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Featuring The Extra Squeeze Team

February 14, 2021 by in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as , , , , ,

Each week in February we’ll be featuring The Extra Squeeze Team.

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

 

Have you a question for The Extra Squeeze Team? Send them to us by using this handy link.

Dear Extra Squeeze Team, I have a story I want to tell that is loosely based on family and friends. How do I tell my story without hurting anyone?

Robin Blakely | The Extra Squeeze Team | A Slice of Orange

Robin Blakely

PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.

Begin by writing the complete story—beginning to end—the way you truly imagine it. Write with precision honesty without the fear of hurting anyone.

When done writing, evaluate what you have created. It is in the editing stage where you will objectively be able to decide how to share the story publicly without hurting anyone. If the finished story is meant to be fiction, you can go back and make sure physical identifiers that link to nonfiction people (like a skull tattoo on the left arm above a knife scar) are changed to protect the innocent or the not-so-innocent.

If someone has inspired you to recreate their character in a fictional world, rest assured your depiction of their internal thoughts, feelings, and motivations won’t be the tipoff that the character is loosely based on this real person; it will be the physical attributes that you choose.

Most people don’t recognize themselves in someone else’s writing unless they are told the character is modeled after them or the physical facts are eerily the same: age, body build, hair color, scars, name, physical location, profession, relationships with others, or facts from exact encounters are replayed in the work.

If the story you are telling is meant to be nonfiction, you have a different issue. In a biography or a memoir, you need to tell the truth as you know it, but you must also share your truth in a way that can be formally substantiated by the research of others. If you are afraid you might hurt someone by telling the truth in your work and you are naming names across your work, you need to consult an attorney before publication because hurting feelings may result in a lawsuit.

Jenny Jensen | A Slice of Orange

Jenny Jensen

Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.

 

Cue dramatic music:

Deep Voice Over: The names in this story have been changed to protect the innocent.

That’s a start. Every writer works from what they know — even if they’re writing about elves and spaceships and unicorns. Our own experiences are what we draw on to launch our imagination. And it’s the real-life situations that often give a writer the rich soil for a gripping tale.

Just write the story. When you’ve laid it all out, step away for some distance then read it with fresh eyes to spot what might be so obvious as to be hurtful. If you find the narrative is obvious, even though it is based loosely on family and friends, then consider what the compelling idea is in this tale. What was the single most gripping element that made you want to write about it in the first place? Take that compelling idea and re-write from that prospective.

Or just start with that single compelling idea rather than with the cast of friends and family. Stories have a way of charting their own course and it’s very likely, that with that shift in perspective your story will be unique enough to withstand the scrutiny of sensitive family and friends.

Rebecca Forster | Extra Squeeze

Rebecca Forster 

USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.

 

I have used family and friends for inspiration in many of our books. For the most part if I didn’t tell the individual who inspired me, they did not recognize themselves. If I did tell them I was going to do it, most of them were thrilled.

Then there came a time when I happily told my sister I had used our age differences as the foundational inspiration for my story. (she is fourteen years younger than I am and we were born on the same day). She was thrilled­–until she read the book. She asked, “Is this really what you think of me?” To be fair she was the bitchy, beautiful sister accused of murder, and I was the smart but downtrodden attorney who saves her.

It had nothing to do with real life other than the span in our ages. Still, when she asked that question, I understood that there was a difference between inspiration and hitting close to home including the perception of hitting close to home.

The answer was, no, the character in no way was my sister. Their physical characteristics were the same, not their character.

What you’re talking about is even more delicate. You are going to be exploring actual things that happened to you and your family. If this is an honest memoir you need to be ready for the fallout. If this is fiction, you’ll need to be very skillful when you write to navigate the hurt feelings—or worse— that might arise. Ask yourself a) is this book is necessary to your well-being and b) if you are strong enough to face any and all consequences that will come with writing it. You are the only one who knows the answers.

H. O. Charles | A Slice of Orange

H.O. Charles

Cover designer and author of the fantasy series, The Fireblade Array


Ooooh *eyes widen* “awaits gossip*
I think the only way to do that is to write under a pseudonym and don’t tell them about it. People aren’t always as stupid as we hope they are. They’ll figure out it’s them in no time!

The Extra Squeeze | A Slice of Orange

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

Send us your questions! 

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The Dirty Difference Between Paranormal Romance and Urban Fantasy by Rachel Hailey

February 8, 2021 by in category Apples & Oranges by Marianne H. Donley, Guest Posts, Rabt Book Tours tagged as , , , , ,

Today we have a guest post from Rachel Hailey. Rachel was born and raised in the South. She’s all about that nerd life and in between writing she’s dedicated herself to raising the next generation of nerds. If she’s not online or staring at a book she can usually be found at the local game store rolling dice, shuffling cards, or planning her next cosplay.

Her childhood was most prominently shaped by the works of R.L. Stine, Stephen King, Anne Rice and the Brothers Grimm.

The Dirty Difference Between Paranormal Romance and Urban Fantasy

Rachel Hailey

I’ve been in love with monsters since I was a little and got angry when Belle turned the Beast into a boring old prince. As I grew older and more obsessed with fairy tales, I found two genres that truly spoke to my black heart. Urban Fantasy and Paranormal Romance.

These powerhouses rose to popularity fast during the late ’90s, and early 2000s. Those years exploded with amazing stories of dazzling monsters. Jim Butcher and Laurell K. Hamilton were among the first and are still synonymous with Urban Fantasy. But around the time Anita was toying with the notion of staking Jean-Claude, Sherrilyn McQueen (Kenyon) introduced us to Acheron and his band of tortured but scorching hot daimon slayers. While Harry rides an undead dino, J.R. Ward first showed us the wicked streets of Caldwell where the Black Dagger Brotherhood protects their race against the Lessening Society.

Anyone who has read a good Paranormal Romance or Urban Fantasy will agree that there is magic in the ink. But what is the difference between Paranormal Romance and Urban Fantasy? Both include the same elements: mystery, action, adventure, supernatural, and yes, sexy times.

So what are the differences?

All four of these series feature creatures that don’t just lurk in the shadows – they’re at home in the dark. The stories bleed tension, and the only thing higher than the number of pages are the body counts.

With so many similarities, it’s the technical details that define which side of the aisle a book gets shelved.

One of the easiest difference to spot is Point of View. Black Dagger Brotherhood and other Paranormal Romance stories are usually told in third-person, giving readers the full experience by switching perspectives among many characters. Urban Fantasy authors, such as Hamilton and Butcher, rely on first-person, fully immersing readers in the heads and hearts of their protagonists.

As Paranormal Romance series unfolds, they often maintain this same energy with each book centering on a new couple, while in Urban Fantasy a single protagonist continues to shine center stage, no matter how many books follow.

The next difference can be a little tricky to identify. Paranormal Romance are more character-driven. It’s the emotions, the development of the characters, and their relationships that keep us turning pages. The relationships are the main focus. The tension comes from the need to see a couple (or more!) handle their issues and find their happily ever after.

Urban Fantasy, on the other hand, are plot-driven. Investigating the murder, solving the case, saving the world are the defining moments for these tales. That’s not to say relationships aren’t important in Urban Fantasy. Usually, they provide much-needed motivation for the protagonist to get off their ass and do their job or save the world, pushing them to be better, stronger, harder.

This brings us to my next point. Sex. The pages of Paranormal Romance blister fingers and leave readers dry-mouthed, but so too can Urban Fantasy. Usually, the scenes are shorter, less descriptive. The relationships form slowly over books and culminate in a scene that begins scorching and ends with a closed door. (Damn you doors.)

But these rules are often shattered with impunity which continues to leave readers a little confused. Anita arguably has more sex in one book than the entire cast of the Dark Hunter universe, and it’s twice as graphic. There’s also the matter of POV. Jeaniene Frost’s Night Huntress series is told in first person and focuses on the same characters through all seven (wonderful) books. The Night Huntress series is also heavily plot-centric but undeniably falls into the realm of Paranormal Romance.

So what is the difference?

My answer?

Marketing.

I’ve heard Paranormal Romance and Urban Fantasy referred to as cousins, but I disagree. I think they’re much closer than that, and deciding where they are listed comes down to opinion.

There’s an ugly side to this – The great disdain the Romance genres garner even within the publishing community. (Which makes no sense as it is the highest-grossing genre. Don’t believe me? Google is free.) Often this contempt leaves agents and authors slapping Fantasy on a book instead of Romance to appeal to a wider audience.

It starts with the cover. They replace the image of the muscled hero with a detailed, gritty image of the heroine holding a blade as she scowls fiercely into the night. I was told recently this was because Urban Fantasy readers are so much choosier about art. But are they really, or is this just another stereotype rooted in the belief that romance readers and authors are somehow less than?

In the end, it doesn’t matter where a book is shelved, or whether the cover has a half-naked man. Urban Fantasy and Paranormal Romance stories speak to some of the darkest corners of the human soul. Whether you read for the action or the action, remember, genres are labels, and like all labels, they can help or hinder. Don’t be afraid to cross the aisle and reach for a new author. What you find may surprise you.


Rachel Hailey’s Dark Paranormal Romance



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Sins in Sunlight Book Tour

February 8, 2021 by in category Apples & Oranges by Marianne H. Donley, Rabt Book Tours tagged as , , , , , ,
 
 

 

 

Of Courts and Desire, Book 2

 

Dark Paranormal Romance

Date Published: January 18, 2021

Publisher: FyreSyde Publishing

 

 

The Sunfire Queen, Sierra, has waited for her chance to rule, thinking life would be better with her mother dead. She was wrong. The Court of Light is in Shambles. Her people are terrified and despise her. She has no friends, no love, and no hope. When a new war hovers on the horizon, Sierra must find the lost beastkyn Mikhail or her court will perish, and she’ll lose her shot at redemption.

 

Quick to grin and quicker to kill, Mikhail has made his share of mistakes–being imprisoned has given him time to ponder each poor decision. But when Sierra frees him, he earns the opportunity to make some more. She’s gorgeous and despite her fiery nature, as cold as the snow-capped mountains of Russia. He can’t wait to see how fast he can make her melt.

 

 

 

 
 
 

 

About The Author

 

 

Rachel Hailey was born and raised in the South. She’s all about that nerd life and in between writing she’s dedicated herself to raising the next generation of nerds. If she’s not online or staring at a book she can usually be found at the local game store rolling dice, shuffling cards, or planning her next cosplay.

Her childhood was most prominently shaped by the works of R.L. Stine, Stephen King, Anne Rice and the Brothers Grimm.

 

 

Contact Links

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a Rafflecopter giveaway

RABT Book Tours & PR
 

Excerpt

Sins in Sunlight

Rachel Hailey

Mikhail leaned down, giving her plenty of time to turn her head or pull away. The orange specks bloomed in her eyes. He closed the minuscule gap, capturing her lips. They were as soft as rose petals. He stifled a hiss of pleasure as her mouth opened under his, and when his tongue swept over hers, her entire body shuddered, and she moaned. 
He deliberately kept his hands where they were, but how they wanted to roam down her body. Too soon, the song ended, and she broke the kiss. 

He opened his mouth to apologize, but stopped. He wasn’t sorry about keeping secrets. This was how his life was. Yet, when he looked up and found her brown eyes leveled on him, the scent of sadness rolling through the car, he was sorry this was the life he had to offer. 


“How many other secrets are you hiding?” she asked, but not accusingly, more like she was as tired of his issues as he was of hers. 

“Enough.” 


“So, where does that leave us?” Sierra asked, voice low. 

He smiled, baring his teeth. “The closest thing to friendship two Kyn royals can have.”

The pink lightkyn made a strangled sound, her back pressed harder against the door. He expected her to disappear into the glass.


Scalded by shame again, his talons shrank. He ran a hand through his hair. None of this was the girl’s fault. He opened his mouth to apologize, but before the first syllable left his lips, she exploded into laughter. The sound was like chiming bells and as lyrical as a child’s rhyme. Although beautiful, it was joyless and manic, the kind of sound the condemned might make as they laughed on their way to the gallows. 


Reassessing her threat level, it was his turn to take a step away. Was she dangerous or merely unbalanced? Any creature who laughed like that needed to be handled carefully. 


“Are you well?” he asked as the loud peals continued to ring out.

 
“No, I am most certainly not,” she said between gasps. “Are you?” She collapsed against the door, dropping her injured arm.


Wary of the lightkyn and her bizarre reactions, he shook his head. “No.”


She sobered and looked at him with soulful brown eyes. “I suppose you wouldn’t be. Would you like to come inside?”


“Who are you?”


“Sierra.”


“Sierra,” he said, tasting the name. It rang with power and depth, matching this girl with wild laughter and sad eyes. “Will you help me escape before the new ruler finds me?”


She smiled, revealing even white teeth, and tilted her head. The last of the sunlight fell across her face like a mask. “I’m afraid it’s too late for that. I am the new Queen of The Court of Light.”


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The Extra Squeeze Team: February Featured Author

February 7, 2021 by in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as , , , , , , ,

Each week in February we’ll be featuring The Extra Squeeze Team.

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

 

Have you a question for The Extra Squeeze Team? Send them to us by using this handy link.

Do I have to write in the same genre? | The Extra Squeeze Team | A Slice of Orange

Dear Extra Squeeze Team: Do I HAVE to Keep Writing in the Same Genre?

Rebecca Forster | Extra Squeeze

Rebecca Forster 

USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.

Switching genres is not a black and white issue but a function of the writer’s objective.

 

Writers by nature are a curious, opinionated and creative bunch. That means there is a tendency to write about whatever inspired them. Sadly this impulsive creativity wars with, and can undermine, the business of being creative.

 

So, if you are a writer whose primary concern is to explore all levels of your craft, writing in many different genres will be fulfilling. But if your primary concern were to use your writing to build a creative business, it would be wise to stick to one genre. Here is why:

 

1) Concentrating on one genre creates a dedicated fan base.

2) One genre allows the author to create a cohesive personal brand

3) Readers will know where to find you on the bookshelf whether it is in a brick and mortar or a digital bookstore.

4) Writers usually excel in one genre. To write in a completely different genre that is not as strong as your primary one only serves to dilute your brand.

 

This is not to say you can’t have diversity in your writing career. If you’re a thriller writer, it can take months to craft a 100,000-word novel. Writing shorter genre romantic suspense might satisfy your desire to write in a separate genre, allow you to bring out more books each year, and your output will still appeal to your fan base while growing a cross-over fan base in romantic suspense. Do you write fantasy? Then try magical realism. Do you write romance? Cross over to women’s fiction or sagas. Just remember to make your secondary market tangential to your primary.

 

New writers may want to try on different genres for size to find out where their strengths lie. Established authors who want to try a completely different genre may want to consider a pseudonym. Either way, the first thing to do is decide what your career objective is and then make a genre plan to meet it.

 

[tweetshare tweet=”Dear Extra Squeeze Team: Do I HAVE to keep writing in the same genre?” username=”@A_SliceofOrange”]

Jenny Jensen | A Slice of Orange

Jenny Jensen

Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.

No, of course not. You can write in any genre you desire. The outcome of that would depend on how much weight you place on each side of art vs business of writing equation.

 

If you weigh in about equal between writing as your expressive art and the business of making that art pay (either recognition or income) you’re well aware of the importance of branding your work for a particular audience. You know the effort involved in creating an online author presence, beginning with a body of solid work, which is publicized and supported by blogs, reviews, interviews, twitter, newsletters, Face Book etc.  It takes time and consistent work to build an author platform and a fan base. Your fans find you and stick with you because they want to read the genre you’re writing in, they expect to read that genre and because you are good enough at that genre to either be building, or have built, a solid following.

 

Traditional publishers shy away from letting an author branch out into a different genre. They don’t want to upset an established cash cow. In that respect the traditional marketing model is similar to the Indie model. Poor A. A. Milne — he really wanted to write murder mysteries (he published one: The Red House Mystery) but his publisher would never let him taint the image of Christopher and friends.  There are major exceptions; J. K. Rowling and Anne Rice are two. Both of these fabulous authors had a huge, loyal fan base before they made the genre jump. When you write that well most of us will follow blindly! I know I do and I’ve not been disappointed.

 

If you know you have great stories in you that cross genre typing you can always publish one genre under a nom de plume. That’s very common. Eventually a well-known writer gets outed as the person behind the false moniker but by that time she’s hooked a whole new audience so everyone is happy.

 

Writing in different genres is, I think, an excellent way to exercise and grow your writing skills. Just the difference in voice between the lady of an Edwardian romance and the female warrior of a dungeons and dragons fantasy would require a major stretch of skills. Add plot mechanics, atmosphere and secondary characters and you’re running a writing marathon. That’s the kind of practice that really sharpens a writer’s eye. I’d never discourage that.

 

The important thing to remember if you want to successfully write in more than one genre is to be sure you can excel in one of them first.

Robin Blakely | The Extra Squeeze Team | A Slice of Orange

Robin Blakely

PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.

No, you don’t have to keep writing in the same genre. But, why would you leave?

 

Over the years, authors have privately shared many reasons for making big shifts in their writing careers.

 

  • Sometimes you start out in the wrong place, and your efforts just aren’t working.
  • Sometimes you change so much as you grow professionally that your story interests carry you to a new genre.
  • Sometimes the original genre changes and you no longer feel at home creating the types of stories you once enjoyed.

 

As a writer, you are a talent-driven brand, and talent-driven brands are fueled by passion.  So, it always makes sense to follow your passion.  However, passion can sometimes be mistaken for a whim.  So, think hard about the shift you are contemplating.  Prepare for what could be ahead.

 

From a PR, Marketing, and Sales perspective think about desired outcomes before you decide to leave your readers and move.

 

  • Consider the risks and the benefits to the business side of your creativity.
  • Take a critical look at what you are building—there is more than your written work at stake.
  • In addition to the books you are creating, you are also steadily building a community of readers.  Jumping ship to another genre will be like moving from your beloved neighborhood to a new community.  The readers you got to know over here may not go with you over there when you leave.  They may like you enough to come visit, but it is likely that they won’t come by often.

PR-wise, you are starting over when you begin to write in a new genre.  Even if you keep writing for your original genre, you will still be starting over reader-wise with your new work. Still, just like in the real world with an apartment or a starter home, a simple move can be just what you needed to live happily ever after.

H. O. Charles | A Slice of Orange

H.O. Charles

Cover designer and author of the fantasy series, The Fireblade Array


 

When you find out, please let me know because I am about to publish a(n) historical fiction novel (after years of writing in fantasy!).

 

There’s no reason why an author wouldn’t have the *ability* to write in another genre, as long as the enthusiasm and skill for it is there. The main thing that I’d be concerned about is audience. The audience you build up whilst writing for one genre may not enjoy your new genre, and it may be that only die-hard fans will want to make the crossing, so to speak. And if they did, the resulting reviews and sales could go either way. Essentially you’d be back at square 1, or perhaps square 1.43, in building a readership for your books.

 

I wonder if JK Rowling’s endeavour with crime fiction (Robert Galbraith) might serve as a useful source of information. The books were released under a different pseudonym (just as Nora Roberts’ publisher insisted), although this was at JK’s behest since she wanted to “go back to the beginning of a writing career in this new genre, to work without hype or expectation and to receive totally unvarnished feedback.”

 

On one hand, she received positive reviews as a ‘debut author’, but only sold 1,500 copies in the three months before her true identity was revealed (I say only – that’s not bad going for many authors out there!).

 

When it was revealed that Galbraith was Rowling, sales shot through the roof, but still only half as many people have written reviews for those books as have done so for the Potter series. From that, I would suggest that if your performance in your first genre is good, then it can only help build a readership for your new genre, but don’t expect sales to match those of your first genre. However, if your foray into your new genre is flawed for any reason, I suppose *potentially* it could negatively affect your existing reputation.

 

Without having published my non-fantasy book yet, I say go for it. It’s a great way to learn and explore new techniques, approaches, worlds and really grow as an author. I’m really enjoying doing something different.

The Extra Squeeze | A Slice of Orange

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

Send them your writing and publishing questions 

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Dew Upon Glass Book Tour

February 4, 2021 by in category Apples & Oranges by Marianne H. Donley, Rabt Book Tours tagged as , , , ,
 
 

 

 

Urban Fantasy

 

Date Published: November 30th 2020

 

 

 

 

A tale of two communities learning to live in harmony but will the trust stay strong between them?

 

After everything they have gone through. Why now? Why this?

 

Kelpie and Jason grew up in peaceful solitude, at one with nature. Yet when they are forced to move, they are also forced to change. Nevertheless, they grow to appreciate this new life and the harmony between both the human and the fae societies. When the killings start, their tranquillity is threatened and in their midst a well of fear, mistrust and discord has risen.

 

If she is to survive, she must learn to adjust and be ready for the danger hidden in the shadows. Will the life she fought so hard for fall to pieces? Or will Kelpie and Jason withstand the darkness and escape the misfortune of their troublesome cycle?

 

 
 

About the Author

 

 

Emilie Dallaire was born and raised in Montreal, Quebec and now enjoys her full-time job as a QA Lead in the Gaming Industry. After having the unique opportunity to have her works – ‘My Demon’ and ‘Starved’ – published in the Melting Pot Anthology (compiled by Syndie Beaupre), she has finally been able to switch her attention more to her true passion; writing! The project reignited her deep affection for the written word and gave life back to her childhood dream.

Throughout and since her youth, Dallaire has always had a wild imagination allowing her to be the author she is today. The author likes to unwind with classic Disney movies, video games, anime and photography, that all help her to relax while still stimulating her creative juices. Dallaire adores and is inspired by relatable fiction stories including impelling romances, of which you will often see incorporated into her own works.

 

 

Contact Links

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Purchase Links

 

Buy from Amazon
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a Rafflecopter giveaway

RABT Book Tours & PR

Excerpt

Dew Upon Glass

by

Emilie Dallaire

The Crone had left me this particular book a few times to read, but I’d avoided it several times. It was a book on different Fae, and the knowledge within was a mixture of factual and assumption. It was everything that had been learned over the years, with some common mistakes mixed into the pot. 

I smoothed my fingers down the spine of it, contemplating my options. I wanted to know more about my kind, but the fear that the information would be inaccurate twisted my gut.

“Everything okay?” Jason finished his sweeping and had taken a quick look around the shop for any remaining cleaning before coming to my side. He glanced at the book and slid it out of its place for me, then arched a brow. “She’s been encouraging you to read it.”

“I know.”

“Why haven’t you?”

He was right, of course, but that didn’t settle the nerves twisting my gut.

At least he seemed to acknowledge that and he patted my thigh before slowly getting back up. “Why don’t you take the rest of the day? Decide what you want to do and if you need time alone to read, I can give you that. I’ll send you some coffee from that shop you like.”

“…The pumpkin spice?”

“I’ve told you a million times it’s out of season now.” His grin seemed to quirk at the question, but he wouldn’t laugh. At least, not while I was in the room.

I appreciated that, at the very least. I don’t think I would have been able to stomach his mockery. No, not mockery…I knew better than to label it as such a thing. That was the little voice talking to me. I took the book from him, nodded in thanks, and made my way back upstairs to our home. “Fine, surprise me then, since you know me so well.”

That comment did pull a laugh from him and I couldn’t help but smile. It was a sweet sound to hear from his lips.


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