***
Utter disappointment at Monroe’s no-show didn’t describe Mary’s mood. She regarded the footholds carved in the reddish stone and sighed to realize he wasn’t coming.
The debate to press forward without him took but a few moments. She shouldered her Nikon digital SLR and exhaled a deep breath. “Make sure I don’t touch the petroglyphs,” she said, needing the sound of her voice to summon courage.
With the rock surface pitched inward at thirty degrees, the climb was easier than expected. Good thing heights don’t bother me.
She pulled herself up and knelt on the edge of the flat peak roughly eighteen to twenty feet in diameter, shivering in the stiff breeze. The four-foot-tall monument of smooth reddish stone jutted from the peak’s center.
Mary’s first impression was its perfect cylindrical shape. She estimated its circumference at roughly ten-feet. The characters on its unmarred surface encircled the stone in a straight line. Unlike primitive animals and shapes typical of petroglyphs throughout the state, these had the complexity of ancient runes or hieroglyphics.
She carefully circled the outer edge of the rim to view all sides of the cylindrical stone, taking pictures and making notes as she went. A glint caught her eye from rocky gravel piled several inches high around the monument’s base. She got on her knees to squint. A fragment of a different marking peeked from beneath the pebbles.
Mary crawled closer until she was a foot from the monument. To prevent her fingers from touching it, she used the notebook to scrape away the gravel and expose what appeared to be a humanlike stick figure. She scuffed more pebbles to uncover a second alongside it. Then a third. She unearthed fifteen figures before it ended.
One etching per known person who disappeared. Monroe’s grandmother was right. Excited at discovering new evidence, she squatted to take pictures.
Leaning forward for a close up, a loose rock wobbled beneath her boot, and she lost balance. The momentum pitched her forward—until her palms slapped against the etchings. Retracting her hands as if burned, Mary slowly backpedaled toward the peak’s edge with a sickening sensation burbling in her gut.
The petroglyphs glowed with a silver light. Mary sank to her knees when the sky and surroundings darkened like a full eclipse. Get off the peak, her mind screamed. She scrambled to find the footholds when a gale-like wind pushed her away from the edge. Loose pebbles flailed her body. The wind shifted from different directions, carrying many ethereal voices chanting in an ancient native tongue. A funnel of dust corkscrewed above the monument. The tornadic spiral rose skyward.
“No, no,” Mary shrieked. “I didn’t mean to. I tripped. I’m sorry. It was an accident.”
She jerked when an invisible force clamped around her body and pulled her toward the monument. Prickles of static danced on her skin. Dust melded with her tears to form muddy rivulets on her cheeks. “Please don’t take me,” she wailed.
Suddenly, a strong male voice behind her sang in a native dialect. The song rose and fell in timbre. The static prickling lessened. The winds abated. A few moments later, the invisible force released her body.
She collapsed in a heap, choking. Dizzy and nauseous, she vomited until nothing but bile drooled from her lips. Strong hands gently helped her to a sitting position. John Monroe’s face appeared when her vision cleared. Mary fell against his chest and bawled like a terrified child.
“I’m sorry,” she wailed between gasping hiccups. “I didn’t mean to touch it.”
“Easy now,” Monroe comforted. “It’s over now. Just breathe.”
Monroe rocked her until she cried it out. He handed Mary a handkerchief when she lifted her head.
She blew her nose. “I should have waited, but I didn’t think you were coming.”
“I was held up by slow-moving campers on the way here. Let’s get off this rock.”
Monroe went first, staying two footholds below while Mary descended on wobbly legs. He handed her a water bottle when they reached the ground.
“That song of yours,” Mary said. “What was it?”
“A little native prayer my grandmother taught me should I ever find myself at odds with spirits.”
“Do all guides know it?”
“I doubt it. Most of them are younger and don’t care much for the old ways.”
“It saved my life.” Mary honked again into the damp handkerchief. “Your grandmother was right. There are fifteen stick people etched on the rock. I almost became number sixteen.” She dabbed her eyes. “What would have happened to me?”
“The legend claims the life essence becomes one with the winds.”
My soul scattered to the four winds. She swallowed hard. “Is there any clue to who carved the petroglyphs?”
Monroe shook his head. “There are some out-of-the-box thinkers who theorize it may have otherworldly roots from before mankind walked these lands.”
Alien or not, the petroglyphs of Four Winds Butte contained a sinister, lethal power.
Monroe scrutinized lengthening shadows. “We’ve got a good hour hike down to my jeep. We should get back before dark.”
After stashing their gear, Mary climbed into the jeep’s passenger seat, still quivering from shock.
Before starting the engine, Monroe turned to her. “You understand now why we don’t allow people there. You were very lucky. So, I’d like to ask a favor.”
Mary lowered her head with shame and remorse. “Yes. Anything.”
“If you publish what you’ve experienced here, it will likely renew attraction of other adventure seekers. I don’t think you want their possible disappearances hanging on your conscious. I know of few other petroglyphs hidden from view, and not well known. Nothing as dangerous as Four Winds, but have stories of their own, some of them quite unique. How about you redirect your studies to that.”
Mary swallowed. If Professor Wilkins learned of her transgression and near fatal result, he’d probably kick her out of the master’s program. “Can we—keep what happened between us?”
“Deal.” Monroe patted her arm. “I think you’re going to be pleased with Three Hands Chasm.” He winked. “No curses. I promise.”
The year 1905
Sam Buchanan and Jack Smalley tied their mules to a bush at the base of a tall butte.
“Hey, Sammy,” Jack asked out of breath. “Can I bum some of your tobacco?”
Sam finished wiping his brow in the high elevation sun and tossed him a palm-sized leather pouch. “All I got. Nearest provision is several days’ ride from here.”
Jack rolled a cigarette the length of his pinky finger and went into a coughing fit after the first drag. He took in the valley floor thousands of feet below. “Why are we here again?”
Sam looked upward. “Heard from an old Indian the top of this rock is a holy place. Sometimes the natives leave offerings. Precious stones. Maybe some gold too. We could use it for a new grub stake.”
“Damned thing must be two-hundred feet or more straight up. I ain’t no mountaineer.”
Sam walked several yards along the base and stopped at a clump of scrub bushes. He pushed aside dry thorny branches to find footholds leading upward. “Just like he said. Come on. Day is wasting.”
Jack took a final drag and tossed the cigarette butt to the wind. “Better be worth it.”
The butte sloped inward, which made it like climbing a ladder. They pulled themselves onto a flat, pebble-strewn peak about six yards in diameter. Jutting in the center was a circular, chest-high stone monument etched with Indian symbols wrapped around its circumference. A bed of loose stones buried the lower quarter.
They both inhaled lungs full of air in disappointment to find nothing else. Jack spit off the rim. “Looks like that ole injun spun a tall tale.”
Sam ambled toward the petroglyphs for a closer look. He crouched to brush aside stones banked along its base. “Nothin.” He staggered to his feet and kicked the stone monument.
The wind suddenly shifted and blew from the south. In the span of several heartbeats, it shifted again, this time from the east, then from the north a few moments later. It changed again and gusted from the west. A ghostly whisper of many voices chanted in a native language.
“What in tarnation?” Sam spun about in search of its source.
Jack scrambled over the edge. “I’m gettin outta here.” With his boots on the top two footholds, he froze when the sky darkened. The winds gusted in a circle, drawing dust and pebbles in a cyclonic spin. Sam’s body went rigid.
A dust devil whirlwind formed above the monument. “Sam. Get away from that stone,” Jack shouted. The vortex twisted skyward.
Terrified and partially blinded by grit, Jack clambered down, frantically feeling for footholds. He almost made it but lost his footing and tumbled down the angled wall.
The year 2015
Mary Aguilera propped her backpack against a rock at the base of Four Winds Butte. Butterflies tickled inside her tummy when she studied a posted warning with bold red letters in all caps. “Dangerous area susceptible to sudden high winds.” A smaller sign beside it bore the Bureau of Land Management symbol. “No Trespassing. Protected Native American Heritage Site. Permit required to access from the Western Shoshone Tribal Council.”
She sat on a boulder to catch her breath. Though born and raised in Denver, living four years at sea level to get her psychology degree from UCLA killed her elevation tolerance at eight-thousand feet, with another couple hundred to reach the top.
“Where are you?” she muttered, impatient that her guide hadn’t shown up yet. With nothing else to do but wait, she let her mind drift to her master’s thesis progress at the University of Nevada Las Vegas.
***
Mary, fascinated by paranormal legends, found Nevada was considered second or third of the most haunted states in the country fostered by the plethora of ghost towns. Most of its reputation centered on the many deserted mining sites, abandoned graveyards, and hotels dating to the early twentieth-century gold rush.
The popular haunting histories had been written about Ad Infinitum. But mysteries behind the paranormal legends of local Native Americans were passed down by word of mouth and remained elusive through the generations. Mary decided to direct her research to a unique, little-known subject by exploring the origins of such tales and how the stories changed over time. To do that, she’d need some advice from her graduate school mentor, Professor Peter Wilkins.
“You might consider western Native American petroglyphs,” Wilkins said.
“Cave man drawings?” she asked.
“Not caves,” Professor Wilkins chuckled. “Drawn figures or etchings on cliffs or stone ledges.”
“But still. Aren’t petroglyphs basically primitive rock art. Stick figure animals and such? Where’s the paranormal connection?”
“Some are quite old, a few dating back thousands of years and believed to be a direct conduit to the spirits.”
Mary took the next few days to research it. Most petroglyphs proved her doubts that most were simple pictographs and already well documented. About to give up and reconsider a new thesis subject, her eye caught an obscure footnote referencing a little-known petroglyph monument Native Americans called Four Winds Butte, located in the remote uninhabited ranges of East-Central Nevada.
Its discovery began with a 1905 prospector who wandered into a mining camp after days of hiking with a bloody cloth wrapped around his head. He collapsed on the ground and began ranting of a native curse that killed his partner before dying on the spot from his injuries. No one paid much heed to it until the early sixties, when a naturist hippie couple stumbled onto the site and disappeared. The only evidence left behind was backpacks and camping gear scattered in a chasm thousands of feet below the ridge.
The BLM declared the site off-limits after the local tribal council took umbrage of any non-natives trespassing on a sacred place. Still, it didn’t stop the occasional curious hiker from climbing to see the petroglyphs, only to vanish like the others. The last interloper to disappear was over a decade ago. Including the prospector from over a century ago, fifteen people disappeared in total.
Bingo.
Professor Wilkins hemmed and hawed when she mentioned Four Winds Butte. “I’ve heard of the monument. Given the history of disappearances, approval to visit the butte requires a permit from the BLM and the tribal council whose land it’s located.”
“So, it’s possible to get approval?”
Wilkins sighed. “I doubt you’ll get it. But I know how dogged you are when you set your mind to it.” He flipped through a personal address book, then penned a name and phone number on a sheet of paper. “This a retired BLM agent I got to know years ago. He also happens to be a member of the Newe Western Shoshone.”
Mary gushed with excitement. “He’ll help me get access?”
“I wouldn’t count on it. But he’s been to the site several times and will be the best source of information.”
Mary arrived a couple weeks later at John ‘Redfeather’ Monroe’s office in a brown paint-peeling double-wide where he volunteered on the edge of a wilderness area. She wrinkled her nose at the pervasive presence of desert dust and metallic taste of Monroe’s rusting file cabinets.
Monroe scratched an ear and set aside Professor Wilkins recommendation. “Pete must either be jerking your chain or thinks you’re something special.”
“I’m hoping the latter.” Mary recited her notes to verify accuracy. “According to archived data you provided the BLM, the monument is estimated to be at least three thousand years old, but the patterned lines and shapes are more complex than simple pictographs. Do you think it’s a language of some kind?”
“There isn’t anything in the form of a native written language, especially that far back in time.”
“What can you tell me about the origins of the curse?”
He scratched the stubble on his chin. “I was a lad when my grandmother told me a story of powerful wind spirits who resided inside the butte and took offense of anyone who defiled the land.”
“Like those who disappeared.”
“Our elders assume most who are ‘not of the people’ to be disrespectful of the land.”
Ouch. “Did your grandmother say anything about who created these complex petroglyphs? A particular time or inciting event that led to a spiritual presence?”
Monroe smiled. “Now therein lies a fundamental difference of interpretation. To you, a spiritual presence is believed grounded by historical events. To us, the land fosters the spirits, not a specific incident.”
“Was there any legend passed down of others who disappeared before the prospector in 1905?”
“Possibly, but I think if so, the stories would certainly survive through the generations as a warning to the peoples. It’s only speculation, but we think the prospector was the first non-native to enact the curse. All the subsequent disappearances left no smoking gun as to what they saw. We can only assume they suffered a similar fate.”
Non-natives. “I’ve read varying hypothesis of what became of them, the more popular one being their bodies torn apart and scattered to the four winds.”
Monroe pursed his lips in thought a moment. “That may be true. Any bodily remains would likely disappear beneath desert sand, if not eaten by wildlife first, leaving only nondegradable items as evidence.”
Gross. Mary scribbled in her notebook. “You mentioned non-natives, or those ‘not of the people.’ Dr. Wilkins said you and others of the local tribes have been on the butte a few times. Have any your people touched the monument?”
“Shamans were known for many generations to climb there and honor the wind spirits. Not so much anymore. I doubt anyone has been up there in recent years.”
“Most of what we know of the site is based on your accounts.” Mary tapped the tip of her pen on her lip. “Have you—placed your hands on the monument?”
“As part of my work with the BLM, I volunteered to take pictures and sketch the symbols. But I never touched the monument itself.” He chuckled with a wink. “I’m only part Shoshoni. European blood has diluted my heritage, so I didn’t care to test the theory.”
“But you believe the curse is real.”
“Most of what I know came from my maternal grandmother, passed down through the generations. Embellishments tend to taint a story over time, but the evidence strongly suggests that something haunts the butte.”
“Anything else you can share?”
He scratched his chin in thought. “Well, it’s not common knowledge, but when my grandmother spoke of the curse, the legend claimed a new petroglyph etching would appear on the stone monument representing a soul taken by the wind spirits.”
That’s new information.
Monroe opened a drawer, extracted a moth-eaten folder, and spread photographs of the monument on his desk. “When I compare archived photos against pictures I took when I went there, I didn’t see any additional etchings.”
Like the archived photos she’d studied earlier, these were somewhat blurry, as if slightly out of focus. “These the best pictures you have?”
“Unfortunately, yes. After the last person disappeared, the BLM had a couple of scientists scan the butte for anything unusual. They weren’t permitted beyond the base for safety reasons, but they registered a strong electromagnetic field emanating from the peak above, which may have affected the quality of the negatives.”
A factor straight out of an episode of The Twilight Zone. “As part of my research, would it be possible to visit the site to get a first-hand impression? See if new digital photos are affected?”
“You need a permit from both the Shoshone tribal council and BLM. You’ll have to hire a qualified native guide to supervise, and they won’t let you climb to the monument itself.”
That wasn’t going to yield much of a perspective. Unless – “You wouldn’t happen to be qualified, would you?”
Monroe palm washed his face and chuckled. “Pete warned me you’d probably ask that.” He stared in thought out the only window opaqued by crusted dust. “Damn you, Pete. You owe me for this,” he mumbled. He extended his hand. “Next week Tuesday, pending permit approval. Meet me at the base of the butte .”
It began with a small door in an upstairs bedroom of a Cape Cod house in central Pennsylvania. Although Jacque Day Pallone had lived in the house for a number of years, neither she nor her husband had ever opened the door, assuming it led only into a small crawlspace. That got her to thinking what else it might lead to—if imagination were mixed in.
Jacque is one of five members of a small tribe of writers who called themselves The Hive, a spin-off of the Pennsylvania Horror Writers Association. Formed during the early days of the pandemic, the Hive members write primarily dark fiction. They embraced Jacque’s story idea, and Hive mate Cathy Jordan suggested the group use it as an anthology theme. Each Hive member contributed a story, and they called for other writers of dark fiction to submit.
This month, That Darkened Doorstep will be released by Sunbury Press. All of the stories touch on the detail of an unopened door and the consequences that might lie beyond it.
Between the anthology’s covers, you’ll find Jacque’s story, “Seeking a Good Woman,” Cathy’s story, “Lonely Is the Desperate Heart,” and 18 others, including one by Louisa May Alcott, “The Mummy’s Curse.”
The list includes a tale about a camping trailer with a mind of its own; a hard-luck woman who’s unstrung by her mother’s death; a house with a haunted history; a remote mountain lodge with a disturbing past; and a genetic experiment that has life-changing results.
And Jacque’s actual unopened door? She did finally open it—to find not a crawlspace, but an actual room, ten feet deep. The next mystery is why was it built, but that’s for another day.
Born and raised in the Midwest, Dianna Sinovic has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
Dianna is a member of Bethlehem Writers Group, LLC.
The reason I write is for my pleasure. The joy of putting thoughts from my head down on paper is thrilling, especially if it is in a story that is enjoyable.
I can take a scene of combatants and put that heat of battle into the mind of the reader. They can imagine every swing of a sword or the sudden blast as a gun spews its lethal venom at an adversary. When done right, you can smell the odor of spent powder. Maybe the fragrant scent of a flower as it sends out its invitation to a pollinating insect. The mind can smell what the mind imagines. A powerful tool for me to utilize.
The images that can be placed on a sheet of paper have no limits. I can find myself, in the form of my characters, sailing a ship on the high seas or flying through the depths of space. Sometimes being lowered by rope to explore uncharted caverns in the Earth’s crust. There are times I would think that the story is a memoir of times when I was existing in another realm.
There are scenes that can describe sweet flowers blooming in a meadow on a mountain, the warmth of the sun with its brightness making the world magical. Or the chill of wandering through a forest with tall trees, their branches blocking the sun from reaching the ground, the dampness of rotting vegetation seeping to the very bones of a person. These places are hard to find but easy to come across with a description from the vision in my mind.
You might think that these are strange thoughts coming from a person who generally writes paranormal. However, not all the tales I have written contain ghosts, vampires, werewolves, or the other creatures that might go bump in the night. Sometimes I do dream of having a log cabin in the mountains situated at the edge of a lake with good fishing. These dreams need to find a home on paper along with the Dennison’s of dark imagination.
There are also times I sit down to write, and the words or ideas refuse to come to the surface of my thoughts. These are times I write just to scribble. These are things that make no sense whatsoever. It is only to keep my fingers on the keyboard and stop me from checking my social media accounts, going through my e-mail, or browsing stories that the news media thinks are important. These are times when only playing on the keyboard will, hopefully, bring ideas forth.
So, there you have it. My thoughts on writing putting words or ideas down for not only myself to enjoy, but, I hope, for others to see the visions laid out on paper or electronic device for them to imagine along with me.
Betty Edwards’ book, “Drawing on the Right Side of the Brain (1),” opened my eyes to a reality I hadn’t fully appreciated. As a neurologist, I understand the functions assigned to various locations within the brain. However, I never completely respected the dominant hemisphere’s power. Most people are right-handed indicating the left half of the brain is their dominant hemisphere, the center for logic and language. If I let it, my dominant hemisphere rules, governing by talking constantly and ruminating, at times, keeping me up at night reviewing, reminding, advising, revising, and creating anxiety. It can be unrelenting and exhausting.
Pop culture has long espoused that the right, non-dominant, hemisphere, in right-handed people, is the center of creativity. However, functional anatomic studies have not proven that hypothesis; and, in general, the concept of strict lateralization of creativity to the right side of the brain is no longer accepted. Nevertheless, that historic, theoretic construct remains useful for this discussion. (2)
What happened to the right half of the brain or wherever innovation resides? According to Betty Edwards, the education system took care of that by heavily favoring a curriculum of dominant hemisphere activities with emphasis on communicating through reading, writing, speaking, and exercising logic. The dominant side of the brain perceives the parts of things and processes in a linear sequential fashion. On the other hand, the innovative centers tend to be more spontaneous and conscious of the whole.
Right brain development became stunted halfway through elementary school. Betty Edwards points out, if one tries to sketch a picture of something, for many of us whose left-brain dominates, the depiction looks primitive, like something created in fourth grade. Try to draw anything and the left brain won’t allow it. Instead, it names the thing, consciously or unconsciously, and the right hand obeys producing a stereotypical likeness of the object rather than the article observed. The dominant hemisphere takes over limiting creativity.
How can I shut down my left hemisphere, let the right-side shine, and escape the constant banter interfering with sleep and relaxation, and stifling inventiveness? What happens when I finally break away, escaping the left hemisphere’s tyranny. I find quiet and peace. Time flies.
Meditation is one way to achieve this. I turn off the voice, listen to my surroundings, concentrate on breathing. Who knows, if I focus on nothingness long enough, someone wiser than I once suggested, I may hear the angels whispering. Our North American culture doesn’t generally allow for guiltless free unproductive time, making meditation difficult.
I’ve discovered other activities with the hope of reaching the same end. My answer to that conundrum involves incorporating a constructive activity with the mediative practice. I stand in a stream with water rushing past me. An egret walks slowly on the opposite shore staring in my direction. I cast and retrieve a feather tied to a hook at the end of a long line, concentrate on the process, commune with nature. I may even catch a fish. I play a musical instrument, doesn’t matter how well. Music is about spatial relationships, a non-dominant hemisphere specialty. I paint a picture and become a part of the scene, lost in the color, and the lines. I walk among the flowers on the canvas, smell their fragrance, feel the breeze ruffling the leaves. Free the right hemisphere. Time flies.
That brings me to writing/composing. Harness the left brain. Creating fiction is like painting. My pallet is filled with words. I paint with them, craft images, dissolve into the story, live the mystery, fly among the stars to strange worlds, survive a dystopia, fall in love, reminisce, dream, get lost, find my way, escape into a world I create.
1. Drawing on the Right Side of the Brain, Betty Edwards, 1979, Simon and Shuster.
2. Robert Schmerling, Harvard Health Publishing
Peter Barbour has been writing for over thirty years. He published “Loose Ends,” a memoir, in 1987, followed by a series of short stories from 1992 to 1995. “The Fate of Dicky Paponovitch” won Raconteur of the Month, May 1994, Raconteur Magazine, Susan Carrol Publishing. Since 2015, he has published more than twenty-five short stories which have appeared in shortbreadstories.co.uk, storystar.com, and shortstory.me, The Piker Press, Rue Scribe, Star Light Path, and ArtPost Magazine. His short story, “Why Bats Live in Caves,” can be found in “Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales,” an anthology from the Bethlehem Writers Group. Barbour wrote and illustrated three children’s books, “Gus at Work,” “Oscar and Gus,” and “Tanya and the Baby Elephant.” He is a member of the Bethlehem Writers Group. Links to his stories and illustrations can be found at www.PeteBarbour.com Barbour enjoys deconstructing stories to see how they are put together. He grew up loving the Wizard of Oz series, and dutifully read each book in the series to his children. The hero goes on a journey is one of his favorite themes.
He loves the outdoors, and especially the Pacific Northwest, which serves as the setting for many of his stories. He is married, and likes to travel, which affords him the opportunity to absorb new experiences from which to write. Barbour attended the University of Pennsylvania as an undergraduate and Temple University School of Medicine where he earned his M.D. He completed his residency training in Neurology, at Stanford University School of Medicine and practiced medicine in the Lehigh Valley until 2015 when he retired.
He believes that what comes from the heart goes to the heart.
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