDenise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors.
She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference.
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
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Audiobook: Coming Spring 2023
★ ★ BLURB ★ ★
He needs to get her out of his system. Just once…
Hank Weller doesn’t help people. He leaves that do-gooder nonsense to his best friend, Beau Winston. Hank does what he wants, when he wants, with whomever he wants—and Hank does not want to hire Charlotte Mitchell to be an exotic dancer at his club, The Pink Pony. Sure, he can’t help noticing the dips and curves of her, how shrewd, smart, and funny she is, the fire in her hazel eyes. He’s always noticed. She’d probably draw a crowd and entice the regulars. But after Charlotte’s messy, public divorce made Hank’s club out to be the culprit—and made her the single mother of four kids—he doesn’t need or want any additional bad press courtesy of Charlotte Mitchell. Or the distraction. Unfortunately for him, the town’s prettiest charity case doesn’t seem to understand the meaning of the words nope, no, and never.
Charlotte Mitchell doesn’t much like Hank Weller. Once upon a time, she used to. Years ago, she liked him a whole heckofalot despite other folks in town labeling him as “eccentric” and “nonconformist,” which were polite southern alternatives to “filthy rich” and “self-centered douchebag.” Her opinion of him changed dramatically after he volunteered to be her date to junior prom and then promptly stood her up. They haven’t so much as acknowledged each other in over a decade. But a sudden family emergency means Charlotte needs access to Hank’s club ASAP. Unfortunately for her, the narcissistic fancy-pants doesn’t seem to understand the meaning of the words help, generosity, and compassion.
But he’s about to find himself schooled. Charlotte is going to teach Hank a lesson once and for all about basic human decency, whether he likes it or not.
Spoiler alert. . . he likes it.
Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors.
She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference.
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
The year 1905
Sam Buchanan and Jack Smalley tied their mules to a bush at the base of a tall butte.
“Hey, Sammy,” Jack asked out of breath. “Can I bum some of your tobacco?”
Sam finished wiping his brow in the high elevation sun and tossed him a palm-sized leather pouch. “All I got. Nearest provision is several days’ ride from here.”
Jack rolled a cigarette the length of his pinky finger and went into a coughing fit after the first drag. He took in the valley floor thousands of feet below. “Why are we here again?”
Sam looked upward. “Heard from an old Indian the top of this rock is a holy place. Sometimes the natives leave offerings. Precious stones. Maybe some gold too. We could use it for a new grub stake.”
“Damned thing must be two-hundred feet or more straight up. I ain’t no mountaineer.”
Sam walked several yards along the base and stopped at a clump of scrub bushes. He pushed aside dry thorny branches to find footholds leading upward. “Just like he said. Come on. Day is wasting.”
Jack took a final drag and tossed the cigarette butt to the wind. “Better be worth it.”
The butte sloped inward, which made it like climbing a ladder. They pulled themselves onto a flat, pebble-strewn peak about six yards in diameter. Jutting in the center was a circular, chest-high stone monument etched with Indian symbols wrapped around its circumference. A bed of loose stones buried the lower quarter.
They both inhaled lungs full of air in disappointment to find nothing else. Jack spit off the rim. “Looks like that ole injun spun a tall tale.”
Sam ambled toward the petroglyphs for a closer look. He crouched to brush aside stones banked along its base. “Nothin.” He staggered to his feet and kicked the stone monument.
The wind suddenly shifted and blew from the south. In the span of several heartbeats, it shifted again, this time from the east, then from the north a few moments later. It changed again and gusted from the west. A ghostly whisper of many voices chanted in a native language.
“What in tarnation?” Sam spun about in search of its source.
Jack scrambled over the edge. “I’m gettin outta here.” With his boots on the top two footholds, he froze when the sky darkened. The winds gusted in a circle, drawing dust and pebbles in a cyclonic spin. Sam’s body went rigid.
A dust devil whirlwind formed above the monument. “Sam. Get away from that stone,” Jack shouted. The vortex twisted skyward.
Terrified and partially blinded by grit, Jack clambered down, frantically feeling for footholds. He almost made it but lost his footing and tumbled down the angled wall.
The year 2015
Mary Aguilera propped her backpack against a rock at the base of Four Winds Butte. Butterflies tickled inside her tummy when she studied a posted warning with bold red letters in all caps. “Dangerous area susceptible to sudden high winds.” A smaller sign beside it bore the Bureau of Land Management symbol. “No Trespassing. Protected Native American Heritage Site. Permit required to access from the Western Shoshone Tribal Council.”
She sat on a boulder to catch her breath. Though born and raised in Denver, living four years at sea level to get her psychology degree from UCLA killed her elevation tolerance at eight-thousand feet, with another couple hundred to reach the top.
“Where are you?” she muttered, impatient that her guide hadn’t shown up yet. With nothing else to do but wait, she let her mind drift to her master’s thesis progress at the University of Nevada Las Vegas.
***
Mary, fascinated by paranormal legends, found Nevada was considered second or third of the most haunted states in the country fostered by the plethora of ghost towns. Most of its reputation centered on the many deserted mining sites, abandoned graveyards, and hotels dating to the early twentieth-century gold rush.
The popular haunting histories had been written about Ad Infinitum. But mysteries behind the paranormal legends of local Native Americans were passed down by word of mouth and remained elusive through the generations. Mary decided to direct her research to a unique, little-known subject by exploring the origins of such tales and how the stories changed over time. To do that, she’d need some advice from her graduate school mentor, Professor Peter Wilkins.
“You might consider western Native American petroglyphs,” Wilkins said.
“Cave man drawings?” she asked.
“Not caves,” Professor Wilkins chuckled. “Drawn figures or etchings on cliffs or stone ledges.”
“But still. Aren’t petroglyphs basically primitive rock art. Stick figure animals and such? Where’s the paranormal connection?”
“Some are quite old, a few dating back thousands of years and believed to be a direct conduit to the spirits.”
Mary took the next few days to research it. Most petroglyphs proved her doubts that most were simple pictographs and already well documented. About to give up and reconsider a new thesis subject, her eye caught an obscure footnote referencing a little-known petroglyph monument Native Americans called Four Winds Butte, located in the remote uninhabited ranges of East-Central Nevada.
Its discovery began with a 1905 prospector who wandered into a mining camp after days of hiking with a bloody cloth wrapped around his head. He collapsed on the ground and began ranting of a native curse that killed his partner before dying on the spot from his injuries. No one paid much heed to it until the early sixties, when a naturist hippie couple stumbled onto the site and disappeared. The only evidence left behind was backpacks and camping gear scattered in a chasm thousands of feet below the ridge.
The BLM declared the site off-limits after the local tribal council took umbrage of any non-natives trespassing on a sacred place. Still, it didn’t stop the occasional curious hiker from climbing to see the petroglyphs, only to vanish like the others. The last interloper to disappear was over a decade ago. Including the prospector from over a century ago, fifteen people disappeared in total.
Bingo.
Professor Wilkins hemmed and hawed when she mentioned Four Winds Butte. “I’ve heard of the monument. Given the history of disappearances, approval to visit the butte requires a permit from the BLM and the tribal council whose land it’s located.”
“So, it’s possible to get approval?”
Wilkins sighed. “I doubt you’ll get it. But I know how dogged you are when you set your mind to it.” He flipped through a personal address book, then penned a name and phone number on a sheet of paper. “This a retired BLM agent I got to know years ago. He also happens to be a member of the Newe Western Shoshone.”
Mary gushed with excitement. “He’ll help me get access?”
“I wouldn’t count on it. But he’s been to the site several times and will be the best source of information.”
Mary arrived a couple weeks later at John ‘Redfeather’ Monroe’s office in a brown paint-peeling double-wide where he volunteered on the edge of a wilderness area. She wrinkled her nose at the pervasive presence of desert dust and metallic taste of Monroe’s rusting file cabinets.
Monroe scratched an ear and set aside Professor Wilkins recommendation. “Pete must either be jerking your chain or thinks you’re something special.”
“I’m hoping the latter.” Mary recited her notes to verify accuracy. “According to archived data you provided the BLM, the monument is estimated to be at least three thousand years old, but the patterned lines and shapes are more complex than simple pictographs. Do you think it’s a language of some kind?”
“There isn’t anything in the form of a native written language, especially that far back in time.”
“What can you tell me about the origins of the curse?”
He scratched the stubble on his chin. “I was a lad when my grandmother told me a story of powerful wind spirits who resided inside the butte and took offense of anyone who defiled the land.”
“Like those who disappeared.”
“Our elders assume most who are ‘not of the people’ to be disrespectful of the land.”
Ouch. “Did your grandmother say anything about who created these complex petroglyphs? A particular time or inciting event that led to a spiritual presence?”
Monroe smiled. “Now therein lies a fundamental difference of interpretation. To you, a spiritual presence is believed grounded by historical events. To us, the land fosters the spirits, not a specific incident.”
“Was there any legend passed down of others who disappeared before the prospector in 1905?”
“Possibly, but I think if so, the stories would certainly survive through the generations as a warning to the peoples. It’s only speculation, but we think the prospector was the first non-native to enact the curse. All the subsequent disappearances left no smoking gun as to what they saw. We can only assume they suffered a similar fate.”
Non-natives. “I’ve read varying hypothesis of what became of them, the more popular one being their bodies torn apart and scattered to the four winds.”
Monroe pursed his lips in thought a moment. “That may be true. Any bodily remains would likely disappear beneath desert sand, if not eaten by wildlife first, leaving only nondegradable items as evidence.”
Gross. Mary scribbled in her notebook. “You mentioned non-natives, or those ‘not of the people.’ Dr. Wilkins said you and others of the local tribes have been on the butte a few times. Have any your people touched the monument?”
“Shamans were known for many generations to climb there and honor the wind spirits. Not so much anymore. I doubt anyone has been up there in recent years.”
“Most of what we know of the site is based on your accounts.” Mary tapped the tip of her pen on her lip. “Have you—placed your hands on the monument?”
“As part of my work with the BLM, I volunteered to take pictures and sketch the symbols. But I never touched the monument itself.” He chuckled with a wink. “I’m only part Shoshoni. European blood has diluted my heritage, so I didn’t care to test the theory.”
“But you believe the curse is real.”
“Most of what I know came from my maternal grandmother, passed down through the generations. Embellishments tend to taint a story over time, but the evidence strongly suggests that something haunts the butte.”
“Anything else you can share?”
He scratched his chin in thought. “Well, it’s not common knowledge, but when my grandmother spoke of the curse, the legend claimed a new petroglyph etching would appear on the stone monument representing a soul taken by the wind spirits.”
That’s new information.
Monroe opened a drawer, extracted a moth-eaten folder, and spread photographs of the monument on his desk. “When I compare archived photos against pictures I took when I went there, I didn’t see any additional etchings.”
Like the archived photos she’d studied earlier, these were somewhat blurry, as if slightly out of focus. “These the best pictures you have?”
“Unfortunately, yes. After the last person disappeared, the BLM had a couple of scientists scan the butte for anything unusual. They weren’t permitted beyond the base for safety reasons, but they registered a strong electromagnetic field emanating from the peak above, which may have affected the quality of the negatives.”
A factor straight out of an episode of The Twilight Zone. “As part of my research, would it be possible to visit the site to get a first-hand impression? See if new digital photos are affected?”
“You need a permit from both the Shoshone tribal council and BLM. You’ll have to hire a qualified native guide to supervise, and they won’t let you climb to the monument itself.”
That wasn’t going to yield much of a perspective. Unless – “You wouldn’t happen to be qualified, would you?”
Monroe palm washed his face and chuckled. “Pete warned me you’d probably ask that.” He stared in thought out the only window opaqued by crusted dust. “Damn you, Pete. You owe me for this,” he mumbled. He extended his hand. “Next week Tuesday, pending permit approval. Meet me at the base of the butte .”
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A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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