Holding on. Letting go.
Just met a photographer at a two hour batik/dye class who said she was there because she wanted to push herself creatively in areas where she wasn’t—and couldn’t be—in control. Because she knew she relished and enjoyed the control she exercised over her photographic images—it was aligned with her natural inclinations. And she knew as an artist, she needed to challenge her comfort zone on occasion.
She did watercolor for the same reason. You can’t “fix” a “mistake” with water color. You have to listen to the medium and figure out how to reimagine your vision to work with whatever happened. Which can sometimes mean heading off in new, unexpected and eye-opening directions.
Then some years ago, walking into a group of office crafters—knitting, crochet—it seemed a homogeneous gathering of like-minded souls. But mention the word “felting” and the room divides, half enthusiastic, half appalled. Because for some, knitting is about choice and control of all the variables—patterns, colors, materials, tools and talent. And felting, with its ‘lets-just-toss-that-thing-in-the-washing-machine-and-see-what-happens’ attitude is utterly antithetical to what they do, what they enjoy. Because it’s out of their control. And for others, that’s the point and the fun.
Of course people aren’t all one way or another—they usually have areas where they want and need control, and other areas where they are totally laissez-faire. Though some can be judgemental about another’s excessive (or shocking lack of) control in whatever area they differ on! But I will have to explain the Janci Curve in another post….
Do you have areas that you think are too tightly wrapped and could benefit from some loosening or experimentation? Or areas where you’re a little too experimental and need some focus and discipline?
My answer is…all of the above!
3 0 Read moreTessa Dare asked me to write up a little bit about my favorite workshops from last week’s RWA National Conference in New York. She was going to share my thoughts at the meeting so I could be there “virtually.” Thanks, Tessa! For those of you not at the meeting today, I thought I’d share with you here.
I had three favorite workshops at National this year. The first was called “Buy This Book!” It was a 2-hour role-playing workshop with a mock editorial board. Four volunteers (I got to be one of them, thanks to Marianne Donley!) got to pitch their book to a pretend board made up of an actual editor, two agents, and a published author. Other workshop attendees pretended to be other board members – Director of Marketing, Director of Special Sales, Director of Publicity, etc.
The key is that the volunteer pitching her book had to pretend to be the editor who wanted to acquire it, so you had to present your manuscript and answer questions about it in the third person. One woman presented a manuscript called “Karma is a Bitch” and before she’d finished the entire presentation, agents were already fighting over her! It was fun to watch… but a hard act to follow. 🙂 If this workshop was recorded (and there’s a chance it wasn’t), you should listen to the workshop once the CDs come out. There is a lot to learn about how to present your book to a potential agent or editor, and how to help position your book in the market.
My other favorite workshop was also two hours, “How Do You Mend a Broken Scene?” presented by Roxanne St. Claire. Rocki is an excellent speaker and was very passionate about her topic, but she got personal with her writing so it wasn’t taped and her handout isn’t on the CDs. She handed out five scenes she’s written over the years, a first draft of each and the final draft of each. She also told us the notes she was given from her agent or editor, or notes she’d given herself after reading the scene and knowing something wasn’t quite right.
The notes were on things like “emotional opportunities missed,” “hero is acting unheroic,” and “no additional conflict is introduced” in the scene. Then she read through the new version of the scene highlighting the changes she made. Her point was that sometimes she only had to change a few words here and there, and sometimes she did a complete rewrite of the scene. She was trying to show us how to figure out how much needs to be changed in our own scenes depending on the issue that needs to be addressed. If you can attend Rocki’s workshop sometime, I think you’ll all LOVE it!
I got something out of every workshop I attended, bar one. (That one was because the presenter had an emergency and his replacement *read* the speech.) So I still would give the workshops 100% high marks – they were all GREAT. But I am so glad I attended Anna DeStefano’s “After the Show…Key Things to Do AFTER a Writing Conference.” It seems like the sort of thing a newbie should attend, not most of us. But I was so glad I went! It was on the last day and I was absolutely exhausted by that time.
Anna’s point was – how do we take all this positive energy home with us? We’re all excited to be here with our industry peers, learning and networking, but how can we continue to feel so good about our writing life after we get home and we’re alone with our thoughts? The number one thing is to write as soon as you get home; we all know that. That’s the biggest part of our job. (And something we should apply every time we leave our OCC meeting!)
But she had a lot of other suggestions for keeping up the energy including Twitter hash tags like “amwriting” or “wewrite”, making a list of all the contacts you made at the conference, emailing *each of them* to say it was a pleasure to meet them, creating a To Do list but also a DONE list. We can get overwhelmed with how much there is to do to push our careers ahead; we need to take into account how much we’ve accomplished as well. It will help keep up the positive energy.
Anna suggested other kinds of lists and other small things to do that will help us keep the conference energy going at home, but her point was that we need to STAY POSITIVE in all of our forms of communication. This was a great workshop and one worth listening to when you buy the conference CDs.
This was a great conference and I got a LOT out of it. Going to our national conference is far more practical for becoming a better writer than any of the classes I took in my master’s degree. But if you couldn’t go, buy the CDs and listen to them and take notes and then APPLY THE INFORMATION! I can’t wait to see the next batch of OCC books on the bookshelf!
Kitty Bucholtz is a writer and speaker, and a member of Romance Writers of America and Romance Writers of Australia. She co-founded Routines for Writers, a web site dedicated to helping writers write more, and she recently completed her M.A. in Creative Writing. You can follow Kitty on her web site or on Twitter at @KittyBucholtz.
2 0 Read moreI was one of the 2,000+ attendees at the Romance Writers of America National Conference last week. It was held at the Marriott Marquis Hotel in New York City, and the theme was Bright Lights, Big Stories. That was the saying that appeared on the tote bags we were handed upon registration–filled with the conference’s program, a thumb drive with handouts, a fill-it-in-yourself conference calendar, and lots of books!
I understand that this month’s program at OCC will be a recap of conference highlights. Unfortunately, I’m unlikely to be there, although I’m not sure how much actual information I’d be able to contribute anyway. I spent most of my time networking more than attending workshops or other events. But there’s a lot of value in that, and I’m delighted that I was there. I saw lots of writers I already know and met many more. I spoke with people who buy and promote books professionally and by word of mouth. I went to lunch with industry professionals who affect my career, and attended parties including the ones thrown by Berkley and Harlequin.
One very helpful event was Harlequin’s Digital Day. I obviously blog, and I also belong to Facebook, but I’ve been avoiding Twitter. I took lessons on how to sign up, though. I’ll probably give in and join it one of these days.
Then there was the librarians’ and booksellers’ event, where I networked with some of those pros and distributed handouts for both kinds of my books–my Alpha Force miniseries about covert military shapeshifters, for Harlequin Nocturne, as well as my Pet Rescue Mysteries for Berkley Prime Crime. The Literacy Signing was huge, and I also sold both genres of my books to benefit literacy.
There is a lot going on in our industry, as you undoubtedly know. Smaller publishers and e-publishing are on the rise. Traditional publishers recognize that and seem to be adapting, or at least trying to.
What will the publishing industry be like in one year? Five? No one really knows, although a lot of opinions are being expressed.
Meantime, I’ll keep on writing and try to make sure my career continues to adapt, too! Attending conferences like this one should give me some insights about how to keep it fresh.
As you probably know, the RWA National Conference will be in Anaheim next year–much easier for those of us who live in Southern California to get to. I’ll be there. Will you?
Linda’s Alpha Force miniseries from Harlequin Nocturne continues with GUARDIAN WOLF, an August 2011 release. The Pet Rescue Mysteries spinoff from her Kendra Ballantyne Pet-Sitter mystery series will continue in October 2011 with THE MORE THE TERRIER. And of course, BEAGLEMANIA is still available. Visit Linda at Linda O Johnston
Finally, I can be trendy!
When I’m at a restaurant and the waiter arrives and asks…”Would you prefer sparkling or still mineral water?” I no longer have to be branded as a plebian, one of the unwashed, uncultured and/or possibly just cheap types, as I have in the past (responding with the low-brow…”Actually, tap water is fine, thank you.”)
Now I can say, “Thank you, but I prefer local water.”
I can even give them the hairy eyeball for suggesting any right thinking human would insist on importing their water, complete with non-bio-degradable plastic or costly glass not to mention the diesel/gas costs for lugging the tonnage from whatever pure-sounding, exotic, or just plain expensively packaged product to my table.
I mean really! When fresh, local water is available (free of charge, I might add) bubbling from a tap RIGHT THERE in the restaurant. Their own private and locally grown pipe-fed spring. It doesn’t get much more local than that!
And filled with locally grown minerals and other nutrients, each local water has its own individual and unique bouquet. That’s what local is all about, isn’t it?
(Add in as much of the rest of the pro-local verbiage as you choose).
Take my word for it, you are definitely on the moral high ground here.
Drink up!
2 0 Read moreA Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
How desperate do you have to be, to break your marriage vows?
More info →Before Dr. Eric King was with Kyla, he chased Olivia Bennett.
More info →Karma is a good judge of character, and you my friend, are screwed
More info →New Moon Beach is a charmed hamlet by the sea. But when Olivia Merriman returns home from college to open her dream shop, Mystique Creations, the entire town erupts in magical chaos.
More info →Gabriella Townsend is by all definition a "Good Girl." Her life is about to change.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Copyright ©2017 A Slice of Orange. All Rights Reserved. ~PROUDLY POWERED BY WORDPRESS ~ CREATED BY ISHYOBOY.COM