Many years ago I dreamed up a prissy, meticulously neat, rigidly moral, character called Rebecca Howard.
Rebecca demands order at work, at home, even in her religion. A devout Catholic, she stands, sits and kneels precisely on cue. When Rebecca encounters her free living neighbor, an opera singer wannbe, her life becomes decidedly messy. She finds herself laughing—and living, again. But with all this life, this realness, the painful memories of the death of her one and only love return—and Rebecca doesn’t want to remember.
Liking the premise, I wrote the opening scene. But my critique group hated it. Earlier this week I reread the scene. I still like it. So, I’m asking you, my blog readers, to tell me what you think. A simple “thumbs up” or “thumbs down” in the comment section would be great. Thanks.
Forty-two year old Rebecca Howard had fifteen hats artistically arranged on an antique bookcase in her living room. She had seen such a display in a recent issue of Martha Steward Living. Rebecca Howard had exceedingly good taste, which was of course to say that she was adept at conforming to whatever the current fashion happened to be—in this case, hats. They were really quite beautiful. One was a sunbonnet. The kind your sweet grandmother might have worn as she skipped through a meadow of buttercups in the Spring of 1921 while hunting for the errant blueberry to bake in a muffin.
Every morning Rebecca woke to the annoying sound of a digital alarm clock she had purchased twenty-two years ago. But this morning, the heinous thing did not buzz. Indeed, it was never to buzz again. And no one, especially not Rebecca Howard, ever inquired why.
Instead Rebecca woke—seventy-six minutes late—to the sound of music, stunningly beautiful music, the notes of which floated on the air as if they had wings. Entranced, she rose and silently slid open her balcony door. For a moment she let herself breathe the melody.
Her apartment’s balcony jutted up against her neighbor’s. Since the day Rebecca had moved in, the apartment next door had been empty. So Rebecca had never created a screen between her balcony and her neighbor’s. Two doors down, Martha Hughes had isolated her outdoor space with a grouping of potted cacti. Next door to Rebecca, on her right, Harper Creech had hung a mural hand-painted by the mountain people of Peru, but to her left Rebecca had—nothing. So when at last she opened her eyes, she had an unobstructed view of the back of a young man, perhaps twenty-four, tall, slender, standing on the balcony next door, greeting the morning with song, butt-naked.
“Ahhh!” she cried out.
Unfortunately this caused the young man to turn around.
Please Vote and . . .
Happy Writing,
Kidd
Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
You can read Kidd’s monthly column, Infused with Meaning, here on the 25th of every month. More information about Kidd is found on her website, make sure you take the time to read her “about me” section.
Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
You can read Kidd’s monthly column, Infused with Meaning, here on the 25th of every month. More information about Kidd is found on her website, make sure you take the time to read her “about me” section.
Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
You can read Kidd’s monthly column, Infused with Meaning, here on the 25th of every month. More information about Kidd is found on her website, make sure you take the time to read her “about me” section.
You’ve been there. Writing as fast as you can type, scared that you won’t be able to get all that fantastic dialogue currently flooding your mind, down on the paper before it slips away. You are IN THE ZONE.
I remember a summer day when I was writing in my dining room, every word an effort, the scene falling flat. I’d been at it for hours. I kept thinking, “If I just sit here and keep working it will come.” Eventually, I got up, went into the kitchen and began washing dishes. That’s when I saw him. He darted around the corner. Then I heard him speaking in my mind, as clear as if he was standing next to me. I dried my hands and returned to write one of the best chapters I’ve ever created, personally dictated to me, by a wonderful little boy—my protagonist.
But how do I get into the zone reliably, every day?
Truthfully, I don’t get in the zone every day. But I do get there often. Here are my two best strategies.
First, I speak—out loud—with the voice of my character. When my character is sad, I cry. When she is angry, I rage at full volume. When she is lonely, I ache. When she is afraid, I run for my life—literally. I run through the house, up the stairs, and hide in the closet. I feel what my character feels, I do—as much as possible—what my character would do. I become her.
Once I woke in the night. Earlier that day I had been crafting a short story about a young woman who was hunted by a demon. As I typed the scene I had just dreamed, I began to see moving shadows in the dark room. I hadn’t turned on any lights because I didn’t want to wake my husband. As I worked, the fear within me built to such a level that my trembling fingers kept typing the wrong letters. When I finally got the last words down, I hurriedly fled back to bed and woke my husband. “Tell me it’s not real,” I said. He put his arms around me. “Have you been writing again?”
When the zone happens, I typically write in first person regardless of the POV the story eventually will have. I do this to capture the character and the emotions I am feeling. Once down on the page I can easily shift into another POV.
My second technique is music—and dancing. I deliberately chose a piece of music to play when I begin a new story. Whenever I open that file on my computer, I also play the music. This helps me ground myself in the world of my character. However, music alone is typically not enough to get me in the zone. I must also dance—the wilder the better.
Happy Writing!
Kidd Wadsworth
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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