We’ve all heard of those theme park rides based on movies – Harry Potter rides, Spiderman rides, etc—but a while back I read that the first Pirates of the Caribbean movie was actually inspired by the Disneyland ride of the same name. Yes, the ride I last traveled on as a twelve-year-old, which was, um, some time before the movie came out. It was the movie-to-theme park journey in reverse.
Wow, a whole movie inspired by a theme park ride! Which got me thinking, why not a whole novel inspired by a theme park ride? I guess Pirates of the Caribbean is kind of taken. But what about, say, It’s a Small World? If, say I wanted to bring new saccharin levels to the concept of “sweet†romance? Or for an action novel, I guess I could use Space Mountain or the Matterhorn as inspiration. I see there’s a new attraction called Sleeping Beauty’s Castle Walkthrough…now that sounds promising!
Or maybe I’ll just a book about a strange town populated by oversize, benevolent, cartoonish characters… But where’s the conflict, folks, where’s the conflict?
My current preoccupation with Disneyland isn’t solely because Up just won the Best Animated Feature Oscar. It’s because in a few weeks’ time we’re taking the kids to Disneyland (Anaheim) for the first time. I can’t wait to reacquaint myself with the place, and draw whatever inspiration I can from letting my imagination out to play!
If you have any favorite Disneyland experiences or tips, let me know!
Last month, I asked for questions, and I got a couple of excellent ones from Jeri Hoag. One of them was about how to keep positive in the face of rejections that often come when you start submitting a book for publication.
It isn’t easy, but it is necessary. Keep in mind that, no matter what stage of writing you’re in, there are always negative things that can occur. Published or not, you can receive rejections on your submission, by editors and agents. If you already have a relationship with them, they’re sometimes kinder in how they reject your work, but a rejection is still a rejection.
Once you’re published, though, you have a track record that follows you. I won’t lie. It helps. But remember that when you’re published your work is out there for more than a few people to look at. You’ll get reviews. Some are positive, which is always a kick.
But some will be negative. Sometimes very negative. Sometimes very negative and posted on Amazon and other sites from which you hope people will want to buy your books. That kind of review, one that can discourage people from trying your work, is always a real kick in the gut.
3 0 Read moreI have some quotes hanging on the wall around my computer, and in times when I am lacking inspiration, I find these help me find the way back to the path.
“Everything comes to those who hustle while they wait.†– Thomas Edison
If anything sums up the business of publishing, that one is it for certain. Publishing is a business of hurry up and wait.
– Hurry up and get that proposal in on time, then wait for feedback from the agent/editor.
– Hurry up and get those revisions in on time, then wait for the check.
– Hurry up and get that manuscript in, then wait for it to be released as a finished book.
But what if, while you are waiting, you hustle to start a new book or send out another proposal or query a new agent? Then that wait time becomes productive time, and you have a better chance of achieving your goals.
“Only those that risk going too far can possibly find out how far one can go.†– T.S. Eliot
This one can easily be applied to the craft of writing. Someone once said that there are only about fifty plots in the world. How is it possible then that so many books are published every year? (Way more than 50!) Because each author brings the uniqueness of voice and character and a twist to the plot that can make the same basic story sound completely different from another person’s version of the same.
But how far is too far? How much risk should you take? That becomes a personal decision, based on where you are in your writing career. A very successful author might be able to take risks a newer author might not. But then again, these days it is very hard to break into publishing, so maybe your work has to be riskier than others in order to be noticed and sell? This is a good one to contemplate. Sometimes taking the risk could simply mean submitting the work at all. If you never submit, you never have the opportunity to be successful.
“Inspiration usually comes during work, rather than before it.†Madeline L’Engle
This is my favorite quote of all and probably the one that makes the most sense to every writer. Basically, if you are looking for inspiration, look to your own work and your own words and you will find it. Facing the blank screen isn’t easy. It never is. But just the process of putting words on the page gets your creative juices going, and the next thing you know the words are flowing like water from your fingertips.
Any time I am blocked or stuck I look up and see these quotes on my wall. They remind me that I am not the first writer to be going through this, nor will I be the last. I hope they help you as well.
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I am a fan of James Patterson and I like both his Alex Cross and The Women’s Murder Club series. I even like his flying children. I was happy when I got two Alex Cross books for Christmas.
I started the book, Alex Cross’s Trial. The book opened with a forward written by Alex Cross. That stopped me. I closed the book and looked at the front. Then I read the inside of the cover. Alex Cross had written this book about one of his ancestors in
If you hold the book and cover up James Patterson’s name at the top, the bottom looks just like a cover with Alex Cross as the author.
I find the concept of having a character write a book very interesting. Especially when the character is not writing a book about his own adventures. I have read other books where the character was a writer and wrote books, but those books were never published for the masses to read.
I’m not sure if an author could pull this off unless the character was someone like Alex Cross who is well known and has starred in several books of his own. However, it does seem like an interesting concept if you are writing a series and want to write a book that does not fit into the normal series. It would be away to do that. People would buy the book not realizing it is not the usual book about the character. I don’t have any characters that are well enough known to do something like this, but I am thinking of starting a dark, urban fantasy series. One of those characters may some day write a book.
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Hi everyone! Check out the exciting online classes offered by the
Orange County Chapter of RWA!
“The Regency Woman”
with Nancy Mayer
March 15 – April 10, 2010
Enrollment Information at http://www.occrwa.org/onlineclassMarch10.html
COST: $20 for OCC members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
Ever wonder if Regency women really could get away with some of the things you read about? Do you have a story where you ask yourself, “Can she do that…?†Nancy Mayer has worked to answer many questions on women of the Regency Era and in this workshop she will share what she has learned.
This workshop will focus on Regency woman and their roles, expectations, rights, and power. Including common myths and mistakes writers make in their stories. (Like can or how do woman obtain financial independence, and can they maintain it in marriage.)
ABOUT THE INSTRUCTOR:
Nancy Mayer has been researching the Regency for decades and trying to write for more years than she likes to remember. She has given several workshops on Regency subjects including one for the Beau Monde conference in Reno.
See her webpage for examples of some of the subjects she has covered: http://www.susannaives.com/nancyregencyresearcher/
Enrollment Information at http://www.occrwa.org/onlineclassMarch10.html
COST: $20 for OCC members, $30 for non-members
Coming in April 2010–
“What Does Nora Roberts Know That You Don’t? —
Learn How to Unlock the Simple Secrets Behind Every Best Seller
and Blockbuster Film” with Carol Hughes
Learn about the 18 scenes that every story contains, no matter its length or genre. Find out how to identify your character’s mental gender and what impact that has upon readers. Discover how your character’s arc drives your story and how your story drives your character’s arc. Learn the four throughlines of every story and how to weave them together.
http://www.occrwa.org/onlineclasses.html. Check out our full list of workshops.
Want to be notified personally two weeks before each class? Be sure
you’re signed up for our Online Class Notices Yahoo Group! Sign up at
the bottom of http://www.occrwa.org/onlineclasses.html or send a blank
email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
********** permission to forward **********
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