Why erotica? Why now?
Sex isn’t the taboo it once was. HBO’s Sex in the City made it okay to pop a vibrator into your shopping bag along with a pair of stilettos. Women want that same freedom in choosing the books they read.
It all started with FANNY HILL. Considered to be the first erotic novel, the memoirs of this woman of pleasure by John Cleland published in 1749 was the subject of the 1966 landmark Supreme Court case that opened the door to publishing erotic fiction in the United States. Since then, men have had all the fun. Now it’s time for women to get in on the reading action.
What we read mirrors what’s going in our society. No surprise then that erotic fiction is so popular. According to a recent study by the Kaiser Family Foundation, the number of sex scenes aired on TV has doubled in the last seven years. Seventy percent of shows on TV include some sexual content–double what the figure was in 1998.
Lesson 1: Overview: the history of erotic romance
Lesson 2: Subgenres of erotic romance: historical, contemporary, paranormal, fantasy and futuristic
Lesson 3: Erotic language — which words to use, not to use, etc.
Lesson 4: Coming up with an idea
Lesson 5: “A Hero’s/Heroine’s Erotic Journey”
Lesson 6: POV: 1st vs. 3rd; how to think like a man; head hopping vs. bed hopping
Lesson 7: Research
Lesson 8: Erotic romance is not –the difference and what publishers want
About the Instructors:
Jina Bacarr is the award winning author of Naughty Paris and The Blonde
Geisha from Spice Books. Lyndi Lamont writes erotic romance, including
male/male for Amber Heat, the erotic imprint of Amber Quill Press.
Enrollment Information:
Cost: OCC members $20 and Nonmembers $30
Enrollment deadline: October 13, 2007
For more infromation, see the website http://www.occrwa.com/classes_October.htm
or e-mail online class moderator Lori Pyne at luv2write@gmail.com
by Barbara DeLong
Hey, are you new to OCC meetings? If not new, are you so used to the lonely life of a writer that you’ve lost what social skills you might have known in a prior life? Maybe you’re just shy, or intimidated by the many stars of romance who attend our meetings. You walk in, find a chair and sit. You’d love to be included in the many conversations going on around you, work the room, network. But you don’t. You just sit.
Let me tell you about my first experiences with OCC. It was Jann Audiss who told me about the chapter when we met at Maralys Wills novel writing class many years ago. She persuaded me to try out a meeting and join the organization. I met her at the Days Inn the following month. For many months we attended every meeting and for some reason we felt we were still on the fringes of the group, outsiders, kind of like two kids pressing their noses to the candy store window.
Then one meeting, Jann said, “You know what? We’re going to turn around and introduce ourselves to the next person who sits behind us.â€
We did. That’s how we met Cathy Oliver. The three of us quickly became fast friends and formed a critique group. Ok. Now there were three of us pressing our noses to the candy store window. What to do. What to do.
Wham! It hit us like that great story idea that makes our hearts race at three in the morning and has us scrambling in the dark for a pen and pencil. Volunteer! How many times had we heard that volunteering is a great way to meet people, make friends and help the organization? Since that great epiphany, we’ve been everything from co-president, to secretary to ways and means, audio, Write for the Money, Orange Blossom Contest co-ordinator and assistants, first OCC conference co-ordinator, newsletter distributors – you get the picture. Now we have no problem working the room. We’re in the candy store.
So, when the call for volunteers goes out, step up. Grab some candy. Oh, and say hello to the person behind you. They just might become your next BFF!
1 0 Read more The Bob and I
I want to tell you about OCC’s October speaker, or rather his books. I was first introduced to Elvis Cole and Joe Pike in 1987. A friend of mine who is also a bookseller said he had just read a new author in paperback mysteries and his name was Robert Crais.
I ordered The Monkey’s Raincoat–Yeah, a funny title, but I almost didn’t read it because the main character’s name was Elvis. I don’t know why but that was too cute, but I took Jim’s advice and I am so glad I did. Here was a new voice in mystery fiction and he spoke to me in a way that I understood. I could hear his dialogue in my head. Elvis was young and very cool. He was sexy and funny and he liked women. Well, The Monkey’s Raincoat went on to win all sorts of awards and Robert “The Bob” Crais became a big time famous author and I wait for the drop date of every book he writes.
I have been “stalking” RC in the nicest sort of way since the early nineties and he has never disappointed. When Bobbie took over as Program Director and asked us for a wish list, Robert Crais was first on my list.
THANKS, BOBBIE!
Take my advice and read The Monkey’s Raincoat and all the rest of his books. I have handed his books to hundreds of people over the years and I can honestly say I’ve never had a complaint. I recommend that you read the Elvis/Joe books in order because Elvis and Joe grow as characters and Robert Crais grows as an author and he was great to begin with.
Happy Reading,
Michelle Thorne
OCC/RWA Bookseller
RWA Bookseller of the Year 1998
www.bearlyusedbooks.com
By Janet Cornelow Quinn
When Michelle Thorne asked me to blog on the OCC site, I was thrilled. Then I get this email in the middle of the week saying I needed a title. No one said I had to have a title. I have a problem with titles. I have two short stories and two books that are in desperate need of titles. Not only did I need a title, but I needed one right then. In a state of panic, A Fantasy Life came to me.
After all, isn’t that what we do as writers? We “play god†and create characters, settings and problems to be solved. We create fantasy lives.
On the other side, I have moved into writing fantasy. My first fantasy novel comes out in February. It’s called THE ENCHANTED HAWK. I’ve written time travel novels, which are in the realm of fantasy, but with time travel I’m only breaking the rules of time and space as I move a character through them. I still have to adhere to the laws of physics and the realities of history. There is only so much leeway for breaking rules.
With real fantasy, I can create my own laws of physics and don’t have to pay any attention to history. I can create a medieval feeling without having to be totally accurate. In THE ENCHANTED HAWK, I have polymorphic beings (shape shifters). The heroine can become as small as a mouse or as large as a dragon – a very large ragon. I can ignore the law of conservation of mass.
In my world of Augeas, long-lived, magical beings exist beside humans. (Augeas is done in short stories.) They have various magical abilities, most of them to do with mind control. Mixed in are the humans who have only normal abilities. Rayna is a warrior, trained with sword, dagger and bow and arrows, to protect her lady. She has no special ability, but a great deal of loyalty and a thirst for revenge.
The thing with fantasy, however, is that whatever rules of physics I make up, I have to follow them. I can’t suddenly change them because I decide I want to do something else. This requires copious notes to make sure everything stays the same. My shape shifters can’t turn into a mouse one time, then not be able to the next time. Also, the color of the animal is tied to the color of the hair, so if Brylyn turns into a hawk, it’s always a red hawk. Every animal she turns into is red.
In Augeas, those who have magical powers can only use those magical powers that they possess. A character can’t read minds one moment and then three pages later not be able to do so. Unless the character faces another character who can block his power.
So enjoy your fantasy life.
Drawings by Jasmine Tanner, veildandy.deviantart.com
*********************************************************
Available now by Janet Quinn at her website: http://www.janet-quinn.com/ –
WHISKEY SHOTS Vol 7 from Whiskey Creek Press,
WILD HONEY
Available from Whiskey Creek Press –
THE IRISH COUNTESS, THE LUCKY LADY and A MOMENT IN TIME
Available at Amber Quill Press –
THE KILTED GOVERNESS, ARROW OF THE HEART and THE RIVER’S TREASURE
by Sara Black
Perhaps it’s the cold given to me by a recent house guest, but I’m feeling a low on both Pop and Culture, so this month’s post will follow suit.
Last night I was relaxing in bed and enjoying the premier of season two of Heroes (there’s the pop culture part!) when a news spot comes on and a woman starts talking about this house that has been sitting on the shoulder of the 101 for over a week, complete with footage.
“Hey-” I start even as the boyfriend’s eyes widen.
“That’s our house!” He says.
Back to the beginning. I’m at my writing spot waiting for the words to pour forth when this horrible jackhammer noise starts up. It sounds like it’s right outside my window but it’s actually across the street. They’re finally getting rid of the house that has had the notice of demolition sign up since we moved into our apartment three years ago. Soon we’ll have ‘affordable’ condos there instead.
Only, despite some very vigorous jackhammering and other intrusive construction noises, the house doesn’t actually appear to be getting demolished. Then one day, when I pull on my sweater and decide to take one of those clarifying walks, when I stop short in front of my apartment. There is a house parked across the street. I pull out my cell phone and take a picture.
Then retreat back into my apartment, not prepared to deal with the kind of world where a house is parked across the street. Later I peer out long enough to see that it’s gone, and figure that’s the end of the madness.
But when I join my boyfriend in the car that night to go out for dinner, we see the house, now down the block and parked at the end of the cul-d-sac, two police cars parked outside. We try not to stare, but it’s hard not to. We’re almost disappointed when we get back and the police are gone, though the house is still there.
And it stays there for at least a week and a half. Prompting various guests to greet me with: “You know there’s a house parked down the street from you, right?” And a series of jokes about real estate and the new neighbors.
It goes on long enough that we have almost forgotten about it until we’re in the car again, miles from home. The traffic report drones on underneath our conversation, but during a pause in conversation I hear a warning about the 101. Traffic is jammed for miles, and has been for hours, thanks to a house lodged in a freeway underpass. Startled, I ask the boy if he’s heard that and then have to repeat the whole story to him.
“Think that’s our house?”
“How many houses can there be moving around Los Angeles on any given day?” He asks.
Sure enough, the house was no longer down the street. I looked online to see if there are any pictures, but traffic in LA isn’t a big enough story. A week later though, after I see the spot on the news, I can find dozens of pictures that confirm that it is my house (okay, the one from across the street) lodged underneath the freeway. I can understand the distinction, a house in the middle of a residential street for a week is nothing to write home about, sticking out into 101 for too long and the LA Times will take notice.
For more information on this strange debacle, just google “house 101 Freeway”.
Sara Black has a degree in Cinema/Television from USC. She watches far too much television, eats way too much sushi and is always writing a romance novel. This is the sixth in a series of posts on Pop Culture.
She lives somewhere in Santa Monica and now occasionally worries about waking up in the middle of a freeway.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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