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Nora Ephron and Meryl Streep-screen magic!

August 9, 2009 by in category Writing tagged as ,

I’m a major admirer of writer / director Nora Ephron and also of actress Meryl Streep. So to have the two women team up in a movie about another woman I admire (Julia Child) on a subject that is one of my greatest passions (cooking)…ah, I’m in movie heaven. I’m talking about Julie and Julia, of course.

But this isn’t a movie review…today I want to ask, what makes for magic on screen? In a movie, as in a book, you can have two very similar stories, yet one is mediocre while the other steps up to greatness. What’s the difference? In a romantic comedy, chemistry is key – Ephron’s Sleepless in Seattle and You’ve Got Mail teamed Meg Ryan and Tom Hanks, whom I think made a great match chemistry-wise. I know lots of people adored When Harry met Sally, but for me, witty as the movie was, the Ryan-Crystal chemistry wasn’t as great. In books, chemistry abounds between so many of Georgette Heyer’s Regency protagonists, while Susan Elizabeth Phillips is a mistress of chemistry on the page in contemporary romances.

Another factor in screen magic is that elusive presence, and that’s something Streep has in spades. In movies from Silkwood to Heartburn, from Kramer vs. Kramer to Adaptation, Streep fills a screen yet doesn’t make it “all about her”. Sheer genius.

Lastly, there’s the need for a story that, though it may be about ordinary lives, transcends the trivial and somehow gets to our hearts. This is what I admire about Ephron. She turns even a light comedy into a great story – and you know it’s a great story when you can watch it four, five, six times and it feels fresh every time.

I think that should be the ultimate goal for any romance writer—to write stories that, yes, provide a few hours’ entertainment. But at the same time, they say something about the human condition and the power of love that we never tire of hearing. Anyone got a favorite Ephron and/or Streep movie they’d like to share?
Abby
www.abbygaines.com

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Moon Watch

August 6, 2009 by in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as , , ,

Tonight is the night of the full moon.

How do I know? I looked it up. Finding out about the full moon is important to me these days, since I write a paranormal romance series for Silhouette Nocturne about Alpha Force–a covert ops military unit of shapeshifters!

Yes, my Nocturne ALPHA WOLF and the Nocturne Bites CLAWS OF THE LYNX, both published in January this year, will have sequels. Notice that the word “sequels” is plural! Already in the works is ALASKAN WOLF, which will be the next to be published. It now has a pub date: January 2011. Yes, that’s a long time away, but worth waiting for!

Meantime, I’ll be working on two more Alpha Force stories. Not to mention my Kendra Ballantyne, Pet-Sitter mystery series and its spin-off Pet Rescue series. And practicing law. And–

Well, it’s fun to be busy. But tonight I may just howl at the moon!

Linda O. Johnston

http://www.lindaojohnston.com/
http://www.killerhobbies.blogspot.com/

Linda O. Johnston is the author of 16 romance novels and several novellas, including a Nocturne Bites, with more Nocturnes upcoming. She also writes the Kendra Ballantyne, Pet-Sitter mystery series from Berkley Prime Crime and will soon start working on the spin-off Pet Rescue

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Notes from Val’s Desk

August 4, 2009 by in category Archives tagged as , ,

  • This blog is writing related only in the sense that I’m writing it. And, (to those who know me) sometimes I like to begin with the definition of my “topic” word, which in this case is quite impressive.

So here it is:

vol·un·teer (noun)
· a person who chooses freely to do or offer to do something
· a person who chooses freely to enter into any transaction with no promise of compensation
· a person who serves as volunteer, usually without compensation
· a person who freely chooses to offer or give without being asked or obliged

I am by nature a very curious person. When I was growing up, my mother (who was handicapped and never wanted to be noticed) always made me sit quietly and watch. Watching is definitely not my idea of having fun. As a result, I became a first-class observer and an excellent listener. It took a few years to take that first step, but I finally got my butt off the bench and have been running ever since. Today I am a dyed-in-the-wool VOLUNTEER and darn proud of it.

It’s so much better to be involved than sit on the sidelines. To me, it’s like looking at sparkling Christmas lights through a window and wanting to touch. Today, and with no regrets, I think about the adventures I’ve had, the places I’ve been, the interesting people I never would have met and the wonderful friendships I’ve made. I’ve learned and developed new skills from artfully arranging goodies on a tray to getting up and speaking to a room full of people. Volunteering doesn’t have to be vocal; what you do can be done “behind the scenes” as well. But most important is the feeling of satisfaction knowing that your efforts may have contributed to something or someone in a positive way.

Maybe you say you don’t have the time or worse, you’re all volunteered-out. I took a little hiatus from volunteering just once. It didn’t take long for me to realize that a part of my life was missing—that connection with people and what was happening out there in the world. I couldn’t wait to get back in the game and I did.

I have to be honest. More than once I should have said “no” instead of “yes” and then felt burdened with a little too much to do. So do your homework. Be realistic about how much time you are willing to devote so you won’t “burn out.” What are you interested in? What will give you the greatest satisfaction? What would make your life a little more interesting? Find that event or group you’d like to be a part of—they may need you as much as you need them.

Now, get out there and volunteer for something!!!

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Chapter Meeting – August 8, 2009

August 3, 2009 by in category Archives tagged as

General Meetings are held the second Saturday of the month at the Brea Community Center, 695 E. Madison Way, Brea, CA 92821.

For a map and directions, click here.

Meeting fees are $10 for Members and $20 for Non-Members.

Meeting Schedule for August 8, 2009:

9:30 am: Doors Open / Ask an Author—Volunteer Ask an Author/s for August: Karen Kay

10:30 – 10:45 am: Announcements

Morning Workshop: ALYSON NOEL New York Times, USA Today & Publisher’s Weekly bestselling, award-winning author of the Immortals series, including Evermore and Blue Moon, will talk about Drama, Angst and Heartache: Writing the Young Adult Novel

11:50 – 1:00: Lunch Break (Lunch Orders available)

12:45 – 1:00: New Member Orientation

12:30 – 1:00: Book signings (check www.occrwa.org for schedule)

1:00 – 1:30 pm: General Meeting and Announcements

Afternoon Speaker: KARL IGLESIAS, a screenwriter, script doctor and consultant, best-selling author of Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader From Beginning to End and The 101 Habits of Highly Successful Screenwriters. Karl is going to discuss Writing for Emotional Impact

3:00 pm: Meeting Adjourns

Attention: OCC Members Attending the Meeting–Monthly Critique Drawings!
Volunteer Critique Author for August:
Jennifer Haymore

Important 2009 Dates to Remember:

August 10, 2009 – September 5, 2009—OCC Online Class: Using Body Language and Vocal Gestures to Create More Believable Characters with Bill Edmunds. For information click HERE

Saturday, August 22, 2009: Character and Conflict; Point of View and Dialogue

Multi-published authors Deb Mullins and Charlotte Lobb (aka Charlotte Maclay), will help you stretch your writing abilities and move you on the road to publishing. These are the basics of writing a good book, drawing in your readers (and editors) and pumping up the emotion. Building these basic skills – and maybe latching onto some advanced techniques – will up your chances of making THE SALE.

Join them from 9:00 a.m. to 3:30 for a full day of learning and growth in your craft at the Brea Community Center (Art Studio). Don’t miss this special presentation from two of OCC’s very talented and successful authors! For more info Click Here

For current Online Class Schedule and registration information, please visit http://www.occrwa.org/onlineclasses.html.

For more chapter meeting information visit OCC’s website at http://occrwa.org/meetings.htm

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August Prez Messge rj – 2009

August 2, 2009 by in category Archives

Have you ever been asked the question: Where do your characters come from?
I often wonder when I sit down at the computer and a personality emerges, with quirks and histories I didn’t outline or think through: Did I know a person like this? Or did I merely see someone at a party, a Dodger game, a museum who inspired the thought?

Most recently a wrote a book where the female character wears heels always, because of her diminutive stature, and always curls those legs up to sit cross-legged on any surface that isn’t a chair. Was it her history that gave her this quirk? A rebellious background (she’s a true American Gypsy) that had her sitting on tables rather than chairs? Or was it purely about being less that tall, so she didn’t want to be at the same level or lower than others when she was sitting down? Or was it a physical condition that made sitting in that posture merely the most comfortable?

Personally, I have no idea. I sat down to write a scene, and as it emerged from my fingertips, the quirks became a natural part of the action. And the book is not completed, so I still haven’t attached a reason for it yet. Now I would guess that some of you are nodding your heads. Your heroes & heroines and their personal characteristics emerge in the same manner. Others of you are appalled. How can you portray someone doing that without thinking things through and meticulously outlining their background?

I’m sure others have addressed this is classes or seminars, and probably in a more quality manner. Regardless, this is my question of the month: whether you are building the perfect hero, aspect by aspect in an outline, or if they spring whole and complex, birthed from a few lines in a scene, where do they come from?

For me, I don’t really remember ever meeting anyone who fits the description of my gypsy girl. But it must have come from somewhere. Even my busy to chaotic imagination usually doesn’t concoct someone out of air. Perhaps she is pieced together from a dozen souls whose path I’ve crossed over the years. When I originally planned this book, she was still short, but her history, her quirks and her personality are nothing like the person who has emerged onto the page.

Yes, I went through a planning stage for a number of books. Back in the 80’s (geez I turn 52 in a couple of weeks!) I attended my first Romance Writing seminar. One of the techniques that came out of the class was to identify and outline a “couple” who will be the center of your book. I created several, with a couple of lines describing each, a paragraph or so about their history, and a plot line that I thought would enable them to meet, fight, love, leave and reunite for happily ever after.

I still have those yellowing pages of notes. Three of those pairs live in three of the books I have completed over the years. (Other recent manuscripts evolved from other sources). I have about five more who still are waiting for me to write their story. What’s funny is those I did write about remind me of the remodeling jobs of some houses in old neighborhoods: you keep that one foundation beam or wall in the house, and per zoning law, it’s not a new house, although everything around it may change absolutely.

And so it is with my characters. They started as one type a person — In the case of my Gypsy, she was a mousy, bank teller with psychic visions – and as the book begins, she evolves into a character for today – a sassy, secure, security software designer (I really didn’t mean to add all that alliteration J), who has a past as a con artist. Still short, with long dark hair, but now she wears heels and sits on tabletops. And, I handed the psychic abilities over to her love interest, an LAPD cop. He was always the cop, but he was the cynical disbeliever. Now he’s still the cynical disbeliever, but he has this annoying yet useful ability to be able to tell when someone is lying, and the frightening ability to see when a crime is going to happen.

Where did they spring from? Stories we’ve read? You hope you’re not Xeroxing someone else’s character from an old memory, but one would guess you couldn’t help but retain some quirk that sticks in your mind. Articles in the newspaper? Forensic Files? CSI? Your next door neighbor? That family at Disneyland? (Have you seen some of those people?)

We are all observers of the human condition, of people whose lives we interpret and then relay on paper. Let us hope we continue to take what we see, and spin it into a tale that brings joy to our readers and insight to our world.

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