Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York.
Her Work in Progress is a Young Adult Novel based on a search into her ethnic roots that explores identity, belonging, and self-discovery. Her genres of choice are historical fiction, where she always makes new discoveries, literary works because she loves beautiful writing, and children’s picture books because there are so many wonderful worlds yet to be imagined and visited.
She currently resides in Macungie, PA., but she’s still a Brooklyn girl at heart. How sweet it is!
Veronica’s story “Fiona Malone’s Fesh,” is featured in the Fall 2021 Issue of Bethlehem Writers Roundtable.
In addition to her fiction, she has a monthly column, Write from the Heart, here on A Slice of Orange where she writes about writing, life and does book reviews.
Connect with her on Facebook @VeronicaJorgeauthor
Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York.
Her Work in Progress is a Young Adult Novel based on a search into her ethnic roots that explores identity, belonging, and self-discovery. Her genres of choice are historical fiction, where she always makes new discoveries, literary works because she loves beautiful writing, and children’s picture books because there are so many wonderful worlds yet to be imagined and visited.
She currently resides in Macungie, PA., but she’s still a Brooklyn girl at heart. How sweet it is!
Veronica’s story “Fiona Malone’s Fesh,” is featured in the Fall 2021 Issue of Bethlehem Writers Roundtable.
In addition to her fiction, she has a monthly column, Write from the Heart, here on A Slice of Orange where she writes about writing, life and does book reviews.
Connect with her on Facebook @VeronicaJorgeauthor
Date Published: 10-06-2021
Publisher: Indies United
Escaping from her childhood, Sheela, flees her aunt’s motel where she is forced to work as a cleaning maid and provide ‘favors’ for wealthy guests and winds up in Miami in Kit Malone’s fancy brothel. Beautiful and stately, Sheela becomes a high-class prostitute, a millionaire’s mistress and a Billy Rose showgirl. When she meets the love of her life in Manhattan, the charming but naïve Julius Clark, life blossoms into something both frightening and titillating. But when Sheela gives birth to her daughter, Fanny, it is this shadowy and stormy relationship that alters the course of both of their destinies and defines their future.
Vera Jane Cook was born in New York City and has been a city girl ever since. As an only child, she turned to reading novels at an early age and was deeply influenced by an eclectic group of authors. Before Jane became a writer, she worked in the professional theatre and appeared on television, in regional theatre, film and off Broadway.
At the age of fifty Jane began to write novels. Some of her titles include Dancing Backward in Paradise, winner of an Eric Hoffer Award for publishing excellence and an Indie Excellence Award for notable new fiction, 2007. The Story of Sassy Sweetwater and Dancing Backward in Paradise received 5 Star ForeWord Clarion Reviews and The Story of Sassy Sweetwater was named a finalist for the ForeWord Book of the Year Awards. She has published in ESL Magazine, Christopher Street Magazine and has written early childhood curriculum for Weekly Reader and McGraw Hill.
Jane still lives on the upper west side of Manhattan right near Riverside Park, where she takes her delightful dogs, Peanut and Carly, for a jog,. She comes home to her spouse of thirty years and her two cats, Sassy and Sweetie Pie.
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Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York.
Her Work in Progress is a Young Adult Novel based on a search into her ethnic roots that explores identity, belonging, and self-discovery. Her genres of choice are historical fiction, where she always makes new discoveries, literary works because she loves beautiful writing, and children’s picture books because there are so many wonderful worlds yet to be imagined and visited.
She currently resides in Macungie, PA., but she’s still a Brooklyn girl at heart. How sweet it is!
Veronica’s story “Fiona Malone’s Fesh,” is featured in the Fall 2021 Issue of Bethlehem Writers Roundtable.
In addition to her fiction, she has a monthly column, Write from the Heart, here on A Slice of Orange where she writes about writing, life and does book reviews.
Connect with her on Facebook @VeronicaJorgeauthor
Metafiction/Humor/Mystery
Date Published: April 20th, 2021
Publisher: Zither Studios
A nutty religious cult abducts a herd of prime gazebos (huh?) and it’s up to bumbling P.I. Mars Candiotti to rescue them. Mars, aspiring author, chronicles his quest in Jeffrey Hanlon’s comic mystery Zither.
Guided by his magically prescient IHOP waitress, Mars strives to mitigate the shocking global consequences of the gazebo heist, even though he has no idea what the word mitigate means. Mars has five Important clues with which to solve his confounding mystery: Butterscotch, John Travolta, Trombones Venetian Blinds, and Wind Chimes.
As Zither swallows its own tale, Mars finds it increasingly tricky to distinguish between real people and his rambunctious fictional characters. Zither becomes the romper room where his reality meets fantasy – and get frisky with each other.
Using his (odd) clues, Mars’ international odyssey leads to an explosive conclusion in Panama. TVs around the world tune in to watch live coverage of “Carnage in the Canal”.
Amid the lunatic havoc that is Zither there is (of course!) an epic love story as Mars meets Marian, the brainy librarian he had dreamed of. Marian says his books are “slapstick existentialism with subjective reality couched in parable”. (This is news to Mars). But is Marian real?
Is any of it real?
“Hanlon’s humor shines bright and will leave fans of such madness wanting more.” Publishers Weekly
“This zany, rollicking mystery adventure is as compelling as it is hilarious.” Independent Book Review
Nominated for the prestigious Audie Award, Best Fiction 2021
I was born in a Southern California beach town.
Jeffrey Hanlon
Excerpt
As nightfall approached, we prepared.
Pete disguised himself as management, putting on a nice Men’s Wearhouse suit with a bleeding turnip lapel pin.
I disguised myself as Britney Spears.
At the stroke of midnight, Pete and I left his house and headed for the St. Francis Yacht Club.
As contrived luck would have it, Benny Tisdale had left the cabin on his dumb boat unlocked.
In stealthy fashion, Pete and I went below.
“I’ll shine the flashlight and listen for footprints. You find the varnish,” Pete said.
It took no time at all to find Benny’s Man O’ War. Actually, it took a bit of time, but you know what I mean.
As Pete held the light, I donned my surgical gloves and placed Benny’s Man O’ War in my black op bag.
“Easy as taking candy from a drowning man,” Pete whispered.
I nodded.
Pete said, “It’s dark in here, Mars. If you’re going to nod, warn me so I can shine the flashlight on your head.”
“Okay, Pete. We’ll make that a new rule.”
As we prepared to exit in stealthy fashion, Pete shined his flashlight around the cabin, then said, “Mars, look at this big wooden crate.”
I looked at the wooden crate. It was big enough to hold a Barcalounger.
“I’ll bet it’s filled with ill-gotten booties,” Pete said. “Or a Barcalounger.”
He handed me the flashlight and pried open the crate’s lid with a crowbar.
It was not until some time after dark that we took courage to get up and throw the body overboard. It was then loathsome beyond expression, and so far decayed that, as Peters attempted to lift it, an entire leg came off in his grasp . . .
“Peters?” Pete said. “Do you mean Pete? Me? What body? What leg?”
“Sorry. That’s Edgar Allen Poe, The Narrative of Arthur Gordon Pym.“
“What’s Poe doing in this chapter?”
I shined the flashlight on my shoulder and shrugged.
He snatched the light back, looked in the crate, and said, aghast, “We’ve gotta get outta here quick, Mars! This boat could blow any minute!”
I looked inside the big wooden crate.
Here is what was in there: hundreds, probably thousands, of Steven Seagal movies.
We’d be lucky to get out of there alive. Seagal movies have a tendency to bomb.
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