Linda O. Johnston enjoys writing, romance, puzzles, and dogs.
A former lawyer, Linda is now a full-time writer and has published 57 books so far, including mysteries and romantic novels. She has written several cozy mystery series including the Barkery & Biscuits Mysteries and Superstition Mysteries for Midnight Ink, and the Kendra Ballantyne, Pet-Sitter Mysteries and Pet Rescue Mysteries for Berkley Prime Crime. She also writes romances for Harlequin, including Harlequin Romantic Suspense. Writing as Lark O. Jensen, her latest release is Bear Witness from Crooked Lane Books. No matter what name she uses, nearly all Linda’s current stories involve dogs!
In addition to blogging for A Slice of Orange on the 6th of every month, Linda blogs at Killer Hobbies, Killer Characters, and Writerspace. Linda was interviewed by Jann Ryan, you can read all about it in Linda O. Johnston—Mysteries, Romantic Suspense and So Much More!
Linda enjoys hearing from readers. Visit her website at www.LindaOJohnston.com or friend her on Facebook.
The first time Merylee heard the tune, she listened out of curiosity. The single had popped up in her YouTube feed, which any other day would have suggested Taylor Swift or maybe Billie Ellish. She clicked on it just to find out what the song sounded like. Old, she thought, way old, but haunting. A band her mother probably loved when she was in college; her mom now just past sixty-five.
The next time she heard it, Merylee was driving to her mother’s, at her sister’s snippy urging.
“Mom needs help with sorting out her bills,” Lauren said. “Since the mini-stroke, she’s getting more forgetful. I’m worried, but I can’t get over there with everything else going on.” Everything else meaning the dumpster fire that was her sister’s life.
Scanning the stations in her battered Civic, Merylee caught the song playing on an oldie’s station. She listened for a few moments—the singer was Stacy? Susan?—and then kept scanning, finally hitting on a Taylor Swift song. She sang along until she pulled into the grocery store lot near her mother’s house.
In the self-checkout lanes, Merylee placed yogurt, bananas, English Breakfast tea, a loaf of multi-grain bread, and three vine-ripened tomatoes in her cloth grocery bag. At the kiosk next to hers, a guy in a Tales from the Crypt T-shirt was humming that tune. Not again.
Ten minutes later, she was putting the groceries away in her mother’s kitchen.
“Mom, did you ever like Fleetwood Mac?”
Her mother sat at the kitchen island, watching Merylee at work. “What?” She frowned as if concentrating on words that were just beyond her comprehension.
“Fleetwood Mac,” Merylee repeated. “A band from . . . the Eighties? Did you ever listen to them? I keep hearing one of their songs. Something about snow-covered hills.” She kept her tone light, but cringed inwardly. I see what Lauren means.
“Nineteen seventy-six.” Merylee’s mother had come alive, her eyes bright. “Gregory bought tickets to their concert.” She smiled and closed her eyes. “We’d been dating for, oh, maybe seven months, but that concert sealed it for us.”
“In Philly?” Merylee tried to imagine her mother and father all those years ago, at a concert. Dressed in . . . bell bottoms? Tie dye?
Her mother nodded. “The Spectrum.” She paused, her eyes looking at something only she could see. “It was between acts. We were there with Phil and Justine and Paula.” She glanced at Merylee. “You never met them. All of us impatient for Fleetwood to come onstage. I don’t even remember the other bands. And Gregory . . .” Again, she lapsed into silence, the memories seeming to accelerate. “He proposed.”
“You never told me this,” Merylee said. She slipped onto the stool next to her mom. When she reached out to take her mother’s hand, the older woman shook her head and rose to her feet.
“Let me find it,” she said and left the room.
Merylee heard cabinets and drawers opening and closing and almost stood up to follow, but then her mother was back, holding a small, blue velvet box topped with a white bow.
“Here,” her mother said. She took her stool and pushed the box toward Merylee. “He gave me a ring, of course. It was a cheap, dime-store ring because he didn’t want to lose the real one in that crowd. But he also gave me this.” She nodded at Merylee. “Go ahead. I wound it in the other room. Open it. I’m Stephanie, too, you know. That’s why.”
Puzzled, Merylee carefully opened the lid. The tinkling from the music box mirrored the same tune she’d been hearing over the last few days. Stephanie . . . Stevie. That was the singer she’d been trying to place.
“Where did Dad find this?” Merylee cradled the box. Even in her forties, there were so many things she still didn’t know about her parents. And half of the pair was already gone—five years now.
“He never told me,” Stephanie said. “Those friends, Phil and Justine, they were musicians, too, and they played it at our wedding. It was ‘our’ song.”
Suddenly envious, Merylee hugged her mother. “You must really miss Dad. I know I do.”
Stephanie gently detached herself from Merylee. “I’ll be fine. I am fine. I have some rough patches from time to time, but I’m okay.” She patted Merylee’s hand. “It’s you I worry about. Don’t listen to your sister. She’s a landslide waiting to happen.”
Merylee backed out of her mother’s driveway, car windows open to the late August afternoon. Across the street, with his feet propped on a porch railing, a young man noodled on his acoustic guitar. She stopped to listen. This time, the now-familiar tune made her blink back the sudden dampness in her eyes.
A born and raised Minnesotan, Renae Wrich is a lover of hot dishes, lakes, and snuggling up with a good book on a cold winter day. Renae holds a B.A. in English from the University of Minnesota Duluth. She lives in a suburb of Minneapolis with her husband and two children (who love macaroni and cheese). Mac and Cheese, Please, Please, Please is her first book.
Visit her website at www.renaewrich.com to learn more.
She wraps her child
in the old, soft mantle
though the child is
grown into a woman
she has raised
with gentle hands
and tender affection
her daughter shivers
as chill pierces through
holes in the aged fabric
a mother’s excuses
no longer explain
how they came to be
in the first place
through the tight weave
that could never rip.
© Neetu Malik
Why was the book Dune by Frank Herbert so successful?
Most people would probably say world-building. Herbert created a compelling futuristic world of suspensor lamps, stillsuits and blue-eyed spice-drugged Fremen, and in it he placed the unassuming Paul Atreides, the character every one of us, male or female, identifies with. But let’s dig a deeper, let’s “get into the weeds” as one of my professors used to say. I’m talking adjectives here. And yes, Herbert was a master.
“The woman was a witch shadow—hair like matted spiderwebs, hooded ‘round darkness of features, eyes like glittering jewels.”
I LOVE THIS SENTENCE!
“witch shadow”
She’s more than evil, she’s powerful. Or is she? Witches, even in the future, only have the power we give them. So, who gave her power? Ut oh, it turns out his mother did. She mated with his father on command. But it gets worse. His mother disobeyed the witch.
“matted spiderwebs”
This phrase feeds on the first. Spiderwebs hide in corners and under chairs. Nearly transparent, they are easy to miss. These words aren’t about her hairstyle. Herbert is telling us that her web, and his mother’s disobedience, has caught something—and his name is Paul Atreides.
“glittering jewels”
I confess. I stole this phrase. Yup. I used it to describe the eyes of a dragon. It screams EVIL.
Herbert’s wonderful adjectives aren’t limited to his prose. Consider some of the titles of his books:
The Godmakers
I like this one because it plays on the well known “Kingmakers.” I guess things are different in the future. They don’t just make kings, they make gods.
Whipping Star
I’ve got read this book. What the devil is a “Whipping” star?
My husband is an Alabama boy. He grew up on the gulf coast. His senior year, he and three others went stag to homecoming. On the way home they drove down to the beach to park and watch the sun come up. Not yet legal, they nonetheless were well supplied with beer. They popped a few open, loosened their ties, kicked off their shoes . . .
Waves, coming in the open car windows, woke them up. Nope, the car didn’t make it out alive.
Often my adjectives are like the story you just read—painfully predictable. A great book—or a great poem—helps me splash my readers in the face with borrowed gems. I am also learning to link my adjectives as Herbert did with “witch”, “shadow”, and “spider-web”, to create a picture within a picture. We not only know what the woman looks like, we know she is of the dark, moves in the dark, and more dark is coming.
Happy Writing!
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Heat up the holiday with ten dreamy regency rogues!
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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