Announcing the 2020 Short Story Award
January 13, 2020 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as 2020 Short Story Award, Bethlehem Writers Roundtable Short Story Award, Fur Feather & Scales, Peter Abrahams, Spencer Quinn
It’s time!
The 2020 Short Story Award is now open!
Bethlehem Writers Roundtable seek animal stories (broadly interpreted) of 2000 words or fewer.
First Place winner will be considered for publication in their newest “Sweet, Funny, and Strange” anthology:
Fur, Feathers, & Scales: Sweet, Funny, and Strange Animal Tales
The latest of their “Sweet, Funny, and Strange” Anthologies
See Submission Guidelines
The 2020 Guest Judge
Peter Abrahams is the Edgar Award winning author of thirty-eight novels including The Right Side, The Fan, A Perfect Crime, and the Echo Falls series for younger readers.
Under his pen name, Spencer Quinn, he writes the New York Times best-selling Chet and Bernie series, as well as the Queenie and Arthur series for younger readers.
Abrahams was born in Boston, graduated from Williams College, and lives on Cape Cod.
You read an interview of Mr. Abrahams here.
Previous BWR Short Story Award Judges
2012–Jonathan Maberr
2013–Hank Phillippi Ryan
2014–Rebecca Forster
2015–Curtis Smith
2016–Marisa A. Corvisiero
2017–Carrie Vaughn
2018–Kimberly Brower
2019–John Grogan
To submit a story
0 0 Read moreThe Seven Challenges I Love About Writing Short Stories by Jerome W. McFadden
December 13, 2019 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as Jerome W. McFadden, Short Stories, writing, Writing Advice
Multi-award winning Jerome W. McFadden’s has had forty short stories published over the past ten years in a wide magazines, e-zines, and a dozen anthologies. He efforts have won him several national awards and writing contests, receiving a National Bullet Award for the Best Crime fiction on appear on the web in June 2011. His short stories have been read on stage by the Liar’s League in Hong Kong and the Liar’s League in London.
After receiving his B.A. from the University of Missouri, he spent two years as a Peace Corps volunteer in Casablanca, Morocco. Following his MBA from the Thunderbird Graduate School of Global Management (Arizona State University). He continued his peripatetic ways with corporate assignments in Houston, Istanbul, Paris, San Francisco, and Singapore, spending his spare time writing free-lance articles for American and newspapers and magazines. He morphed from journalism to short fiction in 2009. He now resides in Bethlehem, Pa. and is an active member of the Bethlehem Writers Group. His collection of 26 short stories, Off The Rails, A Collection of Weird, Wicked, & Wacky Stories, appeared in November, 2019.
The Seven Challenges that I Love About Writing Short Stories
1) You need to get into the story from the very start:
Every word in a short story matters. Time and space are limited. You cannot afford to waste a page or two describing the weather, building the setting, or giving the genealogy of your hero/heroine. You need to get to the guts of the action quickly, pulling the reader in with the first paragraph. By the end of the first page the reader should be aware of the famous 5 W’s of journalism: Who, where, when, what, with why possibly coming later.
2) You need to quickly define the core of the story:
Short stories follow only one trajectory — one arc — concerning one character (or a small group of characters) traveling through one primary crisis or concern. The crisis or concern is in fact one shattering moment in that person’s (or group’s) life that he/she must work through, successfully or unsuccessfully. Note: That shattering moment does not need to be violent. It could be emotional, psychological, mental, or spiritual, or other. But it needs to be challenging. *
3) You must develop your characters rapidly.
Characters must be construct with complexity, credibility, and emotion—in as little as a sentence or two. The writer must show character development while actively moving through the story’s narrative. You do not have time or space for the big old info dump. Instead, the writer needs to use clever dialogue, interactions, short flashbacks, and sharp imagery to develop the story’s characters.
4) You are allowed only so many characters in the story:
You are limited to a small cast of characters. A full cast might consist of only one or two characters. Any character you decide to introduce must bring something crucial to the story – or be eliminated. Bringing in a characters for “cuteness” or for “color” or just because you like the quirky character in your head, is wasting precious words and precious space in your story. A good rule: Any character that does not bring in two vital elements into the story needs to be eliminated forthwith.
5) Short stories require a strong pace and balance:
Recognize the descriptions and dialogues that slowing the story down, as well those that are those that are moving the story along. You must identify the best place to start, where to put the opening scene that hooks the reader, then maintain that hook to continue to pull the reader through the rest of the story.
6) Short stories teach you to trim the fat:
Short stories leave no time for easing into things (long descriptions, banal conversations, interesting but boring backstory, wild personal tangents). Short stories are just that—Short —but they must always pack a punch. This may be the ultimate skill to be learned from short story writing: Trim the fat. My favorite writing “rule” comes from the legendary writer Elmore Lenonard, ‘Leave out the parts that the readers skip.”
7) A great short story must create an emotional impact:
The stronger the better. And a great twist at the ending helps make the story memorable
An added note: The tools and skill you pick up from writing short stories are assets that can and probably should be used in your novel writing.
*This “shattering moment” is described lovingly and in full detail in Chapter 3 – The Big Key in James Scott Bell’s wonderful book How to Write Short Stories And Use Them to Further Your Writing Career.
A Selection of Books by Jerome W. McFadden
Nominate the Independent
November 13, 2019 by A Slice of Orange in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as BWG, Diane Sismour, muse, story ideas, writing
Muses are complicated, unreliable, reluctant and downright ornery at time. Especially those times fiction writers rely on their whispers. No matter how much pleading we may do, they can flutter a story to someone new—someone who paid their heed to write with haste to complete the plot and not let life get in the way.
Muses are overrated, say the writers who aren’t staring at a white page with a dash blinking.
We should make a stand against how creativity blips into our minds and conjures ideas. The very lifeblood of our writing careers dance on the wire between characters flowing into reality, and the hard-pressed compromise of grunting words onto the page.
Would we ever turn our backs on the whispers? No. The whispers manage to coerce us into believing we can’t manage without them. That any organic thought would perish before the second scene.
However, muses don’t stand well against the match of a good writing partner. A partner who can in your most dire of need, visualize a story from beginning to end and hit all the plot twists. Someone who doesn’t wisp away when the writing gets tough, and who can switch their imagination on at your darkest hour to find the turning point in your story. Just remember to take notes!
So wherever you are in your writing careers, stand tall against relying on the whispers. Talk to a confidant and work through the saggy middles of your plots. Find the character flaws that can make your story live. Unite against the muse and nominate the independent. You.
Happy writing!
Diane Sismour
P.S. Please don’t tell my muse!
Books by Diane Sismour
Jack of All Trades? by Christopher D. Ochs
October 13, 2019 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as experience, inspiration, writing inspiration
BWG member, Christopher D. Ochs is our From a Cabin in the Wood’s author. We’re sure you will enjoy his post “Jack of All Trades?”
Christopher D. Ochs’ foray into writing began with his epic fantasy Pindlebryth of Lenland: The Five Artifacts, recommended by US Review of Books. Several of his short stories have been published in the Greater Lehigh Valley Writers Group and Bethlehem Writers Group anthologies and websites. His latest work is a collection of mirthful macabre short stories If I Can’t Sleep, You Can’t Sleep.
His current literary projects include: short stories in Firebringer Press’ next entry in their Eternity anthology series, an e-book prequel novella for Pindlebryth of Lenland, a YA speculative fiction novel My Friend Jackson, and of course, the second novel of the Pindlebryth saga.
Chris has too many interests outside of writing for his own good. With previous careers in physics, mathematics, electrical engineering and software, and his incessant dabblings as a CGI animator, classical organist, voice talent on radio, DVD and anime conventions, it’s a wonder he can remember to pay the dog and feed his bills. Wait, what?
Jack of All Trades?
I recently reflected over all the jobs in my lifetime from which I have received a paycheck. To the best of my recollection, they were:
- dishwasher,
- assembly line loader,
- computer slave,
- photo store salesperson,
- church organist,
- semiconductor electrical engineer,
- software engineer,
- computer software & hardware QA,
- CGI animator,
- and finally, author. (Well, maybe not an actual paycheck in that final case…)
During one particularly unsuccessful discussion with an HR individual, she commented, “Wow, you really are unfocused!” However, I look at it differently. I can truthfully say that I have been blessed, in that every job (after I completed college) has been a profession that I chose to work, and loved doing. That is not to say that some positions had their share of difficulties. There have been occasional instances of professional backstabbing and other malfeasance, plentiful examples of managerial incompetence, and so on. The Peter Principle is alive and well, let me assure you! Despite these workaday frustrations, my work involved in one facet or another one or more intellectual discipline I loved: physics, math, music, computers, and language.
Late in my hopscotch of professions, I began to despair. I felt that I had become the proverbial “Jack of All Trades, and Master of None.” A friend and co-worker made an observation that helped me out of my doldrums immensely. He said, “Your first degree was in physics, right? That means you have the discipline to figure out how anything works.” I’ve found that holds true, but only to a point. It does not help much in my latest choice of vocations, namely writing. Mathematical maxims and the comfort of the immutable laws of physics are notoriously absent.
Somerset Maugham’s (in)famous maxim states, “There are three rules to writing a novel. Unfortunately, no one knows what they are.” How true! To further my confusion, several writing authorities have posited, “Once you know the rules, you know when you may break them.” To borrow a metaphor from “Dungeons & Dragons,” I often feel like a Lawful Good paladin living in a Chaotic Neutral world.
However, I’ve discovered my professional wanderlust has still managed to come to my rescue. My wide experience of work has afforded me the chance to rub elbows with people from all walks of life: from blue collar to white collar, from ditch digger to Nobel prize winner, from unrepentant sinner to bishop. My choices have allowed me to make friends with citizens of all six populated continents.
As a writer, this “Jack-of-All-Trades” life path has afforded me a rich smorgasbord of characters, experiences and observation that I may draw on.
More often than not, we writers are a solitary bunch. I’m guilty as charged as well, as I am not as gregarious as everything above might imply. We huddle in our writing rooms, happy with our keyboard and coffee (or tea). It can become isolating, and that has its own dangers, when we spend too much time in our own head. We are often told to “write what you know,” but if you limit your experiences to your writing shed, it can limit one’s scope. And of course, if you can’t get out and about as much as you’d like, just read the memoirs of other people’s experiences.
So get out. Leap into that new job you’ve been dreaming about. The unemployment rate has never been better, after all. Try a new experience. Learn a new language or craft at your local high school adult program, learn a musical instrument, join a new group, be it a painting klatch or mountaineering club. Volunteer at a food bank or museum. Broaden your experience, and if you remain open and observant, I guarantee you’ll never run out of ideas to inspire your writing.
I hear it’s good for staving off Alzheimer’s as well…
Books by Christopher D. Ochs
Burls by Sally Paradysz
September 13, 2019 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as imperfect, intriguing, nature
From our archives, a post by Sally Paradysz: Burls
On the outskirts of the area where I split wood stands a cherry tree. It isn’t huge, but it has at least two burls on it that I can see. I find burls extremely interesting, and at times I can’t stop staring at them. It is a living thing, and something that resembles sap drips from all over it and down onto the forest floor. I have one that I split open years ago, and it is gorgeous on the inside.
Actually, burls are a valuable wood product for artists, furniture makers, and wood sculptors. Some of the most exotic salad bowls and serving bowls I have ever seen are made from burls just like these.
From my book-lined cabin in the woods beside my home, I can see many of these burls standing out proudly from the trees on my land. The sap seems to draw the sunlight to them, and their glow is intriguing. It is yet another example of what can be hidden inside a shell or a human being. Something exquisite emerges once it is opened to be examined. This author of imperfect words wishes that once we open ourselves up to the world, we can walk away with hope and new life passions that will change our life forever……
Sal
Sally Paradysz wrote from a book-lined cabin in the woods beside the home she built from scratch. She was an ordained minister of the Assembly of the Word, founded in 1975. For two decades, she provided spiritual counseling and ministerial assistance. Sally completed undergraduate and graduate courses in business and journalism. She took courses at NOVA, and served as a hotline, hospital, and police interview volunteer in Bucks County, PA. She was definitely owned by her two Maine Coon cats, Kiva and Kodi.
Her book is available here:
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