Linda O. Johnston: June Featured Author
June 1, 2018 by Linda O. Johnston in category Featured Author of the Month tagged as dogs, Featured Author of the Month, Linda O Johnston, mysteries, Pets, Suspense
Linda O. Johnston
Linda O Johnston started publishing fiction with a series of short stories for Ellery Queen’s Mystery Magazine. The fist story, “Different Drummers” won the Robert L. Fish Memorial Award for best first mystery short story in 1988.
Her first novel published in 1995, A Glimpse of Forever was a time travel romance for Love Spell. Since then she has written over 40 novels . . . mysteries, paranormal romance, romantic suspense and more.
Pets and especially dogs frequently show up in Linda’s novels. She has written for Berkley Prime Crime, The Kendra Ballantyne Pet-Sitter Mysteries, which was a spin-off of the Pet Rescue Mysteries and for Midnight Ink The Superstition Mysteries.
She is currently writing three different series. Her most current releases are Pick and Chews, the fourth Barkery & Biscuits Mystery from Midnight Ink, Second Chance Soldier, in the K-9 Ranch Rescue series for Harlequin Romantic Suspense and Protector Wolf, a paranormal romance for Harlequin Nocturne.
In addition to blogging for A Slice of Orange on the 6th of every month, Linda blogs at Killer Hobbies, Killer Characters, the Midnight Ink authors blog, and Writerspace.
Linda enjoys hearing from readers. Visit her website at www.LindaOJohnston.com or friend her on Facebook.
Dear Extra Squeeze Team, I Finished My Book, Now What?
May 31, 2018 by The Extra Squeeze in category The Extra Squeeze by The Extra Squeeze Team tagged as publishing. marketing, writing
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
After thirty-five published novels (and a few that are still under the bed) the best advice I can give an author is to step away from the book. Leave the house and do something physical for a few days. Play tennis, jog, or get a massage. When your body is energized, so is your mind. You have also now made a break with your creative responsibilities and are ready to tackle your administrative one. Here are the next steps that I think are critical. These steps will make it easy for readers to sign up for your mailing list and help you get reviews – the two most critical things for successful marketing.
- Construct your front and back matter. This will include:
- Carefully worded reviews request linked to relevant bookstore (front and back)
- Links to your website, BookBub and Amazon page follows. (back)
- Information on your lead magnet with a link to your sign up page (front and back)
- Backlist with title, one line blurb and a few books covers (can be front and back) If you have a zillion, limit to ten and then offer a link ‘for other works by this author’
- Short author bio (back)
- Check every link to make sure they are live and go to the right place.
- Reread the entire book including all the additions to catch last minute mistakes.
- Publish the book.
- Wait a few days before aggressively marketing so that the book establishes itself within the Amazon algorithms.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
That depends! Do you want to self-publish or try the traditional route?
Whichever you choose, it is worth getting someone you trust (and who is supportive) to read it through for basic errors at this stage, if you haven’t already. If you plan to self-publish, find an editor or proofreader to clean up the final draft. Next, you’ll need to choose your distributor, a formatter and a cover designer. It is possible to format e-books and paperbacks yourself (and really not that difficult) but learning anything new takes time. Choose your cover designer carefully (!) and make sure you communicate exactly what you want to them as clearly as possible. Again, it’s possible to do a cover yourself (I did – do!), but I would recommend first looking at your online competition and honestly questioning whether you can create something that meets those standards (this sounds soooo harsh, but unfortunately so is the bookselling world).
Both your formatter and cover artist will need to know which distributor you are publishing through. There are quite a few choices out there, but beware that the more you use, the more complicated updating each version of your book will become, because you will have to upload it to each distributor each time! I currently use KDP, Smashwords, Createspace and sometimes Google, but I wouldn’t want any more distributors than that.
If you decide to go the traditional route, then my advice has to be based on the experiences of two friends who write non-fiction. Both of them had to try several agents before they found a good one to represent them, and both already had significant success in the journalistic and broadcasting world (a background you don’t need in self publishing!), which helped them achieve good publishing deals.
Finding the right agent was what really landed them the deal to provide the income they needed. Their previous agents were happy to take them on, but in both cases the agents did very little work in promoting their books to the publishers.
Alternatively, you can go directly to publishers (depending on who they are). Remember that publishers are looking for something and someone they can sell and make lots of money from, so you need to present them with a good investment opportunity. Therefore, consider everything about yourself that might reassure a publisher you are a ‘safe bet’, and also consider how large a market your book might have. Choose your publishers and/or agents carefully. Research them. Make sure they will put in the same effort to promote your work that you would if you were self-published.
Good luck!
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
Fine. El Fin. La Fin. Fund.
You’ve typed The End. An amazing accomplishment. An awesome accomplishment. Awesome by both hipster-speak and actual definition!
But you’re not finished.
You’ve invested untold hours, sweated buckets of emotion and given a piece of yourself to the story. Next step is to protect your investment: have the manuscript edited. What type of edit is up to you. It’s time for some harsh and honest self-analysis.
If you are not completely confident that the book will read as well to the public as it does to your ears, arrange a content edit. At the very least get an Editorial Assessment. Then act on that advice from a neutral party. Finessing and polishing a completed manuscript is – and always has been – a part of the process.
If you are certain every detail is consistent and every word is worthwhile and imminently readable, and you’re sure your premise, characters, action, story arc are all as strong as they should be, then hire a professional editor for a line edit. Last line of defense is to have the manuscript proofread. If the product you present the world is rife with misspellings, typos, ungainly sentence structure etc. it will not sell. Unless you offer a clean manuscript it won’t matter what marketing effort you invest; you won’t get the positive response needed to make an indie book stand taller than the millions of competing books in the Indie forest.
When you are 100% confident that your book is as perfect as you can make it then it’s time to get your production ducks in a row.
Cover designer
Formatter
ISBN number
Front and back matter
Marketing (a nifty one word concept that sums up volumes of effort)
Fortunately, The Extra Squeeze features two brilliant published authors and one outstanding PR/Marketing guru. Their experience and guidance will speak to marketing strategies much better than I can. There is a trove of support available on line – a lot of it for free. From Shewrites.com to Mark Dawson’s selfpublishingformula.com, the resources are there if you seek them out and take the effort to implement.
Remember, the product you offer to the reading public, the product that represents everything about you as a writer, the product that will make you new friends by the hundreds (aka fans) – and not a disappointment that will manifest itself as bad reviews and no sales and a stinky digital reputation that never really disappears – must be polished, professional and perfect.
From the time you type the first The End to when you’ve got your marketing efforts in place, your investment will be gigantic. Don’t squander your investment. Have your manuscript edited before it ever sees the light of day. A pitch perfect product is your best first step.
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
There is a rumor that Robin has gone fishing. Where ever she is, we’re pretty sure she’s wearing her tin star.
Send us your questions!
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Kitty Bucholtz May Featured Author
May 28, 2018 by Kitty Bucholtz in category Featured Author of the Month tagged as Kitty Bucholtz, romantic comedy, superheroes
The Featured Author of the Month is Kitty Bucholtz.
Kitty grew up in Northern Michigan, so naturally she uses that area as the setting for most of her stories. She went to college in Traverse City, met and married the love of her life, and waved goodbye to everything she knew when she and her husband John struck out for parts unknown.
Their adventures included going back to school, changing careers, and traveling Down Under. They spent three years in Sydney, Australia, where Kitty earned her Master of Arts in Creative Writing degree from University of Technology, Sydney, while John made a penguin named Mumble dance. Only God knows where they’ll wind up next – but they’re pretty sure it will be another cool chapter in their adventure!
Kitty decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. She writes romantic comedy and superhero urban fantasy, often with an inspirational element woven in. She loves to teach and offer advice to writers through her WRITE NOW! Workshop courses and the new WRITE NOW! Workshop Podcast.
For more information on Kitty, please visit her website http://kittybucholtz.com/
BOOK REVIEW: Beyond Control by Kat Martin
May 27, 2018 by A Slice of Orange in category Book Reviews by Veronica Jorge, Things That Make Me Go Mmmrrh . . . by Geralyn Corcillo tagged as Afghanistan, bestseller, Beyond Control, books, domestic abuse, Kat Martin, marines, military, new release, novel, novels, on the run, ranch, romance, stallion, Suspense, Texas, thrillerBeyond Control by Kat Martin
When Victoria Bradford got engaged, she told herself to give love a chance. Six months later, she’s on the run from her angry, abusive ex-fiancé with her four-year-old daughter and nowhere to go.
Seventy miles north of Dallas, the Iron River Ranch is pretty much nowhere. That’s what its new owner, Josh Cain, wanted when he came back from Afghanistan. Big skies, quiet nights, no trouble.
One look tells Josh the pretty redhead with the adorable little girl will give him trouble of the most personal kind. But he’s seen trouble before, and he doesn’t scare easy. Not when “accidents” start happening around the ranch. Not when Tory’s best friend back in Phoenix is abducted and brutalized. Not even when it looks like their current problems are only the tip of the iceberg.
But if he gets too close to fierce, determined Tory, Josh knows his nights are going to be anything but quiet. And that’s one possibility no amount of training can prepare him for . . .
In this book, Kat Martin weaves together compelling characters and well-crafted plots, all to culminate in a thrilling, immensely satisfying ending.
When Josh Cain meets Tory Ford (aka Victoria Bradford), he quite likes her fiery red hair and cute behind. But that’s after we’ve already seen Tory’s true worth: her strength and courage shine through in the opening scene when she stands up to her monster of a fiancé Damon, a man who believes he owns Tory lock, stock, and barrel. Tory survives his nearly fatal beating, escapes, and keeps on surviving.
Once she gets to the Iron River Ranch, the attraction between Tory and Josh simmers and sizzles. We get heart-wrenching and thought-provoking glimpses into Josh’s heroic military career, a career that haunts him… in more ways than one. We meet the tough and charming Clara Thompson, the baby-sitting neighbor who can be trusted to the hills and back. We get to know the eminently likable Cole and Noah, former marines who work on Josh’s ranch. And we are introduced to Satan’s Star, a troubled stallion who has suffered, like Tory, at the hands of an abusive man.
But this warm, romantic, and exciting story becomes chilling as chapters from Damon’s POV begin creeping in as he hunts for Tory. He beats women, rapes women, and kills with abandon. When Damon gleefully and arrogantly kidnaps and rapes one of his victims, this scene is intercut with the sexual culmination of the flirtation between Tory and Josh. While the juxtaposition of sickening brutality with incandescent romance is viscerally disturbing, it is also ingenious in how it undercuts the romance, shifting the focus of the book away from the relationship between Tory and Josh and onto the battles both are facing as they try to elude and conquer the bad guys in their lives. The lovers must stop the villains and the story kicks into hyper-drive.
Josh’s friends and family circle around Josh and Tory, helping them both ward off and fight the evil blasting at them from all directions. The camaraderie is heartwarming; the suspense is so compelling it will have you flipping pages with the speed of a stallion.
And the ending? It is breath-taking, comprised of brilliance and absolute perfection in the narrative. And even to hint at it would be to do this tightly woven story a disservice.
Beyond Control is available in two days, on May 29. Happy reading! Pre-Order here.
Geralyn Corcillo is not only an avid and eclectic reader, but she is also the author of romantic comedy and women’s fiction novels, novellas, and short stories. Drop her a line– she loves to connect with readers on Facebook and Twitter!
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0 2 Read moreCriticism: Big Girl Panties for Ruth by Jenny Jensen
May 25, 2018 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as constructive criticism, critiques, Editors, Jenny Jensen, writers
Criticism: Big Girl Panties for Ruth
Or How to Take It on the Chin and Grow
I attended an author’s chat the other day at our local library. It’s always fun to hear an author talk about their craft— especially if you like their books. The bonus is mingling with other attendees. Who among us doesn’t enjoy chatting with fellow book lovers? I found myself in conversation with two women, each funny, gracious and interesting. When talk got to the inevitable “so what do you do?” I learned Kit was a nurse and Ruth, a writer. I added that I’m an editor and while Kit smiled acknowledgment, Ruth scowled.
Ten minutes later—after Kit had smiled apologetically and bowed out—I’d learned all about Ruth’s experience with editors. “They call themselves editors, but they’re really just critics. They couldn’t even follow the story, let alone the subtext. They’re just mean, simple-minded wannabe writers” and so forth. Yowza! I’d never encountered that before. I know a lot of editors, and none of them fit that bill. Best to just nod and try to look sympathetic while keeping an eye peeled for a graceful escape. Ruth had either met the world’s worst editors, or she’s simply unable to handle criticism. I suspect the latter.
Writing is hard, solitary work. It’s just you creating in a vacuum. Writing requires hours of reading, writing and revising, searching for just the right words to make a character live and breathe, the perfect plot twist, the right feel. Writing writing writing, and then hours of revision. The whole blood, sweat and tears combo. Then there’s the criticism; every writer has to face it if they want to share their work outside that creative vacuum.
It can be a hard pill to swallow. I know. I’ve been singed by some very savvy, very critical edits. Hard to have your heart and soul — not to mention all that BS&T—picked to pieces by others. But like mammograms, taxes and dirty diapers, it has to be faced.
As an editor, I’m really loath to offer a ‘critique’. That word has such baggage. If words have color, then criticism is a red-tinged pulsating mash-up of bruised blue and black. I prefer to think of what I do as editorial assessment, or an overview. (Words really are powerful, aren’t they?!) But no matter how I spin it, it comes down to criticism.
Criticism is like cholesterol; there’s the good kind and the bad kind. The LDL kind, the bad kind, is empty criticism. “ I don’t like it”, “Flimsy and transparent” or “I don’t get it”. My favorite being, “yeah, I read it. Interesting”. Ouch! Then there is the polite, painless approach: “Very nice!” What could that possibly mean?
Constructive criticism is HDL cholesterol, good for every writer’s circulation. Good criticism points out pitfalls and weaknesses, but it also explains why they are pitfalls and weaknesses. It sheds light on why it doesn’t work. Really good, healthy criticism offers solutions. I never expect an author to accept a solution I offer (and most don’t, they find their own). I offer it as a straw man—something to consider, breakdown, reject and replace with a better approach because suggesting a substitute shows the author the problem needing a solution. It’s because a writer creates in isolation that they can’t always hear a misstep. I’m guessing Ruth’s missed subtext was so sub it wasn’t there. Point this out to a writer and the light bulb goes on; they revise, and the story is stronger.
How should you, as a writer, react to criticism? You wrote it, you shared it—you must learn to account for it. How do your words strike people? Did the reader see nothing where you intended a scene to be revealing or suggestive, and so the story is confusing? You can’t dismiss the reader as thick, dense or stupid. You have to look at your words and consider improvement because clearly, those words didn’t do the job you had intended. Whether it’s a missed plot point or character motivation that can’t be seen, maybe it isn’t on the page; it’s still in your head. Revise, rewrite. Listen to the audience your words are intended for. The best writers respect their readers. Your work will only get better.
A good editing critique helps you identify weaknesses. Don’t take it personally. Constructive criticism is useful precisely because it isn’t personal. Your BFF is unwilling to risk a response that might be hurtful, but is that what a writer needs?
Writing’s about kicking doubt in the ass and shoving him out the door. Editing’s about inviting him back in for tea and scrutiny. *
I wish Ruth had invited her editor back in.
*from @novelicious, that magical twitter feed that is double chocolate for every writer’s sweet tooth.
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